wallace stevens trece maneras de mirar un mirlo
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Wallace Stevens (1879-1955) - Trece maneras de mirar a un mirlo(bilinge)
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Entre veinte cerros nevadoslo nico que se movaera el ojo de un mirlo.
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Yo era de tres pareceres,como un rbolen el que hay tres mirlos.
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En el viento de otoo giraba el mirlo.Tena un papel muy breve en la pantomima.
n hombre y una mujerson uno.n hombre y una mujer y un mirloson uno.
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Yo no s! si pre"ierola belle#a de las in"le$ioneso la belle#a de las insinuaciones,si el nido silbandoo despu!s.
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El hielo cubra el ventanal
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de cristales brbaros.%a sombra del mirlolo cru#aba de un lado a otro.%a "antasatra#aba en la sombra
una causa indesci"rable.
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&h, delgados hombres de 'addam,(por qu! imaginis pjaros dorados)(*o veis c+mo el mirloanda entre los piesde las mujeres que os rodean)
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ono#co nobles acentose inevitables ritmos lcidos-pero tambi!n cono#coque el mirlo anda complicadoen lo que cono#co.
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uando el mirlo se perdi+ de vistaseal+ el lmitede un crculo entre otros muchos.
1"
l ver mirlosvolar en la lu# verde,
hasta los charlatanes de la eu"onagritaran agudamente.
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/iajaba por onnecticuten un coche de cristal.na ve# le entr+ el miedo,por haber con"undidola sombra de su equipaje
con mirlos.
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El ro se mueve.Estar volando el mirlo.
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Toda la tarde "ue de noche.*evaba,iba a seguir nevando.El mirlo se detuvoen la rama del cedro
Thirteen ways of looking at a blackbird
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Among twenty snowy mountains,The only moving thingWas the eye of the blackbird.
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I was of three minds,Like a treeIn which there are three blackbirds.
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The blackbird whirled in the autumn winds.It was a small part of the pantomime.
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A man and a womanAre one.A man and a woman and a blackbirdAre one.
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I do not know which to prefer,The beauty of inflectionsOr the beauty of innuendoes,
The blackbird whistlingOr ust after.
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Icicles filled the long windowWith barbaric glass.The shadow of the blackbird!rossed it, to and fro.The mood
Traced in the shadowAn indecipherable cause.
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O thin men of "addam,Why do you imagine golden birds#$o you not see how the blackbirdWalks around the feetOf the women about you#
VIII
I know noble accentsAnd lucid, inescapable rhythms%&ut I know, too,That the blackbird is involvedIn what I know.
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When the blackbird flew out of sight,It marked the edgeOf one of many circles.
X
At the sight of blackbirds
'lying in a green light,(ven the bawds of euphony
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Would cry out sharply.
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"e rode over !onnecticutIn a glass coach.Once, a fear pierced him,In that he mistookThe shadow of his e)uipage'or blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.It was snowingAnd it was going to snow.The blackbird satIn the cedar*limbs.
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/ersi+n de 0al 1ustavo guirre
(l movimiento +oesa &uenos Aires, 2345623758uenos ires, 2393:oto ;allace 8ettmann orbis
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