seventh chords 2 - guitar - nestor crespo - free

SEVENTHCHORDS 2

3 LESSONS & 3 EXERCISES (Sets 6543 / 6542 / 6532 / 5421 / 5431) FREE VERSION (does not contains)

by Nestor CrespoPractical and dynamic work methodology for the self-taught

student as well as for the teacher in class serie20y20.com.ar

GUITAR

FOUR SET STRINGS CHORDS

6543 / 6542 / 6532 / 5421 / 5431

17 lessons & 17 remaining exercises

Printable Book

Solutions of the 20 exercises

12 Backing Tracks

(without watermark)

MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Seventh Chords 2 for Guitar by Néstor Crespo

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director

www.serie20y20.com.ar

NESTOR CRESPO (Professor - Guitarist - Composer - Arranger)

Teaching Career Made guitar studies with professor Armando Alonso and composing with professor Claudio Schulkin in an autodidact way. Develops a solid teaching career, both in the private sector and in important institutions from Argentina and Europe. Founder professor (1986) of the Escuela de Música Popular de Avellaneda holding the position of associate professor of the Jazz Guitar professorship, position held today. Also works on the making of four workbooks for the professorship mentioned. Professor of the virtual professorship Functional Harmony I & II from the UNA’s (Nacional University

of Art) Departamento de Artes Musicales y Sonoras (Damus) , position held today. Dictated numerous workshophs about Functional Harmony and Improvisation of Popular Music in prestigious study centers such as: Hochshule für Musik Karlsruhe (Germany), Conservatorio de Palma de Mallorca and Las Aulas (Barcelona, Spain), as well as other clinics about Tango elements, in Germany and Switzerland organized by the Deutsch Akademie des Tango (Stuttgart, Germany) Created in 2008 "Serie 20 & 20 – workbooks" which contains 20 lessons and 20 exercises about different areas of musical science. (For more information visit: www.serie20y20.com.ar)

In March of 2013 the editorial of DAMus (Department of Musical Arts) dependent of UNA (Nacional University of Art) publishes the book Funtional Harmony 1 & 2.

Career Highlights During the 80s, takes part of different Jazz groups performing in the most prestigious jazz venues and clubs of Buenos Aires and the inner country. In 1989 lives in Palma,Mallorca (Spain) working with european musicians among which stands out Ola Calamayer (pianist of saxophonist Dexter Gordon). Participates in the Mallorca International Jazz Festival, invited by the quintet of the prestigious trumpeter Woody Shaw. In the early 90s creats with Juan Dargenton El Tranvía Tango with which records 9 CDs in Argentina and Europe, and performs continuously over 25 european tours averaging 80 annual concerts, playing in the most impo rtant concert halls, culturar centers, theaters, etc. Shared the stage with Sexteto Mayor, Daniel Binelli (bandoneonist of Astor Piazzolla), bandoneonist Alfredo Marcucci, singers José Ángel Trelles, María Graña, etc. Received important awards both in Argentina and abroad: ACE Award (Entertainment Writters Association) as Best Tango Group, Tango Future Award given by Deutsch Akademie der Tango (Stuttgart, Germany). CD Ocre Buenos Aires", receives an award for Best CD granted by the famous magazine Gränsen (Stockholm, Sweden), etc. Develops an intense career as an arranger of tango and world music for different record labels in Germany. Composed the music for the program Visión Siete Internacional (winner of the Martin Fierro 2009 award) which it is broadcasted since 2005 by TV Pública - Canal 7 - Argentina. Invited by plastic artist Andrés Zerneri to compose the music of his two documentaries: 900 grados (monument to Che

Guevara) and Monumento a la Mujer Originaria". In 2006 creats in Germany with Tomas Pérez (Puerto Rico) and Joselo González (Chile) the music group called Sur Tres, recording their first CD in which performs its musical arrangements. Also served as arranger and musical director of the Tango singer Omar Mollo, and guitarist of the singer and bandoneonist Rubén Juárez.

[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar

CONSIDERATIONS SEVENTH CHORDS 2 FREE VERSION

ADVICE

There are innumerable internet portals where you can find my 20 & 20 Series Ebooks. Like the

teaching my notebooks are also dynamic and can undergo some modification.

This is why I advise you to download the books directly from: www.serie20y20.com.ar

THE FREE DOWNLOAD VERSION DOES NOT CONTAIN:

• 12 Backing Tracks.

• Solutions of the 20 Exercises.

• Printable Book without watermark.

If you wish you can purchase the "Complete" Ebook at a low cost in:


OBJECTIVES AND PURPOSES OF THE SEVENTH CHORD EBOOK 2

This work is a continuation of the Ebook: Seventh Chords 1.

The Seventh Chord 2 Ebook includes new string sets, these being the Sets: 6543 / 6542 / 6532 /

5421 / 5431

Added to those studied in the Seventh Chords Ebook 1 we complete with this workbook, nine

different sets of seventh chord strings.

They will allow us to simply "accompany" with different textures and colors, linking the chords

that are part of a work or simply in a progression according to your subjectivity.

SERIE 20&20 MAIN OBJECTIVE

Serie 20&20 includes several volumes with 20 lessons and 20 exercises each, referred to different

aspects of musical science.

The main objective is to expand knowledge of musical art in a dynamic way, without abundance of

texts and with exercises that allow us through excellent graphs to reaffirm the above mentioned

concepts.

Almost 30 years as a professor allow me to ensure that in Serie 20&20 the student will find the

necessary elements to develop furthermore musical knowledge as a way of expression.


INDEX – SEVENTH CHORDS 2

LESSON 1

• Strings Set: 5421

• Shapes: by Position and across the neck.

• Types of Seventh Chords: � - m7 - 7 - ø - °7

Exercise 1

• Practicing across the neck in Bb: Root Position, 1st, 2nd & 3rd inversion.

• Practicing the five types of seventh chords with different roots.

LESSON 2

• Close chords relationships over progression: II - V - I (Bb major and Bb Minor)

• Families concept over II - V - I

Exercise 2

• Practicing Families concept over progression: II - V - I (Eb major - C minor / F major - D minor)

LESSON 3

• Autumn Leaves. Between fret I to VII fret & VII to XII. (Backing Track 1)

Exercise 3

• All of Me - Between fret I to VII fret & VII to XII. (Backing Track 2) • Complete writing the bass of the different chord inversions.

LESSON 4 (only in Paid Version)

• Blues Now's the Time - Between fret I to VII fret & VII to XII. (Backing Track 3)

Exercise 4 (only in Paid Version)

• Minor Blues Mr. PC - Between fret I to VII & VII to XII . (Backing Track 4) • Complete writing the bass of the different chord inversions.






• Practicing across the neck in F: Root Position, 1st, 2nd & 3rd inversion.




• Close chords relationships over progression: II - V - I (F major y Minor)



• Practicing Families concept over progression: II - V - I (D major - B minor / C major - A minor)


• Someday my prince will come. Between fret I to VII. (Backing Track 5)


• Someday my prince will come. Between fret VII to XII. (Backing Track 5)

• Complete writing the bass of the different chord inversions.


• All the things you are. Between fret I to VII. (Backing Track 6)


• All the things you are. Between fret VII to XII. (Backing Track 6)










• Close chords relationships over progression: II - V - I (C major y Minor)



• Practicing Families concept over progression: II - V - I (G major - E minor / Ab major - F minor)


• Alone Together. Between fret I to VII. (Backing Track 7)


• Alone Together. Between fret VII to XII fret. (Backing Track 7)




• Blue Monk. Between fret I to VII & VII to XII & I to XII fret. (Backing Track 8)


• Birk’s Blues. Between fret I to VII fret & VII to XII fret. (Backing Track 9)







• Practicing across the neck in G: Root Position, 1st, 2nd & 3rd inversion.



• Close chords relationships over progression: II - V - I (G major & G Minor)



• Practicing Families concept over progression: II - V - I (F major - D minor / Eb major - C minor)


• Stella by Starlight. I to VII fret. (Backing Track 10)


• Stella by Starlight. VII to XII fret (Backing Track 10) • Complete writing the bass of the different chord inversions.


• The days of wine and roses. Between fret I to VII. (Backing Track 11)


• The days of wine and roses. Between fret VII to XII. (Backing Track 11)











• Close chords relationships over progression: II - V - I (F major y Minor)



• Practicing Families concept over progression: II - V - I (C major - A minor / G major - E minor)


• Blues for Pat. Between fret I to VII & VII to XII & I to XII fret. (Backing Track 12)


• Birk’s Blues. Between fret I to VII & VII to XII & I to XII (Backing Track 9)



• All the things you are. Between fret I to VII. (Backing Track 6)


• All the things you are. Between fret VII to XII (Backing Track 6)



Thanks:

To my friends from the Friday meeting, for each and every one of the talks and discussions.

Néstor Crespo

wb

œœœ

2

4

3

Root

Position

x x

I

1st

Inversion

2nd

Inversion

3rd

Inversion

VI

VIII IX

�

�

1

2

4

�1

3 4

�

4

2 3

Bb�/D Bb�/F Bb�/ABb�

w

œœœ

b

w

œœœb w

œœœb

wb

œœœ

b

3

4

I �

2

Bb7

w

œœœb

b

2

1

3�VI

Bb7/D

w

œœœbb

�

2

1VIII

Bb7/F

3

wb

œœœb

�1IX

Bb7/Ab

3

4

wb

œœœ

bb

34

2

I �

Bbm7

wb

œœœb

b

2

1

3�VI

Bbm7/Db

w

œœœ

b

bb

2

1

3

�VIII

Bbm7/F

wb

œœœbb

11IX

3

�

Bbm7/Ab

wb

œœœ

b

bb

2�

3

4

I

Bbø

wb

œœœ

b

bb

1

3VI �

Bbø/Db

2

wb

œœœ

b

bb

43

1

VIII �

Bbø/Fb

wb

œœœ

bb

b

1IX �

2

Bbø/Ab

1

wb

œœœ

∫

bb

3

4

2�I

Bb°7

wb

œœœ

bb

∫

2

1

3

�VI

Bb°7/Db

wb

œœœ

b

b∫

1

� 3

4

VIII

Bb°7/Fb

w∫

œœ

œ

b

b

b

12XI

4

�

Bb°7/Abb


Bbmaj7

Bb�

LESSON 1(Néstor Crespo)

Bb°7

Set 5421

Bb7

Bbm7

Bbm7(b5)

Bbø

www.nestorcrespo.com.ar

& c .. ..’ ’ ’’Bb�

a) ’ ’ ’’Bb�/D

’ ’ ’’Bb�/F

’ ’ ’’Bb�/A

’ ’ ’’Bb�

descending - - -

’ ’ ’’Bb�/A

’ ’ ’’Bb�/F

’ ’ ’’Bb�/D

& c .. ..’ ’ ’’Bb7

b) ’ ’ ’’Bb7/D

’ ’ ’’Bb7/F

’ ’ ’’Bb7/Ab

’ ’ ’’Bb7

descending - - -

’ ’ ’’Bb7/Ab

’ ’ ’’Bb7/F

’ ’ ’’Bb7/D

& c .. ..’ ’ ’’Bbm7

c) ’ ’ ’’Bbm7/Db

’ ’ ’’Bbm7/F

’ ’ ’’Bbm7/Ab

’ ’ ’’Bbm7

descending - - -

’ ’ ’’Bbm7/Ab

’ ’ ’’Bbm7/F

’ ’ ’’Bbm7/Db

& c .. ..’ ’ ’’Bbø

d) ’ ’ ’’Bbø/Db

’ ’ ’’Bbø/Fb

’ ’ ’’Bbø/Ab

’ ’ ’’Bbø

descending - - -

’ ’ ’’Bbø/Ab

’ ’ ’’Bbø/Fb

’ ’ ’’Bbø/Db

& c .. ..’ ’ ’’Bb°7

e) ’ ’ ’’Bb°7/Db

’ ’ ’’Bb°7/Fb

’ ’ ’’Bb°7/Abb

’ ’ ’’Bb°7

descending - - -

’ ’ ’’Bb°7/Abb

’ ’ ’’Bb°7/Fb

’ ’ ’’Bb°7/Db

& 43 .. ..’’’B

( � - 7 - m7 - ø - °7 )

Root Position ’’’

C#

’’’E

’’’F

’’’G

’’’Gb

’’’Eb

’’’Db

& 43 .. ..’’’G

( � - 7 - m7 - ø - °7 )

1stInversion

’’’Bb

’’’C

’’’D

’’’Eb

’’’Db

’’’B

’’’Ab

& c .. ..’ ’ ’’ 2ndInversion

( � - 7 - m7 - ø - °7 )

E’ ’ ’’G

’ ’ ’’A

’ ’ ’’B

’ ’ ’’C

’ ’ ’’Bb

’ ’ ’’Ab

’ ’ ’’F

& c .. ..’ ’ ’’ 3rdInversion

( � - 7 - m7 - ø - °7 )

C’ ’ ’’D

’ ’ ’’F

’ ’ ’’G

’ ’ ’’Bb

’ ’ ’’Ab

’ ’ ’’E

’ ’ ’’D


2. Practise the five type of seventh chords according to the inversion indicated.

1. Practise ascending and descending.

EXERCISE 1(Nestor Crespo)

Set 5421


& wœœœbb

Major Mode

Cm7

�

1

3

III III

4

wœœœb

F7/C

1�2

3

wbœœœ

Bb�

�

2

I

4

3

& wbœœœb

Cm7/Eb

1

2 3VIII

VI

�

wbœœœ

F7/Eb

1 �3

4

wœœœ

Bb�/D

�VI

12

4

& wœœœbb

Cm7/G

1�2 3

X VIII

wœœœbF7

�

2 3

4

wœœœb

Bb�/F

1

3 4

VIII �

& wbœœœb

Cm7/Bb

1 1 �

3

XIII

XIII

wœœœb

F7/A

1

2 3�

wbœœœ

Bb�

�

2 3

XIII

4

& wœœœbbbCø

�

2 3

III III

4

wœœœnb

F7/C

1�3

4

wbœœœbbBbm7

�

3

2I

4

& wbœœœbb

Cø/Eb

1

3

2

�VIII

VI

wbœœœn

F7/Eb

1

3�

4

wbœœœbbBbm7/Db

1

2 3�VI

& wbœœœbb

Cø/Gb

1

�

3 4

X

VIII

wœœœbnF7

�

2 3

4

VIII

wœœœbbb

Bbm7/F

1�2 3

& wbœœœbbCø/Bb

1 1 �

2XIII

XIII

wnœœœ

F7/A

1

2 3�

wbœœœbb

Bbm7/Ab

1 1 �

3

XI


Links: In popular music is very common to find the progression II V I reason why, it is convenient to think and

exercise the concept of: Families.

Minor Mode


Set 5421

The objective of the families is to group those positions of chords where the movement of the bass and the voices that compose them is minimal.


& bbb c ’’’’Fm7/C1)

Eb Major

’’’’Bb7

’’’’Eb�/Bb

& bbb c ’’’’Fm7/Eb2)

’’’’Bb7/D

’’’’Eb�

& bbb c ’’’’Fm73)

’’’’Bb7/F

’’’’Eb�

& bbb c ’’’’Fm7/Ab4)

’’’’Bb7/Ab

’’’’Eb�/G

& bbb c ’’’’1)

C Minor

Dø/C

’’’’G7/B

’’’’Cm7/Bb

& bbb c ’’’’2) Dø

’’’’G7/F

’’’’Cm7

& bbb c ’’’’3) Dø/F

’’’’G7

’’’’Cm7/Eb

& bbb c ’’’’4) Dø/Ab

’’’’G7/B

’’’’Cm7/G

& 43 ’ ’ ’1)

F Major

Gm7/Bb

’ ’ ’C7/Bb

’ ’ ’F�/A

& b 43 ’ ’ ’2) Gm7/D

’ ’ ’C7

’ ’ ’F�/C

& b 43 ’ ’ ’3) Gm7/F

’ ’ ’C7/E

’ ’ ’F�

& b 43 ’ ’ ’4) Gm7

’ ’ ’C7/G

’ ’ ’F�

& b 43 ’ ’ ’Eø/Bb

D Minor

1)

’ ’ ’A7

’ ’ ’Dm7/A

& b 43 ’ ’ ’Eø/D2)

’ ’ ’A7/C#

’ ’ ’Dm7/C

& b 43 ’ ’ ’Eø3)

’ ’ ’A7/E

’ ’ ’Dm7

& b 43 ’ ’ ’Eø/G4)

’ ’ ’A7/G

’ ’ ’Dm7/F


1. Practice in major and minor mode the concept of family.

EXERCISE 2(Nestor Crespo)

Set 5421


& # c ..Œ œ œ œ( I al VII )

wAm7

Œ œ œ œD7/A

˙ ˙G�/B

Œ œ œ œC�

Backing Track 1

wF#ø/C

& # ..1

Œœ œ# œ#

B7

wEm7/B

Œ œ œ œE7/B

2

Œ œ œ œB7

wEm7/G

Ó œ# œEm7/D

& #œ œ ˙F#ø/C

œ œ œ œB7

wEm7/B

Œ œ œ œE7/B

wAm7

Œ œœ œ

D7/A

& # wG�/B

Ó œ# œG�/D

œ œ œ œF#ø/E

.˙ œB7/D#

˙ ÓEm7/D Eb7/Db

& # Ó . œDm7/C Db7/Cb

.˙ œC�

˙ œ œB7

wEm7/B

Œ œ œ œ( E7/B )

& # ..Œ œ œ œ( VII al XII )

’ ’ ’ ’Am7/E

’ ’ ’ ’D7/F#

’ ’ ’ ’G�

’ ’ ’ ’C�/G

’ ’ ’ ’F#ø

& # ..1

’ ’ ’ ’B7/F#

’ ’ ’ ’Em7

’ ’ ’ ’E7

2

’ ’ ’ ’B7/F#

’ ’ ’ ’Em7

’ ’ ’ ’Em7/G

& # ’ ’ ’ ’F#ø

’ ’ ’ ’B7/F#

’ ’ ’ ’Em7

’ ’ ’ ’E7

’ ’ ’ ’Am7/E

’ ’ ’ ’D7/F#

& # ’ ’ ’ ’G�

’ ’ ’ ’G�/F#

’ ’ ’ ’F#ø

’ ’ ’ ’B7/F#

’ ’ ’ ’Em7/G Eb7/G

& # ’ ’ ’ ’Dm7/F Db7/F

’ ’ ’ ’C�/E

’ ’ ’ ’B7/D#

’ ’ ’ ’Em7

’ ’ ’ ’( E7/D )


Autumn Leaves


Set 5421


& c .. œ œ œ ˙C�/

( I al VII )

˙3

œ œ œC�/

œ œ# œ ˙

E7/

w

E7/

Backing Track 2

& .œ jœ ˙

A7/

œ œ#3

œ œb œA7/

˙ ˙Dm7/

wDm7/

&

1

.œjœb ˙

E7/

˙

3

œ œ# œE7/ ˙ ˙

Am7/wAm7/

& ...œJœb ˙

D7/

˙3

œ œ œD7/

wDm7/

wG7/

&

2

˙ œ œF�/ .˙ œ

Fm7/˙ œ œEm7/

.˙ œA7/

& ˙ œ œDm7/ ˙ ˙G7/

wC�/

w( Dm7/ G7/ )

& c .. ’ ’ ’ ’C�/

( VII al XII )

’ ’ ’ ’C�/

’ ’ ’ ’E7/

’ ’ ’ ’E7/

Backing Track 2

& ’ ’ ’ ’A7/

’ ’ ’ ’A7/

’ ’ ’ ’Dm7/

’ ’ ’ ’Dm7/

&

1

’ ’ ’ ’E7/

’ ’ ’ ’E7/

’ ’ ’ ’Am7/

’ ’ ’ ’Am7/

& ..’ ’ ’ ’D7/

’ ’ ’ ’D7/

’ ’ ’ ’Dm7/

’ ’ ’ ’G7/

&

2

’ ’ ’ ’F�/

’ ’ ’ ’Fm7/

’ ’ ’ ’Em7/

’ ’ ’ ’A7/

& ’ ’ ’ ’Dm7/

’ ’ ’ ’G7/

’ ’ ’ ’C�/

’ ’ ’ ’( Dm7/ G7/ )


All of Me EXERCISE 3(Néstor Crespo)

Set 6432 - Complete writing the bass


MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Seventh Chords 2 for Guitar by Néstor Crespo

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director


LEGAL

Crespo, Néstor Rubén

1st bilingual edition - Buenos Aires: Nestor Crespo, 2021.

EBook, DXReader

Spanish-English Edition

Digital Archive: download online

1. Music. I. Title.

ISBN 978-987-28103-4-4

Date of registration: 20/03/2021

SEVENTH CHORDS 2

1st edition

© Nestor Crespo, 2017

[email protected]

www.nestorcrespo.ar


Date of publication: March 2021

Replication Date: March 2021

The deposit established by Law 11.723

EDITED IN ARGENTINA

Graphic Design: Edgardo Vallarino

Recording Studio: Federico Palmero

The backing tracks belongs to the author of the work.

The content and originality of this document is the sole responsibility of its author.

The content and originality of this document is the sole responsibility of its author. No part of this

publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means,

electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the

publisher. editor.

Your violation is punishable by laws 11,723 and 25,446.


All the backing tracks belong to the author

of this book, done in the recording

studio of Prof. Federico Palmero

[email protected]

Traduced by: Franco Crespo

Cover Design: Edi Vallarino

www.edivallarino.com.ar

Made in Buenos Aires, Argentina on March 2021


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