book the ix 2nd... · 54 o bêbado e a equilibrista a maj 55 off minor g min (?) 56 one by one g...
TRANSCRIPT
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Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
22
TheTheSurrealSurreal
BookBookVolume IX Volume IX
(2nd edition - C)(2nd edition - C)
The Jam-Tonic presentaThe Jam-Tonic presenta
N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.
Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.
Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o usarlo para hacer figuras obscenas con origami. distribuirlo, escanearlo, regalarlo o usarlo para hacer figuras obscenas con origami. Whatever.Whatever.
Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.
Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
22
The Surreal Book Volumen IX ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen IX ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.
Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.TheThe
SurrealSurrealBookBook
Volume IX Volume IX (2nd edition - C)(2nd edition - C)
33
Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.
Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.
Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o usarlo para hacer figuras obscenas con origami. distribuirlo, escanearlo, regalarlo o usarlo para hacer figuras obscenas con origami. Whatever.Whatever.
Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.
The Surreal Book Volumen IX ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen IX ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.
Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.
44
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
3636 I love ParisI love Paris C majC maj3737 I surrender dearI surrender dear C majC maj3838 I wish I could shimmy like my sister KateI wish I could shimmy like my sister Kate E majE maj3939 (I'd like to get you) On a slow boat to China(I'd like to get you) On a slow boat to China B majB maj4040 If I had youIf I had you B majB maj4141 I'll never fall in love againI'll never fall in love again F majF maj4242 Just squeeze me (but please don't tease me)Just squeeze me (but please don't tease me) F majF maj4343 LôroLôro E majE maj4444 Lover (original version)Lover (original version) C majC maj
- (usual version) - (usual version) C majC maj4545 LucíaLucía C minC min4646 Meet you at the moonMeet you at the moon C majC maj4747 Memories of youMemories of you E majE maj4848 Merry Christmas, Mr. LawrenceMerry Christmas, Mr. Lawrence F majF maj4949 Minha (All mine)Minha (All mine) D minD min5050 MiyakoMiyako A maj (?)A maj (?)5151 My blue heavenMy blue heaven E majE maj5252 Na baixa do sapateiro (Baía)Na baixa do sapateiro (Baía) E majE maj5353 Nice work if you can get itNice work if you can get it G majG maj5454 O bêbado e a equilibristaO bêbado e a equilibrista A majA maj5555 Off minorOff minor G min (?)G min (?)5656 One by oneOne by one G minG min5757 Organ grinder's swing (Jimmy Smith's version)Organ grinder's swing (Jimmy Smith's version) C majC maj
- (original version) - (original version) G majG maj5858 PannonicaPannonica D maj (?)D maj (?)5959 PerhapsPerhaps C majC maj6060 Popsicle toesPopsicle toes A majA maj6161 Rockin' chairRockin' chair E majE maj6262 SamuraiSamurai F majF maj6363 SilencioSilencio G majG maj6464 SinaSina A majA maj6565 Sing, sing, singSing, sing, sing G minG min6666 Singing the bluesSinging the blues F majF maj6767 Slow hot windSlow hot wind A minA min6868 Solamente una vezSolamente una vez E majE maj
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
0101 A flower is a lovesome thingA flower is a lovesome thing D majD maj0202 Ain't nobody here but us chickensAin't nobody here but us chickens C majC maj0303 AireginAiregin A majA maj0404 AlfieAlfie C majC maj0505 AmapolaAmapola B majB maj0606 Amar pelos doisAmar pelos dois F majF maj0707 Amorosa guajiraAmorosa guajira F majF maj0808 AnsiedadAnsiedad F majF maj0909 Armando's rhumbaArmando's rhumba C minC min1010 Arthur's theme (Best that you can do)Arthur's theme (Best that you can do) E majE maj1111 Batida diferenteBatida diferente G majG maj1212 Believe it or not (The Greatest American Hero theme)Believe it or not (The Greatest American Hero theme) C majC maj1313 Bistro fadaBistro fada E minE min1414 Can't take my eyes off youCan't take my eyes off you E majE maj1515 Chan ChanChan Chan D minD min1616 Change the worldChange the world E majE maj1717 Chelsea bridgeChelsea bridge D majD maj1818 Começar de novo (The island)Começar de novo (The island) F minF min1919 Dance me to the end of loveDance me to the end of love G minG min2020 DjangoDjango F minF min2121 Don't fence me inDon't fence me in F majF maj2222 Don't worry 'bout meDon't worry 'bout me A majA maj2323 El cuarto de TulaEl cuarto de Tula A minA min2424 Et maintenant (What now, my love?)Et maintenant (What now, my love?) F majF maj2525 FlamingoFlamingo F majF maj2626 Fortune tellerFortune teller E majE maj27 27 Get out of townGet out of town B majB maj2828 Getting to know youGetting to know you C majC maj2929 Girl talkGirl talk E majE maj3030 Good baitGood bait B majB maj3131 GuantanameraGuantanamera F majF maj3232 He was too good to meHe was too good to me E majE maj3333 Here comes the sunHere comes the sun A majA maj3434 I cover the waterfrontI cover the waterfront G majG maj3535 I got you (I feel good)I got you (I feel good) D majD maj
Índice (página 2)Índice (página 2)Índice (página 1)Índice (página 1)
55
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
6969 Sometimes I'm happySometimes I'm happy F majF maj7070 Speak no evilSpeak no evil B minB min7171 Squeeze meSqueeze me F majF maj7272 Stairway to the starsStairway to the stars C majC maj7373 Sweet and lovelySweet and lovely C majC maj7474 Sweet LorraineSweet Lorraine F majF maj7575 Sweet Sue, just youSweet Sue, just you G majG maj7676 Swinging on a starSwinging on a star G majG maj7777 Tarde em ItapoãTarde em Itapoã G majG maj7878 TenderlyTenderly E majE maj7979 The half of it, dearie, bluesThe half of it, dearie, blues E majE maj8080 The house of the rising sun (modern folk-rock version)The house of the rising sun (modern folk-rock version) D minD min
- (traditional folk version) - (traditional folk version) D majD maj8181 The Treme songThe Treme song D majD maj8282 There's a small hotelThere's a small hotel E majE maj8383 These are the daysThese are the days G majG maj8484 They all laughedThey all laughed G majG maj8585 Toda una vidaToda una vida D minD min8686 Tuxedo junctionTuxedo junction B majB maj8787 Two of a kindTwo of a kind E majE maj8888 Walk on byWalk on by F majF maj8989 Walkin'Walkin' F majF maj9090 When I grow too old to dream (original version)When I grow too old to dream (original version) F majF maj
- (usual version) - (usual version) F majF maj9191 When lights are low (Miles Davis' version)When lights are low (Miles Davis' version) F majF maj
- (original version) - (original version) E majE maj9292 Where can I go without you?Where can I go without you? F majF maj9393 Where or whenWhere or when E majE maj9494 While my lady sleepsWhile my lady sleeps C majC maj9595 Whisper notWhisper not C minC min9696 Who cares? (So long as you care for me)Who cares? (So long as you care for me) C majC maj9797 Wives and loversWives and lovers E majE maj9898 You do something to meYou do something to me E majE maj9999 You'd be so nice to come home toYou'd be so nice to come home to C majC maj100100 You've got a friendYou've got a friend A majA maj
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
0101 A flower is a lovesome thingA flower is a lovesome thing D majD maj0202 Ain't nobody here but us chickensAin't nobody here but us chickens C majC maj0303 AireginAiregin A majA maj0404 AlfieAlfie C majC maj0505 AmapolaAmapola B majB maj0606 Amar pelos doisAmar pelos dois F majF maj0707 Amorosa guajiraAmorosa guajira F majF maj0808 AnsiedadAnsiedad F majF maj0909 Armando's rhumbaArmando's rhumba C minC min1010 Arthur's theme (Best that you can do)Arthur's theme (Best that you can do) E majE maj1111 Batida diferenteBatida diferente G majG maj1212 Believe it or not (The Greatest American Hero theme)Believe it or not (The Greatest American Hero theme) C majC maj1313 Bistro fadaBistro fada E minE min1414 Can't take my eyes off youCan't take my eyes off you E majE maj1515 Chan ChanChan Chan D minD min1616 Change the worldChange the world E majE maj1717 Chelsea bridgeChelsea bridge D majD maj1818 Começar de novo (The island)Começar de novo (The island) F minF min1919 Dance me to the end of loveDance me to the end of love G minG min2020 DjangoDjango F minF min2121 Don't fence me inDon't fence me in F majF maj2222 Don't worry 'bout meDon't worry 'bout me A majA maj2323 El cuarto de TulaEl cuarto de Tula A minA min2424 Et maintenant (What now, my love?)Et maintenant (What now, my love?) F majF maj2525 FlamingoFlamingo F majF maj2626 Fortune tellerFortune teller E majE maj27 27 Get out of townGet out of town B majB maj2828 Getting to know youGetting to know you C majC maj2929 Girl talkGirl talk E majE maj3030 Good baitGood bait B majB maj3131 GuantanameraGuantanamera F majF maj3232 He was too good to meHe was too good to me E majE maj3333 Here comes the sunHere comes the sun A majA maj3434 I cover the waterfrontI cover the waterfront G majG maj3535 I got you (I feel good)I got you (I feel good) D majD maj
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
3636 I love ParisI love Paris C majC maj3737 I surrender dearI surrender dear C majC maj3838 I wish I could shimmy like my sister KateI wish I could shimmy like my sister Kate E majE maj3939 (I'd like to get you) On a slow boat to China(I'd like to get you) On a slow boat to China B majB maj4040 If I had youIf I had you B majB maj4141 I'll never fall in love againI'll never fall in love again F majF maj4242 Just squeeze me (but please don't tease me)Just squeeze me (but please don't tease me) F majF maj4343 LôroLôro E majE maj4444 Lover (original version)Lover (original version) C majC maj
- (usual version) - (usual version) C majC maj4545 LucíaLucía C minC min4646 Meet you at the moonMeet you at the moon C majC maj4747 Memories of youMemories of you E majE maj4848 Merry Christmas, Mr. LawrenceMerry Christmas, Mr. Lawrence F majF maj4949 Minha (All mine)Minha (All mine) D minD min5050 MiyakoMiyako A maj (?)A maj (?)5151 My blue heavenMy blue heaven E majE maj5252 Na baixa do sapateiro (Baía)Na baixa do sapateiro (Baía) E majE maj5353 Nice work if you can get itNice work if you can get it G majG maj5454 O bêbado e a equilibristaO bêbado e a equilibrista A majA maj5555 Off minorOff minor G min (?)G min (?)5656 One by oneOne by one G minG min5757 Organ grinder's swing (Jimmy Smith's version)Organ grinder's swing (Jimmy Smith's version) C majC maj
- (original version) - (original version) G majG maj5858 PannonicaPannonica D maj (?)D maj (?)5959 PerhapsPerhaps C majC maj6060 Popsicle toesPopsicle toes A majA maj6161 Rockin' chairRockin' chair E majE maj6262 SamuraiSamurai F majF maj6363 SilencioSilencio G majG maj6464 SinaSina A majA maj6565 Sing, sing, singSing, sing, sing G minG min6666 Singing the bluesSinging the blues F majF maj6767 Slow hot windSlow hot wind A minA min6868 Solamente una vezSolamente una vez E majE maj
Índice (página 2)Índice (página 2)
6655
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
3636 I love ParisI love Paris C majC maj3737 I surrender dearI surrender dear C majC maj3838 I wish I could shimmy like my sister KateI wish I could shimmy like my sister Kate E majE maj3939 (I'd like to get you) On a slow boat to China(I'd like to get you) On a slow boat to China B majB maj4040 If I had youIf I had you B majB maj4141 I'll never fall in love againI'll never fall in love again F majF maj4242 Just squeeze me (but please don't tease me)Just squeeze me (but please don't tease me) F majF maj4343 LôroLôro E majE maj4444 Lover (original version)Lover (original version) C majC maj
- (usual version) - (usual version) C majC maj4545 LucíaLucía C minC min4646 Meet you at the moonMeet you at the moon C majC maj4747 Memories of youMemories of you E majE maj4848 Merry Christmas, Mr. LawrenceMerry Christmas, Mr. Lawrence F majF maj4949 Minha (All mine)Minha (All mine) D minD min5050 MiyakoMiyako A maj (?)A maj (?)5151 My blue heavenMy blue heaven E majE maj5252 Na baixa do sapateiro (Baía)Na baixa do sapateiro (Baía) E majE maj5353 Nice work if you can get itNice work if you can get it G majG maj5454 O bêbado e a equilibristaO bêbado e a equilibrista A majA maj5555 Off minorOff minor G min (?)G min (?)5656 One by oneOne by one G minG min5757 Organ grinder's swing (Jimmy Smith's version)Organ grinder's swing (Jimmy Smith's version) C majC maj
- (original version) - (original version) G majG maj5858 PannonicaPannonica D maj (?)D maj (?)5959 PerhapsPerhaps C majC maj6060 Popsicle toesPopsicle toes A majA maj6161 Rockin' chairRockin' chair E majE maj6262 SamuraiSamurai F majF maj6363 SilencioSilencio G majG maj6464 SinaSina A majA maj6565 Sing, sing, singSing, sing, sing G minG min6666 Singing the bluesSinging the blues F majF maj6767 Slow hot windSlow hot wind A minA min6868 Solamente una vezSolamente una vez E majE maj
TÍTULOTÍTULO TONOTONO------------------------------------------------------------------------------------------------------------------------
6969 Sometimes I'm happySometimes I'm happy F majF maj7070 Speak no evilSpeak no evil B minB min7171 Squeeze meSqueeze me F majF maj7272 Stairway to the starsStairway to the stars C majC maj7373 Sweet and lovelySweet and lovely C majC maj7474 Sweet LorraineSweet Lorraine F majF maj7575 Sweet Sue, just youSweet Sue, just you G majG maj7676 Swinging on a starSwinging on a star G majG maj7777 Tarde em ItapoãTarde em Itapoã G majG maj7878 TenderlyTenderly E majE maj7979 The half of it, dearie, bluesThe half of it, dearie, blues E majE maj8080 The house of the rising sun (modern folk-rock version)The house of the rising sun (modern folk-rock version) D minD min
- (traditional folk version) - (traditional folk version) D majD maj8181 The Treme songThe Treme song D majD maj8282 There's a small hotelThere's a small hotel E majE maj8383 These are the daysThese are the days G majG maj8484 They all laughedThey all laughed G majG maj8585 Toda una vidaToda una vida D minD min8686 Tuxedo junctionTuxedo junction B majB maj8787 Two of a kindTwo of a kind E majE maj8888 Walk on byWalk on by F majF maj8989 Walkin'Walkin' F majF maj9090 When I grow too old to dream (original version)When I grow too old to dream (original version) F majF maj
- (usual version) - (usual version) F majF maj9191 When lights are low (Miles Davis' version)When lights are low (Miles Davis' version) F majF maj
- (original version) - (original version) E majE maj9292 Where can I go without you?Where can I go without you? F majF maj9393 Where or whenWhere or when E majE maj9494 While my lady sleepsWhile my lady sleeps C majC maj9595 Whisper notWhisper not C minC min9696 Who cares? (So long as you care for me)Who cares? (So long as you care for me) C majC maj9797 Wives and loversWives and lovers E majE maj9898 You do something to meYou do something to me E majE maj9999 You'd be so nice to come home toYou'd be so nice to come home to C majC maj100100 You've got a friendYou've got a friend A majA maj
Índice (página 3)Índice (página 3)Índice (página 2)Índice (página 2)
DDmmaajjAAFF--
AAGGmmaajj
DDmmaajj
DDmmaajj
EEBB
CC
EE
AAEE--
FF--
DDAAEEBB
EEDDmmaajjDDmmaajj
DD
DDmmaajj
AA
AA
EE
CC
DDmmaajj
EE--
BB
CC
DDmmaajjEEFF--
CC
CC
DDAAEEBB
CC
33
33
44
( )( )2929
AA2525
2121
1717
BB
1313
Billy StrayhornBilly Strayhorn
99
AA
55
01 A flower is a lovesome thing01 A flower is a lovesome thing
AA
CCGG
CCFF
N.C.N.C.GGGG
CC
CC
CCGG
GG
CC
CC
GGCCCCGG//DD
CC
CCCC
FFFF
CC33
33
44
2929
2525
(vcls.)(vcls.)
1717
BB2121
1313
AA
99
J. Whitney & A. KramerJ. Whitney & A. Kramer
55
(instr.)(instr.)IntroIntro
02 Ain't nobody here but us chickens02 Ain't nobody here but us chickens
CCGG
CC
DD--AA--
GG
N.C.N.C.GG
CC
CC
CC
GG
CC
FF
DD
CC
CC
CC
CC
GG
FF
CC
( )( )Last time to CodaLast time to Coda
6565
CodaCoda
6161
AA5353
5757
4949
4545
CC
4141
3737
3333
BB
CCGG--
FFCC--
AA
AAmmaajj
CCGG--
BB--
FFFF--
BBmmaajj
AAmmaajj
EE
EE
BB--
BB--
BB--
BB--
FF
CC
FFCC--
EE
BB--
FF--
BBmmaajj
BB--
FFCC--CCmmaajj
BB--
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GG
FF
DD--BB--
BB--
CCFF--
N.C.N.C.
33
33
3333
33
33
33
33
44
( *)( *)
(* play before heads, before solos N.C.)(* play before heads, before solos N.C.)
3737
3333
CC
2929
2525
AA
2121
1313
1717
Sonny RollinsSonny Rollins
BB
99
03 Airegin03 Airegin
55
AA
IntroIntro
CCmmaajjCC
DD--
DD--//CC
DD
AA--EE--
GGGG
DDAA--
EE
FFFF--
DD--
EEBB--
DD--
CC
AA--
DD--
EE--FF
EE
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AA
DD
AA--//DD
EE--
AA--//DD
AA--CCmmaajj
EE--
GG
EE--
BB--
DD--
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AAEE--DD--CCmmaajj
GGGG
AAEE--
DD--EE
DD--CCmmaajj
GGDD--AA--CCmmaajj
DD--AAEE--
GGDD--AA--
GGDD--
CCmmaajj
33
33
33
44
(6 mm.)(6 mm.)
3535
3131
(C: 14 mm.)(C: 14 mm.)
2727
CC
2323
1515
BB1919
B. Bacharach & H. DavidB. Bacharach & H. David
(6 mm.)(6 mm.)
1111
A2A2
04 Alfie04 Alfie
55
(A1: 10 mm.)(A1: 10 mm.)
A1A1
BBmmaajjBBmmaajj
FF//CCDDAA//EEDD//AA
GGGG--
GG--
GG--
DD//FF
DD
CC--
GG--
GG--BB
CCBB//DD
BBFFCC--
EE--EE
33
33
44
2727
BB
2323
1515
1919
1111
AA
(6 mm.)(6 mm.)
55(vcls.)(vcls.)
José M. LacalleJosé M. Lacalle05 Amapola05 Amapola
(instr.)(instr.)IntroIntro
GG--BBFFCC--
CCBB//DDEE--EE
CC--
BBmmaajj
FFEEBBBB
GGGGDD--
BBmmaajj
FFCC--
CC--
FFCC--
CC--
DDDD--
( )( )( )( )
5555
5151
4343
4747
CC
3939
3535
3131
CCCCGG--
DD--AABBmmaajj
EEmmaajj//FF
GG
FFmmaajj
DD--
CCFFmmaajj
EE
CC
FFmmaajj
GG--
CCGG--
GGDD--
GG
EEFFmmaajj
GG
34
2525
2121
B1B1
AA1313
1717
99
55
(vcls.)(vcls.)
Luísa SobralLuísa Sobral
AA
(instr.)(instr.)
06 Amar pelos dois06 Amar pelos dois
IntroIntro
FFmmaajjBBmmaajjFFmmaajjBBmmaajjCCGG--
DDDD--FF//CCBBBBmmaajj
GG
DD
DD--
AA--
EEmmaajj//FFCC--
GGDD--AA
EE
CC
FFmmaajj
GG--//CC
BBmmaajj
GG--
GG--
BBmmaajjFFmmaajj
FFmmaajjCC
GG
GG--
DD--AABBmmaajj
(instr.)(instr.)(6 mm.)(6 mm.)
5959
5555
(5 mm.)(5 mm.)
4646
5151
4242
(C: 9 mm.) (5 mm.)(C: 9 mm.) (5 mm.)
(instr.)(instr.)3737
CC
3333
2929
B2B2
CCGG--GG--AA--FFmmaajjCCGG--GG--AA--FFmmaajj
CCGG--FFmmaajjCCGG--FFmmaajj
CC
CC
GG--
GG--
FF--
FF--
CCGG--FF--CC
CC
CC
GG--
GG--
FF--
FF--
GG--FF--
CCGG--FF--
CCGG--FF--
CCGG--FF--
CCGG--FF--
3333333333
3333
3333
3333
3333
BB2525
2121
(A: 10 mm.)(A: 10 mm.)
AA
1313
1717
99
(A: 10 mm.)(A: 10 mm.)
55
Guillermo PortabalesGuillermo Portabales
(vcls.)(vcls.)AA
07 Amorosa guajira07 Amorosa guajira
(instr.)(instr.)IntroIntro
CCGG--FFmmaajjCCGG--GG--AA--FFmmaajj
CC
CC
GG--AA-- GG--
GG
FFmmaajj
AA--
FFCC--FFmmaajj
CCGG--GG--AA--
GG--
FFmmaajj
BBmmaajj
CCGG--GG--AA--FFmmaajj
CCGG--GG--AA--FFmmaajj
CCGG--GG--AA--FFmmaajj
CCGG--GG--AA--FFmmaajj
CCGG--GG--AA--FFmmaajj
3333333333
3333
3333
3333
3333333333
( )( )
5353
4949
BB
4141
4545
CC
3737
3333
BB
2929
FFmmaajjBB--BB
CCGG--CCGG--
CC
N.C.N.C.DD--
FF
GG--
DD--
DD--
FFmmaajj
FFmmaajj
AA//EE
AA//EE
FF
FF
CCGG--
CCGG--
34
2929
2525
(vcls.)(vcls.)
AA1717
2121
1313
99
José E. SarabiaJosé E. Sarabia
55
(instr.)(instr.)
08 Ansiedad08 AnsiedadIntroIntro
DDFFmmaajjCCGG--
FFmmaajjBB--BB
DD--
DD--
FFmmaajj
FFmmaajj
CC
AA
AA
GG--
BB--BB
DD--
DD--
AA
AA
(instr.)(instr.)
( )( )( )( )
6161
5757
B2B24949
5353
4545
4141
3737
3333
B1B1
N.C.N.C.
2121
2525
1717BB
N.B.: These bars are intentionally left blank to help the reading.N.B.: These bars are intentionally left blank to help the reading.77
88
22
IntroIntro
1313
99Chick CoreaChick Corea AA09 Armando's rhumba09 Armando's rhumba
GG GGEE FF
EE//BB
EE EE
AAAA
BB
N.C.N.C.
N.C.N.C.
N.C.N.C.
33
33
33
3333
33
33
2121
2525
1717BB
1313
99
AA
CC--
AA
GGDD
AA
CC--
GG--
CC--GG
DD//FF
DD
FF--
BB
GGGGEE FF
CC--
CC--
EE//BB
AAAAGG--DD//FFFF--CC--
CC--GGDDCC--CC--GGDDCC--
(6 mm.)(6 mm.)
4949
5757
4343(6 mm.)(6 mm.)
(6 mm.)(6 mm.)3737
2929
Open for solosOpen for solos
AA
GG
AA
FF GGEE
GG--DD//FF
BB
FF--CC--
EE//BB
N.C.N.C.
N.C.N.C.
GG GG
BBEE//BB
EE FF
33
33
3333
3333
7777
8383
7373
6969
CC(play in every solo)(play in every solo)
6363(6 mm.)(6 mm.)
GGFF GG
EE//BB
EE
EE EE
AAAA
BB
N.C.N.C.
N.C.N.C.
N.C.N.C.
33
33
33
3333
33
33
121121
125125
117117
BB
101101
105105
9797
BB
113113
109109CC
9393
8989
AA
CC--GG GG
EE//BB
EE FF
EE
AA
EE
AA
BB
N.C.N.C.
N.C.N.C.
N.C.N.C.
33
33
33
3333
3333
121121
125125
117117
BB
113113
109109CC
EEmmaajjAA//EE
CCEEmmaajj
EEmmaajj
BBmmaajj
EEmmaajj
EEmmaajj
GGmmaajj
FF--//BBFF--
AAmmaajj
FF--//BB
DD
BB
FF--
AAmmaajj
AA--
EEmmaajj
EEmmaajjBB
BBmmaajj
EEmmaajj
GGmmaajj
BBmmaajj
EEmmaajj
GGmmaajj
BB
DD
EEmmaajj
AA--
BB
DD
EEmmaajj
AA--
44
(instr.)(instr.)
(instr.)(instr.)
(6 mm.)(6 mm.)
3737
(B2: 10 mm.)(B2: 10 mm.)
3333
B2B2
2929
(vcls.)(vcls.)
2525
B1B1
(vcls.)(vcls.)
2121
1313
AA1717
C. Cross, B. Bacharach, C. Cross, B. Bacharach, C. Bayer Sager & P. AllenC. Bayer Sager & P. Allen
(vcls.)(vcls.)
99
AA
(Best that you can do)(Best that you can do)10 Arthur's theme10 Arthur's theme
55
(instr.)(instr.)
IntroIntro
DDGG
FF
CC
CC--CC
AA
CCmmaajj
AA--
FF
GG
CCmmaajj
AAAA--BBBB--
GG
AA
DD--
EE--
GG
AA
DD--
AA--
GG
AA
GGmmaajj
EE--
GG
BB
DD--
BB--
FFCC--CCCCmmaajj
AAAA--
FFCC--
BBBB--
CCCCmmaajjGG
GGDD--GGGGmmaajj
AAAA--
DD--GG
BBBB--
GGmmaajj
44
( )( )( )( )
2929
AA2525
2121
1717BB
1313
M. Einhorn & D. FerreiraM. Einhorn & D. Ferreira
99
AA
11 Batida diferente11 Batida diferente
55
AA
FFEEBBBBFFBBFF
BBFFBBFFFFEE//FFCC--DD--
DD--CC--
BB
EEEE
EE
FFEECC--
BB
BBFF
EE//FFEE
EE
FF EEGG--DD--CC//DD
BBFFEEBB
FFEEBBBBFF
BBFFEEBB
BBFFBBFFBBFF
44
(*) Chords are mostly played on 2+ and 4+, instead of 3 and 1, following lead.(*) Chords are mostly played on 2+ and 4+, instead of 3 and 1, following lead.
(instr.)(instr.)
2727
(instr.)(instr.)
2323
(instr.)(instr.)
(B1: 15 mm.)(B1: 15 mm.)
B1B1
1515
1919
1111
(A: 9 mm.)(A: 9 mm.)
AA77
M. Post & S. GeyerM. Post & S. Geyer
(vcls.)(vcls.)
(6 mm.) (instr.)(6 mm.) (instr.)
(The Greatest American Hero Theme)(The Greatest American Hero Theme)12 Believe it or not12 Believe it or not
(*)(*)IntroIntro
GGFF//GGDD--EE--EE--DD--
FFFFCCFF//GGFF
GGEE FFEE
CC
EE
EE//FF
FF
EE
CC
BB
BB
EE
EE
DDmmaajj
GGmmaajj
GGmmaajj
Vamp on cue or fadeVamp on cue or fade(instr.)(instr.)(3 mm.)(3 mm.)
5959
(3 mm.)(3 mm.)
5656
(6 mm.)(6 mm.)
4747
B2B2
(3 mm.)(3 mm.)
5353
(vcls.)(vcls.)
4343
(instr.)(instr.)
3939
3535
(C: 20 mm.)(C: 20 mm.)
3131
CC
N.C.N.C.
BB
BB
EE--
BB
EE--
EE--
EE--
BB
BB
BBFF--EE--//GGEE--
BBFF--EE--//GGEE--
34
4545
4949
5353
A2A25757
4141
A1A1
A1A199
1313
1717
2121
55
3737
3333
IntroIntro
2929
00
2525
A2A2Stephane WrembelStephane Wrembel13 Bistro fada13 Bistro fada
BB
BB
BB
EE--
N.C.N.C.EE--EE--
EE--
EE--
EE--
BB
BB
EE--
EE--
BB
AA--
EE--AA--
EE
EE--EE--
4545
4949
5353
A2A25757
4141
A1A1
3737
3333
2929
2525
A2A2
EE--
EE--
EE--
EE--
EE--
BB
BB
BB
BB
BB
EE--BB
EE-- N.C.N.C.EE--
EE--
BB
AA--
AA--EE
8181
8585
BB8989
9393
7777
7373
BB
6969
6565
6161
BB
AA--
EE--
EE--
EE--
BB
BB
EE--
EE
AA--
BB
BBEE--
EE--EE--
BBEE--BB
EE--BB
117117
A2A2121121
125125
129129
113113
109109
105105
A1A1
101101
9797
EE
BB
AA--
BB
GG//DD
GG
DDBB
GG
CC
DD
GG
EE
CC
AA
FF
DD
AA--
BB
EE--
EE
GG
BB
A2A2185185
189189
193193
197197
181181
177177
C2C2153153
157157
161161
165165
149149
145145
141141
173173
169169
A1A1
137137
C1C1
133133
AA--
EE--
EE--
EE--
BB
BB
BBEE--
EE--
EE
AA--
CC
BB
BBBB
BBEE--
EE--EE--
N.B.: A1 - A2 parts can be played freely after 1st time.N.B.: A1 - A2 parts can be played freely after 1st time.
A2A2185185
189189
193193
197197
181181
177177
173173
169169
A1A1
EE
AA
AA--
EE
EE
EEmmaajj
EE
AA
EEmmaajj
FF--//EEFF//EE
EE
AA--
EE
EE
EEFF--//EEFF//EE
EEFF--//EEFF//EE
33
33
33
33
33333333
33
33
33
33
33
33
33
33
33
3333
44
3333
2929
1717
2121
AA2525
1313
99
AA
(vcls.)(vcls.)
B. Crewe & B. GaudioB. Crewe & B. Gaudio
55
(instr.)(instr.)
IntroIntro
14 Can't take my eyes off you14 Can't take my eyes off you
CC
CC--
EE
EE
BBFF--
BB
FF--
FF--
CC--
BB
CC
EE
DD
EE
CC--EE
BB
BB
FF--
FF--
FF--
FF--
BBFF--
CCEE
EE
EE
AA//BB
AA//BB
AA//FF
AA//FF
FF--//EEFF//EE33
(Vamp on cue(Vamp on cueor fade)or fade)
N.B.: In the original version by Frankie Valle, the first 4 mm. of B are skipped for the second head.N.B.: In the original version by Frankie Valle, the first 4 mm. of B are skipped for the second head.
7070
6666
(vcls.)(vcls.)
5858
6262
5454
5050
CC
(5 mm.)(5 mm.)
4545
(B: 9 mm.)(B: 9 mm.)
(instr.)(instr.)4141
BB
3737
AAGG--FFDD--
AAGG--FFDD--
AA
AAGG--
GG--
AAGG--
AAGG--
FF
FF
FF
DD--
DD--
DD--
FFDD--
AAGG--
AAGG--
FFDD--
FFDD--
44
2929
BB
(instr. fill)(instr. fill)
2525
(vcls.)(vcls.)
(instr. fill)(instr. fill)
1717
AA2121
1313
AA
99
(same rhythmic pattern as mm. 1-4)(same rhythmic pattern as mm. 1-4)
Francisco RepiladoFrancisco Repilado
55
(instr.)(instr.)
15 Chan Chan15 Chan ChanIntroIntro
DD--AAGG--
AAGG--
FF
FF
DD--
DD--
AA
AA
AA
GG--
GG--
GG--
AAGG--
FF
FF
FF
DD--
DD--
DD--
FFDD--
AAGG--
AAGG--
AAGG--
FF
FF
DD--
DD--
FFDD--
(cue)(cue)( )( )
Vamp on cueVamp on cue
6565
6161
(instr. fill)(instr. fill)
Play x3 for headPlay x3 for head
(instr. fill)(instr. fill)
AA5353
5757
4949
4545
AA
(instr. fill)(instr. fill)
4141
(instr. fill)(instr. fill)
3737
3333
BB//FFGGEE//GGAABB--CC--CC--GGDD--
CC--GGDD--CC--GGFF--
AA
GG
EE
DD//AA
AA//EE
AA
EE
AA//EEEE
EEAA//EEEE
AA
EE
DD//AA
EEAA//EE
AA//EE
AA
EE
EE
EEAA//EEEE
BBFF--GG
EEFF--GG
GGFF--EE
GGFF--EE
33
44
2929
(B: 13 mm.)(B: 13 mm.)
2525
BB
1717
2121
1313
99
AA
T. Sims, G. Kennedy & W. KirkpatrickT. Sims, G. Kennedy & W. Kirkpatrick
55
16 Change the world16 Change the worldIntroIntro
EEFF--GGGGFF--EEBB//FF
GGEE//GGAABB//FFGGEE//GGAA
BB//FF
CC--
GG
GG
GG
EE//GGAA
DD--
FF--GG
FF--GGGG
BB--CC--
CC--
CC--GG
GGFF--EE
GGFF--
DD--
EE
FF--EEBB
BB//FFGGEE//GGAA
EEAA//EEGG
AA//EEEEBB//FFGG
GGAA//EEEEBB
3333
33
3333
4424
44
rit.rit.(6 mm.)(6 mm.)
6363
5959
BB5151
5555
(5 mm.)(5 mm.)
4646
(instr. solo)(instr. solo)
4242
3838
(5 mm.)(5 mm.)
3333
BBCCDD
BB
N.C.N.C.
EEBB--
BB
AA--((mmaajj))
DD
BB--((mmaajj))
CC
BB
DD
FF--
DD
DDAAEE--
GG--
AA--((mmaajj))
GGmmaajj
CC--
AA
EEmmaajjBB
BB--((mmaajj))
CCAAmmaajj
FF--
EE--
BBAA--((mmaajj))BB--((mmaajj))
N.C.N.C.
BB
DDDD
AA--((mmaajj))BB--((mmaajj))
AA--((mmaajj))BB--((mmaajj))
AA
AA--((mmaajj))BB--((mmaajj))
EE--
33
33
33
33
33
44
( )( )( )( )
2929
AA2525
2121
1717
BB
1313
Billy StrayhornBilly Strayhorn
99
AA
17 Chelsea bridge17 Chelsea bridge
55
AA
DDmmaajjAAmmaajj
BB
CCaallttGG--
DD--
BBaalltt
FF--
AAmmaajj//BB
FF--
CCaalltt
DDmmaajj
AAmmaajj
CCmmaajj
EE
FF--
DDmmaajj//EE
EE
GGaalltt
EE
GGaalltt
FF--
DD--
BB--
DD--
FFFF
BB
CC--
FF--
CCmmaajj
AA
GGmmaajj
GGmmaajj//AA
GGDD--
BB
EEmmaajj
FF--
DDCCmmaajj//DD
EE--
44
N.B.: Key for Ivan Lins' live versions, studio version is half-tone higher.N.B.: Key for Ivan Lins' live versions, studio version is half-tone higher.3737
rit.rit.
3333
2929
2525
2121
1313
CC1717
I. Lins & V. MartinsI. Lins & V. Martins
99
BB
(The island)(The island)18 Começar de novo18 Começar de novo
55
AA
GG--DD
GG--CC--
GG--
GG--
GG--
GG--
CC--
CC--
DD
CC--
GG--
GG--
DD
CC--
44
2929
2525
BB1717
2121
1313
AA99
Leonard CohenLeonard Cohen
55
AA
19 Dance me to the end of love19 Dance me to the end of love
GG--DD
GG--FF
GG--
GG--
GG--
GG--
DD
FF
DD
CC--
GG--
GG--
GG--
CC--
CC--
DD
N.B.: There were two original versions of this song, this sheet is the more "regular" one in structure.N.B.: There were two original versions of this song, this sheet is the more "regular" one in structure.
6565
6161
Solos on BBCSolos on BBCAfter solos D.C. al (no rep.)After solos D.C. al (no rep.)
(* these four mm. are missing in the 2nd head of the original version)(* these four mm. are missing in the 2nd head of the original version)
(*)(*)
(instr. fill ________________________________________________________________________(instr. fill ________________________________________________________________________
________________________________________________________________________________)________________________________________________________________________________)
4949
5353
CC5757
4545
4141
3737
BB
3333
CCGGDD--FF--CCGGDD
FF--
AA
BB//FF
EE
FF--BB
CC
BB--
CC
CCaauuggBB--
FF
CCaauuggBB--
CCCC//EEGG//FF
CC
FF--
FF--
GG
FF--
FF--
FF--((mmaajj))
DD--FF--
FF--((mmaajj))
GG--DD
AAEE
FFCC
BB--FF
BB--FF--
44
2525
(med. swing)(med. swing)
2121
(fine)(fine)
1313
1717
Open for solosOpen for solos
99
55
John LewisJohn Lewis
(slow, even 1/8s, almost funeral march)(slow, even 1/8s, almost funeral march)
20 Django20 Django
IntroIntro
FF--BB//FFCCCCaauuggBB--FF--FF--FF--((mmaajj))
FF--BB//FFCCCCaauuggBB--FF--FF--
CC
DD
DD
DDAA
FF
EE--BB
BB//FFFF
GG
GG
FF--((mmaajj))
FFCC
BB--//FF
GG--BB--
FF
BB--//FFFF
FF--CCDD
BB--//FFFF
AAEEBB--FF
To begin a new solo D.S.To begin a new solo D.S.After last solo D.C. al fineAfter last solo D.C. al fine
5555
(play at the end of each solo, Rh. follows lead)(play at the end of each solo, Rh. follows lead)
5353
4545
4949
4141
3737
3333
2929
CCFFCCFF
BB--BB
CC
FF
FF
FF
CC
BB
FF
CC
CC
FF
FF
BB--//GGCC--//DDCC--//EEFF
FFFF
BB--//GGCC--//DD
FFmmaajjFF
BBmmaajj
CC--//EEFF
BBmmaajj
BB--BBBB
FF
CCGG--
CCGG--
GG--//CCFFFFmmaajj
FFFFFFmmaajjFF
CCGG--
FFFFmmaajjFF
CCGG--
44
( )( )( )( )
2929
2525
B2B2
2121
1717
CC
1313
Cole PorterCole Porter
99
B1B1
21 Don't fence me in21 Don't fence me in
55
AA
FFCC--AA
FF
EE
CC--
DDmmaajj
EE
AAmmaajj
EEEEBB--
AA
GG
BB
EE
BB
DDmmaajj
AAmmaajj
BB--
FF--
CCBB--BB--
BBCC--AA
AAmmaajj
BB--
EEEE
EE
BB--
BB--
33
33
33
33
3333
33
33
33
33
33
33
33
33
33
44
( )( )( )( )
2929
CC2525
2121
1717
A2A2
1313
T. Koehler & R. BloomT. Koehler & R. Bloom
99
BB
22 Don't worry 'bout me22 Don't worry 'bout me
55
A1A1
EEFFGGAA--
EEFFGGAA--
EE
EE
FF
FF
AA--EE
AA--EE
GG
GG
DD--
AA--
AA--
AA--
DD--AA--
AA--AA--EE
AA--AA--EE
EEEEAA--
EEEEAA--
44
2929
2525
(vcls.)(vcls.)
AA1717
2121
1313
99
Sergio SiabaSergio Siaba
55
(instr.)(instr.)
23 El cuarto de Tula23 El cuarto de TulaIntroIntro
AA--
GG
AA--AA--BB
N.C.N.C.
AA--EE
EE
AA--
AA--
AA--
AA--
EE
EE
EE
EE
AA--
AA--EE
EE
CCGG
AA--
AA--
EE
EE
CCGG
(vcls.)(vcls.)
6464
(instr.)(instr.)(3 mm.)(3 mm.)
6161
(instr. fill / speech ____________________________________)(instr. fill / speech ____________________________________)
(instr. fill / speech ________________________________________________________________)(instr. fill / speech ________________________________________________________________)
5353
5757
4949
4545
4141
3737
3333
BB
FFmmaajjGG--//CCGG--
FFmmaajjFFmmaajj
FFmmaajj
BB//FF
FFmmaajjFFmmaajjBB//FF
GG--//CCGG--
FFmmaajj
FFmmaajj
CC
CC
33
33
33
33
33
333333
33
33
33333333
3333333333333333
44
2121
(vcls.)(vcls.)
(*)(*)
1313
AA1717
99
AA
(N.C., bass note)(N.C., bass note)55
G. Bécaud & P. DelanoëG. Bécaud & P. Delanoë
(N.C., bass note)(N.C., bass note)
(What now, my love?)(What now, my love?)24 Et maintenant24 Et maintenant
IntroIntro
FFmmaajjFFmmaajj//CCFFmmaajjFFmmaajj//CCFFmmaajjGG--//CCGG--
CC
FFmmaajjFFmmaajj
GG--
BB//FF
DDmmaajjAA
BBBB--BB--
FFmmaajj
EEBB--
FFmmaajj
DD--AA--
CCGG--
CCGG--
3333333333
33
33
33
33
33
(*) N.B.: The original version keep rhythmic pattern as in Intro (*) N.B.: The original version keep rhythmic pattern as in Intro and is played in crescendo till the end, as Ravel's Bolero. and is played in crescendo till the end, as Ravel's Bolero.
4545
Last time to CodaLast time to Coda
3737
CodaCoda
4141
3333
CC
2929
2525
BB
CCGG--FFmmaajj
CC
FFmmaajj
BBFF--
GG--
AA
BB--FFmmaajj
AAmmaajj
CCGG--DD
CCGG--
EE
CCGG--
EE
FFmmaajj
BB--
BB--
DD
BBFF--
CCGG--DDFFmmaajj
BBFF--
CCGG--FFmmaajj
CCGG--
CCGG--
DD
FFmmaajj
33
44
( )( )
( )( )2929
A2A22525
2121
1717
BB
1313
T. Grouya & E. AndersonT. Grouya & E. Anderson
99
A1A1
25 Flamingo25 Flamingo
55
A1A1
BBAABBDDEE
BB
BB
BB
AA
BB
DDEE
DD
DD
EE
EE
DD
BBAA
BBAABB
N.C.N.C.
DDEE
BB
BB
BB
BB
DDEE
DDEE
DD
DD
EE
EE
BB
BB
DD
DD
EE
EE
BBAA
BBAA
BBDDEE
BBDDEE
BB
BB
DDEE
DDEE
BBAABB
BBAABB
DDEE
DDEE
44
After solos, D.C. al After solos, D.C. al
(* 1st head instr. groove, 2nd head vcls.)(* 1st head instr. groove, 2nd head vcls.)
(Rh. follows lead________)(Rh. follows lead________)
3737
3333
Open for solosOpen for solos
2929
2525
AA
2121
1313
BB1717
Allen ToussaintAllen Toussaint
99
AA
26 Fortune teller26 Fortune teller
55
(*)(*)AA
GGDD--//GGGG--
DD
BBFF--
AA--
GG--
CC
AA--//GGAA--
DDAAEE--
CC
BB
GG--
EE--
DD//CC
DDAAGGmmaajj
GGmmaajjDDAA--EEBB--GGmmaajj
44
2121
1717
AA
1313
99
55
Cole PorterCole Porter27 Get out of town27 Get out of town
VerseVerse
DDFFBBFFCC--CC--
GG
GG
DD--
DD--//GG
BBmmaajj
GG--
EE--//GGEE--
GG--
CC--
GG--
DDAA--
DDDD--
AACC--
EEEE--
33
33
33
( )( )
4545
4141
3737
CC
3333
AA
2929
2525
BB
GG
DD
DD--
AA--
CC
CC
FFmmaajjCCCCmmaajj
CC
GG
GG
GG--
DD--
DD--
GG
GG
DD--AA
DD--
CCmmaajj
GGDD--
GGDD--
DD
CC
FFFFmmaajj
GG
CCmmaajj
DD--
AA--
CC
FFmmaajjFFFFmmaajj
GG
GG
DD--AA--CCmmaajj
DD--
CCCCCCmmaajjCC
GGDD--
CCCCmmaajj
GGDD--
CC
33
33
33
33
33
33
33
33
33
33
33
33
33
33
3333
44
( )( )( )( )
3333
2929
2525
CC
2121
1313
AA1717
R. Rodgers & O. Hammerstein IIR. Rodgers & O. Hammerstein II
99
BB
28 Getting to know you28 Getting to know you
55
AA
BBFF--
CC
BB
BB--AA--
BB
AA
FF--
GG--
CC--GG--AA--
GG--
CC--
FF--
GG--
CCGG--
CC
AA--
GG--
BBFF--GGmmaajjEEmmaajj
FF--//BBFF
BBFF--
BBFF--
FF--//BB
FFaalltt
AAmmaajj
FF
CC--//FF
AA--EE--
AA
CC--//FF
EEmmaajj
CCBB--AA--
BBAAGG--
GG--CCGG--
FF--CCGG--
BBFF--FFaalltt
BBFF--AAmmaajj
AA--EE--
AAEEmmaajj
333333
333333
44
2525
( )( )
2121
1717
(A2: 14 mm.)(A2: 14 mm.)
99
1313
A2A2
N. Hefti & B. TroupN. Hefti & B. Troup
55
29 Girl talk29 Girl talk
A1A1
FFaallttBBBBCC--DD--DD--AAEEmmaajjBB//DDBB
FFCC--GG--DD--FFCC--GG--BB
BB
FFGG
EEFF--BB
FF--
EE
CC--
EEGG-- FF--
GG--
GG--
BBCC--DD--DD--
FFCC--GG--DD--
BB
DD
FF--
AAmmaajj
AAEEmmaajj
CC--
EE//GG
EE
EE
BB//DDBB
FFCC--GG--BB
FFaallttBBBBCC--DD--DD--
FFCC--GG--DD--
AAEEmmaajjBB//DDBB
FFCC--GG--BB
44
( )( )2929
2525
AA
BB1717
2121
1313
99
AA
55
T. Dameron & C. BasieT. Dameron & C. Basie30 Good bait30 Good bait
AA
EEaallttBBBBCC--DD--DD--AAEEmmaajjBB//DDBB
FFCC--GG--DD--FFCC--GG--BB
BB
FF
EE EEFF--
FF--
GG
CC--
EE EEFF--
GG--
GG--
BBBBCC--DD--
FFCC--GG--DD--
GG--
BB
DD
FF--
AAmmaajj
DD--AAEEmmaajj
CC--
EE//GG
EE
EE
BB//DDBB
FFCC--GG--BB
FFaallttBBBBCC--DD--
FFCC--GG--
DD--AAEEmmaajjBB//DDBB
DD--FFCC--GG--BB
33
33
6161
5757
AA
(bass solo)(bass solo)
BB4949
5353
4545
4141
AA
3737
3333
AA
After solos, play head or this alternative head (original version):After solos, play head or this alternative head (original version):
CC
CCBB
BBFF
FF
CC
CC
BB
BB
FF
FF
CCBBFF
CC
CC
BBFF
BBFF
CCBBFF
CC
CC
BBFF
BB
44
1717
1313
J. Martí & J. Fernández DíazJ. Martí & J. Fernández Díaz
99
BB
31 Guantanamera31 Guantanamera
55
AA
BBFF--EE
DD//CC
BBBB
BB
BB
BB
AA//CC
AA--//CC
AA--
FF--
AA
BBFF--EEmmaajj//BB
CC
EE//DD
GG
FF
EE
FF
EEmmaajj//DD
EEmmaajj
EEmmaajj
CCGG--
EEmmaajj
BB//AAAA--EE//BBAA--//CC
BBBB
BBBB
AA--//CCFF--
AAmmaajj
CC--EE//DDEEmmaajj//DDEEmmaajj
CCGG--
EE
EEmmaajj
EEmmaajj
33
33
44
( )( )
2929
CC2525
2121
1717
A2A2
1313
L. Hart & R. RodgersL. Hart & R. Rodgers
99BB
32 He was too good to me32 He was too good to me
55
A1A1
EEAAEEAABB--AA//CCDDAA
BB//DDDDmmaajjAA
EE
EE
EE
DD
DD
AABB--
BB//DDDDmmaajj
AA//CCDD
AA
AA
AA
AA
EEDD
EEDD
AA
AA
24442468
44246844
44
(instr.)(instr.)(6 mm.)(6 mm.)
2929
(A2: 10 mm.)(A2: 10 mm.)
2525
A2A2
(instr.)(instr.)
(vcls.)(vcls.)
BB1717
2121
1313
(vcls.)(vcls.)99
A1A1
George HarrisonGeorge Harrison
55
(instr.)(instr.)
33 Here comes the sun33 Here comes the sunIntroIntro
EE
AA
AABB--
DDGG
AA//CCDD
CC
AA
EE
BB//DD
EE
AABB--
DDmmaajj
DD
EEDD
AA//CCDD
AA
AA
AA
AA
AA
EE
DD
AADD
GGCC
EE
EE
GGCCEE
682468
6844
442468
4458
2444583824
3824
7171
(instr.)(instr.)
(vcls.)(vcls.)6767
(instr.)(instr.)
A1A15959
6363
5555
(vcls.)(vcls.)
5151
BB
4747
x5x5(vcls.)(vcls.)
(repeat instrumental pattern)(repeat instrumental pattern)(6 mm.)(6 mm.)
4141
(6 mm.)(6 mm.)
3535
CC
EEBB--GGmmaajjDDDDAA--
EE
BB
GG
BB--
DD
CCmmaajj
GGmmaajj
GGmmaajj
DD--GGDD--GG
DD--
DD
GG
AA--
DD--
AA
GG
EE--
DD--GGDDGGmmaajj
DD--GGDD--GGDD--GGDD--GG
33
33
33
33
3333
44
1717
99
AA1313
55
J. Green & E. HeymanJ. Green & E. Heyman
VerseVerse
34 I cover the waterfront34 I cover the waterfront
EEBB--GGmmaajjDDDDAA--
DD
BB
AA--
BB--
EE
CCmmaajj
BB--
GGmmaajj
GGDDAA--
DD
FF--
AA--
AAEE
AA
BB--
EE--
EE--GGDDAA--
EEGGFFFFGGmmaajj
BBBB--CCmmaajjGGmmaajj
DDDDAA--
DDAA--AAEE--
33
33
33
33
33
33
33
33
33
33
( )( )
4141
3333
AA3737
2929
BB
2525
AA2121
DDGG
N.C.N.C.
DD
N.C.N.C.
DD
N.C.N.C.
GG
GG
AA
DD
GGAA
DD
DD
GG
DD
33
33
44
(vcls.)(vcls.)
2929
2525BB
(instr.)(instr.)
(instr.)(instr.)
1717
2121
1313(instr. response as in first A)(instr. response as in first A)AA
99
(instr.)(instr.)
James BrownJames Brown
(instr.)(instr.)
(instr.)(instr.)55
(I feel good)(I feel good)
(instr. response)(instr. response)
35 I got you35 I got you
AA
DD
N.C.N.C.
N.C.N.C.
GG
GGAA
AA
DD
DD
N.C.N.C.
N.C.N.C.
GG
DD
GG
AA
GGAA
DD
DD
AA
GG
DD
GG
33
33
(instr.)(instr.)
(instr.)(instr.)(6 mm.)(6 mm.)
6666
6262
(instr.)(instr.)
(instr.)(instr.)
(instr. response as in first A)(instr. response as in first A)
(5 mm.)(5 mm.)
5454
5858
4949
4545
4141
(instr. response as in first A)(instr. response as in first A)3737
AA
3333
GGCC--
GG
CC--
CC
DD
CCmmaajjCCCC
GG
AA
CC--
DD--
EE--
GGDD--
FFCC
44
2121
1717
A1A1
1313
99
55
Cole PorterCole Porter36 I love Paris36 I love Paris
VerseVerse
CCGGDD--AAEE--DD--
GGDD--CCGGDD--
AA
GG
EE--
DD--
CC
CC//GGFF
EE
FF
EE--
FF
CC
CC
CC--
GG
GGDD--
GG
4949
4545
3737
CC4141
A2A23333
2929
2525
BB
AA
FF--
BB
AA--//FFAA--//GG
CCmmaajjGG
AA--EE
DD--
DD--//BBDD--//CC
AABB
FF--
CC
AA--
AA--//FF
GG--
AA--//GG
DD--DD
EE
CCmmaajj
AA--EE
BB--//FF
GG
DD--//BB
DD--
DD
DD--AAEE--
AA--EE--
DD--
AA--
DD--//CCDD--
AA--
AA
DD
EE--
EEFF
EE
AA--
FF
DD--
EE--
AAEE--GGDD--
FF--AA--//FFAA--//GG
AA
AA--EEDD--//BBDD--//CC
EE--GGDD--
DDAA--EE--
DD--AAEE--
DD
DD--
AA--CCmmaajj33
3333
44
( )( )3333
2929
AA
2525
2121
BB
AA1313
1717
H. Barris & G. CliffordH. Barris & G. Clifford
99
37 I surrender dear37 I surrender dear
AA55
IntroIntro
CCEEBB
CC
FF
CCEE
EE
BB
EE
EE
BB
EE
CC
BB
EE//BB
BB
AAAAmmaajj
BBFF//BBFF//CC
BBFF//BB
FF
FF//CC
BBFF--
BB
BB
CC
FF--
EE
EEEEBBBB
EE
BBFF--BBFF--
FF--GG
BBFF--BB
GG--EE
FF--
44
(* disputed)(* disputed)( )( )
( )( )3333
2929
(A2: 10 mm.)(A2: 10 mm.)
2525
A2A2
2121
1313
1717
A1A1
Armand J. Piron (*)Armand J. Piron (*)
99
55
IntroIntro
38 I wish I could shimmy like my sister Kate38 I wish I could shimmy like my sister Kate
FFCC--BBmmaajj
GG
GGDD--
FF
AABBmmaajj
EEmmaajj
AA
GG
CC--
CC--
FFCC--CC
AA
DD
GG
CC
CC--
BBmmaajj
DD--
GG--CC
BBmmaajj
GGAABBmmaajj
GGDD--
AA
EEmmaajj
CC--
AACC--
DD
GG
BBmmaajj
DD--BBmmaajj
44
( )( )
2929
CC2525
2121
1717
AA
1313
Frank LoesserFrank Loesser
99
BB
55
AA
39 (I'd like to get you) On a slow boat to China39 (I'd like to get you) On a slow boat to China
FFCC--BB
AAEE--
FFCC--
AA
AA
EE--
BB
GG
EEmmaajj
DD--
BB--
AABB
DD--
FFCC--GGDD--BBmmaajj
BBFF--
AA
GG--
EE--
AA
FFCC--
EE--
GGDD--
DD--//FF
BBmmaajj
DD--
DD--//FFDD--
BBmmaajj
AAEE--EEmmaajj
CC--GG
AAEE--
DD--BB
EEmmaajj
BBFF--GG--BBmmaajj
FFCC--GGDD--
BBFF--GG--
BBmmaajj
BBmmaajj
44
( )( )
2929
AA2525
2121
1717BB
1313
T. Shapiro, J. Campbell & R. ConnellyT. Shapiro, J. Campbell & R. Connelly
99
AA
40 If I had you40 If I had you
55
AA
FFmmaajjBBCCGG--GG--
DD
DD--
DD
FFmmaajj
AA--
CCBBmmaajj
CCGG--GG--
FFmmaajj
FFmmaajj
BBmmaajj
BB
DDDDAA--
BBmmaajjDD--FFmmaajj
24
4424
44
2121
1717
(A: 14 mm.)(A: 14 mm.)
AA
1313
99
55
B. Bacharach & H. DavidB. Bacharach & H. David
(A: 14 mm.)(A: 14 mm.)
AA
41 I'll never fall in love again41 I'll never fall in love again
FFmmaajj
CCGG--
CC
GG--
BBmmaajj
BBmmaajj
CCGGGG//FFAA--//FF
DDDD
FFmmaajj
DD--
AA--
BB
FFmmaajj
AA--//GGAA--//GGAA--AA--
FF
FFmmaajj
CCFFmmaajjCC
CCBBmmaajj
4424
4424
4949
4545
(A: 14 mm.)(A: 14 mm.)
3737
4141
AA
3333
BB2929
2525
CCGG--DDFFmmaajj
CC
DD
CC
AABB
CCFFmmaajj
AA--BBmmaajjFFmmaajj
GG--
BBmmaajj
FFmmaajj
CCCCGG--
CCAA--
CCCC
GG--FFmmaajj
GG
FF
GG--
DDAA--BBmmaajjFFmmaajj
CCGG--
DDAA--
DDFFmmaajj
BBmmaajjFFmmaajj
CCAA--GG--FFmmaajj
CCCC
CCAA--
GG--
GG--FFmmaajj
33
33
33
33
33
44
( )( )
2929
AA2525
2121
1717
BB
1313
D. Ellington & L. GainesD. Ellington & L. Gaines
99
AA
55
AA
42 Just squeeze me (but please don't tease me)42 Just squeeze me (but please don't tease me)
EEDD
BB
BB
BB
AA
BB
GG//DD
AA
AA//CC
BB
DD
AA//CC
FF--
FF
EE//GG
EE//GG
DD
FF
BB
EE//DD
EEaauugg
EE//GG
BB
EEaauugg
FF
GG
EE//BB
AA//CC
CC
DD
EE//DD
AA--
GG//BBGG//BBGG//BB
BB
44
( )( )
N.B.: Last head is usually played rall. from the beginning.N.B.: Last head is usually played rall. from the beginning.
3939
3535
3131
CC
2727
2323
1515
1919
CC
Egberto GismontiEgberto Gismonti
BB
1111
43 Lôro43 Lôro
(6 mm.)(6 mm.)
77
AA
BBFF--EECCmmaajj
GGGGAAAA
AA
BB
AA
BB
GGDD--
GGGG
BB
CCmmaajj
BB
CCmmaajj
AAAA
AAAA
BBBB
BBBB
CCmmaajj
34
2929
2525
AA1717
2121
1313
99
R. Rodgers & L. HartR. Rodgers & L. Hart
55
(original version)(original version)44 Lover44 Lover
AA
GGDD--CCmmaajj
GGGGAAAA
AA
BB
AA
BB
GG
DDAA--
BB
CCmmaajj
BB
DD--
EE--GGmmaajj
BBFF--
BBFF--
CC--EEmmaajj
CC--EEmmaajj
( )( )
6161
5757
AA4949
5353
4545
4141
3737
3333
BB
BBFF--CCmmaajjFFCCmmaajj
GGDD--AAEE--
AA
BB
EE--
FF--
GGDD--
GGDD--
BB
AA
CCmmaajj
FF--
CCmmaajj
AAEE--
AAEE--
BBFF--
BBFF--
CCmmaajj
44
2929
2525
AA1717
2121
1313
99
R. Rodgers & L. HartR. Rodgers & L. Hart
55
(usual version)(usual version)44 Lover44 Lover
AA
GGDD--AACCmmaajj
GGDD--AAEE--
AA
BB
EE--
FF--
GG
DDAA--
BB
CCmmaajjCCmmaajj
FF--
DD--
EE--GGmmaajj
BBFF--
BBFF--
CC--EEmmaajj
CC--EEmmaajj
6161
( )( )
5757
AA4949
5353
4545
4141
3737
3333
BB
CC--//BBCC--GGFF--N.C.N.C.
N.C.N.C.GGDDCC--DD
CC--GG
CC--
FF--//DD
GG
GGFF--//DDCC--
FF--
EEBBFF--
CC--
GGFF--CC--
GGFF--//DDCC--
CC--GG
CC--GGFF--
FF--CC--
33
33
33
33
33
(C: 18 mm.)(C: 18 mm.)
2323
CC
1919
(A: 9 mm.)(A: 9 mm.)
(3 mm.)(3 mm.)
1212
BB1515
88
(vcls.)(vcls.)
44
A1A1
Joan Manuel SerratJoan Manuel Serrat45 Lucía45 Lucía
CC--GGFF--
CC--GGFF--
CC--GGFF--CC--
GGFF--//DD
GGFF--//DD
CC--
GGFF--//AACC--CC--
GG
CC--
FF--
N.C.N.C.
CC--
GGFF--
GGFF--//AAEECC--
GGFF--//DDEEBB
CC--GGFF--
FF--//DDFF--//EEFF--CC
GGFF--CC--//AACC--//BB
33
33
3333
33333333
(instr.)(instr.)
5050
CodaCoda
(3 mm.)(3 mm.)
4747
(A: 9 mm.)(A: 9 mm.)
AA
3939
4343
3535
3131
2727
CCGG--CCmmaajjGG
BBmmaajj
N.C.N.C.GG
CCmmaajj
EE--DD--CCBBBB
FFmmaajj
GG
CCGG--
DD--
BBmmaajj
DD--EEEE--DD--CCmmaajj
FFmmaajj
AA--GG--FFmmaajj
EE
FFmmaajj
EE--
CCGG--
CC
DD--
GG--
FFmmaajj
CCmmaajj
CCGG--CCmmaajjGG
CC
BBmmaajj
BBmmaajjFFmmaajj
DD--EEEE--DD--CCmmaajj
BBmmaajjFFmmaajj
FFmmaajj
BBmmaajjFFmmaajj
33
33
33
33
33
33
33
33
333333
33
33333333
44
( )( )( )( )
3434
3030
AA
(5 mm.)(5 mm.)
2525
(B: 9 mm.)(B: 9 mm.)
2121
BB
AA1313
1717
Imelda MayImelda May
99
46 Meet you at the moon46 Meet you at the moon
55
AA
IntroIntro
BBFF--EEBBFF
AA--FF//AA
GG
BB
DD--
GG
EE
FF
EE//GG
BB
FF--
CC--
FF
CCDDDDEE
FFFF--
FF
CC
FF
DD
AA
EEEEmmaajj
CC--
DDEE
CC--
AA--FF//AAEE//GG
EE
AA--FF//AA
BBFF
EE//GG
FFFF--EEEEmmaajj
CCDD
FFFF--EE
DDEE
EEmmaajj
44
( )( )( )( )
( )( )
( )( )
( )( )
N.B.: Chords in parenthesis are usually played, but they are not in the original version.N.B.: Chords in parenthesis are usually played, but they are not in the original version.
2929
2525
AA
2121
1717
1313
BB
( )( )
( )( )
A. Razaf & E. BlakeA. Razaf & E. Blake
( )( )
AA99
47 Memories of you47 Memories of you
55
AA
8va
8va
8va
8va
GG
GG
GG
AA--
AA--
AA--
AA--
AA--
AA--
AA--
GG
GG
GG
FFmmaajj
FFmmaajj
FFmmaajj
EE--
GG//FFFFmmaajj
AA--//GGAA--EE--
GG//FFFFmmaajj
44
44
128
77
B1B199
1313
B1B11717
55
33
Ryuichi SakamotoRyuichi Sakamoto
AA
48 Merry Christmas, Mr. Lawrence48 Merry Christmas, Mr. Lawrence
8va
8va
GG
GG
EE
AA--
AA--
BB--
AA--
DD--
AA--
GG
GG
GG--
FFmmaajj
FFmmaajj
GG--
GGAA--AA--GGFFmmaajj
GGAA--AA--GGFFmmaajj
GGAA--AA--GGFFmmaajj
3737
B1B14141
4545
3333
CC
2929
2525
B1B1
2121
GG
GG
GG
AA--
AA--
AA--
GGAA--
AA--
AA--
AA--
EE--//AAEE--
GG
GG
GG
GG//FF
FFmmaajj
FFmmaajj
FFmmaajj
FFmmaajj
GGAA--EE--//AAEE--GG//FFGG//FFFFmmaajj
GGDDCC//EEGG//FFDD//FF
GGAA--AA--GGFFmmaajj
9393
CodaCoda
9797
101101
8989
B2B2
8585
6565
6969
B1B17373
B1B1
6161
5757
DD
8181
B1B1
7777
5353
4949
B2B2
8va8va
8va
8va
GG
GGAA--
DD
FFmmaajj
CC//EE
FFmmaajj
AA--
GG//FF
GG
DD//FF
FFmmaajj
FFmmaajj
FFmmaajj
GGAA--AA--GGFFmmaajj
GGAA--AA--GGFFmmaajj
GGAA--AA--GGFFmmaajj
(*)(*)
(* bass tremolo F - C till the end)(* bass tremolo F - C till the end)
9393
CodaCoda
9797
101101
8989
B2B2
8585
8181
B1B1
7777
DD--
DD--//CCDD--
DD
AA
DDDD--
EE
BB--
BB--
AABB--EE
BB--//DD
EE
DD--//CC
EE
DD--
BBmmaajjFFmmaajj
AAGG--//BBBB--
BBmmaajjFFmmaajj
BBmmaajj
BB--//DD
CC
FFmmaajj
GGmmaajj
BBmmaajj//DD
CC//BBGG--
CC//BB
DD
EE
GG--
BB--
AA
DD--//CC
DD--
DD--AAEE--
AAGG--//BB
BBmmaajj
EEBB--
FFCC--
DD--//CCDD--
33
33
33
3333
33
33
33
33
33
33
33
3333
33
33
3333
44
(B:6 mm.)(B:6 mm.)
BB
2525
2121
1717
CC
99
1313
Francis HimeFrancis Hime
55
(All mine)(All mine)49 Minha49 Minha
(A: 10 mm.)(A: 10 mm.)
AA
EEBB--
EEBB--
AA
GGAA--
EEBB--
CC--
EE--BB
AA--
DD--
FF--
AAmmaajj
EEFFmmaajjGG--
GGDD--
CC--//FF
AA--CCmmaajj
EE--
AA
EE--
EE--//AA
33
34
( )( )N.B.: Real Book version is one tone higher and in B key signature (?).N.B.: Real Book version is one tone higher and in B key signature (?).
2525
2121
B2B2
1717
99
B1B11313
Wayne ShorterWayne Shorter
55
50 Miyako50 Miyako
AA
BBFFEEBBFF//BBFF//CC
CC//GGAA
BB
EE
AAEE//BB
BBFFEE
BBFF--
FF
EE
GGEE//GG
BBFF
CC//GGAAAAEE//BBBBFF--GGEE//GG
44
2121
1717
1313
AA
99
55
W. Donaldson & G. WhitingW. Donaldson & G. Whiting
VerseVerse
51 My blue heaven51 My blue heaven
BBFFEEBBFF//BBFF//CC
BBEE
EE
FFCCFF--FF--
BBBB//FF
EE
CCAA
EEaauuggEE//GGFFEE
EE
EEBBFF//BBFF//CC
EE
( )( )( )( )
4545
3737
AA4141
3333
BB
2929
AA2525
BBFF--EEEE
AA--//DD
BBFF--CCGG--
AAmmaajj
BBFF--EEEE
EE
EE
AA--//DD
EE
BBFF--CCGG--
EE
EE
AAmmaajj
EE
EE
EE
EE
EE
44
3333
2929
1717
AA2121
2525
1313
99
(play Intro groove while in E7)(play Intro groove while in E7)
Ary BarrosoAry Barroso
55
AA
(instr.)(instr.)
(Baía)(Baía)52 Na baixa do sapateiro52 Na baixa do sapateiro
IntroIntro
AA--
EE
FF--
BBFF
CC
CC--GG--
GG--
GGGG
AAmmaajj
EE
BBGGmmaajj
AA
EEGG--//FF
FF--//EE
GG--
FF--
EE
DDAA--
EE
CC
EEmmaajj
FF--
BBFF--
BB
GG
FF--
GG--
EEEE
33
33
33
33
(play Intro groove)(play Intro groove)(6 mm.)(6 mm.)
6969
6565
(C: 18 mm.)(C: 18 mm.)
5353
5757
6161
CC
4949
4545
4141
3737
BB
GGDDEEGGCCGGAA--EE--GG//DD
AAAACCGGDDAAEEBB
EE--BB
CC
BB--
GG
BB--
DD
DDAA--EE--EE--
CC--
FFEE--
AA--EE
GG
BB--
GGDDDDAA
AAEE--FFDD//FF
DDAA--EE--GG
GGDDAA--EE--BB
DDAA--EE-- EE--GG
33
44
2525
2121
A1A1
1313
1717
99
55
G. Gershwin & I. GershwinG. Gershwin & I. Gershwin
VerseVerse
53 Nice work if you can get it53 Nice work if you can get it
CCGG
DDAA--EEFFGGAA--EE--GG//DD
CC
AAAA
DD
CCGG
AA--
AAEE--EE--
DD
AA
AA
EE--
EEBB
DD--
CCEE--
BBGGDDEEGGCC
AAAACCGG
GGAA--EE--GG//DD
DDAAEEBB
33
33
5353
( )( )
4949
4141
A3A3
(A3: 10 mm.)(A3: 10 mm.)
4545
BB3737
3333
2929
A2A2
AAmmaajjAAmmaajj
AAAA
EEBB--CC--
FF
CC--EE
BB--
BB--
BB--BB--((mmaajj))FF
BB--
CC--
CC--
DDmmaajj
EE
DDmmaajj
CC--AAAAmmaajj
AA
AAmmaajjAAmmaajj
AA
44
3333
(C: 14 mm.)(C: 14 mm.)
2929
CC
(B: 14 mm.)(B: 14 mm.)
1919
(6 mm.)(6 mm.)
2323
1515
BB
99
(6 mm.)(6 mm.)
J. Bosco & A. BlancJ. Bosco & A. Blanc
55
(A: 14 mm.)(A: 14 mm.)
54 O bêbado e a equilibrista54 O bêbado e a equilibrista
AA
AAEEEEBBBB
FF--CC--DDAAmmaajj
EEEE
DD--
FF
AAEE
FF--
DD--
GG
DD--((mmaajj))
BB--BB
EE
DD--
BB
CC--DDAAmmaajj
DD--
BB--BB--((mmaajj))FF
DD--DD--((mmaajj))DD--
GGFFCC--
6969
(6 mm.)(6 mm.)
6565
(D: 14 mm.)(D: 14 mm.)
5757
DD6161
5151
(6 mm.)(6 mm.)
4747
(D: 14 mm.)(D: 14 mm.)
4343
DD
3737
(6 mm.)(6 mm.)
DDEEmmaajjBBBB--GGDDGG--
DD
DDEEmmaajjBBBB--
BBGG--
GGDDGG--
N.C.N.C.
33
33
1313
AA
99
55
AA
(left hand / bass / tenor sax)(left hand / bass / tenor sax)
(fine)(fine)
Thelonious MonkThelonious Monk
(piano)(piano)
IntroIntro
55 Off minor55 Off minor
DDBBGG--
DDEEmmaajj
DD
BBBB--
DDAA--
GGDD
AAAA
GG--
EE--
EEEEBB--
DD
EEBB--DDmmaajjDDmmaajj
BBGG--
33
33
After solos, play headAfter solos, play headand D.C. al fineand D.C. al fine
3333
AA2929
2525
2121
BB
1717
BBmmaajjFFCC--EEmmaajjBBFF--GG--AADDaallttAA--
GG--DDaallttEE--BB//FFGG--AAAA--
GG
GG--
DD--
BBmmaajj
DDaalltt
AA
EE--
EE--
FFCC--
GG--DDaallttEE--
BB//FF
BB--DD--
GG--
AA
BBEEmmaajjFF--GG--
AAAA--
EE
AADDaallttAA--
BB//FFGG--AAAA--
BBmmaajjFFCC--
BBmmaajj
BB EEmmaajjFF--GG--AADDaallttAA--
BBmmaajj
44
2929
AA
2525
(Rh.: play in 2+ & 4+____________________________________)(Rh.: play in 2+ & 4+____________________________________)
1717
BB2121
1313
(Rh. Sec. walking)(Rh. Sec. walking)
99
(Rh. Sec. follows lead)(Rh. Sec. follows lead)
Wayne ShorterWayne Shorter
55
AA
56 One by one56 One by one
BBmmaajj
GG--DDEE
FFCC--
BBGG--
GG--
DDaallttAA--
DDaallttAA--
GGDD--
GG--
GG--
AA
DDaalltt
DD
EE--
EE--
EE
BBmmaajjFFCC--
BB--
BB//FF
BB
DD--
GG--
GG--
AA
AA
DDaalltt
EE
AA--
AA--
GG--DDaallttAA--
GG--
BBmmaajj
DDEE
FFCC--
GG--DDaallttEE--
BBGG--
GG--DDaalltt
DDaallttAA--
AA--
BB//FFGG--AAAA--
After solos, D.S. al fineAfter solos, D.S. al fine
6565
6161
4949
5353
5757
4545
4141
(fine)(fine)
3737
Open for solosOpen for solos
3333
GGAAFF
CC
CC
CC
FF
CC
CC
44
( )( )1313
W. Hudson, M. Parish & I. MillsW. Hudson, M. Parish & I. Mills
99
BB
(Jimmy Smith's version)(Jimmy Smith's version)57 Organ grinder's swing57 Organ grinder's swing
55
00
AA
GGCC
GGCC
GG
GG
GG
GG
44
1313
W. Hudson, M. Parish & I. MillsW. Hudson, M. Parish & I. Mills
99
BB
(original version)(original version)57 Organ grinder's swing57 Organ grinder's swing
55
AA
DDmmaajjGGDD--DDGGAAEE--
GG
EE
DD
AA--
DDmmaajjGG
CCmmaajj
EEmmaajjBB
AA
DD--
EE
AAEE--
GG
FFaalltt
FFaallttGGmmaajjDDAA--
AA
BB--CC
EE--
GG--CCmmaajj
FF
GGmmaajj
CC--
GG
CCmmaajj
DD--
CC
DD
GG--
AA--
EEEEmmaajjBBDD--
DDmmaajjGG
EEEEmmaajj
AAEE--FFaalltt
BBDD--
AAEE--CCmmaajj
GGmmaajj
AAEE--
DDAA--
CCmmaajj
333333
33
3333
33
33
3333
44
(5 mm.)(5 mm.)
2929
(A2: 9 mm.)(A2: 9 mm.)
2525
A2A2
2121
1717
BB
1313
Thelonious MonkThelonious Monk
99
A1A1
58 Pannonica58 Pannonica
55
A1A1
GGDD--FFCC
AAEE--CC
CC
GGDD--
FF
CC
44
(fine: C6)(fine: C6)
99
Charlie "Bird" ParkerCharlie "Bird" Parker59 Perhaps59 Perhaps
55
AA
AADDEEEEAA
EE
DD
DD
EEBBEE
BBAA
AA
AA
EE
N.C.N.C.
33
44
2121
(vcls.)(vcls.)
1313
A2A21717
99
A1A1
(instr. fill _________________________)(instr. fill _________________________)
55
(instr. fill ________________)(instr. fill ________________)
Michael FranksMichael Franks
(instr. fill _______________)(instr. fill _______________)(instr.)(instr.)
60 Popsicle toes60 Popsicle toes
IntroIntro
N.C.N.C.EEBBEEEE
N.C.N.C.DDAA--
BBmmaajj
EEBB--
FFCC--
FFmmaajj
GGmmaajj
CCGG--
DDAA--
(fine)(fine)
Vamp on cueVamp on cue
N.B.: Original structure is Intro - A1 A2 B C - Intro - Intro A1 A2 B - Intro A1 A2 B C - Coda.N.B.: Original structure is Intro - A1 A2 B C - Intro - Intro A1 A2 B - Intro A1 A2 B C - Coda.
(instr. fill _____________________)(instr. fill _____________________)
4545
(instr. fill ________________)(instr. fill ________________)(instr. fill _______________)(instr. fill _______________)
(instr.)(instr.)
Last time to CodaLast time to Coda
(instr. fill _________________________)(instr. fill _________________________)
(instr. fill ___________________________________)(instr. fill ___________________________________)
3737
CodaCoda
4141
3333
CC
2929
(instr. fill ___________________________________________)(instr. fill ___________________________________________)
2525
BB
BBFF--EE
DD
BB
EE
AAmmaajj
FF
BB
EE
FF
BBFFEE
EE
GG--
EE
DDAA--
AA
FF
GG--DDAA--
BB
DD
FF
AAmmaajj
CC--GGEE
CC
EE
EE
EE
44
( )( )
2929
A2A22525
2121
1717
CC
1313
Hoagy CarmichaelHoagy Carmichael
99
BB
61 Rockin' chair61 Rockin' chair
55
A1A1
CC
CC
AA--
AA--AA
AA
FFmmaajj
FFmmaajj
EE
CC
CC
GG--
CC
AA--
BB--
AAmmaajj
AA--AA
BBmmaajj
AA
FFmmaajj
DD
DD
AA--
AA--
AAFFmmaajj
AAFFmmaajj
BBmmaajjDDAA--
DD
FFmmaajjDD
DD
AA--
AA--
AA--
AAFFmmaajj
AA
AA
AA
FFmmaajj
FFmmaajj
FFmmaajj
CCAA--
CC
AA
AA--AA
FFmmaajj
FFmmaajj
CCAA--
CCAA--
AA
AAFFmmaajj
DD
DD
AA--
AA--
AA
AA
FFmmaajj
FFmmaajj
FFmmaajjDDAA--
DDAA--
AAFFmmaajj
AAFFmmaajj
44
After solos D.C. - Use Open for solos as CodaAfter solos D.C. - Use Open for solos as Coda
3737
Open for solosOpen for solos
3333
2929
2525
BB
2121
1313
1717
DjavanDjavan
A1A1
99
62 Samurai62 Samurai
55
A1A1
GG--DDAA--
GG--
BBmmaajj
CC--
GG--
DDAA--
FF
GG
GG--
FF
GG
DDAA--GG--
GG--DDAA--GG--
44
2121
1717
1313
BB
99
55
Rafael Hernández MarínRafael Hernández Marín
AA
63 Silencio63 Silencio
DDAA--GGmmaajjDDAA--EEGG//DD
CCCCmmaajj
GGmmaajj
DDAA--
DDAA--
BB
GGmmaajj
DD
GG--
AA--EEmmaajj
DDAA--
( )( )
4545
3737
4141
3333
CC
2929
2525
DDDDmmaajjCC--FF--
DD
EE//GG
DDmmaajj
AA
EE//GGAA
BB--//AAAA
BB--//AA
CC--
BB--//AA
FF--
AA
AA
BB--//AAAA
BB--//AAAABB--//AAAA
44
(*) Use this rhythm pattern for A & C sections and for Open for solos.(*) Use this rhythm pattern for A & C sections and for Open for solos.
2121
(*)(*)
1313
AA1717
AA99
55
(Vamp)(Vamp)
DjavanDjavan
IntroIntro
64 Sina64 Sina
BB--//AAAABB--//AAAA
EE//GG
EE
EE
AA
DD
DD
EE//GGAA
BB--//AA
CC--
CC--
AA
FF--
FF--
BB--//AAAA
EEDD
FF--EE
EE
DDEE
After solos, D.S.After solos, D.S.
Use Open for solos as CodaUse Open for solos as Coda
4747
Open for solosOpen for solos
4343
CC3939
3535
3131
CC
2929
(B: 6 mm.)(B: 6 mm.)
BB2525
GG--DD
GG--
CC--GG--
DD
DD
GG--
BB
GG--DDGG--
BB
DD
FF
CC--GG--
FF
DDGG--
GG--
DDGG--
DDGG--
CC--
DD
CC--
BB
GG--
BB
DDGG--
DD
BB
GG--
BB
DD
GG--
GG--
DD
DDGG--
CC--GG--
DDGG--DDGG--
DD
DD
GG--
GG--
DD
DD
GG--
GG--
DDGG--DDGG--
44
(fine)(fine)
After solos, D.S. al fineAfter solos, D.S. al fine
3737
Open for solosOpen for solos
3333
2929
AA
2525
2121
1313
1717
BB
Louis PrimaLouis Prima
AA
99
65 Sing, sing, sing65 Sing, sing, sing
55
AA
Drums & lead (trumpet) ad lib in G-Drums & lead (trumpet) ad lib in G-IntroIntro
CCFFBBFF
CC
FFCC--
CC
FF
FF
FF
FF
BB
CCBB
BB
FF
FF
CC
FF
BB
BB
BB
CCFF
CC
CC
FFBBFF
FF
BBFF
CC
BB
BB
FF
44
( )( )( )( )
(*)(*)
N.B.: Musicians coming from gospel might use F or F6 instead of F7.N.B.: Musicians coming from gospel might use F or F6 instead of F7.(* Some versions, like Jerry Lee Lewis', add an extra bar in C7.)(* Some versions, like Jerry Lee Lewis', add an extra bar in C7.)
2929
2525
AA
2121
1717
1313
BB
Melvin EndsleyMelvin Endsley
AA99
66 Singing the blues66 Singing the blues
55
AA
EEBB--AA--
EEBB--
GGAA--
AA--
CCmmaajj
AA--
EEmmaajj
DD--
DDmmaajj
EEmmaajjFFmmaajj
AA
AA--
EE--
DD--
FFmmaajj
AA--
AA--
AA--
AA--
DD--
AA--
33
33
33
33
33
44
( )( )
2929
AA2525
2121
1717
BB
1313
H. Mancini & N. GimbelH. Mancini & N. Gimbel
99
AA
67 Slow hot wind67 Slow hot wind
55
AA
BBEE
BB
BBFF--
FF--
EE
BB
BBEE
FF--
BBFF--
EE
BB
EE
FF--//BB
EE
BB
EE
EEmmaajj
FF--
FF--
EEmmaajj
BBFF--
BB
BB
FF--EE
FF--EE
EEEEEEmmaajj
BBFF--//BB
EEEEmmaajj
FF--
BB
44
( )( )( )( )
2929
B2B22525
2121
1717
AA
1313
Agustín LaraAgustín Lara
99
B1B1
68 Solamente una vez68 Solamente una vez
55
AA
CCGG--DD//FFFFCCGG--DD//FFFF
CCCCGGDD--
FF
EE
FF
BB
FFFFmmaajj
CC
AA
GG--
BB
CCGG--FFmmaajj
CCGG--DDAA--
FFFFmmaajj
CCGG--
CCGG--FFmmaajj
44
2525
AA
2121
1313
1717
99
55
V. Youmans & I. CaesarV. Youmans & I. Caesar69 Sometimes I'm happy69 Sometimes I'm happy
VerseVerse
CCGG--FFCCGG--DD//FFFFmmaajj
EEBB--BBmmaajjFFCC--FF
CCGG--
CCGG--
DD//FF
DD//FF
FF
FF
CCGG--
CC
CC
GG--
GG--
DD//FF
DD//FF
FF
FF
DDAA--FFmmaajj
EEBB--BBmmaajj
CCGG--DD//FFFF
FFCC--FF
CCGG--DD//FFFF
( )( )
5353
B2B24949
4141
4545
AA
3737
3333
B1B1
2929
BB--AAaallttBB--AAaalltt
EE--DDmmaajj
BB--
GG
AAaalltt
CC--DDmmaajj
DDmmaajj
CC--
EEmmaajj
GG
BB--
GG--
AAaalltt
BB--DD--CC--EE--
DDmmaajjCC--
BBBB
BB--
AA
DD--
AA
DDmmaajjCC--
FF--
CC--
AA--
EE--
EE--DDmmaajjCC--DDmmaajjCC--
BB--
EE--DDmmaajjCC--
AAaallttBB--AAaalltt
DDmmaajjCC--
DDmmaajjCC--DDmmaajjCC--
BB--DD--
DDmmaajjCC--DDmmaajjCC--
CC--EE--
44
( )( )(6 mm.)(6 mm.)
4545
(A: 14 mm.)(A: 14 mm.)
AA3737
3333
(during head, Rh. Sec. follows lead)(during head, Rh. Sec. follows lead)
2929
(A: 14 mm.)(A: 14 mm.)
(6 mm.)(6 mm.)
BB
2323
Wayne ShorterWayne Shorter
1515
AA
(6 mm.)(6 mm.)
70 Speak no evil70 Speak no evil
99
(A: 14 mm.)(A: 14 mm.)
AA
DDFFGGCC
DDEE
FF
DD
DD
EEFF
EE
CC
FFFF
GG
CCGG--
CC
GG
GG
GGGG--DD--GG
GG
DDEEmmaajj
AAAA
FF
CC//GGDD--
DD
FF--
EEmmaajjFF
BB
CC
BB
GG
CC
CC
GG
GG
DDCCGGDD--
CCGG--
AAFFFF
GGCC
FFCCGG
AA--GG--CCGGDD--
BBDD--AA//CCCC
FFCC
BB--AA
GG
44
( )( )( )( )
2727
2525| ͜ | ͜ |
2121
BB
1717
AA1313
C. Williams & T. WallerC. Williams & T. Waller
99
71 Squeeze me71 Squeeze me
55
IntroIntro
GGDD--AACC
GGDD--
AAEE--
BBFF--
BB
DD
FFmmaajj
DD--
BBEE--
CC
GGDD--DDAA--
CC
AA
GG--
DD--
GG
BB
DD--
EE--
GG
DD--
CC
DD--
EE--
DD
EE--
AA--
BBFFmmaajj
GGDD--AAEE
BBFFmmaajj
CCGG--GGCC
GGDD--
CCGG--
DDAA--
GGCC
33
33
33
33
44
( )( )
2929
AA2525
2121
1717
BB
1313
M. Parish, M. Malneck & F. SignorelliM. Parish, M. Malneck & F. Signorelli
99
AA
72 Stairway to the stars72 Stairway to the stars
55
AA
CCGG
GG
CC
DD--
CCmmaajj
CC
AAEE--
GG
BB
CCmmaajjBB--BBmmaajjFF
GG--
EEmmaajj
CC
CCmmaajjBB--
CCmmaajj
BBmmaajj
GG--
DD
FF
BB
CC
CC
CC
GG
GG--
GG--CCGG--
CCmmaajjBB--BBmmaajj
CC
FF
GG--
33
33
44
(*)(*)
(* Optionally, play F-6 in mm. 6, 14 & 30)(* Optionally, play F-6 in mm. 6, 14 & 30)
2929
2525
(*)(*)
AA
2121
1717
1313
BB
G. Arnheim, H. Tobias & J. LemareG. Arnheim, H. Tobias & J. Lemare
AA99
(*)(*)
73 Sweet and lovely73 Sweet and lovely
55
AA
CCFF//CCBBBB
AABB
CCDD
BB
FF
FF--
CC--
GG
FFCC--
DD
DD
EE
GG--
FF//CC
DD
BBBB
EEmmaajj
FFCCGG--GGDD
DD--AACC
CC
GG--
DD
BB
FF
FF--
CC
GGGG--
GG--
DDEE
DD
FF
EE
DD
GG
BB
DD
AABBFFCC--DD
CCGG--
AABB
DDAA--
FFCC--DDDD--
DD--AACCGG--DDEEFF
CCGG--
AACCGG--DD
GGDD
EEFF
44
( )( )( )( )
2929
AA2525
2121
1717
BB
1313
M. Parish & C. BurwellM. Parish & C. Burwell
99
AA
74 Sweet Lorraine74 Sweet Lorraine
55
AA
EEGGGG
DDDD
DD
AA--
AA--
EEGG//FF
GG
DDAA--GGGG
DD
DDAA--
GGmmaajj//FF
AA--
AA--
GG
GG
GG
DDDDAA--
EE
DDDD
GGGG
AA--
DDAA--
DDAA--
DD
GGGG
AA--
44
( )( )
( )( )2929
AA2525
2121
1717
BB
1313
V. Young & W.J. HarrisV. Young & W.J. Harris
99
AA
75 Sweet Sue, just you75 Sweet Sue, just you
55
AA
GGmmaajjDD
GGmmaajj
DD
GGmmaajjDD
CC
AA
GG
EE--
AA--EEBB--
AA--EEGG
CCGG
DD
CCGG
CCGG
AA
GGmmaajjDDAA--
GGmmaajjDDAA--
AAEEBB--
AAEEBB--
44
( )( )
(* In some versions, this measure is repeated as a vamp on cue - lyrics for B).(* In some versions, this measure is repeated as a vamp on cue - lyrics for B).
2121
1717
1313
BB99
(*)(*)
J. Van Heusen & J. BurkeJ. Van Heusen & J. Burke
55
76 Swinging on a star76 Swinging on a star
AA
DD
AA--
DD
BB--
AA
DD
GG--//EE
DDDD
AA--
CC--//AA
GG--//FF
CC--//BB
BB--
GG--
CC--
EE
AA--
BBmmaajj
GG
EE
AA--
CC
GG
BBmmaajj
GG
GG--
DD--
DDCC--//AACC--//BBCC--
AAGG--//EE
CC
GG--//FFGG--
GG--
GGDD--
CC
CC
GG--
GG--
33
33
33
33
33
33
33
33
33
33
33
33
44
D.C.D.C.
N.B.: Play Intro every time and after last head, use it as Coda.N.B.: Play Intro every time and after last head, use it as Coda.
3333
2929
BB
2525
2121
BB
AA1313
1717
(Vamp on cue)(Vamp on cue)
Toquinho & V. de MoraesToquinho & V. de Moraes
99
77 Tarde em Itapoã77 Tarde em Itapoã
( )( )AA
55
IntroIntro
BBFF--EE
FF
CCGG--
FFCC--
EEmmaajj
AA
BB
EE--
FF--
BBFF--CCGG--
BBBB
DD
AA
FF
FF--
FF--
CC--
EEmmaajj
BBBBFF--
CCGG--
AA
EEmmaajj
EE--
BBFF--
DD
AAEEmmaajj
FF--
44
( )( )( )( )
2929
CC2525
2121
1717
AA
1313
W. Gross & J. LawrenceW. Gross & J. Lawrence
99
BB
78 Tenderly78 Tenderly
55
AA
BBEEEEBBBB
FF--//BB
BBEE
BB
EE
AAmmaajj//BBEE//BB
DD--GG--
FF
EE
BB
BBBB
FFCC--EE
FF
AA--
CC--
CC
FF
EEDD--
CC--
EE
AA
EE
FF
EE
AA--BB
FFCCGG
CCBB
EEBB
FFBB
FFBBCC
DD--AADD--
CCEEDD--EE
EEDD--EEFF
FFAA--BB
AA--BB
44
( )( )2929
A1A1
BB2525
2121
A2A2
1717
A1A1
1313
G. Gershwin & I. GershwinG. Gershwin & I. Gershwin
99
55
79 The half of it, dearie, blues79 The half of it, dearie, blues
VerseVerse
AA
FF//CC
BB
DD--AA
DD--
GG//BB
DD--
AA
FF//CC
BBGG//BB
DD--
DD--
AAAA
BBGG//BB
FFDD--
FF//CCDD--
68
( )( )
( )( )
(6 mm.)(6 mm.)
N.B.: Artists who follow (more or less) this approach are Bob Dylan and The Animals.N.B.: Artists who follow (more or less) this approach are Bob Dylan and The Animals.
1717
1313
99
TraditionalTraditional
55
(modern folk-rock version)(modern folk-rock version)
(A: 22 mm.)(A: 22 mm.)
AA
80 The house of the rising sun80 The house of the rising sun
DDAADD
GG
AA
DD
DDDD
DD
DD
44
( )( )N.B.: Artists who follow (more or less) this approach are Woody Guthrie and Leadbelly.N.B.: Artists who follow (more or less) this approach are Woody Guthrie and Leadbelly.
1313
TraditionalTraditional
99
(traditional folk version)(traditional folk version)
55
80 The house of the rising sun80 The house of the rising sun
AA
GGDDGGDD
DDAAGGDD
GG
GG
GG
DDGG
DD
DDGG
GGDDGG
DDGG
GG
DDGG
DD
DD
DD
DDGGDD
GGDDGG
GGDD
DDGGDD
N.C.N.C.
44
8
3737
BB
3333
(6 mm.)(6 mm.)
(6 mm.)(6 mm.)
2323
BB2929
1717
AA
(6 mm.)(6 mm.)
1111
(6 mm.)(6 mm.)
Vamp on cueVamp on cue
John BouttéJohn Boutté
x4x4
55
AA
(bass line)(bass line)
81 The Treme song81 The Treme song
IntroIntro
DDAAGGDD
GGDDGGDD
GG
DD
DD
AA
GGDD
GGDDGG
GG
GG
GG
DD
DD
DD
DDGGDD
GGDDGG
DDAA
DDGGDD
GGDD
7373
6969
CodaCoda
D.S. al CodaD.S. al Coda(Short solo for 2nd head)(Short solo for 2nd head)
BB6161
6565
5757
Open for solosOpen for solos
(6 mm.)(6 mm.)
5151
(6 mm.)(6 mm.)
4545
AA
4141
DDAA--
EEmmaajj
GGmmaajj
BBFF--
GG
CC
BB
GG--
FF--
EE
GG--
FF--
EEmmaajj
AAmmaajj
CC
BBFF--
BB
EEmmaajj
FF--
BB
EE
EE
CC
EEmmaajj
BB--
GG--
FF--
EEEEmmaajj
AAmmaajj
FF--
EE
GGGG--
EE
EEmmaajj
BBFF--
GG
CC--GG--
GG--EEmmaajj
EE
BB
EEmmaajj
FF--
EEEEmmaajj
BB
EEEEmmaajj
FF--
EEEEmmaajj
44
3737
3333
2929
2525
A3A3
2121
1313
BB1717
L. Hart & R. RodgersL. Hart & R. Rodgers
99
A2A2
82 There's a small hotel82 There's a small hotel
55
A1A1
GGDDDDAA--
CC//GGGG
CCGG
CC
BB
GG
CC//GG
DD
GG
AA--
AAmmaajj
DDAA--
DD
AAEE--FFmmaajjGG
CC//GG
AA
GG
EE--
AAEE--
AA--
CC//GG
FFmmaajj
GG
GG
FFGG
EE
GGDD
GG
CCGG
DDAA--
DDAA--
AA--EE
AAEE--
AAEE--
FFmmaajjGG
FFGG
33
44
2929
CC2525
2121
1717
AA
1313
Ben CullumBen Cullum
99BB
83 These are the days83 These are the days
55
AA
DDAA--EE--GGDDAA--EE--GG
DDAA--BBBB--DDAA--DDAA--EE--GG
AAEE--
DD
FFDD--//FF
DD
DD//FF
EE--
GG--EE--EE--
FF--
AA
EE--
EE--
DD//AA
FF
BB
FF--
BB--
BBAA--//FFAA--//GGAA--
EEBB--GG
EEBB--GG
DDFFAA--
DDFFAA--EE
33
33
44
2525
2121
AA
1313
1717
99
55
G. Gershwin & I. GershwinG. Gershwin & I. Gershwin84 They all laughed84 They all laughed
VerseVerse
GGDDAA--GGDDAA--EEBB--
DD//CCBB//DDEEmmaajjDDAA--EEBB--
DD
DD
AA
AA--
DD
EE
EE--
BB
GG
AA--
EEBB--
DD
DD
AA--
AA--
AAEE--
EE--
EE
GG
BB--
AA
GGDD--GG
DD
EEBB--FFCC
AAEE--BB--DD//AA
DDAA--EE--GG
5757
5353
( )( )
DD4545
4949
4141
3737
CC
3333
2929
BB
AADD--
AA
DDDD--
GG--
DD--
FF
DD--
AAEE--DD--
DDAA--
AA
AA
CC
EE--
DD--
EE--
GG--
DD--
GG--
AAAA
GG--
DDAA--DD--
EE--
DDAA--
DD--
DD--
44
( )( )( )( )
2929
2525
A2A2
2121
1717
BB
1313
Osvaldo FarrésOsvaldo Farrés
99
A2A2
85 Toda una vida85 Toda una vida
55
A1A1
FFBBFFBB//FF
FF
FF
BB
BB
EE
CC--
BB//DDBB
BB
FF
BB
BB//FF
EEEEBB//DDBB
FFEE
EE
EE
EE
EE
BB//DDBB
EE
BB//DD
EE
BB
FFEEBB//DDBB
FFBB
FFEE
FFBB//FF
BB//DDBBFF
FFEEBB//DDBB
EEEE
EEBB//DDBB
BB//DDBB
44
( )( )( )( )
2929
AA2525
2121
1717
BB
1313
E. Hawkins, B. Johnson, J. Dash & B. FeyneE. Hawkins, B. Johnson, J. Dash & B. Feyne
99
AA
86 Tuxedo junction86 Tuxedo junction
55
AA
EEBB--EEmmaajjBBFF--EEFFBB
EEBB--
CCCC
BBFF--BB
DDDD
EE
EE
FF--EE
BBFF--FF--
FF
AA
FF--
AA
EE
BBFF--
AAmmaajj
EEmmaajj
CCEEEE
DDFF--FF--CCEEEE
33
33
44
2121
1717
(vcls.)(vcls.)
1313
BB
99
AA
55
B. Darin & J. MercerB. Darin & J. Mercer
(instr.)(instr.)
IntroIntro
87 Two of a kind87 Two of a kind
BBFF--EEmmaajjBBFF--EEFFBB
EEBB--
CCCCDDDD
EE
EE
BBFF--BBFF--
FF
AA
FF--
AA
BBFF--
AAmmaajj
EEEEEEmmaajj
BBBBFF
CCEE//BB
FF--FF--
AAAA
( )( )
N.B.: Original structure is ABCAB - ABCAB - AB (one tone up).N.B.: Original structure is ABCAB - ABCAB - AB (one tone up).
4545
3737
BB4141
3333
AA
2929
CC2525
FFmmaajj
BBmmaajjFFmmaajj
CC
BBmmaajjFFmmaajj
BBmmaajj
FFmmaajj
BBmmaajj
AA--
BBmmaajj
FFmmaajj
DD--
FFmmaajj
AA--GG--
DDAA--DDAA--
AA--GG--
DDAA--AA--
44
2121
1717
(vcls.)(vcls.)
(instr.)(instr.)
1313
BB
99
B. Bacharach & H. DavidB. Bacharach & H. David
55
88 Walk on by88 Walk on by
AA
FF
DD
FF
FF
FF
N.C.N.C.
N.C.N.C.
CCaalltt
BB
CC//GG
FF
BB
N.C.N.C.
N.C.N.C.
44
(Solos in F blues)(Solos in F blues)
2626
(5 mm.)(5 mm.)
2121
1717
AA99
1313
Richard CarpenterRichard Carpenter
55
89 Walkin' 89 Walkin'
(bass pedal in C)(bass pedal in C)
IntroIntro
FFmmaajjCCGG--//DDGG--//EE
GG--
FFmmaajj
FFmmaajj
DDmmaajj
AAFFmmaajj
BBmmaajj
CC
FF
GGmmaajj
FFmmaajj
FFmmaajj
DDmmaajj
BBmmaajjFFmmaajj
BBmmaajjFFmmaajjBBmmaajjFFmmaajj
34
2121
1717
1313
AA
99
55
S. Romberg & O. Hammerstein IIS. Romberg & O. Hammerstein II(original version)(original version)
VerseVerse
90 When I grow too old to dream90 When I grow too old to dream
FFmmaajjCCaalltt CCCCFFmmaajj//CC
FF//BB
DD-- DD
DD-- FF//CCDD--
FFmmaajj//AA
FFmmaajj
AA//EE
CC
AA//EE
BBFF
GG//FF
BB
CCAA--
FFmmaajj
DD-- BB--//DDFFmmaajj
CCFFmmaajj//CC
CCBBBBmmaajj
4545
3737
B2B24141
3333
CC
2929
2525
B1B1
FFmmaajj
DDDD--
FF//BBFF//CCDD--
FFmmaajj//AA
DD--
FFmmaajj
FFmmaajj
CCaallttCCFFmmaajj//CC
CC
AA//EE
BB
AA//EE
CC
CC
FFBB
GG//FF
AA--
FFmmaajj//CC
BB--//DDDD--FFmmaajj
FFmmaajj
FFmmaajj
CCBBBBmmaajj
CC
BBmmaajjFF
GG--//DDGG--//EE
FFmmaajj
44
2929
B2B22525
2121
1717CC
1313
S. Romberg & O. Hammerstein IIS. Romberg & O. Hammerstein II
99
B1B1
(usual version)(usual version)
55
90 When I grow too old to dream90 When I grow too old to dream
AA
CCFF
DD
CC
AA--
GG--
GG--FFmmaajj
CCaalltt
GG
DD
FF
BBFFCC--
DD--
AA--
CC
CC--BBmmaajj
GG--
GG--
FFmmaajj
DD
GG--
EE
AA--
GG--//FF
GG--
GG--
FFmmaajj
GGAA
CC--
GG--
DD
DD--
AA--
EE
CC--//BBCC--
CC--
GG--
GG--//FF
BBmmaajj
GG--
FFmmaajj
CCaallttFFCCGG--
GG-- DDAA--FFmmaajj
DDEEGG--//FFGG--
GG--AA--GG--FFmmaajj
N.C./CN.C./C
N.C./CN.C./C
44
( )( )
(*last head, ends in E)(*last head, ends in E)
3737
3333
AA
2929
2525
BB
2121
1313
AA1717
(lead)(lead)
B. Carter & S. WilliamsB. Carter & S. Williams
AA99
(Miles Davis' version)(Miles Davis' version)91 When lights are low91 When lights are low
55
IntroIntro
BBEEBBFF--CC
CCGG--
BBFF--
EE
AAmmaajj
BB
FF
EEmmaajj
CC--
BB
EE
FF--
BB--
CC
CCDDBBFF--
BBEEmmaajj
CCmmaajj
CCDD
GGmmaajj
BB
GGDD--
EEmmaajj
BB
DDAA--
FF--
CCGG--BBEEmmaajj
EE
CCGG--
BBFF--CC
BBEEmmaajj
BBEEmmaajjBBEEmmaajj
CCDD
BBEEmmaajj
BBFF--
BBEEmmaajj
44
( )( )
2929
AA2525
2121
1717
BB
1313
B. Carter & S. WilliamsB. Carter & S. Williams
99
AA
(original version)(original version)91 When lights are low91 When lights are low
55
AA
CCGG--FFFFCCGGFFmmaajj
CCGG--
CCGG--
BB
FFmmaajj
DD--
GG
FFmmaajj
DD--
CC
FF
GG
CC--
FFmmaajj
BB--BBFFaauuggFF
CC
CC
GG--
CCmmaajj
BB--
BB
BB
BBmmaajj
GG
FFmmaajj
DD--
FF
FFaauugg
CC--
FF
CCGG--DD--FFmmaajj
CCGG--
CCGG--
GGFFmmaajj
DD--FFmmaajj
CCGG--FFmmaajj
BB--BB
CCGG--
FFaauuggFF
FFmmaajj
33
33
33
33
33
33
44
( )( )
2929
AA2525
2121
1717BB
1313
V. Young & P. LeeV. Young & P. Lee
99
AA
55
92 Where can I go without you?92 Where can I go without you?
AA
BB
CCGG--
EEAA--EE
FF--
EE
BBFF--
GG
GG
DD--
DD--
EEmmaajj
FF
GG
CC--
EEmmaajj
DD--
BBBB
GG--
FF--
FF--
EE
FF--//BBFF--
FF--
FF--
EE
CC--
FF--
CC--
EE
FF--
EE
FF--//BBFF--
EEmmaajj
BBFF--
EEmmaajj
CC--EEmmaajj
FF--
EE
FF--
EE
44
( )( )
3737
3333
CC2929
2525
2121
1313
1717
BB
(A: 10 mm.)(A: 10 mm.)
AA
L. Hart & R. RodgersL. Hart & R. Rodgers
99
93 Where or when93 Where or when
55
(A: 10 mm.)(A: 10 mm.)
AA
EE
DDmmaajj
EE--
CCmmaajj
DD--
GGDD--
FFmmaajjDD--
DDmmaajj
AA
CCmmaajj
CCmmaajj
EE--
AA
GG
EE--
DD--
AA--
AA
DD
GG
DDmmaajj
DD
EE--CCmmaajj
AA--
CCmmaajj
DD--
AA--
DDmmaajj
CCmmaajj
CCmmaajj
GGDD--CCmmaajj
DDmmaajjCCmmaajj
GGDD--
DDmmaajj
CCmmaajj
CCmmaajj
GGDD--
DDmmaajj
CCmmaajj
CCmmaajj
33
33
33
44
( )( )( )( )
3737
3333
CC
2929
2525A2A2
2121
1313
BB1717
B. Kaper & G. KahnB. Kaper & G. Kahn
99
A1A1
94 While my lady sleeps94 While my lady sleeps
55
A1A1
GGAADD--//CCDD--AAEE--DD--//CCDD--
AAEE--GG--//FFGG--DDAA--CC--//BBCC--
CC
BBFF--
GG--DD//FF
EE--DD--
AAEE--GG--//FFGG--
CC//EEDD
AAEE--DD--//CC
N.C.N.C.AA--
DD--
DDAA--CC--//BBCC--
GGFF--EE--DD--
AAEE--GG--//FFGG--
AAEE--DD--//CCDD--
DDAA--CC--//BBCC--
3333
3333
3333
33
3333
44
Solos over form Solos over form After solos, go to A2After solos, go to A2
2929
2525
A1A1
(Rh: (Rh: ͜ ) )
BB1717
(Rh: (Rh: z - | - | ͜ ) )
2121
1313
99
A1A1
Benny GolsonBenny Golson
55
95 Whisper not95 Whisper not
A1A1
DD--
BB--
GG--
GG//BBDD--//CCDD--
AAGG--
AAEE--
AAFF//AA
DD--//CCDD--
AA
CC
EE--GG--//FFGG--
GG--DD//FF
BBFF--EE--DD--
DD
CC//EE
AA--
DD
CC--//BBCC--
N.C.N.C.AA--
AAEE--DD--//CCDD--
AA
N.C.N.C.FF--
EE--GG--//FFGG--
EE--DD--
AAEE--GG--//FFGG--
AA--
AAEE--
CC--//BBCC--
DD--//CCDD--
AA--CC--//BBCC--
33
33
3333
33
33
33
33
33
3333
(Rh: (Rh: z ) )
6565
6161
(Rh: (Rh: z - | - | ͜ ) )
5353
A3A35757
4949
BB
(Rh: (Rh: ͜ ) )
4545
4141
A2A2
(Rh: (Rh: ͜ ) )
3737
3333
A2A2
GG//DDGG//EEGG//FFGGDD--AACCmmaajj
GG//DDCC--//EEBB--//FFGGDD--AACCmmaajj
GG
AA--
DD--
BBAA--
GGDD--
EE--
DD--AA--
AACCmmaajj
DD
AA--
AA--
GGDD--
EE--
GGmmaajj
DD
DD--AA--DD--AA--
GGDD--DDAACCmmaajj
44
2525
2121
1313
1717
99
55
G. Gershwin & I. GershwinG. Gershwin & I. Gershwin
VerseVerse
(So long as you care for me)(So long as you care for me)96 Who cares?96 Who cares?
GGDD--CCmmaajjGGGGDD--
AAGGGGDD--EECCmmaajj//EECCmmaajj
GGDD
EE
DD
AA
GGDD--GGDD--
AA--
GG
AA--//GG
AA--EEAA--
AA--//FF
CCmmaajj
AA--//EE
GGCC
EEEE--DD--CC
DD--
EE
AA
GGCCmmaajj
( )( )( )( )
5757
5353
CC
A2A24545
4949
4141
3737
BB
3333
2929
A1A1
CCGG--DDmmaajj
DDAA--EEmmaajj
DD
CC
AA--
GG--
FF
GG--
CC--
GG--
BB
FF--
FF--
FF--
34
Last time to CodaLast time to Coda
2525
2121
1313
BB1717
99
55
B. Bacharach & H. DavidB. Bacharach & H. David97 Wives and lovers97 Wives and lovers
AA
EEmmaajjBBFF--
CC
BB
EEmmaajj
FF--
FF--
BB
BB
FF--
FF--
FF--
EEEEEE
FF--
BBFF--
FF--
4949
4545
4141
3737
3333
2929
CodaCoda
BBFF--EEEEEEmmaajj
BBBB
FF
FF--CCDD--
EE
EE--AA--
BBFFEEBBCC--
EEGG--//EE
DD//BB
EE--
GG--//FFGG--
EE
BBEE--
EEBBAABB
FFFF--EEAAmmaajjEEBBEE
44
2121
1717
1313
AA
99
55
Cole PorterCole Porter98 You do something to me98 You do something to me
VerseVerse
BBFF--EEBBFF--//BBFF
BBBB
CC
AAmmaajj//CCCC
EE
CC//EEBB//FF
BB//DD
DD//BB
BB//DD
EE
FFEEmmaajj//GG
FFBBFF--
CCFF--
FFCC--//FF
CCFF--
( )( )
4545
4141
3737
DD
CC3333
2929
2525
BB
FFmmaajjCCFFmmaajjCCGG--
N.C.N.C.GG
AA--EE
DD
AA--
AAEEBB
EEGGDDGG
FFEE
EE
EE
DD--
EE
CC--EEBB
AA--
BB
DDCCGGCC
FF--FFCCGGCCGG
44
2121
1717A1A1
1313
99
55
Cole PorterCole Porter
VerseVerse
99 You'd be so nice to come home to99 You'd be so nice to come home to
EECCGGDDAACC
FF--FFmmaajj
FFmmaajjCCFFmmaajj
FF
AA--EEAA--
CC
CC//EE
GG--
EE
EEDD--AA--
EEBBEE
AA--//GGAA--GGBB
BBFFAA--//FF
EEDD--
33
( )( )( )( )
4545
4141
3737
CC
3333
A2A2
2929
2525
BB
AAAADDAAmmaajjAA
DD//EEAA
DD//EE
FF--
EEDD//EE
DD
CC//GGFF--//AACCCC
AABB--//AAAA
CC--
FF--CCCC
BB--
AA
GG--
EEEEEEBB--
FF--CC//GGFF--//AACCFF--
CCGG--AA
CCCC//GGFF--
DD//AAAA
44
2929
2525
1717
CC2121
1313
BB
99
(vcls.)(vcls.)
Carole KingCarole King
55
AA
(instr.)(instr.)
100 You've got a friend100 You've got a friendIntroIntro
AADD//AA
AA
AA
AADD
DD//EEBB--
AAmmaajj
CC--DD
AA
DD//EE
DD//EE
DD
BB--//EE
GGDD
BB
AA
AA
FF--
AAmmaajjAA
DDGG
DD//AAAA
DD//EEBB--
CCGG--AABB--
CC--DD
DD AA//CC
DD//EEBB--CC--DD
(5 mm.)(5 mm.)
6363
5959
5151
5555
4747
4343
3939
3737
3333