300 ejercicios a dos voces
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COMPOSED
EXPRESSLY
FOR
THE
WORCESTER
MUSICAL
FESTIVAL, 1SS7.
RUTH
A
DP
AM
THE
WO
FRE
Vocal
Score, C
Vocal
Parts
String
Parts
Wind
Pant*
Full Sco?d*£
There
are
chb'ruse
to
whom
the
natural
have
the
handler
of
1
bringing
it
down
to
exact
measure
of w
only
to
congratulate
favour
with
which
audience.
snt
observer,
B,
indeed, we
of
Thor
and
lision
for
the
|now
remains
id
upon
the
lly
attentive
There
is
beautiful
poser
had
it
not
aire;
vthe
com-
No
better
subject
i
has
chosen.
The
pr
the
exercise
of
his
g)
skill
in
delicate
pictu
Mr.
Frederic
Cow
musical
art.
It
is
a
\'
with
the
enemies
in
1
There
could
be
no
achieved.
...
It
i~
honourably
won
by
its
composer.
ish
:ak
ice
on
SUNDAY
TIMES.
As
regards
originality,
loftiness
of
aim
and
achievement,
and
freedom
and
force
of
expression,
it
is
head
and
shoulders
above
any
choral
work
that
has
previously
issued
from
the
same
pen.
LONDON
&
NEW
YORK:
NOVELLO,
EWER
AND
CO.
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JUDITH
OR,
THE
REGENERATION
OF
MANASSEH
AN
ORATORIO
BY
C.
HUBERT
H.
PARRY.
Vocal
Score,
paper
cover
,,
paper
boards
„
cloth
Vocal
Parts
String
Parts
Full
Score
and Wind
Parts,
MS.
s.
d.
5
o
each
6
7
i
29
THE
TIMES.
The
Finale of 'he first
act, in
which the two
host^
conflict, is
masterly
anc
P
)f
impf
....
The
S«erP;
-f.f
r
act
again
splendidly develo
the
orchestral
Noct
The
sucress of
being
recal
but at
the
i
•it th(
of
that
act
is
JosCtfcim
sc
PHJ
eijytjpduced by
Parry
f the
performance,
-o\%
Without
Judith
with
emph
kS
produ
.ic
success
^RD.
e that Dr.
Hubert
Parry's oratorio
:he most
favourable
conditions and
The musician
who
could
r
oc
character,
and
expression, h
'
That Dr.
Parry
is
a
c
lovers of
music
need no.
he
has
treated
the
chorv
genius.
POST.
work
as
Judith,
so full
of
power,
1
his
last
word.
.VS.
•
of
all the
resources
of the orchestra,
ile particularly
in
the
Moloch
scenes
ich not
infrequently
shows
a
touch
of
true
THE
ATHEN^UM.
No finer
oratorio
music
than this
has
been written
for
many
years.
GUARDIAN.
The
success of
Dr. Hubert
Parry's
new
oratorio
was
of
the
most unequivocal
kind,
the
audience
finding
it
impossible
to
obey the
printed
injunctions concerning
applause
at the
morning
performances,
and
cheering
the
composer
heartily after
both
parts
of
a
work
which
will
not
be long
in being
recognised
as
among
the
highest
achievements
of
English
music.
LONDON
&
NEW
YORK:
NOVELLO,
EWER
AND
CO.
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THE
DREAM
OF
JUBAL
A
POEM
WITH
MUSIC
FOR
SOLI,
CHORUS,
ORCHESTRA,
AND
ACCOMPANIED
RECITATION
WRITTEN BY
JOSEPH
BENNETT
THE MUSIC
COMPOSED BY
A.
C.
MACKENZIE.
Octavo,
paper
cover,
2s. 6d.
;
paper
boards, 3s. ;
cloth
gilt, 4s.
Vocal
Parts,
each
is.
;
String Parts, 18s.
6d.
;
Wind Parts
(in the
Press).
Full
Score,
MS.
DAILY TELEGRAPH.
There
was no
mere pretence
of
listening
;
from
first
to last the
piece
held
the
attention
of
its
auditors, and
compelled
their
hearty
applause,
which culminated at
the close
in
an
emphatic and'app^rently unanimous
chorus
of
approval.
•-
>u
K
-
*'*i
DAILY NEWS.
It is
in his accompaniments to the
dialogue that Dr.
Mackenzie
is
at
his
greatest.
Here
all
the resources of
the
orchestra
are
brought into play,
and
free
use
is
made
of
leading
motives, including (in
association
with the
idea of the
Divine
Power) an
extremely
happy
quotation
of
the
phrase
given
in
the
Hallelujah
Chorus
of
The
Messiah,
to
the words
And
He shall
reign
for ever
and ever.
MORNING POST.
Few
composers living could have
written
more
beautiful music
than
that
with
which
Dr.
Mackenzie
accompanies the spoken words. . . . The
contrast
to the
simple
gaiety
of
the.
scene
in
the
fields
is
presented in
the
magnificent
Funeral
March and
Chorus,
which
stands
as
the finest
number in the work
—
deep in
expression and
strikingly
original
in
treatment. . . .
There can be no doubt
that
The Dream
of
Jubal
is
not
only
his
best
work, but it
is
also the best
work of the kind
produced
by
any modern
composer.
DAILY CHRONICLE.
The
choral writing
is
worthy
of
the composer who
penned the
magnificent
series
forming
the
Procession
of the Ark, in the
Rose
of
Sharon,
whilst
the
instrumenta-
tion is
throughout picturesque
and vivid,
as
well as highly
interesting to those who
wish
to go
below
the surface and
critically analyse
Dr.
Mackenzie's
method
of workmanship.
VANITY
FAIR.
For once the
poet has
been allowed
to
take his
place side
by
side
with the
musician,
and
not, as
usual, occupy a merely
subordinate
position. . . . Mr.
Joseph
Bennett
has
produced
a
work
which in
every
way
does
him
infinite credit—
a
work full
of
graceful
imagery,
tender
thoughts, and poetic language.
Throughout, the
orchestration
was
most
charming.
SUNDAY
TIMES.
All Dr.
Mackenzie's strength
and individuality and
wealth
of resource
come
to
the
surface
in
the three
magnificent
concerted
pieces
now
alluded to.
. . .
they
attain,
indeed,
to
as
lofty an
eminence as any
English composer
has yet
reached.
LIVERPOOL
COURIER.
During the
performance
the audience was
spell-bound.
LIVERPOOL DAILY
POST.
It
is an
entirely worthy
and
noble
conception,
quite
original,
and
of a fibre
which
arouses interest
at
the
outset, and holds it
enthralled
until the
last chord
is
heard.
LONDON
&
NEW
YORK:
NOVELLO,
EWER
AND CO.
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)Y\. I
TENTH
THOUSAND.
NOVELLO,
EWER
AND
CO.'S
MUSIC
PRIMERS.
Edited by Dr. STAINER.
THREE
HUNDRED
&
NINETY-SIX
TWO-PART EXERCISES
FOR
CHOIRS AND
SCHOOLS
W
BY
JAMES
GREENWOOD
MAY
BE
USED
WITH
ANY
SYSTEM
OF
SOL-FA..
PRICE
ONE SHILLING.
In paper boards,
One Shilling
and
Sixpence.
LONDON
&>
NEW
YORK
NOVELLO,
EWER
AND
CO.
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G-7S-
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PREFACE.
The
following
Two-part
Exercises
are intended
for
the
use
of
singing-classes
;
the
plan
on
which
they
are
constructed
being,
it
is
thought,
unique.
The Author,
after a
lengthened
experience
in
class-teaching,
believes it
to be
the
plan
best
adapted
to pro-
duce
good,
independent,
readers
of
vocal
music.
A
sight-singer, to
be
thorough,
must
be
able
to
sing with
readiness
in
all keys
and
in
all
sorts
of time ; and in order
to
attain this
readiness
he must
have practice
in
scale and
time exercises,
of
such a
character as
can
be
mastered
by one
whose
familiarity
with
the
lines
and
spaces
has
to
be
gradually
acquired.
Now
the way
in which
scale-exercises
are usually presented to
the
members
of singing-
classes is
so unattractive, that
large numbers
of students soon
grow
tired
of
practising
them
;
while the
plan of
exercising
pupils
in
beating
time
without
any connection with
tune, although
perhaps necessary at
the
very outset, soon
becomes
irksome. But
by
combining
time with tune, and
the
scales
with
such
contra-
puntal devices
as
are
to
be found in
the
following pages, the
interest of
the
pupils
is
sustained, the
greatest
possible amount
of useful
practice is obtained
at
the
smallest cost of tediousness
;
practice and pleasure
go
hand
in
hand,
and progress is
the
result.
In
using this
book teachers
may
adopt any
system
of solmiza-
tion they may
deem
best, and also their
own methods
of explaining
time
and
key-signatures, the
relative
durations
of notes,
&c.
One
direction,
however,
is
necessary.
The
teacher
must
first
teach the
whole
of his
class
to sing
a
scale.
Then the
scale in
time.
Then he
must divide
the
class
into
two
sections.
Then
direct
those
on
his right
hand
to
sing
the scale, and
those on
his left
the
counterpoint.
Then
get those
who
before sang the
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'V
PREFACE.
counterpoint to sing
the
scale,
and vice
versa,
and
keep
them
reversing
in
this manner
until each
exercise
has
been
completely
mastered.
The
Author
believes that
no
other plan
can
be
adopted
by
which
the
habit
of
singing
in
time can be so
well
acquired
;
because by
the
plan
recommended each half
of the
class
will
in its
turn
be
doing that
which
will
be well
within its
power,
viz.,
singing a scale, and
thus
giving
support to those
members of
the
class who are practising
the counterpoint.
The
support
thus
afforded
will be
much
more valuable
for
ultimate
purposes than
that
which
can
be obtained
by
the
strumming
of
every note on
a pianoforte
;
as
it
will
be
the support
resulting
from
the harmonic
relationship
suggested
to
the
minds
of
the
pupils,
and not
merely that
of sounds
to
be
imitated.
Bristol, Aug.
28th,
1883.
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INDEX.
T-
FAGB
Exercises
in
(J
major
...
I
»>
,
A
minor
...
H
>i
,
F
major
...
17
»i
i
,
D
minor
...
24
>»
,
B
flat
major
27
>>
,
G
minor
...
3
1
>»
,
E
flat major
34
>>
,
c
minor
...
38
«
,
A
flat
major
40
>>
,
F
minor ...
44
>>
,
D
flat
major
48
Exercises
i
n G
major
...
5i
j>
,
E
minor ...
57
>i
,
D
major ...
60
>>
„
B
minor
...
65
>>
,
A
major ... 68
i>
,.
F
sharp
minor
74
)>
„
E major
...
77
)>
,
c
sharp
minor
83
>>
„
B
major ...
8
5
>>
,.
G
sharp
minor
88
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Digitized
by
the Internet
Archive
in
2011
with funding
from
University
of
Toronto
http://www.archive.org/details/threehundrednineOOgree
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TWO-PART
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FOR
CHOIRS
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SS
TWO-PART EXERCISES
FOR
CHOIRS
AND SCHOOLS.
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NOVELLO'S
PRIMERS OF
MUSICAL
BIOGRAPHY
BY
JOSEPH
BENNETT.
Price
One
Shilling
;
Cloth, Gilt,
Two
Shillings each.
NOW
READY.
HECTOR
BERLIOZ
FREDERIC CHOPIN
ROSSINI
CHERUBINI
MEYERBEER
PROSPECTUS.
Some years
have
passed
since
Mr.
Joseph
Bennett
began, in the
Musical
Times,
a
series of
biographical
notices
which
are
still far from
ended.
The
original purpose was a limited one—
namely,
to throw light
upon
the
personality of
famous
musicians by
means
of
extracts selected
and
arranged
from
their
letters and other writings. Hence
the
series had
for first title
The
Great Composers, sketched
by
themselves.
Consequent upon the
remarkable favour with which
the
notices
were
received, it
was determined
to
extend
their scope, and
while
making
prominent
the
Masters'
own
testimony,
to
deal
with each
subject
in
a
complete
biographical
form,
as
far as allowed by
the
limits
necessarily
imposed. The
words
sketched
by themselves were therefore
dropped
from
the
title.
It
was
further resolved
to
make
additions in the
case
of
the
composers
dealt
with
under
the
original
idea,
and
to issue
the
notices
separately
as
Primers
of
Musical
Biography.
The
intention
of
Novello's Primers
of Musical
Biography
is
to
convey, as
clearly
as
the
limits of
an
elementary
work
will
allow,
a
just
idea
of each
composer's personality, and
to
record the
principal
events
of his
life.
Knowledge of what
a
man is
helps
the understanding
of
what he
does.
These little
books
may serve, therefore,
as
a
first
step
towards acquaintance with the genius
and
composition
of
the
masters
to
whom
they
are
devoted.
For
the
copious
extracts
made from
letters, &c, throughout
the
series,
no
apology is
offered.
They are the
best
material upon
which
to
base
an estimate
of
character.
LONDON
&
NEW
YORK
NOVELLO, EWER AND
CO.
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Novello,
Ewer
&
Co's
Music
Primers
Edited
by Dr.
STAINER.
PRICE
ONE SHILLING.
THE
SOL-FA
SYSTEM
OF
TEACHING
SINGING
AS
USED
IN
LANCASHIRE
AND
YORKSHIRE
JAMES
GREENWOOD.
AUTHOR'S
PREFACE.
In
bringing
this
little
book to the
notice
of
the
Public,
I
am
complying
with
a
wish that
has
been
expressed
to me
by
many
professional
and other musical
friends,
who
have wit-
nessed
the
good
results
produced by
the
Lancashire
and
Yorkshire
system
of Sol-fa.
Being
convinced
of
its superiority
over
all
other systems,
I
earnestly
recommend
an
investigation
of
its
merits.
LONDON
& NEW
YORK:
NOVELLO,
EWER
&
CO.
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LIFE
OF
MOZART
BY
OTTO
JAHN.
Translated
from the
German
by
Pauline
D.
Townsend.
With
five
Portraits,
and Preface by
George
Grove,
D.C.L.
Three
Volumes,
Cloth,
price
£1
us.
6d.
Mr.
Grove,
in
his
brief
and
able preface,
calls
the
publication in an
English
dress
of
Otto
Jahn's
famous
biography
of
Mozart 'an event in our musical
history,'
and
his
statement
cannot
be
considered
an
exaggeration.
. . .
The
English
public
is
to be
congratulated
upon
a
translation
of
his monumental
effort which may
without
exaggeration be
called
excellent.
Miss Townsend
has done her
work
with
skill
and
conscientiousness,
and
we
doubt
whether
a
much more
careful
comparison
with
the
original
than
we
have
thought it
necessary to undertake
would
discover
many,
or any,
serious
blunders.
The
Times.
JOHANN
SEBASTIAN BACH
HIS
WORK
AND
INFLUENCE
ON
THE
MUSIC
OF GERMANY, 1685-1750
r.\
PHILIPP
SPITTA
TRANSLATED
FROM
THE
GERMAN
BY
CLARA BELL AND
J.
A.
FULLER-MAITLAND.
Three
Volumes,
price
£1
25.
Of
the
translation we
can speak
most
favourably.
Not only
is
it,
so
far
as we
have
compared it,
very
faithful
to
the original,
but
it
is
thoroughly
readable. .
. .
Nevertheless, his book
is
a
sterling work
which
ought
to
be on
the shelves
of
every
musician
;
and we congratulate
the
translators
and the
publishers
on
having
successfully completed
the
arduous task of presenting
it in
an English
dress.
The Athenceum.
FREDERICK
CHOPIN
AS A MAN AND
MUSICIAN
BY
FREDERICK
NIECKS.
With
a
Portrait, etched
by
H.
R.
Robertson,
and
Fac-similes
of
the
Composer's
MS.
Two
Volumes,
Cloth,
price
£1
55.
Mr.
Niecks's work
at
once
takes
its
place
among
standard
biographies.
Great
Musicians—the
first
complete
and
wholly
satisfactory
life
of
Chopin
that has
been
written.
Mr. Niecks
may
be
assured
that its
successful
achievements
places
him
in
the
front
rank of
musical
biographers
;
while,
at
the
same
time,
the
production
of
so able
and adequate
a
work
adds
one
more
to
the
laurels
earned
by
the distinguished
firm that
has
already
given
us
in
English
form
Otto
Jahn's
'
Mozart
'
and
Spina's
'
Bach.'
Sunday
Times.
LONDON
AND
NEW
YORK:
NOVELLO,
EWER
AND
CO.
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NOVELLO,
EWER
&
CO.'S
MUSIC PRIMERS
EDITED
BY
SIR
JOHN
STAINER.
9-
10.
ii.
12.
13-
14.
15-
16.
17-
18.
19.
20.
21.
22.
23-
24.
25-
26.
27.
28.
29.
The Pianoforte
(Price
2s.)
-
-
- -
E. Pauer.
The
Rudiments
of Music
(Price
is.) W. H.
Cummings.
The
Organ (Price
2s.)
Sir
John
Stainer.
The
Harmonium
(Price
2s.)
-
-
-
King
Hall.
Singing (Price
4s.
;
Paper
boards, 5s.)
-
A.
Randegger.
Speech
in Song
(Singer's
Pronouncing
Primer) (Price
25.)
-
- -
A.
J.
Ellis,
f.r.s.
Musical
Forms
(Price
2s.)
-
- -
*
-
E.
Pauer.
Harmony
(Price
2s.)
Sir
John
Stainer.
Counterpoint
(Price
2s.)
- -
-
Dr. Bridge.
Fugue
(Price
2s.)
James
Higgs.
Scientific
Basis
of Music
(Price
is.)
-
Dr.
Stone.
Double
Counterpoint
(Price
2s.)
-
Dr.
Bridge.
Church
Choir
Training (Price is.) Rev.
J.
Troutbeck
Plain
Song (Price
2s.)
Instrumentation
(Price 2s.)
The
Elements
of
the
Beautiful
Music
(Price
is.)
The Violin
(Price
2s.)
-
Tonic
Sol-fa (Price is.)
Lancashire
Sol-fa
(Price
is.)
Composition
(Price
2s.)
Musical
Terms
(Price
is.)
-
The
Violoncello (Price
2s.)
Rev.
T.
IN
Helmore.
E. Prout.
-
E.
Pauer.
Berthold
Tours.
-
J.
Curwen.
James
Greenwood.
Sir
John
Stainer.
-
Stainer and Barrett.
Jules
de Swert.
Two-part
Exercises
(396)
(Price
is.)
James
Greenwood.
Double Scales
(Price
is.)
- -
Franklin Taylor.
Musical
Expression
(Price
3s.)
- -
Mathis
Lussy.
Solfeggi
(Price 4s. ;
Paper
boards, 5s.)
-
F. A.
Marshall.
Or,
in Three Parts, is. 6d. each.
Organ
Accompaniment
(Price
2s.)-
-
Dr.
Bridge.
The
CoRNEj^jgH^^J
H.
Brett.
is.)
-
- -
Dr.
Ritter.
INTINUED.)
Music
a
A ny
of
t,
LON
und
in
boards,
price
6d. each
extra.
&
NEWv
y
OKK: NOVELLO,
EWER
&
CO.
:*1
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ORATORIOS,_CANTATAS,
&c.
PRICE
ONE
SHILLING
EACH.
THOMAS
ANDERTON.
The
Norman Baron.
The
Wreck of
the
Hesperus.
E
The
Gipsif
1
Stabat M.
God so lo
God
goeti
God's
tim
My
spirit
Light
b
Bide witi
A
STRONG
MaghificJ
Thou
Gui
Jbsu,
pric
When
w
spirit.
J-
HANDEL.
Chandos
Te
Deum.
Ode
on St.
Cecilia's
Day.
MOZART.
King
Thamos.
•First Mass.
MT
835
G75
Greenwood,
James
Three
hundred
&
ninety-
six
two-part
exercises
Rfbekah.
BL
The Chor-
Engedi.
Mount
of
Mass.
in
C
•Mass,
in
Ruins
of
I
SIR
\Y
FxHIBITIOl
J-
A
Song
of
J-
'
•Rock of
/
E.
Out of
thi
C
Jephthah.
•Requiem
j
Third Ma
Fourth
M
SIF
The
Drea
NIE
ZlON.
Spring's
\
Christmas
The
Erl-1
Orpheus.
HER?
By the
W;
Noznia.
CH
De
Profun
Ditto
Soli
The
Seve
Saviour
Daughters
•Gallia,
J-
T;:e
Soul
E
O
MAY
IjOI
IY.
r
oices).
in
D.
Jose.
Guise.
'
ITH.
ALTUNO
^VlND.
ces).
I
D I
MUGiC
LIE
«„»
,3
.nc buiiu. U
Lord, Tkou
art my God.
The
Works
marked
*
have Latin and
English Words.
i^)-
AS.
R.
LONDON
AND
NEW
YORK: NOVELLO,
EWER
&
CO.
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NOVELLO,
EWER
&
CO.'S
MUSIC
PRIMERS
I
EDITED BY
10
SIR
JOHN
STAINER.
i.
The
Pianoforte
{Price
2s.)
•
-
-
-
E. Pai
2.
The
Rudiments
of Music
{Price
is.) W.
H.
Cummu
3.
The
Organ
(Price
2s.)
J.
Stain-
4.
The
Harmonium
{Price
2s.)
-
- -
King
Hall.
5.
Singing
(Price
4s.
:
Paper boards,
5s.)
-
A.
Randegger.
6.
Speech
in
Song
(Singer's
Pronouncing
Primer)
(Price 2s.)
-
• -
A.
J.
Ellis, f.r.s.
7
Musical
Forms (Price
2s.)
-
-
-
E.
Pauejl
8.
Harmony
{Price 2s.)
J.
Stain
er.
9.
Counterpoint
(Price
25.)
-
-
-
Dr.
Bridgb.
Fugue
(Price
2s.)
-
...
James
Higgs.
11.
Scientific
Basis
of
Music
(Pike
is.)
Dr.
Stone.
12.
Double
Counterpoint
(Price
2s.)
Dr.
Bridge.
13.
Church
Choir
Training
(Price is.)
Rev
J
Troutbeck.
14.
Plain
Song
(Price
2s.)
-
-
Kev.
T. Helmore.
15.
Instrumentation
(Price
2s.)
-
-
- E. Prout.
r6.
The
Elements
of
the Beautiful
in
Music
(Price is.)
....
E. Pauer.
17.
The
Violin
(Price
2s.)
-
-
•
Berthold
Tours.
18.
Tonic
Sol-fa (Price
is.)
- -
- -
J.
Curwen.
ig.
Lancashire
Sol-fa (Price is.)
-
James
Greenwood.
20.
Composition
(Price 2s.)
-
-«
-
-
J.
Stain
er.
21.
Musical
Terms
(Price is.)
-
-
Stainer and
Barrett.
—
—
55
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