cdm 1536: planctus: muerte y apocalipsis en la edad media - eng

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RELEASE APRIL 2015 PLANCTUS D EATH AND APOCALYPSE IN M IDDLE A GES – Capella de Ministrers – Carles Magraner (Cond.) Elisa Franzetti, soprano Gabriel Díaz, contratenor Miguel Bernal, tenor Tomás Maxé, bajo Carles Magraner, violas David Antich, flautas Manuel Vilas, arpa Ignasi Jordá, exaquier/ organetto L’Almodí Cor de Cambra – CDM 1536 – In the Middle Ages it retains a large number of compositions of eschatological theme. There were also in the Middle Ages compositions relating to the funeral ritual. It is significant that most of the few musical pieces recoverable of ancient Hispanic liturgy are belonging to the Officium Defunctorum. A varied repertoire of macabre thematic consists of laments, dances of death, responsories and other forms of poeticmusical expressions as antiphons and tropes, are the reflection of the questions that humans have ever made about the afterlife, about the meaning of life and death, and behind of them is opened a gap of fear or hope. Outhere S.A. · rue de l’Épargne 29 · B-1000 Brussels tel.: +32 2 373 82 00 · fax: +32 2 373 82 09 sales & marketing: [email protected] · communication: [email protected] www.outhere-music.com 1 cd TT: 73’22

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Capella de Ministers Carles Magraner, direction

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Page 1: Cdm 1536: Planctus: Muerte y Apocalipsis en la Edad Media - ENG

r e l e a s e a p r i l 2 0 15

PL ANCTUSDe at h a n D a p o c a ly p s e i n

Mi D D l e ag e s

– Capella de Ministrers –Carles Magraner (Cond.)

Elisa Franzetti, sopranoGabriel Díaz, contratenor

Miguel Bernal, tenorTomás Maxé, bajo

Carles Magraner, violasDavid Antich, flautas

Manuel Vilas, arpaIgnasi Jordá, exaquier/

organettoL’Almodí Cor de Cambra

– cDM 1536 –

In the Middle Ages it retains a large number of compositions of eschatological theme. There were also in the Middle Ages compositions relating to the funeral ritual. It is significant that most of the few musical pieces recoverable of ancient Hispanic liturgy are belonging to the Officium Defunctorum.A varied repertoire of macabre thematic consists of laments, dances of death, responsories and other forms of poeticmusical expressions as antiphons and tropes, are the reflection of the questions that humans have ever made about the afterlife, about the meaning of life and death, and behind of them is opened a gap of fear or hope.

O u t h e r e S . A . · r u e d e l ’ É p a r g n e 2 9 · B - 10 0 0 B r u s s e l s

t e l . : + 3 2 2 3 7 3 8 2 0 0 · f a x : + 3 2 2 3 7 3 8 2 0 9

s a l e s & m a r k e t i n g : d o m i n i c @ o u t h e r e - m u s i c . c o m · c o m m u n i c a t i o n : j u l i e n @ o u t h e r e - m u s i c . c o m

w w w. o u t h e r e - m u s i c . c o m

1 cdTT: 73’22

Page 2: Cdm 1536: Planctus: Muerte y Apocalipsis en la Edad Media - ENG

PL ANCTUSDe at h a n D a p o c a ly p s e i n Mi D D l e ag e s

tracklist

1. Requiem æternam (GT 669)

2. Ples de tristor

Planh que fe Giraut Riquier del senhor de Narbona

3. Misa de Barcelona. Kyrie

4. Audi pontus, audi tellus (Códice de Las Huelgas)

5. De profundis (GT 673)

6. Sol eclypsim patitur

Planctus por el óbito de Fernando III el Santo

7. Dies irae (LU 1810)

8. Clangam, filii (Sequentia planctus cigni)

9. Domine Iesu Christe (GT 674)

10. Mentem meam ledit dolor

Planctus por el óbito de Ramón Berenguer IV

11. Misa de Notre-Dame de Kernascléden. Sanctus

12. Media vita in morte sumus (Defunctorum prosa)

13. Agnus Dei (LU 1815)

14. Ir tanczer und spranczer (Danza de la muerte)

15. Lux æterna (LU 1815)

16. In paradisum (LU 1768)

– cDM 1536 –

O u t h e r e S . A . · r u e d e l ’ É p a r g n e 2 9 · B - 10 0 0 B r u s s e l s

t e l . : + 3 2 2 3 7 3 8 2 0 0 · f a x : + 3 2 2 3 7 3 8 2 0 9

s a l e s & m a r k e t i n g : d o m i n i c @ o u t h e r e - m u s i c . c o m · c o m m u n i c a t i o n : j u l i e n @ o u t h e r e - m u s i c . c o m

w w w. o u t h e r e - m u s i c . c o m

r e l e a s e a p r i l 2 0 15