presentazione art nouveau. ''le pater'' di mucha
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Le Pater
Alfons
Mucha
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Le Pater is an illustrated edition of The
Lord’s Prayer created by Mucha. Published inParis on 20th December 1899 at the passin
of the old century! it "as meant to be
Mucha’s messae to future enerations
about the proress of man#ind. Throuh the
archetypal $hristian prayer! he "ished to
present the "ay for man to reach the Di%ine
&deal! the hihest state in the spiritual "orld.
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Mucha concei%ed this pro'ect at a turninpoint in his career. (ccordin to his o"n
account! Mucha "as at that time
increasinly dissatisfied "ith unendin
commercial commissions and "as
lonin for an artistic "or# "ith a more
ele%ated mission. )e "as also influenced
by his lon*standin interest in+piritualism since the early 1890s and!
abo%e all! by Masonic philosophy. &n
,anuary 1898! almost t"o years before
the publication of Le Pater ! Mucha "as
initiated into the Paris Lode of
-reemasons as an apprentice and after
the independence of his homeland he
"as to become rand Master of the
-reemasons of $/echoslo%a#ia.
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Mucha’s freemasonry "as an outcome
of his +piritualism the pursuit of a
deeper Truth beyond the %isible "orld.
Throuh his spiritual 'ourney Muchacame to belie%e that the three %irtues
eauty! Truth and Lo%e "ere the
cornerstones’ of humanity and that the
dissemination of this messae throuh
his art "ould contribute to"ards the
impro%ement of human life and!
e%entually! the proress of man#ind.
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&n order to %isualise his %ision! Mucha analysed each of the se%en %erses of the model $hristian
prayer and reconstructed it in a set of three paes. The first pae of each set! in colour! is the
rele%ant %erse in -rench and Latin! framed in a border sumptuously decorated "ith flo"ers and a
symbolic female fiure. The second pae! also in colour! is Mucha’s o"n te3t! interpretin the %erse
and decorated "ith floral patterns. The third monochromatic pae! printed in photora%ure!
contains a full*pae alleorical dra"in illustratin Mucha’s philosophical response to the %erse.
Throuhout the paes! Mucha’s desins feature an abundance of Masonic symbols. The outcome
"as an e34uisite boo# published in an edition of 510 copies.
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Le Pater "as Mucha’s first manifest as an
artist*philosopher and he rearded the
boo# as his finest "or#. &n 1900 Mucha
e3hibited the boo# and the preparatory
dra"ins at the Paris &nternational
63hibition and "as deeply ratified "hen
the illustrations attracted the attention of
6mperor -rancis ,oseph &.
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