initial presentation year 1 2017

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  • research -practice

    OCA 16 01 17

  • how do you know what to do next?when is it finished?how do you know?

  • Exploring and working with existing models

    ways of working 1

  • Asking

    What is it that you do?

  • TO ROLLTO CREASETO FOLDTO STORETO BENDTO SHORTENTO TWISTTO TWINETO DAPPLETO CRUMPLETO SHAVETO TEARTO CHIPTO SPLITTO CUTTO SEVERTO DROPTO REMOVETO SIMPLIFYTO DIFFERTO DISARRANGETO SHAVETO OPENTO MIXTO SPLASHTO KNOTTO SPILLTO DROOP

    TO FLOWTO SWIRLTO ROTATETO SMEARTO FLOODTO FIRETO IMPRESSTO INLAYTO LIFTTO CURVE TO SUPPORTTO HOOKTO SUSPENDTO SPREADTO HANGOF TENSIONOF GRAVITYOF ENTROPYOF NATUREOF GROUPINGOF LAYERINGOF FELTINGTO COLLECTTO GRASPTO TIGHTENTO BUNDLETO HEAPTO GATHER TO ARRANGETO REPAIRTO DISCARDTO PAIRTO DISTRIBUTETO SURFEITTO SCATTERTO COMPLEMENTTO ENCLOSETO SURROUNDTO ENCIRCLETO HIDETO COVERTO WRAPTO DIGTO TIETO BINDTO WEAVETO JOINTO MATCHTO LAMINATETO BONDTO HINGETO MARKTO EXPANDTO DILUTETO LIGHTTO REVISETO MODULATETO DISTRILLOF WAVESOF ELECTROMAGNETICOF INERTIAOF IONIZATIONOF POLARIZATIONOF REFRACTIONOF SIMULTANEITYOF TIDESOF REFLECTIONOF EQUILIBRIUMOF SYMMETRYOF FRICTIONTO STRETCHTO BOUNCETO ERASETO SPRAYTO SYSTEMATIZETO REFERTO FORCEOF MAPPINGOF LOCATIONOF CONTEXTOF TIMETO TALKOF PHOTOSYNTHESISOF CARBONIZATION

    SerraVerb list

    67-68TO CONTINUE

  • Exploring and working with existing models

    ways of working 2

  • finding your relationship to practice

  • making connectionsart history musicdancewritinggeneral historygeography/placecontemporary practice science

  • your making a contextual framework

    social

    political

    personal

    critical/theoretical

    historical

    geographical

    institutional

    cultural

  • Exploring and working with existing models

    ways of working 3

  • observe and collectas a methodology

  • Exploring and working with existing models

    example 1

  • Exploring and working with existing models

    ways of working 4

  • reflective practicereflective practice

  • ask yourself questions - lots and continuously

    what do you like doing?

  • why do you make work? what do you want from your work?

    whats your work for?

    what is your work about?

    who is your audience?

    where does the work go?

    what do you get from your work?

  • Exploring and working with existing models

    ways of working 5

  • Use of a journal - a place for......Recording thoughts, ideas, observations, thingsReflecting to gain understandingAnalyzing to further your learningConcluding setting out what you have thought about

  • DiagramGetting it out of your head

  • SketchGetting it out of your head

  • Modelling Getting it out of your head

  • how to use itwrite often note down dates and times write freely - without hesitationwrite down stuff even if its not relevant

  • questionswhat happened? why did it happen? what do I think about this? what should I do as a result of this?how do I do this?

  • lateral thinking

    problem solving

    material understanding

    experimental investigation

    research skills

  • Exploring and working with existing models

    ways of working 6

  • Deciding on what the idea should become.Looking at what already existsLooking at the work of othersReflecting on your initial intention

    What is it for ?Where does it go?Who is it for?

  • research

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  • research testing

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  • research testingsampling

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  • research testingsamplingdesigning

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  • research testingsamplingdesigningfinished pieces

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  • Design Thinkinglearnimplementideachooseresearchdefineprototypeideation (idea generation) - the process of creating new ideas.

  • Exploring and working with existing models

    ways of working 7

  • Practice driven and framed by theory.

    Sometimes consciously and often in retrospect.

  • booknesswhat can a book be? what makes a book a book? when does a book stop being a book?where does book end?

  • binding

  • order

  • collections

  • structure

  • folding

  • words / text

  • codes/communication

  • documentation / dissemination

  • performance

  • image

  • process

  • distribution

  • sequence

  • where does this get me?

  • Exploring and working with existing models

    example 2

  • Exploring and working with existing models

    example 3

  • unpicking and rebinding

    unpickingandrebinding.blogspot.com

  • The Ambassadors Return to the English Court1495-1500Vittore Carpaccio

  • Crafts Council of Ireland-Modified Expression.-http://www.nationalcraftgallery.ie/exhibitions/modified-expression

  • Codex between this and that.- http://codexinvestigations.tumblr.com/

  • repeat- http://www.academia.edu/1316741/Repeat_Exhibition_Brochure_-_Norwich_January_2012

  • Durer Self-Portrait at 26 1498

  • William Morris

  • The outside is not a fixed limit but a moving matter animated by peristaltic movements, folds and foldings that together make up an inside: they are not something other than the outside, but precisely the inside of the outside.

    Deleuze, Gilles. The Fold-Leibniz and the Baroque: The Pleats of Matter.

  • In that empire, the craft of cartography attained such perfection that the map of a single province covered the space of an entire city and the map of the empire itself an entire province. In the course of time, these extensive maps were found somehow wanting, and so the College of Cartographersevolved a map of the empire that was of the same scale as the empire and that coincided with it point for point. The following generations, less attentive to the study of cartography, came to judge a map of such magnitude cumbersome and quite useless and it was abandoned to the rigours of sun and rain. In the western deserts, tattered fragments of the map are still to be found sheltering an occasional beast or beggar; in all the land, no other relic is left of the discipline of geography.

    Borges, Jose Luis. On Exactitude in Science.

  • Pitt-RiversPlate III, Drawings of clubs, boomerangs, shields and spears moving from simple forms to complex in a radiating pattern.On the Evolution of Culture 1875. Rethinking Pitt-Rivers | Pitt-Rivers Publications Plates.

  • when does a bend become a fold?when does an object become itself?

  • the link between the pleat and the liperello (concertina) binding

  • a thing is just a thing without a story

  • unpickingandrebinding.blogspot.com

  • unpickingandrebinding.blogspot.com

  • Exploring and working with existing models

    example 4(its now late and Ive probably gone on too long so you can watch these at your leisure)

  • https://www.youtube.com/watch?v=8SvGQB9Vk-c

  • https://www.youtube.com/watch?v=4t7NZMm7emA&list=UUehDGnEVjKvs3kl6fFef7cA&index=7

  • https://www.youtube.com/watch?v=6uwu-iHzkHk&list=UUehDGnEVjKvs3kl6fFef7cA&index=19

  • https://www.youtube.com/watch?v=sYmqwBIWpNA&index=8&list=UUehDGnEVjKvs3kl6fFef7cA

  • https://www.youtube.com/watch?v=HY3fN9vfIR4&index=3&list=UUehDGnEVjKvs3kl6fFef7cA

  • https://unfoldingthinking.blogspot.co.uk/

  • workshop1 - Choose a recent piece of work.

    2 - Think about how it evolved its history.

    3 - Consider its bibliography.

    Task4 - To develop your own diagram

  • your making a contextual framework

    social

    political

    personal

    critical/theoretical

    historical

    geographical

    institutional

    cultural

  • political critical/theoreticalpersonalhistoricalgeographicalinstitutional

    culturalsocialannotate the detail

    *

  • workshopConsider....

    timescale

    influence - shape size- proximity to centre

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