el maestro - luis milan
DESCRIPTION
selected pieces from "el maestro", standard notationTRANSCRIPT
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Libro de musica de vihuela de mano
intitulado El maestro,
compuesto por
Luys Milan
Valencia : Francisco Diaz Romano, 1536Transcription for guitar by Alain Veylit
Edited and transcribed by Goran CronaEdited and transcribed by Goran CronaEdited and transcribed by Goran CronaEdited and transcribed by Goran Crona
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Foreword
Luis de Miln's 1536 work "El Maestro", (the teacher) is said to belong together with the Petrucci lutenists and Capirola to a "transitional" style, that bridge the few available late 15th century lute works with the later (ca. 1530's) more contrapuntal ones. Casteliono, (1536), displays a more advanced style of fantasia making. (Made by professional players in contrast to Miln's self-admitted autodidactic amateurstatus. Said to have travelled in Italy, Miln worked at the court of Germaine de Foix until 1538, with direct ties to the Spanish possessions in Naples. His book abounds in italianate music. He includes pieces of Italian origin, and was without doubt influenced by an Italian style. At the same time, he has a distinct, personal and almost archaic sound. Also note his rhythmic playfullness and the hexachord modes, so typical in Renaissance music, which often sound strange to our ears.
That this book suddenly appeared in 1536 without antecessors in Spain, displaying an already relatively "mature" style is seen by some asproof, that he had learned and borrowed from the existing Italian lute tradition. Also his surname indicates Italian family-roots. When the monopoly on printing ended in 1536, there was a deluge of lute book publishing, (see Brown). Miln displays an elusory charm in his music. Chords and runs are brought together in an earthy, perhaps more emotional than learned way. His use of triple time is nearly exclusive among vihuelists.
Working from the facsimile, obvious misprints and errors have been silently corrected. When you spot the ones that slipped me by, kindly drop me a mail, so I can correct them. Some of the fantasias are not easy, but with industrious work those should also be manageable. In some places, the fingerings could be simplified, to play an open string instead of a held one, but here I've consistently kept Miln's original ones.
Goran Crona
e-mail: [email protected]
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Table of Contents_______________
1 - Fantasia del primero tono2 - Fantasia del primero tono 3 - Fantasia del primero tono4 - Fantasia del segundo tono5 - Fantasia del segundo tono6 - Fantasia de tono mixto, primero y segundo7 - Fantasia del tercero tono8 - Fantasia del quarto tono9 - Fantasia de tono mixto, tercero y quarto10 - Fantasia del primero y segundo tono11 - Fantasia del primero y segundo tono12 - Fantasia del tercero y quarto tono13 - Fantasia del primero tono14 - Fantasia del quarto y tercero tono15 - Fantasia del quinto y sexto tono16 - Fantasia del quinto y sexto tono17 - Fantasia del quinto y sexto tono18 - Fantasia del septimo y octavo tono19 - Fantasia del quinto tono20 - Fantasia del sexto tono21 - Fantasia del septimo tono22 - Fantasia del octavo tono23 - Pavana del primero y segundo tono24 - Pavana del tercero y quarto tono25 - Pavana del quinto y sexto tono
26 - Pavana del septimo y octavo tono27 - Pavana del octavo tono "Qua la bella francesquina"28 - Pavana del octavo tono29 - Fantasia del primero tono30 - Fantasia del segundo tono31 - Fantasia de tono mixto, primero y segundo32 - Fantasia del tercero y quarto tono33 - Fantasia del tercero tono34 - Fantasia del quarto tono35 - Fantasia de tono mixto, tercero y quarto36 - Fantasia de tono mixto, tercero y quarto37 - Fantasia del sexto tono38 - Fantasia del sexto tono39 - Fantasia del sexto tono40 - Tentos del primero y segundo tono41 - Tentos del tercero y quarto tono42 - Tentos del quinto y sexto tono43 - Tentos del septimo y octavo tono44 - Fantasia del septimo tono45 - Fantasia del octavo tono46 - Fantasia de tono mixto, septimo y octavo47 - Fantasia de tono mixto, septimo y octavo48 - Fantasia del sexto tono49 - Fantasia del septimo y octavo tono50 - Fantasia del septimo y octavo tono
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Fantasia del primero tono Luis de Miln 1536
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Fantasia del primero tono Luis de Miln 1536
El Maestro : p. 2
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Fantasia del primero tono Luis de Miln 1536
El Maestro : p. 3
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El Maestro : p. 4
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Fantasia del segundo tono Luis de Miln 1536
El Maestro : p. 5
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Fantasia del segundo tono Luis de Miln 1536
El Maestro : p. 6
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El Maestro : p. 7
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Fantasia de tono mixto, primero y segundo Luis de Miln 1536
El Maestro : p. 8
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El Maestro : p. 9
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Fantasia del tercero tono Luis de Miln 1536
El Maestro : p. 10
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El Maestro : p. 11
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Fantasia del quarto tono Luis de Miln 1536
El Maestro : p. 12
-
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Fantasia de tono mixto, tercero y quarto Luis de Miln 1536
El Maestro : p. 13
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132El Maestro : p. 14
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Fantasia del primero y segundo tono Luis de Miln 1536
El Maestro : p. 15
-
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l l l l l l l l g g fffzcc
eeeyccc
gg{c ll l l g gg{ l
l l l gc gg{c l l47
l l g gg{cc l
l l l glcccl l l l l l l l l l l l l l
l l l l l l gg{gg{ l
l lc l56
g{
g eceeyccffzcc l
l l l l l l l ffz lccc l lc lc lcc lc lc lcc ggc{cccg
lcccl l l l l l l l l l g gg{ g
64
Fantasia del primero y segundo tono Luis de Miln 1536
El Maestro : p. 16
-
ggg{cc
g gg{ccg{cc
ggcc{ccc geeecyccc
ffz gg{ g ffz gg{ glc l l l g{ g{ lcc
l l l g{c g{cl l l l
76
ll{ l l l
gg{ g fzcc gg gg{c
gg{cgg{ g
gg{c gg{
gg{gcg{ g
ll{cl l l g{
gc89
ll{
l l l gg{cgg{
ll{l l l gg{cc
gg{cll{ccl l l ll{ l g
gg{ g g{ccg gg{c
gg{c100
gg{ g
gg{c gg{
gg{gcg{ g
ll{cl l l g{
gc ll{l l l gg{c
gg{ll{l l l109
gg{cc
gg{cll{cc
l l l ll{ l ggg{ g gg{cc
g eeeyeeeycc
118
El Maestro : p. 17
-
)+ gg{c
g g g{c l l l gl{ l l g lll{cc
l l g ggg{gc
l{cl l l eeeyc
gg{c ll l
l g
lll{
l gc lll{ccl gg{c
gg{cc gg{lll{ccl ll{c l
ll{ccl gg{c g{c g eeyc gg{c g
l{c l l l l lcc lc lc
11
l
{ l l l l lc lc lccfffzcc
l l l l l l l l l l l l l l l l l l l l l l l l eeeycc g{c g l{c l lg l{ l l g
21
l{ l l g l{ l l g fz l l
l l l l l lc{l l l l l l l l l l l g{ g{ g{ gc g eyc lc l l l
31
l l g lc l l l l
l g l l l l ll g
ll l l l l l l gg{cc
gg{c gg{ccgg{c
gg{ccgc
ll l l l l l l41
l l l l l l l l l l l l l l l l ey
gcg{ ggcg{ g
gg{ ggg{ g gg{cc g
g{ g l{cc lcc lc lc l{ ll l51
l{c l g g{c g g{c g
f gcg{cc g l
l l{ l g g l l l l gg{cc g lcl l l l l g gg{ g
fffzc62
l l l l l l l l lc l l l l l l l l l l l g gg{ g ffz eeeyc
ggg{cc l
l gg{c l lc fzccgcg{ l
l75
g{ lc
l fffzcgcg{ l
lc g{ l l gg{l l gg{c l l
gg{cl l gg{cc
gg{c g{c g ll{cl l l l l g gg{
g f eeeyc85
Fantasia del tercero y quarto tono Luis de Miln 1536
El Maestro : p. 18
-
)+ l{cc lc lc l l l l l l lc lc lcc lcc lcc lc lcc lc lc lcc lcc lccc lccc lccc
zzfccc
llgccc lc lc l l
l l
ll
gccc lc lc l ll l l l l l ll
gcccl zzzfcc
lllgcc l l l l lc lc lcc lc lc l l l l{{gcc {
6
fffzcc
lll{cc l l l lc lc lcc lcc lc lc l l l lgg{ g
fffzcll{c lc lc l l l l l l l lc l l lc lc lcc
12
lcc lcc lc lc l lc lcl{ lc lcc
lllcffzcc
lll{cc l l l l lc lc lcc lc lc l l l lgg{cc g
ggg{ccggg{cc
gg{ccc
g eeycc19
l{cc lc lc l l l l lc l l l l
l l l l l l l l l l ffz lccc lc lc l ll l l l l l l l l l l
28
l l l ll{ l ffzcc
l{ l l l l l l l l l l lc l l l lc lc lcc lcc gccggg{cc g lccc l l
l l l l l34
lc l l l lc lc lcc lcc lcccl l l l l l l gg
{cccg g gc ffczcc eecyccc lccc lc lc l l
l l l{ lc lc lcc lcc lcc41
ll{cc l l l lc lc lcc lcc lc lc l l l l
gg{ gggg{c g
gg{cgg{cc g
fffzcclll{cc l l l lc lc lcc
49
lcc lc lc l l l l lcc l l lccc lgg{ccc
g ggg{ccggg{cc
ggg{cg ggg{
ggg{ ll{ l l l gg{ g eycc56
Fantasia del primero tono Luis de Miln 1536
El Maestro : p. 19
-
)+ gg{c
lh l l g gg{clh l l g ggg
{cclh l l g ll{ l l l l
gg{ g eeeyc
gg{
lcl lc gc gc gg{
lclc lc gcc gc gg{c
llclcc gcc
l{ccl eeeyc
ll{c l l l ll{ l l l l ggg{cc
g ggg{ccggg{ccc
10
fffzcc
fffzc lll{cc l l l l lc lc lc lc lcc lccgg{ccc
ffzccc lccc l ll l l l l l l l l lc lc lcc lcc
21
gg{ccc
ggg{ccggg{cc
ggg{ccggg{c
gc gcgg{cclc l ll{ l ggg{ ggg{cc
l l l{ l g{cgcgg{cc
lc l lll{l ggg{ gg{c
g28
fffzc
l{c l l l l l l l{cc lc lc l l l l
l{cc l l l l l l
gg{ccc
g eeeycceeeyc
38
Fantasia del quarto y tercero tono Luis de Miln 1536
El Maestro : p. 20
-
)+ fffzc ggg{ccggg{cc
ll{c l l l l l ll l l l l l l l l gg{ gg{
eeeycfffzc
ggg{cc glcll{ccc lc l l l
l l l
l lcc lcc lc lc l llll{cc l
l l l l l gg{ccg eeeyc ll{c l l l
ll{ ll l ll{c l
l l gg{ gg{fffzc
10
l{ l l l l l l l
l{ l l l l
l l l lc{ l l l l l l ll{ l l l l l l
ggg{g{ gg{
g fffzcc19
lcc l l l ll l l l l l l g lc l l l l
l l l l lc l l l l l l l l l l l l l l l l l lc gg{cceeeyc
26
fffzcggg{cggg{c gg{
g fffzc gg{cc g{cgggc{cccgg{cc g{c
g ggg{ggg{
gcg{ ggg{fffzcc
gg{ g{cgg{cgg{ eeeycc
ll{ l l l l33
ll{ l l l l
gc{ g eey
ll{ l l l l ll{ l l l lgc{ g
ll{c l l l l l l lccl l l l l l47
lc l l l l l l ll l l l g ggg{c
ggg{c gg{ccg eeeyc lll{c
l l l l l llc l l l l l l
55
l l l l l l ll l l l l g eey gg{ g ggg{
ggg{fcffz gg{cc
g g{ g{ gg{ gfffzc
fffzcc62
gg{g ggg{
ggg{gcgg{
gc fccffzceceeycc
lcl{lc l lc lc lcl{
l l l lc ll{ l l l l ll{ l l l l eeyc73
Fantasia del quinto y sexto tono Luis de Miln 1536
El Maestro : p. 21
-
ll{c l ll l l l l l{c l l l l l l l fffzcc ll{c
l l l l l l l l{c l l l l l l l l l ll l l l83
lcl l l l l l l ggg{cc
ggg{c gg{ccg eeeyc
l l lh l l lh g l l lh l l lh gclc{l lch lh li lch89
g lh li lh lh li lh lh li lh lh li lh ll{ch li lh gg{
lcl{l lch l l lch102
ll{
l lh l{c
l lh ll{l lh ll{c
l l )+h ll{c l l l l l ll l l l l l l l l
112
ggg{cggg{c gg{cc
g fffzc fffzccggg{c
ggg{cll{c l l l g g{cc
gg{cg{c
l{ l l l g gg{c
118
gg{cg{
l{ l l l g g{c
g{
gg{lc{ l l l l
l g gg{cg ggg
{ccclh ggg{c
ggg{c gg{ccg eeeyc
128
El Maestro : p. 22
-
)+g g g g fccc
g g g g fcgc g g g f ll{c lc l l l
l l l
l l l l lc l l l l l l l{c l gg{ gc eccc ll l l l l l l l l l l
lcl l lc l lc lc lcc lc lc lcc lcc gccc
gcg{11
gg{
ggg{ ggg{cggg{
gcgg{cc ll l l l l l l l l l l l l l l l l l eeeycc lc
l l l l l l l l l l l l l l l19
lcl l l lc l l l l l l l l l l l l l l
l l l l l l lc l l l l l lc lc l ll l l l l l lc l l l l l
27
g{c g gg{ gc ecccll{ l l l l l l
ll{c l l l ll l l l l l l
l lclccc lc l l l
l l l l l l lc lc lcc lcc33
gg{ l{ l l lc
ggg{ccfffzc gg{c
g ggg{ggg{
gcg{ gccc ggg{c gg{
g ggg{gcg{
gcg{cc g g
g gg{ lc l41
l lgg{ lc
l l l gcg{ lcccl l l gg
{c ll l l gg{c g eey l l l l
l l l l l l l l l l lc53
l lc l l l l l l l l l l ll l ggg{c
ggg{c gg{ccg fffzc l l l l
l l l l l l l l l l lc ggg{ggg{ gg{c
g62
eeey
lcc lc lc lc lcc l l l l l l l l l l f l l l l l l l l l l lc lc lcc lc lc fccc71
Fantasia del quinto y sexto tono Luis de Miln 1536
El Maestro : p. 23
-
lcc{ lc lc lc lcc lc { lc l lc lc ll{ l l l l lcl{
l l l lc ll{l l l l ll{
l l l l eeeyc gg{cg ggg{
ggg{80
gcg{ gccc g
gg{c gg{g ggg{
gcg{gcg{c g g g
gg{ lc l l lgg{ lc
l l l gcg{ lcccl l l gg
{c ll l l gg{c g
fffz eeeyceeeyccc
89
El Maestro : p. 24
-
)+fffz ggg{c
ggg{ccggg{cc g
eceey fffczcccgg{c ggc{cc gg{c gg{cc
eeecycccfcffz
ggg{cggg{ g
g{
lcl{ l l l l l
gccgg{c g
gccgg{clcc lc eceey l{ l l l l l l
ll{c l l l ll l gg
{cc ll l l l l l g gg
{ccg eeeyc
13
ggg{cc gl{c l l g
l{c l l g
l{ l l g
l{ l l g l l l l l l
l gg{ g ll{ l g eeeyc ggg{cc gl{c l l g
22
l{c l l gl{ l l g
l{ l l g l l l l l l
l l lc l l l l l l l l l l l lc l l l ll l l l l l l33
l l l l l l l lc gcll{ l ll{c l gg{c eeyccc
ll{ l l l l l ll l lc l l l l ll l l l l l l l{c
l l l l l l40
gg{cg fffzc
eeeycccfccfz l
lc lclc lclc lcc gc g g gfcfz lcc
lcl lcl lclc g g g gcfcfz lccc
l l l l l lc g g48
g gcffz lc
l l l l l l g gc g{g g g gg{ g gg{ g eeeyc ll{cl l l l lc lcclcc lccclcl l l
l l l62
l l l l l l l l l l l l lc l l l l l l ll{c l ffzll{ l l l l l l gg{
ggg{clc{ l l l l l l
gg{ g73
lccll{lc lcclcclc lcc gg{
gc ecceeyc ll{cl l l l ll{ l l
l lc ll {c l l l l ll{c
l l l l lll{ l ll lc ggg{
ggg{ gg{cg eeeyccc
81
Fantasia del quinto y sexto tono Luis de Miln 1536
El Maestro : p. 25
-
)+ ffz
ggg{ccg fff
zccfffzcc
ggg{c gg{ lll{ccl l l l l l l l l l l l l l l gg{cc g
gg{c
gg{cl{ l l l l
l l l lc l l l l l l l lll{ccl l l l l l l l l l l l l l l gg{cc
gg{c gg{ccg ey
9
l l l l ll l l gc g fffzc lc l l l l
l l l g g fffzcc ll l l l l l l lc l l l l l l lc
17
lc l l lc glcll{cc l l l
lcl l{ccl l l fffz l l l l l
l l l lc l l l l l l l l l l l g lll{ccl l l25
ll l{cc l l l l
l l l l l lc l l l l l l l l l ggg{cggg{c ll{cc
l g eyfccffz
gccg{ gcgg{33
gcg{
gcg{ l l l l ll l l lc l l l l l l l fffz fffz ggg{cc gg{ lcc l l l l
l l l l l l l l l l l eey41
lll{
l l l lc lll{ccl l l l l l{cc
l l l l ll{cccl l l l l l lc l l l l l l l l{cc lc lc l l l l l
50
lll{cc
l l l l l l ggg{ccgg{c gg{cc
g eylccll{
lcc lc lcc lcc gccgg{ccgcgg{
lcl{ l l l lgcgg{ ggg{
lll{cc
l l l l56
ggg{cc
gg{ ll{c l l l lgcgg{cc
g{ lccl l l l l l l l l l l l l l l
l l lc l l l l g{cc
g eeeyccc65
Fantasia del septimo y octavo tono Luis de Miln 1536
El Maestro : p. 26
-
lll{cc
l l l l l ll{ccl l l l lll{
l l l lc gg{g fcffzcc
lll{ccl l l l l ll{cc
l l l l73
lll{
l l l lc lll{ l llc lc
lccl l l l l l l l l lc lc lcc lcc
lllcccggg{cc
gg{c gg{ccg80
ey
lcl{l l l lc l l l l lc lc lc g
ll{l l l l l l l l l lc l g
86
ll{
l l l l l l l l lc lc lc g lccl l l l l l l l l l l l l l g{c g
91
eeeycc
lll{ccl l l l l l l lc l l l l{ l l l lll{cc
l l l l l l l l lllll{c
llc
96
lll{cc
l l l l l l l lc llllll{llc
ggg{ggg{c ll{cc
l ggg{c gg{ccg gg{
g fffzcc
ggg{gc fcffzcc
gcgg{g{ fff
zcceeey
101
El Maestro : p. 27
-
)+ f lc l l l l{c l g l l ll l l l g{ g l{c
l l l l{ l g ll{l l l l l l ggg{ g
ggg{c g
lc l l ll{ l g lc
l l l l{ l g{gg{ g
fffzc ll l l l l l g{ gc{
gg{ gg{ ll{ l l lll{ l l l ll{ l l l11
ll{ l l l ll{c l l l ll l{ccl gg{c
ggg{c gg{ccg ggg{c
lh l{ l l l l{ lcl g{ g l{ ll gg{ l l l{cl g{ g
l{ l23
l{ llg{c
gcg{ ll l
{l ll{ l lll{
l ggg{ gg{g fff
zccggg{cc g
l{c l l l
ll{ccl l l l l l l ll
{cc lc lc l35
ll{c l l l l lgg{c
g{c g
ggg{ccclcl l l l l l{c
l ll{ llcl{l l l gg{c
ggg{c gg{ccg fffzc ggg{c
lh46
g{g{ gg{ l l l l l l l l g gg{ g
gcgg{ccc l l lc l l ll l g gg{c g
ggg{c l l l l l ll l g gg{c g
57
ggg{cccgc gg{
gg{ ggg{cgg{ gg{ gg{ gg{c
gcg{gg{
gg{ ggg{cgg{ gg{ gg{ ll{c
l l l l l l l gc gg{ggg{
ggg{ gg{cg70
ll{ l ll l l l l gc gg{ gg{c
gg{c gg{ccg ll{c
l l l gg{gcg{
ll{ l l l g g{ g{ g{ g{ g ll{cl l l gg{
gcg{82
ll{ l l l g g{ g{ g{ g{ g ll{ l l l l l l{c l
g{ g ll{ccl l l l{c
l ll{ llcl{l l l gg{cc
gg{c94
Fantasia del quinto tono Luis de Miln 1536
El Maestro : p. 28
-
l l gg{ gg{ccg gg{c
g *+ ll lh lcl{ l lh l l lh
ll{c lclch l lclh
l{ l lh l{ l l )+hll{c l l l l l g
105
l{ccc lc l l l
l g l{c l l l l l g l l ll l l l l gg{ g gg{ g fffzc *+ ll{c l lh l l lh
ll{ l lh117
ll{ l lh lc l lch lcl{
lclc )+h gccg{
lch gcg{ gg{ gg{ gg{ g{ g ll{c l l lgg{c g
ll{ ll l gcg{
gg{ ll{c l l lgg{c g
130
ll{ l
l l gcg{gg{ lll{c l l l l l
l l lll{ l l l ll{ lcc lcc lcll{c l l l l
l l{ccl gg{c
ggg{c gg{ccg *+ ggg{c
lh l l ll{c l l l ll{l143
ll{c l l l ll{l ll{c
l l{ l
gcg{ggg{ gg{
g ggg{cclh l l ll{cc lcc lc lc ll{c
l ll{cc lcc lc lc ll{cl ll{cc
l ll{c lcc lcc lcll{c l l l l l
155
ll{l lc l l l gg{ gg{c l
l gg{ gg{ccg gg{c
gg{gg{ gg{c g g{ gg{c
gcg{gg{
gg{ g g{ g{gcg{gcg{
gg{ g g{gg{ gg{c
gg{gg{c g{c
g{
163
ll{ccl
l l l l ll{cl l l l llll{l lcl l l gg{ gg{c l
l gg{ gg{ccg gg{c
gg{gg{ gg{c g g{ gg{c
gcg{gg{
gg{ g g{ g{gcg{gcg{
gg{ g g{gg{ gg{c
gg{174
gg{c g{c
g{
ll{cc l
l l l l ll{c l l l l llll{l lc l l l gg{ gg{c l
l gg{ gg{ccg gg{c l
l l l l ll l g gg{cc lc
l l lc l ll l g
186
gg{c ll l l l l
l l g ggg{cggg{cc
ggg{cggg{c
ggg{ggg{ ggg{c
ggg{ccggg{c
ggg{cggg{
ggg{ ggg{cggg{c ll{c
l ggg{cc gg{ccg fffzc
196El Maestro : p. 29
-
)+f g{ gc g{ g{ lc{ l lc lc lcc l{ l l l l l l lc{ l l{ l g{ l l l l l l l l l l l l l lc l
g g f g{c g g{ g{ l{ l l l l l{ lc l l l l l l{ lc l{c lc g{cc lccc lc l l ll l l10
l l l l l lc l g g ffzcccl{ l l l l g l l lc{ l lc lc lcc l lc lc ll l{ l gc{ g{
g{
19
lcl{ l l l l l l l ll l{ l g{c g{c gg{c gg{ccc
g ll{cl l l ll{c
l l{ l
ll{ l l l ll{ l l l28
ll{ l l l
lcl{ l l lgg{
ggg{ gg{cg ggg{ccc
lh g{ g{ l{ lc l l l l{ l l l l fz37
gcc l lc gc g{ lc{ l l l l l{ l l lc lc gc{ g{ l l l l ll{
l lc{ l
gg{gg{ l l l l46
ll{ l lc{ l
ggg{ggg{ ggg{c g
fffzclll{ccc
l l l gg{cgcg{
ggg{ggg{ ggg{c
ggg{ccggg{cc
g55
fcfz l
lc lc lc lc l l gg{cc
gg{ffzc l
lc l lc l l l gg{ ggg{cfffzccc l
l l l l l l gg{ccgg{c
64
ggg{cggg{cc
ggg{cc
g lcll{l lc lc lc l l ggg{
ggg{ gg{cg fffzccc
fcc l lc lc lcc lc lc l gc g73
Fantasia del sexto tonoLuis de Miln 1536
El Maestro : p. 30
-
g{ g lc{ l l l l l l g g g{ gc l{ l l{cc
l gg{cgg{c g{ g ll{c
l l l gg{gcg{82
gcgg{c
g lc{ lc lcc lc gccg{gccg{ g{
gc gccgg{clh g{ l{ l l{ l l{ l g{ g{ l l l l l l l
91
gg{c lh g{c l{c l l{cc l l{c l g{c gc{ccggg{cc l
l l{cl l{ l l{ l l l gg{cc
g gcg{ lcccl100
l{ccl l{cl l{ l l l gg{c g *+ gg{
lh gg{cggg{ccc lh
gg{c g{ gg{ gc gg{lh gg{c
ggg{ccc lh
gg{c g{ gg{ gc109
l l l l l lll{l l{cl ll{cl gcg
{ccg{g{
lcl{ l l l l{ l l{ l l lgg{
gccg{ g{lc lc gg{ g l{ l ll{ l l
l gg{cgcg{ ggg{
ggg{118
ggg{ g{ gg{
gcg{ ggg{ggg{
ggg{ g{ gg{c gg{cccgg{c gg{c g{ g{c g )+ g{ccc
gc g g{ l{ l l l gc g{127
l{ l l l gggg{
lll{ l ll lc lc gcc ll{
lc gc ggg{ggg{ lll{c l l l l l g lc{ccc
l l l136
l l l l gg{c gg{cccgg{c gg{c gg{ccc
gc g g{ l{ l l l gc g{ l{ l l l l{ l l l145
ll{ l ll{cl ll{
l gcg{ g{g{
gcgg{ lh ll{l g g{
gcg{c
gcgg{ lc lcgcg g{cc
lh lc lc gcc154El Maestro : p. 31
-
gg{ccgcg{
gcgg{ l l lll{c l l l l lggg{
ggg{ ggg{cggg{
ggg{lcl{ l l l l l ggg{c
ggg{ggg{163
gg{cg fffczccc
*+ l l lh l l lh l{ l lh l{ l lh l{c l lh l l lhll { l lh
172
l{ l lh ll{ l
lh l{
l lh ll { l l llll l ll{c
l lh lcl{l lch ll{
l lch lc l{lc lch182
ll{c l lh ll{ l lh l{ l l l l l l ll{c l lh l{cc
l l )+h l l l l l ll l191
lc l l l l l l l l l l l gc
ggg{cg gcgg{ccc
g ggg{cgc lc ll{c
l l l l gg{cg fccffz197
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El Maestro : p. 32
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lc l l l l l l gc{ g g{ g{ l{ l gc l{lc lc lc lc l l gg{c gcc g{c g{c
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57
l l
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Fantasia del septimo tono Luis de Miln 1536
El Maestro : p. 33
-
gg{c
gg{ gg{ggg{
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137El Maestro : p. 34
-
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gc{ lch lc l l l g{ lh l l l l g{ lch l l l l gg { lh l l l lgcgg{ lh l lc lc lcc
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71
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Fantasia del octavo tono Luis de Miln 1536
El Maestro : p. 35
-
ggg{
ggg{cgcg{cc g
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157
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eeey165
El Maestro : p. 36
-
)+ ffzcc
ggg{cccggg{cc
ggg{cccl l l l l l ggg{c
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9
lll{c l l l l
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17
gcgg{ccc gc
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41
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Pavana del primero y segundo tono Luis de Miln 1536
El Maestro : p. 37
-
)+ ffzc gg{c gg{c lll{cc
l ll{c lll{cc
l gg{c g{c g lll{ccl ll{c l
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25
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l
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eeeyc65
Pavana del tercero y quarto tono Luis de Miln 1536
El Maestro : p. 38
-
)+ fffzcggg{
ggg{ fffzcggg{
ggg{ ggg{cggg{ccc
ggg{cll{c lcc
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gg{g ggg{
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ll{ccc lc l l ll g gg{c g fffzccc
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l{ ll g{ g{ g{ g g f ggg{c
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58
ggg{cll{c lcc
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gg{c lh ll{ lc l l ll{ l l lcll{c lc l lc
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Pavana del quinto y sexto tono Luis de Miln 1536
El Maestro : p. 39
-
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gc{ lch lc l l l g{ gc g{ g{ g{ gc g{ g{ ggg{ lh
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24
gg{cc
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lll{cc
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Pavana del septimo y octavo tonoLuis de Miln 1536
El Maestro : p. 40
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)+ g{
g g{ g{gg{ gg{cc
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17
l l l l ll{c l l l gg{cc
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Pavana del octavo tono "Qua la bella francesquina" Luis de Miln 1536
El Maestro : p. 41
-
*+
ggg{ggg{
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Pavana del octavo tonoLuis de Miln 1536
El Maestro : p. 42
-
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gc{ lh gc{ gc{ lc{ l l{ ll g{ gc{ g{ ll ll{
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Fantasia del primero tono Luis de Miln 1536
El Maestro : p. 43
-
gg{ g
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g { lh g{ gc{ gc{ g gcg g { lch g{c g{c g{ g{ g{ lccc lcc lcc lc lc l
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168
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El Maestro : p. 44
-
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g gcc g{c gc l{ l l l l l l g{c l l l lc l{ l l l l l g{ g{ l l l l l l l l l{cc lc lc lcc {gg l{cc
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45
gc{c g
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67
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fl l l l l l l l l{ l l l l l lclc lcl l l l l l l l l l l
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Fantasia del segundo tonoLuis de Miln 1536
El Maestro : p. 45
-
ll{c lcl l l l l l ll{ccl l l ll{ lc l l l l l l g
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El Maestro : p. 46
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l l l l l l llcll{cc l l
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lccll{lc lcc lcc lcc lc lc lll{c l l
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ll{cl ll{ l
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l l l l l l lll{c l l lll{ l l l65
Fantasia de tono mixto, primero y segundo Luis de Miln 1536
El Maestro : p. 47
-
ll{ ll{l lc lc gccgg
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61
Fantasia del tercero y quarto tono Luis de Miln 1536
El Maestro : p. 49
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lcccl l l l l l l lccc lcc lccc lcc lcc l
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Fantasia del tercero tono Luis de Miln 1536
El Maestro : p. 51
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g{ lch gc{ gc l
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73
Fantasia del quarto tono Luis de Miln 1536
El Maestro : p. 54
-
fgc{ l lc gc l l g g g g g lc l
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130
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g{ g l l l l lc l l l g{ gc g{ g g{ g l l l l ffffzc
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lc{ l l l l{ l l l g{ lh l l l l
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Fantasia de tono mixto, tercero y quarto Luis de Miln 1536
El Maestro : p. 57
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lcl l{ l gg{ g l l
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l{ l ll l l ll{c
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lcll{lc lc l lc lc167El Maestro : p. 58
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gccg{c g
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Fantasia de tono mixto, tercero y quarto Luis de Miln 1536
El Maestro : p. 60
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71
gcg{ l l l l g ffz
fcc gccgg{lc lcc lcc lcc lc lc ggg{c l l l l l l
gcgg{ l l l l l l ffz ffzgg{ g g l l
85
gg{cg g l l fffz g{
g g{cg fffzc
gg{ g g l l eeeyc ffzfcc gccgg{ l l l l l l
g{cg99
g{ gc{ g{ g{ ggg{c g g{ g{ g{ g{
ggg{c l l l l l lcfffzcc f
gcgg{ccc l l lc l l lg{ g{ g{ g{ g{ g{
113
Fantasia del sexto tono Luis de Miln 1536
El Maestro : p. 63
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g{ g{ gg{ l l l l l l g{ g{ g{ g{
gc{ gc fccfz g{lc lcc gc
{lc lc gccg{ l l g l l gg{ l l g l l ggg{c
l l127
gc l lc ggg{
l lc gc lc lc fffzcg{c gcc
g{ccgc gc
{ gfcffzccc
g{cg g{ g gg{ g ffz g{ g
ggg{cgc141
gc{ g
gccg{ g g ggccgg{g gc g fccffz
ffzgcg{ g g g
gcgg{g g g fcffz
ffzeceeyc
155
fcffzccc
g{cg g{ g gg{ g gg{ g
ggg{cg fffz
fffz ffzcf eeecyccc lccc
l l l l l l l g g169
g gg g g g gg{ g g g fffzc f
ggg{cg g g ggg{cc
g gc gc fcc ffz gg{ g183
g g gc g g g ggg{
g gc gc fcc ffzfccffzc
f fccfcz g
g g gfccfz
fcffz197
fcffz
eeeycfccfcz g
g g gfccfz
fcffzfcffz
ggg{cg g g ffz
fc gg{ g gc gc211
fczcc
fz fz f g{c g g g g gc gcc gccgg{cccg g g ggg{ g ggg{c
g ggg{g fcfz225
fzfz
fccffzgcg{
gc ffzc
fcfzfffz
fffz ffzcf fccffz g g gg{ g ffzc
239
El Maestro : p. 64
-
ffz g g gg{ g ffz
fcz ffcfz
gc g fcfz g gffz g g ffz g g253
ffz ffz eceey l
l l l l l l l fcffzfffzc
fffz feeeyc
fffzcl l l l l l l l l lc
267
fffzcfffzccc
ggc{cc g g l leeecyccc
fccffzlc lc l l l l l l l l f
fffzcfffz f
fffzc281
l l l l l l lc lc lcc lcc fcccffz fffzc
fffzcfffzccc f
fffzfcffz
fcffzccf fcffzccc
295
g{cg g{ g ggg{ g gg{ g
ggg{cg fffzc
f ffzcf fffzccc
f eeeyceeeyccc
308
El Maestro : p. 65
-
)+ f g g g{ gc g{ g{c g{ g{ gg{ gcccllccgg{cc
gg{c gg{c l lcgg{cc
gg{cc gg{cffzccc
fcc gc{ gcc gc{ g{ gc{ gcc{
gc{ g{ fcffz g g g{ g{ g{ gg{c
gg{gg{ gg{
gg{g{gc{
gcgg{ggg{c
ll{l ggg{c
gg{cg fffzccc g
g g g{ g{ g{ g{cg{16
l l g{ g g fzcfcc g gc gc g{ gc{ gc{ gcc{
gcc{ l lcc gcc{ g gc{gccg{ g{
gc l{ lgcg{cg{
gcg{ccg gg{ g{ l l g
32
gg{c ggg{cg{
lcl{ccl l l l l g gg{c
g fffzcfffzccc
gg{ lh g{ l l gg{ l{l gcg{
lc{ l
gcg{ll{ l l{ l
gg{ g{l l48
gg{ lh g{ l lgg{ l{ l gcg{
lc{ l
gcg{ll{ l l{ l
gg{ g{l l ll{ l l ll ll{ l
gcg{gg{ l l g{ g gg{c l lc
62
g{ g{ g{ l l g{ g{g{ l l g{ gc{ gc{ gcc{ g gc{
fccfzgccg{lcl{lc fffzc
ggg{cll{ l
gg{ gg{ lc l gll{ l l l
lcll{ccl l l74
l lg gg{c
g lll{cccl l l l lc g gg{c l l
ggg{c ggg{cccl l eeeyc *+
g g g gcc{ lc l gc{ gcc{ l lc lc ll89
lcl{ l g{ g
gg{ l lll{l fffzc gg{c l lc g{cc
ggg{ccl l l l l{c
lc lc l gcc{ gc{ g{ lc{ lc lcc l l l gc{ gccg{ lh l l100
llc lc lc gcc lc
{ l l l l lgg{c l l l lc
gc{ l l l l l
l l l gc l{ l l l l l
gg{c l ll{ l l
l l l l l g{ g{ g109
Fantasia del sexto tono Luis de Miln 1536
El Maestro : p. 66
-
g{lccl l l l
lc lc lc gcc lc{ l l l l l
gg{c l l l lc
gc{ l l l l l
l l l gc l{ l l l l l
gg{c l ll{ l l
l l l l l118
gcg{gg{gcg{
gg{cgcg{
lch gccg{ g{gc )+
gccg{cg l lc gc g{ g l l g{ g{ g l l
g{ ggg{gcg{
gcgg{cg gcgg{
gcc l lc gc127
g{ g l l g{ g{ g l l
g{ ggg{gcg{
gcgg{cg gcgg{
ggg{cll{l ggg{c
gg{cg ggg{ccc
l l ll{ l l llc{lc gcc gg{
lcl{lc ggg{c
gcg{140
gcccl{cl g{ g ll{c lc l l
gg{gcc gg{
lcl{lc gg{ l l
gcg{lc l gg{ l l
gcg{l l ggg{c g
gg{cccl l ll{ l g g{ g l l l l
154
l ll l
lc l l l l l l lgg{c
ggg{c gg{ccg gg{c
g gcg{ gll{c l l l l
l l l gg{cc
g gg{ ggcgg{ l l
168
lc l l lggg{ggg{ gg{c
g fffzccc*+
lcc{ lclcch lc l lh lc{ lclch l{ l lh l l lh lc{ l lch l{ l lh l{ l lh lc{ l lh l{ l lh180
g{ lh l{ l lh l l lh l{ l lh l{ l lh lc l lh l{ l lh l{ l lh l{ l lh l{ l lh l l lh g{c lh g{cc
lh195
ll{cl lh gg{c
lh lcl{l lch g
{ lhll{cl lh l l lh gg{ lh gg{c
lh lcl{l lch ll{
l lhlcl l l lh ll{ l lh
209
l{ l lh lcl l l lh g{ lhll{cl lh ll{c
l lh lll{l lch ggg{
lll{h gg{clh lll{ccc l lh
l l lh lll{ l lh fffzcfffz
222
El Maestro : p. 67
-
)+ f g gl{ l l l g
g{
lc{lc lc l g g{ l{ l l l g l{ l l{ l l l g l{ l
ll{cl l l g ll{ l
ll{ l l l l{c l l lc
gcg{lh g l{ l gg{ lh g l{ l ggc{ccc
lh g l{cc l lc{cc lc lcc lcc lccc lc l l l lcc lcc lc13
lc l l l l{ l g l l l l l g gl{ l l l g g l{ l l l g g l{ l l l
g g l{ l l l24
g gl{ l l l gc g l{ l l l l l lc{ l g{ g l l l l l f fffz fffz
fffzcfcffz
gcg{g{
35
fccffzc f
gccgg{clh l l gcgg{
gccgg{ ggcg{ g
gccg{gcc l
lc lc l gg{ gg{ l l l l ll{ l l l l l gg{g{ g{
48
g{g{ gg{ gc
ggg{ggg{
ggg{gc{
gcg{ggg{ ll{
l ggg{ gg{cg ggg{ccc
lh l l g l l l l61
l{ l l l l{ l g g
g{ l{ l g g g l{ l l l l l gg{ l l g{ g{ g gg{g gcg{ gg{
gg{c g
gg{ g gg{g71
gcg{ gg{
gg{c g
gg{ g gg{g gcg{ gg{
ll{c l l l l
l l l l{ l gg{c
g gcg{ l l lc l lc lcgcg{cc g
85
ggg{c
g fcffzcc ll l l l l l l l{ l l l l{ l l lc l l g g g{
g{ g g{c ggg{ccc g
g g{97
Fantasia del sexto tono Luis de Miln 1536
El Maestro : p. 68
-
g{ g g{c ggg{ccc g
gg{ gcgcg{ l l lc l lc lc
gcg{cc g
fffzcf eceeycc
gc{ lch lcc lc gcc gc{ g109
gc{ g g{ g lc l l l l
l l l l l l l l l l l l{ l g g{ g{ g{gcc gccg{
gccg{ g{gc gccg{ g122
gg{
gg{gc{ gc{ gg{
gg{g{ g g{ gg{c
gg{cgg{c
g{ gg{cgg{c
gg{cgg{c gcc
ll{c l l l l l gl{cccl l l134
l l l lcgg{c
g lcl{cc l l l l
l g gg{gg{ l{ l l l l l l l gg{ g ffzcc
gcgg{cccl l l l l l gg
{c g146
ggg{ g
ggg{ l l l l l lgg{ gc
gg{g{
gcgg{ l l l l l lgg{c g
gg{l{ l l{ l l l l l
l{ l
ll{cl l l158
ll{ l l l l l l{ l
ll{cl l l ll{
l gc gg{cggg{ gg{c
g eeeycfffzccc
l l l l fffzfffz
fcffzfc fccffzc f
fffzcf170
gcgg{ccc
lh l l l l fffzfffz
fcffzfc fccffzc f
gccgg{clcch lcc lcc lc lc ggg{c lh l l l l
gcg{lh lc l l l ggg{c lh
187
l l l lll{ l lc lc
lc{cc lc lc l
ggg{ggg{ gg{c
g ggg{ccclh l l l l fffz
fffzfcffz
fc fccffzc fgccgg{c
lcch lcc lcc lc lc202
ggg{c lh l l l l
gcg{lh lc l l l ggg{c lh l l l l
ll{ l lc lclcl{cc lcc gccc
ggg{cg gg{c
g ffz eeeecyccceeeyccc
217El Maestro : p. 69
-
)+fffz
ggg{ccgg{
ggg{ccg ggg
{cc ggcgg{ g
lcl{ccl l l l l l l l l l l l gcg{cc
g eeeyggg{c ggg{c
ggg{ ggg{c
lll{cl g gg{
gg{cll{cl l l gg
{cc g f lccl l l l l l l l l l l l l l
l g gg{cgcgg{ccc
g11
ggg{c
g{ ggg{ccc g
ggg{cg{
ll{l l l l l l l l l lc l l l l
ggg{cggg{c gg{cc
l l fffzccfffzcc
fccffzcc21
gcgg{
gcgg{ gg{gcgg{ gg{
g gcg{ g
gcg{c
gg{gcgg{cc
gg{lll{ccl l l g{ g lcc
l l l l l l l l l lc lc gcc31
ggg{cc g
fcffzccc lcl l l l l l l l l l l lc l l l g
ggg{cgg{cc
g ggg{c gfffzcc
g gg{ccl l41
l l l l ll l l l l lc l l l l l l l l l g gg{c g
eeeycc ggg{c
gcgg{cc
gcgg{ccfccffzcc
lcll{cclc lcc lc lc l l50
l l l l l l l l l l l l l l l g gg{ggg{ g
ggg{cgc ggg{
g fffzcc
ggg{ccg{cc
gg{cll{c l l l
59
g g{ccgg{c
gg{cl{ l l l g gg{c
gg{cgg{
l{ l l l g g{c
gg{gg{
lc{ l l l l l l l l l l l lc l l l
69
l l l l g gg{ g eeeyccfcffz
ggg{cggg{
ggg{ccggg{
ggg{cc
g gcgg{ l l l l l ll l l l l l l l l l l79
Tentos del primero y segundo tono Luis de Miln 1536
El Maestro : p. 70
-
gcg{ g
gccgg{gc gccgg{ gc
gcgg{ ggcgg{ l l l l l l l l l l
gcgg{ gfcffzcc
lccll{lc lcc lcc lc lcc lcc89
lccll{ lc
lc lcc lc lc lcc lcll{ l l l l l llcll{ l l l l l l ll{ lc l l lc l l
lcl{cc l
l l l l l l98
l l l l l l l l l l llcl{ccl eceey
eceeycc
ggg{cggg{
ggg{cgcgg{
ggg{cgcgg{
gcg{lccll{cl l l l l l103
l l l l l l llcl{cc l l l lc lc lcc lcc lc lc l l l l
lcl{cc
l l l l l l l l l l l l lc112
gg{g eceeycc
gcg{gccg{lc lc gcg{ g gg{cc
l l ffzccc
gcg{gccg{lc lc gcg{ gg{cc
gg{l l gg{cc g
gg{ l l117
ll{c l l l l l ll{ l l l l l l
l{ l l l l l l
gc{ g
gg{c g
ggg{ gggg{c g
gg{c ll130
ll{cch g l l l l l l l l lc l l l l l l l l l g g gg{c g
eeeyccggg{cc
ggg{cggg{c
ggg{ gg{g ggg{c
gcgg{cc
138
gcgg{
gccgg{ gg{gc gcgg{ l l l l l l l l l l l l l l l l l l f fcffzcc
gcgg{ccc
l l148
lc l l lc lc lc l l l l l lc lc lc l l f fcf
zcccecceceycc
eceeyccc
gcg g{ccc
l l lc l l lc g156El Maestro : p. 71
-
fccfcfzcc
gcg g{l l l l l l g gcgg
{ccl l l l l l g
lcclc l l l l l l g gcgg{cc
ggg{cggg{
164
fffzcc lccl l l l l l l g ggg{cc
ggg{cggg{cc
fffzccc lcccl l l l l l l g
gcgg{cc
ggg{cggg{
ggg{cclll{l172
lll{ccl ll{
l lll{ccl l l ll
{cc ll{ l l l ggg{cc
fzll{c l l l l l l l ll{c
l l l ggg{lll{ l181
gg{ gll{ l l l l f ffzc
fffzfffz fffzcc
fffz eeeycceeeycc
ggg{ccggg{ccggg{c
ggg{ gfffzc
ggg{cgcgg{gcg{190
gccgg{ gc
gcgg{gcgg{ l l l l l l
lccll{l lc lc l lc lc lcc lc lc l l l l l lc lc l gc206
gcg{ccc
g eceeycc
eeeyccc
gcgg{gcgg{
gcgg{gccgg{cc
ggg{cggg{
ggg{ccggg{cc
ggg{ggg{cc
gg{cfffzcc
ggg{ccggg{c
ggg{212
ggg{cc l
l l{cl ggg{c
ggg{ccg ggg{cc l
l l{cl ggg{c gg{cc
g ffz gcgg{
gcgg{gcgg{
gccgg{ccggg{c
ggg{ggg{cc
ggg{ccggg{
224
ggg{ccgg{c
fffzcc ggg{cc
ggg{cggg{
ggg{cc l
l l{c
l ggg{cggg{cc
g ggg{cc ll l
{cl ggg{c
236
gg{ccg fz lcc lcc lc lc l lc lc l l l l
l l l l l l l l l g eeeycceeey
245El Maestro : p. 72
-
)+ ffz g gg{ gg{ g gg{ gcgg{c g
gg{ ggcgg{cc
g gcg{g{ g{ g
ggg{ g
eeeyceeey fffzcc
gg{ g gg{ggg{
gcgg{gcg{
gcg{g ll{ l l l l l l
10
ll l l l l l l l l l l l l l gg{ g gg{c g
ggg{cggg{
gg{ geeey ll{c l l l l
19
ll{ l l l l ll{ l l
l l ll{ l l l l g{ g ll{ l l l l g gg{cll{ l l l l l l
gg{ llc27
gcg{
gcll l l l l l l l l l l l l l l l l l l l l l g{ g l l l l eey
gccg{ gc35
gccgc{
gc gcg{ ggcg{ g
lll{ l l l l l l ggg{g l
{c l l l l l l l l l l l ll l l l l l l
g43
gg{ g
eeeycc
eeeygg{ g
l{ l g l l g lc
l l l l l l l l l l l l l l l l l l l l l l lc51
l{c l l l g{c {g g gc zfgg{ g
l{ l g l l g l l g l l l
l l lc l l60
l l l l l l l lggg{ g{
g{
ggg{ gg{c g g gll{c l l l l l l lcc
l l l l l l l l l l lcc lc lc l l69
Tentos del tercero y quarto tono Luis de Miln 1536
El Maestro : p. 73
-
l lc lc lcc lccl l l l l l l l l l l gg{c g
eeeyccggg{cc g
ggg{cccg ggg{c
g77
ggg{cg gg{ g
ll{cl l l l lc l l l l l l l l l l lc l l l l l l l g g g gc
84
eeeyccceeeycc
gcgg{c ggcgg{c g
gcgg{ggg{ ggg{c
ggg{ll{ l l l l l l gg{c g
lcl{cc l l l l l l
91
l l l l l l l l l l l l l l lgcg{cc g
eeeycclll{cc l l
l l lcc lc lc l ll l l lc l l
100
l l l ll l l l l l l l l l l l l l l ll{ l
gcgg{ gg{gccg{c g
gccgg{clc lcc lcc lcc lc lc l l l l106
l l l l l ll ll{c
l l l eeeycggg{c
ggg{ggg{
ggg{gcgg{
gcgg{c llc l l gg{
gg{ ll l l gg{c
gg{c ll l l113
ggg{cccgg{c l
l l l gg{cc ggg{ccc
g gg{c gggg{c
ggg{gg{ g
eeey l l l l l l l l124
l lc l l l l l lc lc l l l l l l l lc l l l l l l l lcc lc l l l l l lc133
lc l l l l l l l g{c {g l lc lc lc lc {gggg{cc
ggg{ggg{
gcgg{gcgg{c
gccgg{ g ll{cl l l l lc l l
137
El Maestro : p. 74
-
ll l l l l l l l l l l l l l g{c
gg{ll{ l l l l ll{
l l l l ll{ l l l l gg{g eee
ycc145
eeey
ll{cl l{ l
ll{ l l{c llll{ l g{
l{cl l{ l
ll{ l l{c llll{ l l{ lc
l{cl l{ l
ll{ l l{cl153
l{ l ggg{ccclll{cl g gg{c
g fffzccc
fffzceeeyccc
gg{cg gg{
gcg{gcg{ g gg{ gg{c gg{c
g g{ g{ gg{gccg{
gccg{gcgg{162
gccgg{ gg{ gg{ gg{ gg{ g
g l lgcg{
gc g lc l gg{ gg l l
gcg{
gc g lc l176
l l lc l l l lc l l l l l l l l l l l lc l l l l l f
gg{cc
l l fffzeeeycc
eeey186
El Maestro : p. 75
-
)+fffz
ggg{cgcgg{cc
ggg{cg gcgg{ccc
l l l l l l l l l l l lc l l l l l l g gg{cccgg{c gg{c
eeecycccfffz
ggg{ gcggg{ gg{ gg{ l l ll{ l g
eeeyc lll{ccc lcc lcc lc lc l l l9
l{c lc l l l l l lgg{c g
gg{g{
fcfz l l l lc l l l l l lc lc lcc lcc lcc lc lc gcccgcg{
gg{ggg{17
gg{cgcg{
gg{ggg{ lc
l l l l l l l l l lc l l l l l ggg{ccc
eeyc ggg{cc gl{c l g
25
l{c l gll{cccl g
gg{c ggcgg{ccc
l l l l l l l l l l l lc l l l l l l gggg{ ll{
l ggg{33
gg{cg eeeyccc
gccgg{lc lcc lcc lcc lc lc gg{ gcg{ l l l l l l l l l l lc l l l l l l g{c g
41
eeyccgg{
gcc gcg{ gg{cgcg{ gg{
gg{c g
gg{ gg{ g{ gg{gg{c
gg{49
g{gg{
fcfzeceeyc
eceeyccc lccc lc l l l lcc lcc lc lc l l ll l l l lc l l l l l l l ey
57
gccgg{
lc lcc lcc lcc lc lc gg{ gcgg{l lc lc lc l l ggg{c
ggg{ l l l l l l l l lc l l l l l gg{gg{ gg{
65
Tentos del quinto y sexto tono Luis de Miln 1536
El Maestro : p. 76
-
fz lccc lc l l l lcc lcc lc lc l l ll l l l lc l l l l l l l l l l l
l l l l l l l l lc l l l g g{ l{c l l l l73
egccgg{c
lcc lc lcc lc lc l l l l l ggccgg{
gcgg{ geceey ggg{c
l l l l l l l l l lc81
gcggg{cc
gg{cc g
eeeyccc ggg{ccc
ggg{cggg{c
ggg{ gc{cc g{c g{cc g{cccggg{c
89
ggg{
ggg{gcg{ gcc g{c g{c g{
gg{ccgg{
gg{cgg{ l
l l llcl{ l l
l l{ l97
l l l l ll{c l l lgg{cc g
eeeyccfffzcc
l l l l l l l l l l l l l l l l l l l l l l l l105
g g g gcceeeycc
eeeyccgcg{ l
l g{
gg{ ll g
{cg{ l
l113
l l gg{ lcc l g g{c lc l g g{cc lc l g lccc lc l l ll l l l l l l l lc l l g
121
gg{c g eeygcg{ l
l l{l gg{ l
l l{cl g{ l
l l l gg{ lcc l l l g{c lc l129
l l g{cc lc l g gccc gc g g ll l l l l l l l lc l l g gg{c
gg{138
El Maestro : p. 77
-
gcg{ l
l l{l ggg{ l l
ggg{ gg{cg eeeyccc
gccgcg{ glccll{cl l lc l l l lcll
{cl l l l l l145
lcll{ l l l l l l gg{
g fcffz gg{ g ll{ l l l l l l l{ l l l l l l l{ l l l l l l l l l l lc l l lc153
eygccgg{
lcl{lc gg
{cgcg{
ll{ l gg{ gg{ll{ l gg{ gg{c
ll{ccl gg{ccc
l{cc l l l l
gg{cccg161
ll{cl l{ l
ll{cl ll{ l
lcl{ lll{cl lcll
{cclc gcc{ gg{
gc gccgg{c llc lc
{l lcl{
lc ll{cl l l gcg{ l
l l{l ll{
l l{cl ll{cc
l170
ll{cccl l l ll{c
l gg{ ll{l ggg{ gg{c
g ggg{cccg ll{c
l l{ l
ll{cl ll{ l
lcl{ lll{cl lcll
{cclc gcc{ gg{
gc gccgg{c llc181
lc{l lcl{
lc ll{cl l l gcg{ l
l l{l ll{
l l{cl ll{cc
l ll{cccl l l ll{c
l gg{ ll{l ggg{ gg{c
g ggg{cccg eeeyc
eeeyccc192
El Maestro : p. 78
-
)+ ggg{cc
ggg{ggg{
gcgg{cc ll l l lcl{ l l l
fcffzccc
fffzcc ll l l lcl{ l l l
fcffzccc
fccffzcc
l l l l l l l l l l l l l l l l g g gg{ g ll{ l l l l eeeyccgcgg{ccc
l lc g g{12
gg{ l l g g{
ll{c l l l l{c lll{ccl l l g g{ g gcgg
{ccl l l l l l l l l l21
l l l l l l l l fcffzcc
eeeyccc
gg{ l l l{ccl ll{c
l g{cc
g{ccgcg{ l
l l{ l l{ l g{ g29
ggg{cc
g g gg{cc
l l l l l l l lc lc lcc lcc lc lc l l l leeeycc
eeeyfffzcc
ggg{ggg{
gcgg{cc g38
g{ g{ ll{cc
l l l l l l l l l l l l l l l l l l l l lc g{g gcgg{c gcc
eceey47
ecee
yccfccffzcc
gcgg{gcgg{ ggg{ ggg{cc
fffzfffzcc
gg{ gg{c gg{c g{cfcffz
eceeycc lccl l l l lc lc l l l l ll l l l54
l l l l l l l l l l l l gc gg{c
ggg{l{ccl l l l g{ g
eeeycc
eeeyfccffz
gccgg{ccgcgg{
66
gcg g{ l l l l l l l l l l l l l l l l l l f fffz gg{cc gg{
gg{cc l l75
Tentos del septimo y octavo tono Luis de Miln 1536
El Maestro : p. 79
-
l l l l l l lc lc l lc lc lcc gcc
fcffzggg{ ggg{cc
fffzfffzcc
ggg{cggg{c
ggg{ l l l l l l l l l l82
l l l l lc l l l l l l l l l l ggg{ ggg{cc
gg{c ggg{cccggcc{ccc g
gggc{cccg
lccl l l l l l91
l l l l l l l ggc{ccc
g eeeycc
gg{cccggg{cc
ggg{ccgg{c
ggg{ccfffz
ggg{ccggg{
gg{cggg{
ggg{cc
fcffz98
ggg{cc
ggg{ggg{cc
gcgg{gcg{
fccffzcgcgg{cc
gcgg{fffzc
ggg{ccggg{cc
l l l l l l l l l l l l l l l109
gg{ g eycc
lccll{lc lcc lcc lc lcc lcc fccffzcc
lcll{ l l l l l lfcffzcc
lll{ l l l l l lgg{ l l l l l l l l l l l
118
l l l gg{ eeeycc ll{ccc
l l l l l l g gg{ccll{l l l l l l gc gg{
fcffzccfccffz l
l lc l l l lc l127
l l l l l l l l g g
fccfcfzecceeycc
ggg{ccll{l lc l ll{
l l l gg{cc g
ll{ccl l l136
l
{ccl l l g{ g{c l{ l l l l{c l g{cc gcc g
gcgg{cccl l l l l l l l l l145
l l l l l l l l ffz gg{ gg{cc
l{cc l
l{ l l lggg{cc
l{ l
l l l l ll{cc l
l{ l152El Maestro : p. 80
-
l l gg{cc
eyfffzc
gc{cc
gcgg{ccfccffzc
gcgg{ccgcgg{
gg{g fcff
zccgg{c
gg{c g{ g{ gg{cc g159
gg{c
ggg{ccggg{
ggg{ g{ g gg{ l l l{ccl l{c
l g{cc
g{cc lcccl l l l l l l170
g gg{cc l
l ggcc{ccc ggc{cccg ffzcc
fffzcgc{cc
gcgg{ccfccffzc
gcgg{ccgcgg{
gg{g fcff
zccgg{c
gg{c177
g{ g{ gg{cc g
gg{cggg{cc
ggg{ggg{ g{ g gg{ l l l{cc
l l{cl g
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l l l l l l l188
g gg{cc l
l ggcc{ccc ggc{cccg gg{cc
g fffz ggg{ccg fffz
ggg{cc geeey eeeycc
197
El Maestro : p. 81
-
)+
lc{ l l l l l l gc{gcg{
gccg{lcl{lc gg{ gccg{
gcg{gcg{ l{ lc l l l lcl{ l l l l lc lc g{cc
gg{ccggc{cc
ll{ccl
gg{c ggc{cc
gg{ccgg{c l{c l l l l
lll{ccl l l l l l g{
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ll{l gg{ ggg{
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10
ll{
l l l l{ lll{ l ll{
l l l gcgg{ggg{ ggg{
ggg{ ll{c l l l llll{cccl l l l{ ll ll{
l gc gcgg{19
ggg{ ggg{
ggg{ccgg{c ll{cc
l l l l g{l l l{ l l
lc gcg{gcc l
lcllcc lcc lcc lc lc gccg{
gcg{lc{ l l l l28
gg{ l l l l l{
lclgcg{
gccgg{c llc lc lcc lc lcc lc gcgg{
gcgg{ ll{lc l l l gcg
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37
ll{ l gg{c l{c l l l l gg{cc g
gg{ccl l l l l{ ll ll{ l l l l l l ll{c l gg{c lc{cc l l l l gg{cc
g46
g gg{
gg{gcg{ gg{
ggg{cggg{
gcgg{gcg{
gccgg{cgcgg{
gcgg{ll{ l l l l *+
ggg{ g ggc{ gc gc55
gcc{ l lcc gc lc{ lc lcc{ lc gc{ gc{ l lc l l l gcg{ g g g{ l{ l gg{ ll{c l l{ l gg{ gg{c l{c l l l l ffzcc
gc{ l l gc{64
gcg{
gccg{lcl{lc gg{ gccg{
gcg{gcg{ l{ lc l l l gcg{ lc lc g{cc
gg{ccggc{ccll{ccl gg{c ggc{cc
gg{ccgg{c l{c l l l l
ggg{cc l lg{
gg{gg{ll{l73
Fantasia del septimo tono Luis de Miln 1536
El Maestro : p. 82
-
gg{ ggg{
ggg{ggg{ l{ l l l l ll{
l l l l{ l l{ l ll lll{
l gcgg{ggg{ ggg{
ggg{ ll{c l l l llll{cccl l l l{ l l{ l l
l lll{l gcgg{
gcg{gcgg{82
ggg{ ll{
l l l l )+g ll{cc
l ll{c lll{ l ll{ l
ll{cl ll{ l
ll{ccl ll{c l
ll{ l ll{ lll{cl ll{ l
ll{ccl gg{ g
91
fff
zccggg{ l l g
gc{gcg{
gccg{lcl{lc lc lcc lc lc l ggg{ l l l l l l g g{ g{c l l l l
l l l l100
l l l l l l l l l{ ll l{ ll lc{
lcl gc{lll g{ l{ l l l l gg{ g
lc{ l l l l l l
gcg{ gg{ ll{l l l l109
l l l{ ll l{ ll l{ l l{
lc l{ lcllcl{ lll ll{
l l l l{ ll l{ ll l{ l l{lc l{ lcl
lcl{ lll ll{l
lccl l l l l l l118
ggcg{ g
gcg{lcl{ccl l l l g{
g{ ggg{cc
gg{cll{ccl l l l g{
g{ ggg{cc
gg{cggg{cc
g127
fff
zccggg{ l l g
gc{gcg{
gccg{lcl{lc lc lcc lc lc l ggg{ l l l l l l g g{ g{c l l l l
l l l l136
l l l l l l l l l{ ll l{ ll lc{
lcl gc{lll g{ l{ l l l l gg{ g
lc{ l l l l l l
gcg{ gg{ ll{l l l l145
l l l{ ll l{ ll l{ l l{
lc l{ lcllcl{ lll ll{
l l l l{ ll l{ ll l{ l l{lc l{ lcl
lcl{ lll ll{l
lccl l l l l l l154
El Maestro : p. 83
-
ggcg{ g
gcg{lcl{ccl l l l g{
g{ ggg{cc
gg{c