rem koolhaas
DESCRIPTION
Clase Teórica del curso controlado de Arquitectura & Teoría, FArq - UdelaR. 1º semestre de 2014. A cargo de: Gonzalo Bustillo (Gº3) & Pablo Canén (Gº1). [Baja Resolución]TRANSCRIPT
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"Yo no soy un maestro de arquitectura o un profesional, soy más un filósofo que estudia arquitectura."
R.K Entrevista con Jorge Sarquis 1993 http://www.centropoiesis.com/jorge-sarquis-articulos/koolhaas-sarquis.pdf
"Los filósofos, hasta el momento, no han hecho más que interpretar de diversos modos el mundo, ahora de lo que se trata es de transformarlo.”
Karl Marx “Tesis sobre Feuerbach” 1845
“(...) lo que hace (...) el pintor moderno por excelencia es que en el momento en que el mundo entero duerme él se pone a trabajar y lo transfigura”
Michel Foucault, ¿Que es la Ilustración? Sobre El pintor de la vida moderna 1863
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"Diré que mi profesión termina donde termina el pensamiento de la arquitectura, en el sentido de pensar sobre los programas y sobre la estructura organizativa”
R.K. 2002 En Delirio y más. Juan Antonio Cortes.
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"La verdadera prueba de una inteligencia superior es poder mantener dos ideas contradictorias en la cabeza y seguir funcionando.”
Scott Fitzgerald citado por RK en Delirious New York
“Asumir por ejemplo, que las cosas no tienen remedio y mantenerse, sin embargo, decidido a cambiarlas.”
Francis Scott Fitzgerald “The crack- up” (La grieta) 1936
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APRENDIENDO DE LAS VEGAS, 1972. “Un tratado sobre el simbolismo"
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“Roma Interrotta (1978) fue uno de los eventos principales para el contextualismo en la arquitectura. Doce arquitectos internacionales* fueron invitados a diseñar una sección del plano Nolli (1748) y re-imaginar Roma”.
http://unamaquinalectoradecontexto.wordpress.com/2011/05/09/roma-interrotta/
* Piero Sartogo, Constantino Dardi, Antoine Grumbach, James Stirling, Paulo Portoghesi, Romaldo Giurgola, Venturi and Rauch, Colin Rowe, Michael Graves, Rob Krier, Aldo Rossi y Leon Krier.
ROMA INTERROTTAContexto de la intelectualidad europea (70´)
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AXIOMAS
RETÍCULA
“La retícula es sobre todo una especulación conceptual...
... La retícula hace irrelevantes la historia de la arquitectura y todas las enseñanzas anteriores del urbanismo; y fuerza a los constructores de Manhattan a desarrollar un nuevo sistema de valores formales, a inventar estrategias
para distinguir una manzana de otra.”
RK. DNY.
soporte objetivo del delirio
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AXIOMAS
RETÍCULA
“La retícula es sobre todo una especulación conceptual...
... La retícula hace irrelevantes la historia de la arquitectura y todas las enseñanzas anteriores del urbanismo; y fuerza a los constructores de Manhattan a desarrollar un nuevo sistema de valores formales, a inventar estrategias
para distinguir una manzana de otra.”
RK. DNY.
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CLAVES (rascacielos)
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CLAVES (soporte objetivo del delirio)
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“El problema del señor Cram es que no tiene fe en Dios. Yo le proyectaré una iglesia que será la más grandiosa del mundo. Incluirá todos los hoteles, piscinas y tiendas de golosinas que usted desee. Además en el sótano estará el mayor garaje de la cristiandad, porque yo construiré la iglesia sobre palillos y tendré suficiente fe en Dios como para creer que se mantendrá en pie.”
DN p171
Proyecto para Iglesia Metodista Central ColumbusRaymond Hood1927
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AXIOMAS
LOBOTOMÍA
“En esa discrepancia deliberada entre el contenedor y el contenido, los creadores de Nueva York descubren una zona de libertad sin precedentes.”
RK. DNY.
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DENSIDAD
“La arquitectura de Manhattan es un paradigma para la explotación de la congestión.” RK. DNY.
CLAVES (cultura de la congestión)
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THE CITY OF THE CAPTIVE GLOBE, 1972Theoretical project
tres axiomasretícula lobotomía cisma
“... suspendido en el centro de la cudad todas esas instituciones forman conjuntamente una enorme incubadora del propio mundo; están engendrando el globo”.
“Si la esencia de la cultura metropolitana es el cambio -un estado de animación perpetua- y la esencia del concepto de “ciudad” es una secuencia legible de permanencias diversas, únicamente los fundamentales en los que se basa la Ciudad del Globo Cautivo (la
, la y el ) pueden reconquistar el territorio de la metrópolis para la arquitectura”.
KOOLHAAS, Rem. Delirious New York: A Retroactive Manifesto for Manhattan. New York: Monacelli Press, 1978.
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PARC DE LA VILLETTE 1982
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PARC DE LA VILLETTE
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Parc de la Villette - Bernard Tschumi Architects(1º premio)
PARC DE LA VILLETTE
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AYUNTAMIENTO DE LA HAYA (PROYECTO) 1986
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CITY HALL THE HAGUE
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CITY HALL THE HAGUE
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MELUN SENART
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MELUN SENART
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ZEEBRUGGE TERMINAL1989 (PROYECTO)
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Referencias formales de la vanguardia rusa:Ivan Leonidov, Lenin Institute 1927.
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ZEEBRUGGE TERMINAL
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ZEEBRUGGE TERMINAL
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ZEEBRUGGE TERMINAL
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BIBLIOTECA NACIONAL DE FRANCIA 1989
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BIBLIOTECA NACIONAL DE FRANCIA
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BIBLIOTECA NACIONAL DE FRANCIA
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BIBLIOTECA NACIONAL DE FRANCIA
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Dominique Perrault. Biblioteca nacional de Francia (1º premio construido)
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VILLA DALL'AVA, FRANCE, PARIS, 1991A private residence consisting of two apartments and a pool
“The villa is situated on a hill which slopes steeply toward the Seine, the Bois de Boulogne, and the city of Paris, in the residential area of Saint Cloud - a neighbourhood characterised by 19th century houses in a classical "Monet" landscape.
The client wanted a glass house with a swimming pool on the roof and two separate "apartments" - one for the parents, the other for the daughter. They also wanted a panoramic view - from their swimming pool - of the surrounding landscape and the city of Paris.
The site is like a big room, with a boundary made of greenery, garden walls and slopes. It is composed of three parts: a sloping garden, the main volume of the villa, the street level garage with access in a cavity.
The house is conceived as a glass pavilion containing living and dining areas, with two hovering, perpendicular apartments shifted in opposite directions to exploit the view. They are joined by the swimming pool which rests on the concrete structure encased by the glass pavilion”.
http://www.oma.eu/projects/1991/villa-dall-ava/
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VILLA DALL´AVA
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VILLA DALL´AVA
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VILLA DALL´AVA
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VILLA DALL´AVA
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KUNSTHAL
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KUNSTHAL
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KUNSTHAL
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KUNSTHAL
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KUNSTHAL
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KUNSTHAL
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BIBLIOTECA DE JUSSIEU 1992
+
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BIBLIOTECA DE JUSSIEU 1992
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EURALILLE
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EURALILLE
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CONGREXPO
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CONGREXPO
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CONGREXPO
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BIGNESS... o el problema de la talla
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HYPERBUILDING
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HYPERBUILDING
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HYPERBUILDING
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HYPERBUILDING
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ASTOR PALACE
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CCTV
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CCTV
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CCTV
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CCTV
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CCTV
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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SEATTLE CENTRAL LIBRARY
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CORTES, Juan Antonio. Delirio y más. Las lecciones del rascacielos. Croquis Nº 131 132 2006 (Ejemplar AMOOMARem Kolhaas , pag. 8- 31
BIBLIOGRAFÍA COMPLEMENTARIA:
FUENTES UTILIZADAS:
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PRINCIPALES PREGUNTAS
¿Cuáles son las estrategias concretas que Koolhaas toma de la ciudad de New York para su práctica arquitectónica?
¿Cómo se ilustran estas estrategias en sus proyectos?
¿Cuál es el correlato de estas claves a nivel urbano y territorial?