Res en e aco paf5ar Ia pa e c Ia g · arra) __ 3

Minuet op. 21 no. 12 4

Landler op. 9 no. 4 6

a anese arr. Sol lory Sakura_··-···-····--·····-····-··········-· ..... . .. -··--·············· .... ···· ·----·-···· ·· ·· ···-····-·---·---- _____ 8

Carratera resbaladiza ..... ································-·-······-···--·--··--9

Valse noble (from Eight Short Pieces for Solo Guitar) .. . ............................ _10

Walking (from 8 Discernments) . ................................ . ························-·· ..... ... .. ·······-··-······-·11

c. Banjo Bill......... . . ................. . . .......... 12

Station to Station ....... 13

Technical Suite (Exercises) ......................................................................... 14

-...c s for this grade:

e are f rom Guitar Duets Initial-Grade 3 2010-2015 published by Trinity Guildhall (TG 008091).

· ·::. ado

- ory

Rondo

Valse op. 44 no. 1

Marchinha de Carnaval

Danza Andaluza

ernative pieces for this grade (2010-2012):

Tazzolla

:Jo :lesland

e oy

or

- rad. Scottish arr. Fiorentino

e Valderrabano

Pieces

Etude 1 Cfrom Etudes simples 1• serie)

Gaelic Song 1 (from Twelve Inventions)

Artisane (from Play Piazzolla)

Turn to Dust (from The Real Guitar Book vol. 1)

Branle de Bourgogne (from Le petit livre de guitare vol. 2)

Etude op. 60 no. 7 (from Complete Studies for Guitar)

Charlie is my Darling (from Celtic Music for Classical Guitar) Dance of the Dragon (from String Fingers) \ Soneto del primer grado (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vilarrubl)

Eschig ME7997

Holley Music Holl S007

Boosey 9790060119712

Camden Music CM191

Les Productions D'OZ DZ12

Chanterelle 491

Carisch ML2601

XYZ Huizen Holland XYZ1211

Schott GA 176

- ree pieces to be performed, chosen from the pieces included in this book or from the duets or alternative

iece(s) listed for the grade, to form a balanced programme. Full details of duets and alternative pieces are

iven above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition

f a simi lar length and standard to the other pieces chosen. If a duet (or maximum two duets) are chosen, the

accompani ment must be played in the examination.

Technical work ee inside back cover for detailS.

Supporting tests - o Lests to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidate's choice.

ee he curren t Guitar Syllabus for details.

~:KJ an

- i a es and teachers must refer to the Information & Regulations booklet for all examination requirements eg lations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative

- · · s Head Off ice.

Guitar Grade 3 Pieces & Exercises for Trinity Guildhall examinations

2010-2015

Published by: Tr inity College London 89 Albert Embankment London SE1 7TP UK

T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E music@trinityguildhall.co.uk www.trinityguildhall.co.uk

•

Copyr ight © 2009 Trinity College London

Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher.

Mu sic processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd, Amersham, Bucks.

\

e from Resumen de acompafiar Ia parte con Ia guitarra

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sing Option ii) Technical Suite in the Technical Work section of t he exami nation must prepare the fo llowing =.. =----:::--- -

'ggery Pokery (scales)

- o be prepared apoyando or tirando at candidate's choice.*

Jauntily ~. = 72-88

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To be prepared tirando.

J = 88-100

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~ ::rpoyando = rest stroke; tirando = free stroke.

7 II

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3. Au lait (half barre)

J = 72-88

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4. Passagio (arpeggios)

To be prepared tirando. J = 72-88

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i en in Gui ar & Pleer Guirar ca1es er =- e .... ·ses :~ I

Scales

e allowing sca les to be performed with dynamics, right hand fingering pa ern and rh ic ~ 2 as:-: see current Guitar Syllabus for examples of rhythmic styl es). Candidate's choice of apoyando or : ·"Cn _ _

specif ied:

C major (two octaves), '"!f. ma fingering. Straight rhythm D natural minor (two octaves),p, ma fingering. Straight rhythm D harmonic minor (two octaves), '"!f. im fingering. Swing rhythm D melodic minor (two octaves),p, im fingering. Swing rhythm

Arpeggio

The following arpeggio to be performed if and tirando:

Diminished 7th starting on A (one octave)

Exercises

The following exercises to be performed if and tirando:

C major in broken 3rds:

~ J-n o I j J J J 3 J J @ I .J J ~ i f f ffi F I '(F f f J J 3 ~ U @

Half barre in A minor:

& J ~ 6~

~eJ. p

'liCV i

a m ~

F J

or ii) Technical Suite

Exercises

p

'liCIII i m

f 'liCI

I'( }

p

Candidates to prepare all of the following exercises, printed in this book:

1. Jiggery Pokery (scales) 2. Thurdles (broken chords) 3. Au Ia it (half barre) 4. Passagio (arpeggios)

m a ~ r J

0 3 - 1

'liC\" .... lg, 1:

p

All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a-: fingering have been suggested to assist candidates and their teachers in developing their own interpretat io s.

Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces. Those without square brackets are the composer's own indication of the appropriate speed for the music.

Repeats of more than three bars should be omitted unless instructed otherwise in the syllabus or Trin it y music book, but all da capo and dal segno instructions should be observed.

Every effort has been made to trace and acknowledge the copyright owners. If any right has been omitted or if any detail is incorrect, Trinity College London apologises and will rectify this in any subsequent reprints following notification.

Ackerman ~iusic Oi293 ~i:3790G Tg - Guitar Exam Pieces - Grade 3

IIIIIIIIIIIIIIIllll Ill I Ill J Ill GOGOO'J801259:J

0809 -GTi~-cXAt·1 £o.L5

TG 008039 ISMN 9790570380350

9 790570 380350