AL/2019/56-STE-Il(NEW)� @� {fd!J()iJiJ/@@il ufb'lu4!f/a,11fXL/611)LUJ{pl!All Rights Reservedj

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lfWl'.lc.:J� O�o e::io@l:))C.'.l IILD IIWestern Music II

{!JU:, t,221)� C!J)615T!J)f w6 � O@G> t:lia)e)J � et006:> mt�®Oi:n Bgeiioi ©� �®@me)G) @diJ!J /l,61!>� 6ll1Tul12>l'bl, !ffil6Ul!Tffil66ID6Il/l) G�6ljG6:UJ6ll/D!i)@)ti:> !ffil60JL 6T@�ti:>!&UIT� (!p61iT®J!fl6lDLD 6llWffil@I.O 6}j]61l11Tltffi61!>6TJ �@ffilln6IDID��lt Q1nrr6ir6ll�@Li> !:1X) 8�61 e®® o� ® roe,co2tlm.1 � 6U'l6Ulll!ffil/i3@jl.O LI@!t\ II, Li@:>!t\ III 6T61iTU6ll!iJwJ6'5l@$� �6iJGUl!Tlilm@ 6l\160Jtrlf.,ffi6'))611� Q�ij16ljQ.8'UJ§).I, 6T6U6UITID[TII,ffi!6/bl 6l\160Jtr ffilo(@)ffi@ �/l)�6fll{g6')(&W 6l\161!)L �(f!jffi. Answer five questions including question No. 1 and selecting two questions from each of the parts II andIll on this paper itself.

For Examiners' Use only

(56) Western Music II---·· ! ----,----··----!

.. _ Pa;t i Qoesti

;n No. r�r!'5 Awarded

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Marking Examiner

I Marks Checked by:

2

Supervised by

Total Marks

-·]Code Number

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AL/2019/56-STE-ll(NEW) -2-

I ®'ZSl30Q I LI@>$19 I/ PART I

1. e:lel C,O©IJL.lUL(B6fr6ll �GIDlfU Guw�LJ6l!)LJ .@lll}UU6IDLWrr&tt Ga;rr6l!lir(i3 @16l!)L 6T@�&.

Study the following music score and answer the questions.

Menuett FRANZ SCHUBERI" D.334

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AL/2019/56-STE-Il{NEW) -3-

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AL/2019/56-STE-ll(NEW)

(a) arol5) -e:ix;o)m @z:»:iod0e $ bz:» 25)@ z:»62:tlm.LJl@'r6U®LD U@i§J\&6'11l6dr lb �GITT Quw(J $f>®&.Name the key of the following sections.

(i) Minuett

(ii) Trio

. 4.

(b) ®�@Do @25>:iOe:i @®:ie19@cfo om qc;:i@ $ �tl>l:IS ro�25):J©«J25) e'JEJ:i63 @ol'.5 @m:i®@d ro�o,m z:»omm.t.a@IC86lJL U@i§J\ GLOOtqlld,G6':JL &®Lb lL(flw �6lRir(B lb �61))6ill �60lffilffiGWT(i3 �6UrfJJDl6dr urr(J&GTI16lir �ruci;1n�&61))6llffi@jjDlLJLil(Bffi.Identify and state two related keys to which the minuett modulate giving their bar numbers.

(i) Key

(ii) Key

Bar Nos

Bar Nos

(c) sj©c:l:f @2:snO@d e52S)@e)md' t'.)25)25) (0�25):J@(l)25) (@:ic5 @25):>@®0c.'.l (3c.'.l25)25)) e)c.t} 5ctJcf @ro:f 00:JZSJG e52S)@e)25)e:)ctJ25)'(l8e:)�o'.)25) z:»dmm.t.:.l]l:i0@e:i63 @:il:S 1-16 {fl5)0 qi63 rod'@om(s;)m e'.}ZS)d e�� 2:5l025125).�61l)LIJL.j&@)[!Jl6©w uw6dru(B�§Jl �(TIJUL(B6T16lT u51@1G6UL. U@�wlGi) I -16 6)J61l)!JWrT60l urr(J &@!)ffiffi16©Lwl6\)ffiff600TUU(i31.b ff6fOGlU�6ITT ®6ITT@JD& @jjDl&@j&.Mark with a bracket a suspension used in the Minuett within bars 1-16.

(e) ©®@ e:io&3l5) @�e)@cl ©O®@a:i e'.}2:5) eJdl5)0 2:5lc525125),�(b:'.D �@ff§> �600Tl960T Gl!Jl.b125).urr(r �6')ffiffil0 82 - 83 �60)6i)f [6ffilffi6TT 61161)� 61l)lf,w)6i)f[f6\) �60)8'ffiffi C86UGOOTlf)W 6Ul:'.D�6ID:'.D :'.DIJLIUL(i36TT6TI 6TDC8\f61J�6\) 6T(Y?�ffi.Write out the right-hand part of bar 82-83 in the given stave as you think it should be played.

(g) @@® -e:io©t,1 @�e)@d ©C'):f@) e'.)2:i) @2S'lO@c.5m 5clZ5lO 2S'l02.tl25),�lb:'.D �@If§> �GWTL{b�GITT

AL/2019/56-STE-II(NEW) . 5. [���} ..................................... ] (i) g@:fc) e°}rom6 ZS)@ roid@� ©.1Sl@d'�8 e)'

AL/2019/56-STE-II(NEW) -6-

3. (a) a, b, c, d ro:i e ®Ca q@a:i@o,96:i0 (a), e:id'@om"wm (b), q125108@01.!!l251 (c), ®ro8c6 (d) ro:i a:i8o @25):fcl (e)025:l ro06 d'@25):i'O@cl G2:13"§ 2Sl0251ID. 6li)(8a;mj'l6b a, b, c, d, e 6l6lfl .!':)1C8urrGl�L!JfT6ll (a), ec6li)Qu6dl�Gdl (b), 6lGn119-.#IC8u�GdT (c), �@ f!t>J lpzsxi6oo m@gc5-®ii©C (&'G'.}:)�25)25). C @6'51®[5@ �u:iu1

AL/2019/56-STE-ll(NEW) - 7 -

(b) B ®®arJ ro@cle@d edeov ©©@C;:>e.Jf:5) ®825'l6C.:J � 8mezrle)dc:J e,Je()l5)e) cp©d:fro-e!ii e:lcO qEled:fro-e!ii (f:l2::D:JCfr.dc)f:S)@e)0'508zrl 8e3zrlzn. q.1LUJ61fl&@)ffi.

Answer any two questions.

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5. � qv§3 Rrote:i @5>ro tmvm z;i6@zrl SATB e:i�ro:i ®®c:.:i ro®g�-e!ii 2:D6m25>. 'tdvZ5l G't 60:i ro16 q@w�cl @zs,:fe)c:.:im� @ero Cl(:;!:5)25} 25). �[TLILJL(B61'r6lT ul&(r6TO

AL/2019/56-STE-II(NEW) . 8 -

6. (a) � c:nl!D D€>Z5:> m�ro3 l5)�€Ji::n �c.:n:rl'Z5:>. 6d ©®:ie39@cl'@2:s)c..'.ld ro:ivm 2SJ6 ©cl:i:83d � �@2SJm qve:im 2SJ02>,2>1.cl060e3c> e,rogm' 0€>m :830-i&;D �c.:>:i 0oc�Z5:>c.'.l tD� 9� q:>2SJJOG}ffiffifT& QID6l)ll) 'ii)6lIT6ID!lJ 6l@�&. GlUXTll}.ll..j al6U�6lir �Glir@[DLI uw6liru(B�$fil G!Jrr60i1ci, ct uJlGU !fil60>l!J61J Gl/fWffi. 6lU6lllJ�ffi@!>&@jffi �y:> G/ffT!I3ffi6ro6lllf if\f]Wrr& 6l@� �!JJJGroffi GlifWW al6ll6lllilll)W 6111/f>�@ifill..JLO ®JDluul(Ba;.

Write a melody to the given words. Use one modulation and end in the tonic key. Write the words correctly under the notes and add directions for performance. (Tempo, dynamics and phrasing).

The singing of woodwind, the s.ighing of strings, The tension of brass that an orchestra brings, Make the sound of a symphony stay in the mind, And each time we hear it, more beauty we find.

(b) arol5) � c:n£3 d8:i8251' ��Im eg@�e) c.:;:iroo'®li @/61LILJ 6l@�ffi.Write short notes on two of the following with examples.

(i) Prelude (ii) Cantata (iii) Invention (iv) Symphony (v) Opera

(q@o)e:,i 830 &czrlzn I W!!J!Ult&tb urr(Tlt& / Please tum over

AL/2019/56-STE-II (NEW) -9-

7. A e'.:)cl'.) B c.'.}25) @25)JQe.} �@,1:,)2:,1 g@m �Cl) @102:rl Joe3zrl groID e&»Cl)c) c; 8�61 e'.:)C:,c.'.)2:,125), A, B �ffilw @](J"GOOJ(B LJ@)�&6ril6Dl@[t�I .®l!JGOOT(B 6Ul6ITTITffiffi6TI 6l1snQJJLD C LJ@)�wl6Dl@ri>� @® 6l�6lflfT6lJffi@)l.O 6lll6ll)L�@�ffi.Answer two questions each from section A and B and one from C.

(A) (I) @1@6!lz:D 9(S)@d 09:l'rod® roofflz» ro-@lnc.:,c> qc.:Ji5! c.:,18 ro1c@im25) ao©m 2S>a£3c.'.lw vd'l5)o 2S>02:>12:5).uGgrrtt &fTGU��GU Lj(Z!Jrrffi!IJITLD @6IDe:� Gl{brr@$filct@!flw�rra;a; ffi@$!JUU(Btb ,®16IDffU LJ6IDLuGurr6liT6ro!!3 6jjl6)j!flffi@ffi. Describe a piece of music that is considered as programme music from the Baroque period.

(II) e51e:f roo&lo)@d CW®-@ln ro�rozrl 2:DO c1o qc.:Ji5! @©ro�zrl �� m® 25)02:>12:5).�rr6Ti) @6IDe:wl6dr UGOOTL.Jffi6lfl61Tffi @!J5lu�a.:..(B. .§J6)j6jj)@ffct@o'lw @® 6ll6ll>&ffi6'fllGITT Gluw(r @!J5lu�(Bffi.State the characteristics of Jazz music and name two styles of it.

(III) 12 @J� a>�e:f a1ro1�8 25lo e%3 ©gJcrl'@o@zrl e,25) vd'25)oJd®i:5lv d'ro0c.:,2S> c�cl0zrl2:5).12 urrtr LJ@!l6mffi6ID61T 6jj)G1T1iiffil, �l{b�'r LJ&!Jrrtiiozrlzn.'6Ti)

AL/2019/56-STE-Il(NEW) - 10-

(B) (I) @ e3::,08c:.'.l 25)°ill® �@ t:12,eooS 25)@ 2:Do @25:1' 62:Dcl sgai"1El mvd'mo:icl@2Slv c;cl0m25).@6U!fil6ID&wl6tir !fiL6m (!P60)f!Jffi6ll e,y>6rllin]Gtir Quw� @.>in]uuh.:..(B, �6llPJ!))l6ll 6J6ffll.Jt.b @60>1f& ffi@6}jlffi@61lll.Jt.b @jl@Jifla;@&.Describe the specific devices and instruments used in Electronic music.

(III) @ e3::,o@clc:.'.l reo©mc:.'.l l:5J@ 'R9@2rl' eio©mc:.'.l' 253o vd'l!'5)o zs,dm25).@6D!fil6IDffiwl6tiT @6IDlfwl6i) 'ull.lJ6l5}6ITT @6IDlf' @60>6llT 6lJ60)fJ6Ul6Dffiffi600TUU(B1b� 6}jl6lJ(flffi@jffi.Define and describe 'Fusion music' in the context of Sri Lankan music.

(IV) 'e:fvc)' &3 @8ZS> 25)13® ID® ZS)() t'.)VJ @ZS)Q©

AL/2019/56-STE-II(NEW) . 11.

(C) orol5.l � {fli5} wo&lb,�c.'.}25}

AL/2019/56-STE-Il(NEW)

8 Boo)(:: o):> ®u5lwu U[>l':llffi6TT l£'(8U? [>!fl.lUL(B6TT6l1601. Sinhala and Tamil terms are given below.

t'.>@roroe:io qo@OJo),@lu e3@roroe)o q0@6:fro� wcl©b� rodm�c:> 8�® 8C:@C} Q}c) ®o�p @e:J@@c):f 251 filVO i:S)O©C.,

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