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FORUM MIEDZICZASOPISMO O WYKORZYSTANIU MIEDZI W BUDOWNICTWIE 23/2007

Apartamenty nad wod Hinna Br ygge w Stavanger (Norwegia) Nowa siedziba Brochem Metal koo Poznania Muzeum Lalek w norweskim TrondheNowy biurowiec Pr Wonen (Holandia) Mied tworzca atmos er w ka eterii Bodega Ca (Pozna) Nowy budynek teatru w Kopenhadze

Mied zmienia oblicze nowej siedziby GN Store Nords Wizyta Al a Folmera u architekta Einara Jarmunda w Oslo Futurystyczna orma nowowybudowanew Madrycie (Hiszpania) Copper Award 2007. Prezentacja zrealizowanych projektw nominowanych do nagrody. Zaproszenie na spacer po dachach Sz tok

krajobraz peen miedzi Mied na dachu i asadzie pry watnego domku jednorodzinnego w Monachium Pikne asady budynkw abrycznych w No

Jak starzeje si mied utleniana abrycznie? Raport z wizyty w Innsbrucku.

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Co r ForumS ycz 2007Copper Forum wydawane jest dwa razy do roku w 19 tys. egzemplarzy.Czasopismo kierowane jest do architektw i innych osb zwizanych zawodowo z budownictwem w Polsce, Rosji, Danii, Norwegii, Szwecji,Finlandii, Wielkiej Brytanii, Czechach i na Wgrzech.

R dak or Nacz lny: Lennart Engstrm Tel. +46 21 198254 Tel. kom. +46 70 6574734 Fax +46 21 198204 [email protected]

Adr s: Copper Forum c/o Outokumpu Copper Products AB Metallverksgatan 5, Box 510, SE-721 09 Vsters, Szwecja

Wydawca: Lennart Engstrm, Luvata Pori OY

Skad rzygo owan chn czn : Naula Gra isk Design/M Reklam

Druk: Intellecta Strlins 2006, Szwecja

R dak orzy:Mogens Prstegaard, Dania + 45 4323 7700 [email protected] Svedman, Szwecja +46 2119 82 50 [email protected] Rudidalen, Norwegia +47 2324 7469 [email protected] Thtinen, Finlandia +358 2626 6612 mervi.t ahtinen@ outokumpu. comAllan Savola, Finlandia + 35-826266111 [email protected] Zhigalina, Rosja +7 8123202050 [email protected] Ionov, Rosja +7 0957872792 [email protected] Sawicki, Polska +48 (22) 8258252 [email protected] Zakrzewski, Polska +48 717812504 [email protected] Pinter, Czechy +36 12664810 robert.pinter@hcpcin o.orgJir Kratochvle, Czechy +42 0261122542 [email protected]

Czas na mied Witamy w nowym numerze Copper Fo-rum! Na pytanie z czym kojarzy nam simied wielu z pewnoci odpowiedziao-by, e z pikn architektur. To wanie

architektura daje najlepsz moliwo wyeksponowania niezliczonych walo-rw tego materiau Mied niejednokrot-nie stanowi opraw i tworzy atmos ermiejsc, ktre w poczeniu w wyjtko- wymi wydarzeniami i doznaniami trwa-le zapisuj si w naszej pamici.S tacy ktrzy twierdz, e mied jestmagiczna, ma moc wywoywania wspo-mnie ...

Architekt Al Folmer opowiada wswoim artykule o spotkaniu z innymarchitektem, Einarem Jarmundem. Za-

pytany o prywatne dowiadczenia zwizane z miedzi, Jarmund wspomina o byszczcej miedzianej monecie zapamitanej zdziecistwa. Trzymajc j w rku z pewnoci nie przypusz-cza, e mied stanie si wanym materiaem wykorzystywa-nym przez projektantw biura architektonicznego, ktrego jest wspwacicielem.

Tradycyjnie przygldamy si interesujcym projektom zobszaru caej Europy. Mamy nadziej podzieli si z naszymiCzytelnikami wraeniem jakie wywary na nas due i mae rea-lizacje, ktrych wsplnym mianownikiem jest mied jako mate-ria budowlany nadajcy poszczeglnym obiektom specy czny charakter.

W naszej wdrwce kilka razy zatrzymujemy si na zachod-nim wybrzeu Norwegii i przygldamy si nowym projektom,

dla ktrych mied okazaa si by kluczem do sukcesu.Nie szukajc zbyt daleko, w duskiej Kopenhadze od

przykady wykorzystania miedzi w architekturze o wytowej klasie. Architekt Henry Foss przedstawia nam s

nowego budynku Teatru Krlewskiego.Tych z Pastwa ktrzy z niecierpliwoci oczekuj roztegorocznej edycji Copper Award in Europe, pragniemmowa, e jury konkursowe wkrtce ogosi nazwiska szwycizcw. Tymczasem my prezentujemy kompletn ltw nominowanych do tej nagrody, ktre mog sta siinspiracji i nowych pomysw.

W tym wydaniu sprbujemy take odszuka lady nodw, ktre w przyszoci bd wpywa na stylistyk budynkw. Sposb powstawania trendw jest zagadk.trendy nagle pojawiaj si zarwno w modzie jak i arcPokazy mody to swoisty barometr trendw, z ktrego pci potra odczyta przyszo. W tych krgach wielesi o wadze rzemiosa i dokadnego dopracowywania sztake o wysokiej jakoci i piknie wykorzystywanych Nie trudno przewidzie e skoro kolor miedzi w odcienczerwonym chtnie wykorzystuje si dzisiaj w modzieresowanie miedzi i jej zastosowanie w architekturze rosy.

Na koniec chciabym podzikowa naszym Czytel wszystkie pozytywne reakcje dotyczce czasopisma. Pokieruj take w stron wszystkich osb, ktre przyczy jego powstania, udostpniajc zdjcia i teksty na temat wnia miedzi w maych i duych projektach. Zachcam donas i ycz miej lektury!

Lennart Engstrm, Redaktor naczelny

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SpiS tReCi

4Apartamenty nad wod Hinna Brygge w Stavanger (Norwegia)

5 Nowa siedziba Brochem Metal koo Poznania

8 Muzeum Lalek w norweskim Trondheim

9 Nowy biurowiec Pr Wonen (Holandia)

13 Mied tworzca atmos er w ka eterii Bodega Ca (Pozna)

14 Nowy budynek teatru w Kopenhadze

16 Mied zmienia oblicze nowej siedziby GN Store Nords

18 Wizyta Al a Folmera u architekta Einara Jarmunda w Oslo

24 Futurystyczna orma nowowybudowanej willi w Madr ycie (Hiszpania)

27 Copper Award 2007. Prezentacja zrealizowanych projektwnominowanych do nagrody.

35 Zaproszenie na spacer po dachach Sztokholmu krajobraz peen miedzi

36 Mied na dachu i asadzie prywatnego domku jednorodzinnegow Monachium

38 Pikne asady budynkw abrycznych w Norwegii

40 Jak starzeje si mied utleniana abrycznie? Raport z wizy ty w Innsbrucku

Z a p r o s z e n i e n a s p a c e r p o d a c h a c h S z t o k h o l m u k

r a j o -

b r a z p e e n m i e d z i

W i z y t a A l f a F o l m e r a u a r c h i t e k t a E i n a r a

J a r m u n d a w O s l o

N o w a s i e d z i b a B r o c h e m M e t a l k o o

P o z n a n i a

F u t u r y s t y c z n a f o r m a n o w o w y b u d o w a n e j

w i l l i w M a d r y c i e ( H i s z p a n i a )

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Apartament w Stavanger z widona morze, hangar dla odzi i ma

Dzisiaj, gdy statek zawija do portu Stavanger w Nmarynarz na bocianim gniedzie zawoa Ld na horpo dostrzeeniu nowego dwunastokondygnacyjnego stojcego przy wejciu do portu. Kiedy planowano roosiedla Hinna Park w Stavanger ambicje byy due;to miao sta si najbardziej atrakcyjnym centrum bmieszkaniowym w Skandynawii. Wanymi parametrprojektantw miay by wielokulturowo i zachowanieterenu.

Centralnym punktem tego terenu jest Stadion P nowoczesne wielkomiejskie centrum usugowo-hKomunikacj z centrum uatwia rozbudowana sie autpocigw miejskich. Niedaleko znajduje si te Vikinglokalny orodek sportowy. Plan miasta koncentrowazapewnieniu rwnowagi pomidzy zabudowaniami, zielonymi i innymi elementami zagospodarowania tere

Hinna Brygge to jedno z najnowszych przedsiwziterenie, umiejscowione na dziace graniczcej z wejportu terenem znaczcym granic nowej dzielnicy S Wacicielami terenu s Kruse Bolig i greid E

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Budynki Hinna Brygge umieszczone s na poziomie dokw i ztrzech stron otoczone s wod. Dla mieszkacw przygotowanomarin. Architekci Hans Jrgen Moe i Ingar Svinterud zbiura Brandsberg-Dahl Architects w Stavanger zaplanowali izaprojektowali cay teren. Niszy poziom, poziom dokw, suy jako gwne wejcie zagospodarowane terenami wsplnymi ihangarem dla odzi nalecych do osb, ktre posiadaj miejsca wmarinie zbudowanej przy nabrzeu. Budynek dzieli od nabrzeapubliczny deptak niedostpny dla ruchu koowego. W jednym zssiednich budynkw znajduje si parking samochodowy.

Teren zabudowany jest dwoma obiektami odwrconymi wzgldem siebie w sposb, ktry zapewnia optymalny widok z kadego z mieszka. Wane dla nas byo nadanietym identycznym budynkom innych asad mwi IngarSvinterud moduy asad s identyczne, ale pokryte innymimateriaami. Fasada jednego z budynkw pokryta jest miedzi patynowan (Nordic Green), a asada drugiego z budynkwpokryta zostanie patynowan cyn. Rnice w materiaachelewacyjnych wprowadzaj bogactwo wrae architektonicznychi nadaj budynkom wicej wyra nowania.

Podzia moduw asady ma podkrela poziomy charotoczenia. Podune elementy i ich podune czenia d

asadzie przyjemn gr kolorw i kontrastuj z wyrapionow lini okien. Okna zaprojektowane s i umieszcz w taki sposb, by dopasowa si do rytmu asady.

Pierwszy budynek, z asad wykoczon patynowmiedzi, zosta oddany do uytku wiosn 2007 roku, a prnad drugim budynkiem zostan ukoczony jesieni. Pomstosunkowo wysokich cen mieszka w Hinna Brygge, sprzeda odbya si bardzo sprawnie. Wszystkie mieszksprzedalimy w cigu 14 dni powiedzia przedstawlokalnej agencji nieruchomoci. Nic w tym dziwnego. Ktochciaby mieszka w budynku z asad pokryt patynowmiedzi, z okien ktrego rozpociera si widok na morpoblisk marin?

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K ompleks magazynowo-biurowy rmy Brochem Metal jest przy-

kadem realizacji, w ktrej wykorzystano rnego rodzaju mate-riay elewacyjne na poszczeglne obiekty kompleksu. Elewacje

budynku magazynowego kompleksu pokryte s pytami warstwowymistalowymi koloru szarego, natomiast asada budynku biurowego wyko-czona jest tynkiem strukturalnym w kolorze to-beowym i blach miedzian patynowan, ktra nadaje budynkowi reprezentacyjny cha-rakter. Elementy elewacji z blachy miedzianej celowo wykonane zosta- y rnymi technikami czenia. Idea ta miaa na celu przedstawienie izaznajomienie przyszych klientw z moliwociami rozwiza pokryelewacyjnych blach miedzian. Cz asady pokryta jest za pomoc wstpnie pre abrykowanego gontu asadowego typu karo. Supy podtrzy-

mujce czci narone konstrukcji budynku wykonano w specjalnej technice w ukadzie tamowym. Czci asad ponad supem oraz daszek nad balko-nem wykonano na pionowy rbek ktowy. Wykonanie miedzianej elewacji wymagao od rmy wykonawczej duych kwali kacji, dokadnoci i precy-zji, pokazujc rwnie klientom poziom i moliwoci wykonawcze rmy.

Siedziba rmy Brochem Metal,

Robakowo koo Poznania ul. SzkolnaKompleks magazynowo-biurowy frmy Brochem Metal jest przykadem projektu, w ktrym celowo wykorzysta-no rnego rodzaju techniki pokry asadowych, ktremona traktowa jako osobliw wiztwk frmy, dajcobraz potencjalnym klientom o duych moliwociachwykonawczych frmy.

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chitektura: mgr in. arch. Katarzyna Pucek ojekt budynku: proj. bud.: CONSTRUCTA PLUS,

zna neralny wykonawca:

ONSTRUCTA PLUS, Pozna ykonawca fasad: BROCHEM METAL, Poznaed / produkt:

odukt: TECU Patinaoducent:M Europa Metal AG, Osnabrck, Niemcy: 500 m 2

res: Robakowo, ul. Szkolnakoczenie: 2006aciciel obiektu: BROCHEM METAL Sp. z o.o.

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Trans ormacja przepompowni

Miasto Trondheim, pooone przy ujciurzeki Nidelvy w rodkowej czci Norwegii,przez dugi czas kojarzone byo z przemy-sem stoczniowym i rybowstwem. Jednak przez kilka ostatnich lat stare stocznie i za-budowania abryczne musiay ustpi miej-sca nowoczesnym, czsto uturystycznym

obiektom mieszkaniowo-biurowym.

W centrum nowych zabudowa portowychusytuowany jest Dock House. We wczes-nej erze przemysowej Dock House bysercem stoczni. Najwiksze w tym czasieprzedsibiorstwo w miecie, Warsztat Me-chaniczny w Trondheim (Trondheims Me-kaniska Verkstad, TMV), przepompowywastd wod do i z dokw. Kiedy w 1983 rokuwarsztat zosta zamknity, pompy przesta-y pracowa i Dock House zakoczy swojdziaalno.

Dzisiaj, po wielu latach przebywania wupieniu, ktry to okres nie pozosta bezwpywu na stan techniczny obiektu, w bu-dynek znowu tchnito ycie. Dziki inten-sywnej wsppracy midzy instytucjamiuczelnianymi, handlowymi i przemysowy-mi oraz lokalnymi organizacjami muzycz-nymi, zadecydowano o przebudowaniuDock House w najbardziej nowoczesnscen muzyczn w kraju, ktra staaby sicentrum ycia muzycznego i jazzowego w Trondheim.

Architekci Svein Skibnes i Go Brandstad-moen otrzymali zadanie przystosowaniabudynku do jego nowej unkcji. Wysokiewymagania postawiono zarwno jeli cho-dzi o rozwizania akustyczne, jak i architek-toniczne. Wana bya prba integracji stare-go ceglanego budynku abryki i caej jego

historii z nowymi elementami, ktre mu-siay sprosta nowoczesnym standardom iwymogom unkcjonalnoci. Rozwizaniemokazao si dobudowanie konstrukcji poobu stronach istniejcego budynku.

Zastanawiajc si nad doborem materia-u, ktrym mona byoby pokry elewacjnowej czci budynku czc j ze star ce-glan asad, wybr pad na patynowanmied Nordic Green, dziki ktrej udao siuzyska delikatne i naturalne przejcie po-

midzy czci istniejc i nowobudowan.Wanym elementem trans ormacji byo tak-e nowe miedziane pokrycie dachu. Frag-ment podogi na parterze budynku wyko-nano ze szka, ktre odsania star siownii pompy. Metalowe elementy wykonane zo-stay przez frm Bakco A/S w Trondheim.

Dock House ponownie sta si wanym ele-mentem codziennego ycia w Trondheim.Dziki metamor ozie zarwno wntrza jak i zewntrza budynku, udao si go prze-

ksztaci w kulturaln przepompowni.

Lennart Engstrm

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Wntrze kawiarni BodeCa , Pozna, ul. ydow

Bodega Ca jest dowodem na to, jak rol w tworzeniu atmos ery miejsca od-grywa waciwy dobr materiau. W tym wypadku do wyoenia cian zastosowa-no nieregularne, pre abrykowane kasety, wykonane z blachy miedzanej TECU Oxid. Kasety przetarto na krawdziach

Zgodnie z zamiarem architekta poyskliwa, brzowozota barwa preoksy-

dowanych paneli, ktrymi w yoono ciany kawiarni, w niezwyky sposb

koresponduje z barw serwowanej w niej kawy: wntrze wydaje si wy-

penione aromatem i smakiem napoju.

usuwajc wartstw oksydacyjn, przez copojawiy si na nich delikatne, ocieplaj-ce klimat refeksy wietlne. Dziki prze-tarciom uzyskano dodatkowo wraenietrjwymiarowoci. Naley podkreli,e e ektem poczenia prostoty i ukcjo-nalnoci wntrza z per ekcyjn jakoci

wykonania jest niezwyka harmdziki ktrej nowoczesno nie prcza, a go pragnie sign po nas

liank kawy.

Projekt wntrza: mgr in. arch. Ewelina Jankowska, PoznWykonawca wntrz: BROCHEM METAL, PoznaMied / produkt: Produkt: TECU OxidProducent: KM Europa Metal AG, Osnabrck, NiemcyIlo: 50 m 2

Adres: Pozna, ul. ydowskaUkoczenie: 2005 Waciciel obiektu: prywatny

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Firma budowlana Pr Wonen zlecia wybudowa-nie biurowca, w ktrym mieciaby si jej wasnasiedziba, jak rwnie biura innych frm wynaj-mujcych lokale w budynku. Obiekt usadowiony jest wzdu wjazdu na autostrad i z trzech stronotoczony jest drogami. Znalazo to swoje od-zwierciedlenie w wielostronnej ormie budynkuz kompaktowym, zaokrglonym ksztatem, kt-rego asada zostaa pokryta miedzi. Wntrze

budynku zaprojektowano wok centralnegoatrium, w ktrym zbiegaj si poziome i pionowecigi komunikacyjne. Fasada podzielona jest narytmiczne moduy z duymi, proporcjonalnymioknami. Atrium oraz dwa due otwory w asadziegwarantuj wystarczajcy dostp wiata dzien-nego do wntrza budynku.

Pr Wonen zlecio zaprojektowanie bu-dynku, ktry stanowiby odpowiedni lo-kalizacj dla rnego rodzaju biur i unk-cji biznesowych, by umoliwi innym

rmom i organizacjom zagospodarowa-nie swoich siedzib obok deweloperskichbiur rmy Pr Wonen. Na intensywnie wykorzystywanym terenie niedalekoVelserbroek budynek dumnie eksponu- je swoj asad w rnych kierunkach.Obiekt otoczony jest z trzech stron dro-gami dojazdowymi do autostrady i sam autostrad. Samochody dostawcze maj dostp do budynku od czwartej strony,przez lokaln drog. W odrnieniu odinnych reprezentacyjnych budynkw,

Wielostronny

budynek w Haarlem

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biurowiec Pr Wonen nie ma rontu ani zaplecza ten obiekt jest wielostronny.

Budynek ma zaokrglon orm inspirowan line-arnym charakterem otaczajcych go drg. Formt podkrela pokryta miedzi asada z rzdami wysokich okien sigajcych od podogi po su tkadego pitra. Na kolejnych kondygnacjach oknaprzesunite s wzgldem rzdu znajdujcego si napitrze wyszym i niszym. Detale okien s po- wtarzalne okna osadzone s w ramach alumi-niowych z elementami miedzianymi. Rytm asady przerwany jest kilkoma przeszklonymi otworamina wysoko dwch piter, dziedzicem wejcio-

wym i pomieszczeniem kon erencyjnym, ktre wyrniaj si dziki ramom z biaego betonu. Wszystkie te elementy maj za zadanie doprowa-dzi wicej wiata do budynku.

Bogaty dostp wiata dziennego zapewnia przyjemn atmos er pracy wewntrz budynku. Sercebudynku stanowi proporcjonalne atrium ze szkla-nym zadaszeniem. Stanowi ono przestrzenn o, wok ktrej przebiega wikszo wewntrznychcigw komunikacyjnych i gdzie spotykaj siuytkownicy budynku. Atrium jest doskonaledostosowane do wszystkich unkcji reprezenta-cyjnych, jak prezentacje, wystawy i spotkania.Dookoa atrium zorganizowane s pitra miesz-czce biura o standardowej wysokoci, ktre mo-na aranowa w dowolny sposb. Piercieniowy ukad lokali biurowych stanowi oson akustycz-n dla atrium, wytumiajc zgiek ruchu samo-chodowego dobiegajcy z pobliskiej autostrady.

Biuro architektoniczne KCAP w Rotterdamie (Holand ia).Strona internetowa: www.kcap.eu

Pokrycie miedziane wyprodukowane przez rm Ridder Metalsw Hoorn (Holandia). Strona internetowa: ww w.riddersystems.com

Wykorzystany materia: ok. 1300 m miedzi, grubo 0,7 mmProjekt wntrza : mgr in. arch. Ewelina Jankowska, Pozna

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Architecture fromAustria Holland Belgium Luxenburg

Spain Switzerland Czech Republic

Germany United Kingdom Finland

Greece Hungary Italy Norway Poland

Sweden Denmark Russia France

www.copperconcept.org

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Teatr Krlewski w KopenhadzeTekst: Henry Voss, architekt

Tekst: Henry Voss, architekt

Proces budowy nowego budynku TeatruKrlewskiego jest ju na tyle zaawanso- wany, e wreszcie mona zobaczy roz-miar budynku. Jest on imponujcy!Ide budynku tworz dwie szeciennekonstrukcje: jedna niska i szeroka, ana niej druga wsza, ale wysoka.Kiedy poczy si wyraenia szeroka iniska, ktre tutaj oznaczaj wysokopiciokondygnacyjnego budynku, docie-ra do nas rzeczywisty ogrom budynku.Dolna cz konstrukcji wyrnia siciemn ceg i piercieniem okien. Gr-na cz to zamknita brya pokrytamiedzi, o wysokoci szeciu kondyg-nacji.Budynek teatru to trzeci co do wielkocistatek fagowy stojcy przy wejciudo kopenhaskiego portu. Jego zada-niem jest pokazanie, e Duczycy maj due ambicje kulturalne i, podobnie jak dwa pozostae budynki (Bibliote-ka Krlewska oraz Opera) posiada on

unkcj, ktra nie wymaga nadmorskiejlokalizacji. Misj tego budynku jest da- wanie ludziom kulturalnych wizji, a nie widokw na morze. W gruncie rzeczy,

unkcje tego budynku mogyby by re-alizowane nawet w piwnicy, jeeli tylkozaopatrzy j w energi elektryczn.

Warto zauway, w jaki sposb teogromne budynki wspgraj z otocze-niem. Biblioteka dobudowana zostaa doterenu zabudowanego obiektami z du-ymi, skonymi ksztatami. Opera po- oona jest na wyspie, blisko ssiadujcz niskimi i dugimi budynkami. Teatr jednak pooony jest na terenie zabudo- wanym obiektami o redniej wysokoci,a zblienie si do niego daje wraeniebardzo masywnej bryy budynku. Nie wybudowano jeszcze duego pasau dlapieszych, ktry zostanie zawieszony nad wod. Pasa bdzie suy jako gwne wejcie i umoliwi gociom spacer doo-koa budynku teatru.

Zanim zbudowano teatr, rampa czy pasa zosta opisany w mediach jakobalansowanie na granicy pomidzy ldem i wod dajce gociom przyjemnepoczucie niepewnoci. Przed wybudo- waniem teatru trudno byo wyobrazisobie jak budynek bdzie prezentowa si w miejskim krajobrazie.

Rampa bdzie otacza budynek od stro-ny Placu witej Anny i bdzie miaamaksymaln szeroko, na jak pozwalakonstrukcja budynku. Szkoda, e utrud-ni to zaprojektowanie mostu dla wszel-kiego rodzaju pojazdw komunikacji

miejskiej, ktry powinien by zbudny ju dawno temu jako przeduenldu prowadzce do Christiansholm jeszcze dalej na Holmen i Dokn. Stuacja ta jest dowodem na szalestwadministracji publicznej: odpowiedkomunikacja drogowa z cywilizowczci miasta zostaa zbudowana ro po tym, jak Holmen sta si centinstytucji, do ktrych dostp muszmie tysice ludzi.

Peen obraz budynku teatru mona ska patrzc na niego z drugiego blub z promu kursujcego po wodacnad ktrymi stoi teatr. Jest to wspan widok! Obiekt cechuje zarwno sii elegancja. Miedziana brya wyraodznacza si ciemn sylwetk na tlba. Kiedy brya zoksyduje si (lub jzoksyduje si, poniewa powierzchbryy bdzie poddawana dziaaniomkwanych deszczy ze wszystkich scho pomoc ma by estetyczny wzpokrycia z wyranymi odciekami),stopniowo bdzie wydawaa si wiponiewa jasna brya wydaje si wod ciemnej bryy (kobiece mae czspdniczki nie s mniejsze od innymodeli, jednak czarny kolor optycz je zmniejsza). Jednoczenie jednak janiejszy odcie bdzie dawa wra

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Widok na budynek teatru od strony operyna wyspie Dokn. Przed teatrem wida

prom, ktry czy wyspy ze staym ldem.Foto: Dennis Wraamann

lekkoci, poniewa jasna brya bdziekamufowana przez zmieniajce si barwy nieba.

Teraz brya budynku wydaje si by tak ogromna, e kopua pobliskiego KocioaMarmurowego wypada w porwnaniuna duo mniejsz. Sytuacja ta ulegnie jednak zmianie, szczeglnie e wiea te-atru, pomimo wzoru na elewacji, nie jestozdobiona detalami, a kopua kocioa brzemienna madonna jak kiedynazwa j zabawnie autor dekorowana jest oknami i widocznymi czeniami po- aci miedzi.

Teatry odnosz sukcesy w ciemnoci.Charakterystyczne dla nowej siedziby teatru w Kopenhadze jest to, e za dnia wyglda ciemno, ale w nocy byszczy owietlonymi oknami i duym pasaem,ktry odbija si w wodzie.

Historia jak sztuka teatralna moemie szczliwe zakoczenie.

Kopua Kocioa Marmurowego pokryta zielonmiedzi oraz wiea teatru pokryta brzow

miedzi widok z nabrzea przy Gammel Dok.Foto: Dennis Wraamann

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Old coin inspired the useof copper in architecture

By Al Folmer, architect SAR/MSA Photo Al Folmer

I visit the architect rm Einar Jarmund/Partners on Hausmansgata in Oslo. Te partners are Hkon Vigsns (45) and Alessandra Kosberg. Te rm has 14 employees. At the time or my visit the two parners are away on travel.

Jarmund shows me the spacious o ce on the seventh oor. On on wall there is a large photo showing the rms biggest copper project, t8,500 m2 research acility on Svalbard. Te project has the day be obeen sent to the European Architectural Awards the day be ore to parcipate in the international contest or the most important architecturaproject where copper has been used.

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a w, b l Recently, a special exhibition at La Ga-leria d`Archtecture in Paris closed. Itdisplayed the rms projects that havereceived the most attention. Te boldarchitecture, that has given the rminternational status and made it one o Norways oremost architect rms, recei-ved much attention.I have studied the exhibition cataloguecare ully and reviewed all projects. I no-tice a wealth o design ideas and expres-sions. From pointed to round, square,crystal cut, slanted rooms and carved-out volumes. No one project is similar tothe other. Tis is exciting!I ask Jarmund: You are three partners.

When you are commissioned or an as-signment, how do you begin your work and what brings you to the rst out-line?We discuss the project back and orth

and the one who eels strongest or theproject will begin sketching. A ter that

we continue the discussion within thegroup. We analyze the assignment andtry to look at problems rom diferentangles.

Jarmund points out that the partnershave their own individual orm languageand personal opinions, and they mustobjectively try to convince their collea-gues objectively. Te continuing discus-sions are o ten very productive and theresult is good architecture. t yI am o the opinion that each projectshould be built upon a historical ounda-tion, which will be trans erred to presenttime and given todays orm language.

o illustrate his words, Jarmund proudly

shows photos o the planor the Norwegian De en-

ce Ministry headquarters,built at Akershus ortress inOslo that originates romthe 17th century. Here, thegrounds are permeated by history and tell o Norwaysproud medieval inheritancethat is classi ed as Norwaysnational treasure.

Jarmund tells me that theproject has been one o the rms most interestingand complicated tasks. Tehuge, old brick buildingshad to be linked with buil-dings o modern design.Tis was a di cult task, especially dueto the involvement o the military, anti-quaries, archaeologists, industry, bureau-crats and others. Many diferent interestsand two diferent worlds then and now,openness and seclusion; it all had to work together. Jarmund gets excited: Testarting point was architectural simpli-city and ew materials. Brick dominatesin the existing buildings. Tus, a brick building was necessary in order to link the buildings together. We decided onbrown brick, copper and glass. Copper

was the obvious choice, as it harmonizesper ectly with brick and is maintenance-

ree. Glass was the natural material toachieve openness.

Jarmund suggests that I visit the Nor- wegian De ence Ministrys headquar-ters. Tis is a strictly military area withhigh surveillance. He phones the mili-tary headquarters and arranges or me tomeet Even Enge at the headquarter gatesat 10 a.m. the ollowing day.

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We continue our discussion about archi-tecture and diferent trends over time.Swedish architects Jarmund admires themost are Gunnar Asplund and Peter Cel-

sing. Celsing or the openness in glassand copper o the Cultural Building inStockholm and or the seclusion o theBank o Sweden in black stone and cop-per.I ask Jarmund i he has a particular ar-chitectural philosophy. It is a constantsearching or truth. I try to create ar-chitecture in the same way as an authoro detective novels solves a complicatedmurder case. It has to do with collecting

bits and pieces, research and analyze tosolve a murder (architecture). When themystery is solved all the pieces are in pla-ce, and you have a good detective story or good architecture. I admire detective-novel author Henning Mankel and work almost in the same way.

t l We talk about copper. As a young boy I collected ve-re copper coins and

liked to eel the structure o the sur ace.Te moose on the coin began to cometo li e. Since then I have a special likingto or copper. Jarmund proudly tells o the copper acades on Svalbard. He sug-gests that I take a look at a new detachedhouse built in copper outside Oslo.Our conversation moves on to the newarchitect college in Oslo (OAH), which

was designed by his rm. An old work-shop and laboratory building or the

electricity board has been rebuilt and ex-tended to become an ultra-modern aci-lity or training architects and designers.He wants me to look at this acility as

well, which makes three projects or meto see the ollowing day.

Einar Jarmund constantly seeks new ways to express his architec

The Copper House.

The Archite

Svalbard project clad in copper

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M l y f v blb k

At ten oclock the ollowing day Im waitingoutside the entrance o the Norwegian De-

ence Ministry. Inside, the countrys mili-tary secrets are hidden. Te guard buildingis new and looks like a modern detachedhouse or tank. Even Enge shows up andgives an order to the guards, and I squeezethrough the narrow, rotating iron gate. We

walk over to the main entrance, a ve-me-ter-high, compact double door o copper.Te acility is impressive. Old buildings arelinked to modern transparent buildings o glass and copper.

What we cant see is the heavy technicalsecurity devices in the building. Tey arehidden in strong concrete constructions,built to withstand sabotage and explosions,all hidden behind a wall o glass; an invi-sible bunker and architectural magic.

Closely ollowed by Enge I begin takingpictures. Te acility is an outstandingcombination o new and old, brick, copperand glass. A group o military o cers withgold on their shirt shoulder straps come outto smoke a cigarette. When I have nishedtaking pictures o the details in the acility interior I thank Enge and squeeze back outthrough the narrow gate.

p b As I walk around looking at the acility

rom the outside, a uni ormed man co-mes up to me and says in a sternvoice: Photographing is prohi-bited in this area. He asks

or my name, age and add-ress, and what my businessis there, notebook and penready. I show him my papers and re er tocommander Enge at the De ence Minis-try. Te o cer suddenly salutes me andsays: Ten there is no problem, you may continue taking pictures.I resume taking photos o the secret mi-litary acility. In my own and architectu-ral writers opinion, the Norwegian De-

ence Ministry is an example o modernNorwegian architecture at its very best;outstanding modern architecture, woveninto old architecture in a historical mi-lieu. Te acility expresses seclusion andopenness, past, present and uture, all atthe same time in an organic entity. Ins-tead o being made into a museum, thehistory o Akershus ortress is activatedand brought to li e thanks to the out-standing architecture.

From the old school building a glassed-in corridor leads to the headquarters. The corner notch in the brick building so tens the transition rom brick to glass and

The o ce entrance in an old building. The entranceopens up to a new building in glas s and copper

The guard building contrasts sharply with theother buildings.

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t Te copper house is called Bjrnsen/Sund andthe location is Asker outside Oslo. Te houseis not visible rom the road, as it is situated othe inside o another building on an airy andidyllic lot.It is like entering another world and time. Tecopper house is like a closed sculpture with narrow openings or windows. Te architecturalstyle can be classi ed as neo- unctionalism.

When the house was newly built the copper was reddish-brown and shiny, airy and lightand re ected the surroundings and the sky. o-day, the building has a dull brown patina thatgives it weight and a down-to-earth eeling. Te

acades are entirely clad with one-storey-higcopper strips. Pronounced vertical seams givthe aade a nice structure. Copper, wood andsimplicity make the house timeless.In contrast, the new neighbouring house is builtin yrolean style that belongs in the Alps anda diferent time; an architectural culture shock unheard o . Li e is ull o surprises.

t a c llI have time to visit Maridalsvgen 39. Te old

ront door opens up to a modern building. Tisis OAH, Oslo Arkitekt Hgskola (Oslo Archi-tect College), designed by Jarmunds rm.Te place buzzes with li e. Future architects anddesigners carrying models and drawings disappear into the diferent departments. Studentsstand in groups engaged in lively discussionsOn the ground oor the graduating classes areexhibiting their nal projects. Tere are models,drawings and photos o projects that astonishthe initiated. Te works show the architectureo tomorrow, projects that are based not only ontechnique and unction, but also on sociologyli e quality and philosophy. Te proposals havetitles like Te added room in the city, In themiddle and outside and Diferences, spacesand meetings.

The external staircase leads tothe terrace on the up per foor.

The Copper House. Two neighbouring worlds. The copper house ina neo- unctional style. Storey-high copper where the seams givea nice, vertical structure that tightens up the building.

The narrow windows give the impressiono seclusion.

The Architect College designed by Jarmund/Vigsnsarkitekter, linked to an old industrial brick buildingthat contains workshops and exercise rooms.

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t m wI peek into the study hall where students draw, build models

and create virtual rooms on their PCs. In another part o the

college the foor is lled with models, the result o an exerciseassignment o a detached house. Several students work on

their models that soon will be reviewed. I ask i anyone plans

to use copper. Yes, there is one model in copper colour that

stands out in the collection.

It is time or the review in the nearby lecture hall. The students

bring their models and show plans, sketches, perspective

and images digitally on a big screen. One by one the students

present and motivate their proposal. Teachers and students

ask questions and make comments. The room is lled withcreativity and enthusiasm.

I have to leave or a meeting. A ter that I will take a plane to

Stockholm. I am sad to leave the elite o tomorrows archi-

tects, many o them with an awareness or copper.

Erik Morset, uture architect with a strong a fnty or copper.

Review o the assignment with discussion, analysis and debate.

Unusually advanced detached-house project.This house could be given copper acades.

2

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CASA CLIP a uturistic solution rom the Spanish

Text: Erika NyryPhotos: Jordn Sanz TenaArchitect: Bernalte & LenProperty owner: PrivateAddress o building: MadridConstructed: 2007

It gives unrealistic view when walked around.

The house having the logo-likeorm does not wish the merge

with the detached houses othe dusty little town.

The unusual building massively protrudes romits usual green belt surroundings.

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Te young architect couple, Bernalte Patnand Jose Luis Len Rubio coming rom theCastilla la Mancha region, Don Quixoteshome scattered with windmills, havealready proved their talent several times.

Tey attract the attention o the pro essio-nals and the skilled with their simple butexcellent solutions. Tey have won a numbero national and international awards withtheir buildings o slight signi cance. Teirarchitectural concept is always very strong,they do not get lost in the details.

Recently several buildings designed by themhave been eatured in Hungarian pro essionalmagazines (OC OGON, ALAPRAJZ), likea small thermal bath, a detached house, anextension to a vineyard building, all o them

rom the town o Ciudad Real some 2 hoursrom the capital, rom the site o the archi-

tects.

Tis notable detached house is their rst implemented work in Madridollowed by several other orders inspired by the success.

Tey designed the house or a person having a leading post in the me-dia or whom it was taken or granted that his home should ollow th

latest trends thus matching his exhilarated li estyle.Te unrealistic mass ormation o the house born as the solution showsa sort o potential view o the uture

The copper tape turning rom outside above the kitchen island inone space with the living room draws the line o the gallery wherethe study corner is placed in a belvedere-like position.From the intermittent foor o the study a ram-like terrace leads tothe bedroom block orming secondary mass, repeating the lowertape spiral as a aade orming element.

The bathroom placed in the last loophas been constructed like a hoistedcrystal box by the lighting lane below

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Te designer concept was inspired by the busy li estyle o the customer. Te owners attitudeo being in one place with one oot and inanother with the other inspired the basic ideao the concept method partly re ecting air-

planes high industrial design and partly theirethereal eatures.

Te bigger part o the house has been im-plemented by being hoisted rom the ground with a console construction. Viewed rom thestreet you can see a wound metal tape. Teblock playing essential role in the structuremade o raw concrete is made with blade walls but it hides a passage way. It provides anaesthetically neutral and homogenous back-ground or the main premise protruding like

a contemporary artistic relie with exclusivecopper plates and special glass panels lettinglight through but hindering transparency, thecontour o which thus has become a aade

orming element in an extraordinary way.Te residence having this novel look enti-

rely meets the demands or unctionally as thelayout o the premises ollows a logical systemTe adjoining o the diferent oors provides

or avourable living circumstances.Te construction materials once applied in

an industrial medium rightly justi y throughthis example the advantages hidden in the widescale use o them, which may ensure thattoday nothing can limit your imagination.It should be pointed out that in architecturalsolutions the ormation limits o all construc-tion materials are being expanded, whether itbe metal, concrete, glass or wood itsel . When development leads to the 3D way o thinking o computer designs conceptsalready exist that are simply impossible to

implement using traditional methods likedesigns drawn in 2 dimensions or to be builtrom bricks.Future leads to architecture with amorp-

hous sculptural eatures represented by ZahaHadid and Frank O. Gehry

The relie tilted on its back, builds on similar principle, the consoleguest room above the garage orms the other side o the scales.

Cross section with so t curves

In lack o re erences, the mass construction o the building that is unusual rodetached houses rather makes the viewer have the impression o an exclusive andrepresentative public building.

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aWards shortList announcedIn the last issue o Copper Forum weannounced a major Awards programme

ocusing on architectural projectsaround Europe using copper in all its

orms. With judging now complete,architect and consultant to the Euro-pean Copper in Architecture CampaignChris Hodson reviews projects shortlis-ted by the judges, ahead o the announ-cement o winners in September.

Te Copper in Architecture Awards isa design-led competition that started inthe UK but has developed to include re-cognition o the best recently completedbuildings in the UK. While this is only the second time that a European awardhas been included, it has developed ast not just in terms o the increasing

number o entries but particularly withthe quality o projects submitted. So,the judging panel o leading architects

aced a major challenge in choosing bet- ween so many excellent buildings. Buteventually six entries were shortlisted

rom the 31 European entries and theseare discussed here in no particular order.

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european aWards

A new t V , alm byCarbajal + Solinas Verd Arquitec-tos takes a typically Spanish, lively ap-proach to cladding fat sur aces, using acombination o brass, bronze and plaincopper strips. The building consists oa series o rectangular masses witheither a horizontal or vertical, regular

cladding pattern. The entire building israised on a plinth to generate a serieso public spaces - maximising combi-nations o light and shade where thecopper cladding theme is continued.The classical re erence continues witha great portico raming the entrance.For the judges, it was the innovative useo di erent sur aces introducing newcolour combinations to copper claddingthat distinguished this building. In thestrong Spanish sun-light the e ect issimply stunning.

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In the north o Norway, very di erent climatic conditions infuenced thedesign o Jarmund/Vigsns AS Architects Svalbard Science Centre.

An addition to an existing university and research acility, it is the larg-est building in Longyearbyen and Spitzbergen. At rst, the long, low, ac-eted pro le o the building seems arbitrary or perhaps a response tothe angular aces o the surrounding mountains. But the geometry is alsodriven by practical considerations surrounding the fows o wind and snowthrough the site. A limited palette o materials essentially timber andcopper - has been used inside and out, with copper handrails and recep-tion desk mirroring the exterior cladding.With a complex programme and such a challenging environment toaccommodate, architectural design could easily have takensecond place but this is a beauti ul building set againstthe mountainous arctic snowscape.

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A nother example o high quality architectural designin an unexpected situation is the sk v chp s inDenmark. The rst o it s kind in the world, this is a ull-scale pilot project or the new biomass technology and willthere ore attract visitors and have a symbolic role. The plantis located on a ridge along a main road and is highly visible inthe urban landscape rom the jord, the town and the nearbyresidential areas. The buildings designers C. F. Mller Archi-tects wanted to use simple shapes and distinctive details tosignal power station shorn o the usual amiliar building

eatures such as doors, windows or storey divisions. The judges saw this project as an exemplary utility building de-signed with a real architectural response, superb quality andcare ul detailing, while still retaining a unctional aes thetic.

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I n complete contrast, Lands Architettures u B M j a mod-est scale copper box in the Swiss countryside - provides a working, living andcontemplation space. Rich combinations o copper cladding and per orated screens some sliding to suit the occupiers needs play a major role in realising the archi-tects intentions o achieving: pure matter rom outside, surpr ising light in the land-scape inside. Presence and transparencies. Landscape is the dominating element,the voice inspiring the architecture. This intriguing building sits like a jewel in itsdramatic mountainous setting.

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C opper combined with transparencyand light is also a central theme oWandel Hoe er Lorch Architektens newJ w c M . The synagogue

is the central building o a balanced group,and consists o a closed, rusticated stonebase with a light steel and glass lanternrising rom the centre, cloaked in a veil owoven bronze mesh. The choice o materi-als has symbolic relevance in ormed byJewish culture but is also very e ectivearchitecturally. This deceptively simpleelegance particularly impressed the judgesand the buildings beauty is apparent bothduring the day and at night.

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Simplicity and clarity are also characteristics o KuMu, w mb l a M m e t ll, despite a complexo requirements to be met. To reduce the impact o this large build-ing, its designers Vapaavuori Architects set it into the hillside setting.A curved wall uni es the plan, enclosing a courtyard externally anddividing unctions internally, while clari ying the route through.

The main acade materials are limestone, glass and pre-patinatedcopper all treated with simplicity to highlight the geometric

orm. Unlike several other shortlisted projects, copper isused here in a straight orward way but still recognised b

the judges as an essential component in a beauti ulcomposition. This is an elegant solution to a

complex programme refecting cultural andnational infuences.

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Judging the aWardsTese shortlisted projects give an insight into the huge varie-ty o design potential o copper. For this reason, the Copperin Architecture Awards take a exible approach to seekingout the very best in contemporary architecture where copper

orms an essential part o the design, whether as cladding,roo ng or other architectural elements. Awards projectsare not restricted just to copper sheet but can include other

orms such as per orated or expanded sheets, woven wiremesh and metal alloys that predominantly consist o copper,such as bronze or brass.

Te growing popularity and status o the Awards is not justre ected in the quantity and quality o projects enteredbut also in the judging panel o leading architects. Tisyears panel was chaired by the editor o Te Architectu-ral Review magazine, Paul Finch, and included regularcontributors Gordon albot (Ian Ritchie Architects), CraigCasci (Hamiltons) and Laurence Bain (Bain and Bevington

Architects). We were also delighted to be joined or the rsttime by Ken Shuttleworth (Make Architects) and the win-ner o the last European Award Kari Jarvinen (Kari Jarvinen

Ja Merja Nieminen) rom Finland.

Kari Jarvinens LaajasaloChurch, Helsinki: Winner o

the 2005 European Award

Full details o the winners o the Copper in Architecture Awardsrom both the European and UK categories will be publishedollowing an announcement and presentation in September.

Copper in Architecture is part o the European Copper in Archi-tecture Campaign and ull details o the Awards can be oundon the www.copperconcept.org website which also containsnumerous project re erences rom around Europe.

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he u v y p lym r l L v ky B l

is a multi-use acility or the Arts Faculty in a prominentlocation. Designed by concept architect Henning LarsensTegnestue with executive architect BDP, thisdistinctive building uses copper claddingwrapped continuously up acades andover the roo . The sculptural qualitieso this landmark building make themost o a di cult plan orm.

uK aWards 3 Separately rom the European category, the Copper in Architecture Awardscontinue with awards or the best UK projects. Tis year, ve very diferentbuildings were shortlisted by the judges rom the 43 entries received.

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A sculptural approach has also been takenby Allies and Morrison Architects withthe new p h pl m r y l ob v y g w. Here, atilted bronze cone over the planetarium is

aligned with the nor th star at 51.5degrees.Acid solutions were applied to build up thesur ace o the bronze to give rich reds andbrowns, nished with a hot-applied patinationo green splashes resonant o nebulae seenin images rom outer space. The nal waxed

nish gives a matt lustre to this beauti ulsur ace.

National Maritme Museum, London

3

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B ronze also plays an important rolein t c ll w m m L l- designed

by Panter Hudspith Architects. Windowrames, box window cladding, external

doors and canopies are built o bronze tosymbolise human inhabitation o the rough

orms signi ed by rugged stone walls.The judges particularly enjoyed this cool,relaxed juxtaposition o materials.

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K eith Williams Architects design or t u t or Children in London incorporates a random length striprain-screen system using pre-oxidised copper o di ering widthsto give a laminar, striated and massive quality to the main aade.The strip copper is carried into the interior o the building to cel-ebrate the presence o the main theatre hovering above the oyer.The beauti ully executed copper skin gives a particular grandeurto the buildings entrance.

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F inally, a new bl w mm l mbydesigned by Feilden Clegg Bra-dley Architects takes the orm o two linkedvolumes. The dominant orm - clad in oakand roo ed in copper - sit s next to a lower,longer copper box. The copper volume is cutaway on the east side to reveal the Douglas

r and slate interior. This is an elegant, un-

derstated low-rise building making the mosto a limited palette o natural materials.

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House conceptTe three-storey villa near the Nymphenburg Park in Munichstands at the northern end o a large garden. Te space ollowsa continuous line o oor, wall, ceiling and roo areas, openingin the ground oor on to the south garden; sheltering theprivacy o middle- oor sleeping areas with bathrooms over-looking the rich vegetation on the northern side o the house and olding into a tent roo over the top oor. Te side viewsprovide an open space concept. You can ollow the line, broken

Dwelling house

in MunichUl Rssler

Architects: Allmann Sattler Wappner Architekten GmbHProject leader: Architect Ul Rssler

Client: Family KrajakConstruction period: October 2005 to August 2006

by staircases and cores, across the stone basis, the northernback wall o the intimate living areas, over ceilings and thsouthern bedroom wall up to the roo ramework cut openthe south. For this line we choose a material that works equ

well as roo covering as on aades and lends itsel to com joints into various structural elements. It was soon obviousthat the material should be a metal skin.

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3COPPER FORUM 23/07

Material choicesCopper has been used in landmark buildings in the neigh-bourhood, including Jesuit convent by Paul Schneider-Elslebenand Holy rinity Church by Jose Wiedemann.Copper as a high-quality and durable building material inte-rested us, but it was only the prepatinated Living 1 and 2 madeby the Finnish company Luvata that convinced us and thehouse owners about the aesthetic per ormance o the material.Te cra tsmanship o the copper sheet line creates a contrast

with the precision-made glass aades. Te dark bronze alu-minium aade coated with eloxal shade E6/C34 takes on thedarkness o copper.

Te sheets provide a textile-like appearance, resembling a wrinkled carpet. Te sur ace structure o the prepatinatedLiving 1, mottled with black among green copper sulphatepoints combine to provide an attractively vague green shade,enlivened by the re ection o light. Varying degrees o expo-sure to sunshine and rain will give diferent parts o the aadea diferent shade over the years. Copper elements should notbe too conspicuous the patination renders the material asubdued shade which blends in the large building with thenatural backdrop.

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ex b l s k lm m b v

At the beginning o June 2007 an oppor-tunity arose to climb up to the roo o the

old Parliament House on StockholmsRiddarholmen. An event organiser Up-plev Mer Stockholm takes groups on aguided tour up around the house wherethe 360 degree view over Stockholm

rom 43 metres height is breathtaking.Many beauti ul green copper roo s areparticularly prominent on signi cantbuildings including Stockholm, church-es like the nearby Riddarholm churchand Town Hall. This observation anglegives an excellent opportunity to seethe ormability o copper and the bril-

liant sheet metal work on Riddarholmchurch roo and decorations.

The old parts o Stockholm are domi-nated by copper roo s. Sweden hashad a long tradition o using copper asbuilding material since the 13th centu-ry. Many o the visible roo s have beeninstalled to ollow King Carl X Gustavsdeclaration to use copper as roo ma-

terial to increase re sa ety o the city.The copper roo s have an incredible du-

rability that lasts or centuries and be-come simply more beauti ul over time.It is easy to understand seeing thesecraggy structures among the roo topshow important it is that the roo is vir-tually maintenance ree during its longli etime. Copper is also totally recycla-ble, a true sustainable material or the

uture.We want to breathe new li e and in-

crease interest in the antastic historyo the city, its roo s, buildings and archi-tectural details that are easily missed

rom the ground, says Anders Stjern-berg rom Upplev Mer Stockholm, the

ather o the idea.European Copper Institute and Scan-

dinavian Copper Development Associa-tion are supporting these events togeth-er with Pltslageriernas Riks rbund.Special tours with Rol Svensson asguide, a recognized specialist in sheet

metal architecture and history, will belaid on or architects and students by

agreement in connection with in orma-tion events on copper in architecture.

For more in ormation, please contactSCDA, Pia Voutilainen +358 9 421 2403or + 46 21 19 87 38 or scda.in [email protected].

m m , l scda

p V l +3 8 42 2403

+46 2 87 38 . @ k m . m

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4COPPER FORUM 23/07

EIGH YEARS LA ER t - x l l m .

Klaus Docter

Eight years ago, in 1999, one o the big-gest Nordic Brown projects was carriedout a ew kilometres outside Innsbruck in Austria. Te development consistedo seven residential buildings, coveredby Luvata Nordic Brown copper.Nordic Brown has a actory-oxidisedbrown sur ace on both sides, similar to anaturally developed oxide a ter years o

weathering outdoors.

We have now re-visited this interestingresidential complex that was designed by architects Baumschlager & Eberle.

Te acades o the seven residentialbuildings are covered with 7,000 m2 pre-oxidised oldable cassettes. Whenbuilt in 1999, the sur ace o the pre-oxidised copper was quite even. Wheninspecting the buildings on our re-visit,

we nd that the alpine climate inInnsbruck, with snow, sun and strong

winds, has only to a airly small degreeafected the sur ace colour. It turns outthat some o the change was caused by a

ew o the residents, in their attempts toclean the acades. Te more importantchanges are due to the in uence o rainas a catalyst.

We now take a look at the diferentexternal walls. Tere has been only aslight change o colour on the south-and west-side acades; it looks like a thingrey veil on the brown sur ace. Te east-side sur ace, however, shows a green veil,

in particular in some o the areas on thelower oors. Tis is the beginning o thenatural patination. Te most interestingchanges can be ound on the northern sideo the buildings, where the acades are be-ginning to turn an aubergine-brown hue.

What we can see clearly rom this develop-ment is that pre-oxidised copper is a livingmaterial that beauti ully nds its balancein nature and exists in harmony with thesurroundings, a timeless and ageless ma-terial that responds only avourably to theharsh elements.

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An entire industrial building clad incopper. Tis is not only unusual, butalso exciting and promising. At the sametime, I take extra pleasure in the actthat it is the architects that are bringingthis trend orward. It promises many more interesting projects in the uture.

Tese are the words o Rune Hansenat Lei Hansen A/S, senior managero Kristiansand Sheet Metal Works.

Te construction o an extraordinary industrial building has recently beencompleted, and there is hope that moreprojects o this kind will ollow. Hansenis pleased that the architects are experi-menting with metal cladding to a higherdegree, which results in both cra tsman-like challenges and beauti ul buildings.Te reactions have been exclusively positive.

Our clients are very positive to this

solution, and we are presently planninganother building with copper claddingin the near uture. In act, this is begin-ning to become a trend, says Hansen.

By Jrn Wad

i l b l Copper Architect Odd Klev d.y. did not hesitate when he and the builder, proprietoro a sheet metal works, decided to usecopper cladding when the industrialbuilding was to be built in Jbekk out-side Mandal.

It is the rst time we have clad anentire industrial building with cop-per, but the result is outstanding, saysRune Hansen himsel . Te cost endedat approximately 6-700,000 or themetal works, with about 6,700 m2 stripcovering and close to 200 metres o gutters and down pipes. Te installa-tion was both challenging and exciting,especially due to the comparatively largearea o copper cladding. Brown copper was used consistently, and the proprietorand the architect are already discussingthe possibility o a new project with

similar design.Te entire building is clad using

single lock welt and angled seam withhidden attachments, says Rune Han-

sen. As the executor o the installationhe ound it to be a very positive expe-rience to work exclusively in copper. Hhas never be ore had a similar assign-ment and does not know about any inthe area. But this may change now.

When we started the buildingconstruction there were already rumourthat it would be something out o theordinary, and a lot o people have traveled here to take a look at the result. Teyhave ollowed the patination, and as aas I know the opinions have been enti-rely positive, says Hansen. Te reasonthe architect chose only copper was thait adds quality to the building and givesa patina that no other building materialcan achieve. In addition, the architecthas created a horizontal impression,

which gives the building a compact andexciting appearance.

Clients and business associates have ollowed the pat

2

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The project has been bothexciting and challenging,says Rune Hansen, mastermetal sheet worker and sen-ior manager o KristiansandSheet Metal Works.

Copper-clad industrialbuildings are becoming atrend, according to somesheet metal workers inNorway.

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