catalogo yosman botero

8/11/2019 Catalogo Yosman Botero

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El anhelo de figdel arte que hadel vaco y del odel Dibujo, que nos muestra una la conexin fal deshacer, al bcreadora tantoque configura sempty al hipernoventa en Colexperiencia y lanos permite vevirtuosismo o eGiraldo sobre indiciario de lo traumtica de l

made matter of

la experienc

fotogrfico y la ironia se co

la crisis de a partir de una cuestionad

lo inacabado y lo efmero acta

EL CARCTER DIVERSIFICADO DEL ARTE

CONTEMPORNEO PERMITI INTRODUCIR

NUEVAS SIGNIFICACIONES EN LAS

PRCTICAS ARTSTICAS, QUE SE HAN

IDENTIFICADO MUCHAS VECES CON UNA

TIPOLOGA DEL SIGNO, EL NDICE.

EL CARCTER INDICIARIO DEL ARTEDESPUS DE LOS AOS SETENTA BASA

EN GRAN MEDIDA SU SIGNIFICADO EN LA

RELACIN FSICA CON LOS REFERENTES,

ESTO ES CON LOS OBJETOS PROSAICOS

DE LA REALIDAD. ESTA SIGNIFICACIN LE

PERMITE A LAS OBRAS DE ARTE ACTUAR

COMO HUELLAS O SEALES DE UN OBJETO

AL QUE SE REFIEREN.

EL ARTE PUES, COMO HUELLA, ES UN

INDICADOR QUE SIGNIFICA UN OBJETO. ESTA

CARACTERSTICA QUE PARECE IDENTIFICAR

A GRAN PARTE DEL ARTE CONTEMPORNEO

SE DEBE A SU VINCULACIN CON LOS

PROCESOS DE JERARQUIZACIN DE LA

VISIN BAJO LA REPRESENTACIN DE LO

FOTOGRFICO.


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Full pero no solo

de la fot

la imagen como

un simulacro, u

del espectr

mas que de

para una supuesta

La indicacin de unas miradas qa partir de su aislamiento; la equeremos compartir, nos seala


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Made Matter of Emptautolgicamente qude arte contempornsu carcter escindidodesde el silencio al qen el ndice, es pura dy acontecimiento, cudebe ser experiment

Revela la ineficacia y los

lmites de los lenguajes

artsticos para generar

las condiciones deposibilidad de toda accin

comunicativa, manifestando

la inoperancia de los

lenguajes y tcnicas que

han llevado a una

separacin fsica del

pblico y la obra.


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O


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MADE MATTER OF EMPTY 1pintura acrlica sobre acrlico y corte lser61 x 21 x 6 cm / 2012

acrilic paint on acrilic with laser cutting / 24.02 x 8.27 x 2.36 inches


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acrilic paint on acrilic with laser cutting /12.2 x 12.2 x 2.36 inches


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2011 TERCERA BIENAL DE ARTES PLASTICAS COMFENALCOMedelln.

2011 CUARTO CONCURSO ARTE JOVEN EMBAJADA ESPAA

Colsanitas / Galera La Cometa Bogot.

2011 BE PART/ subasta a beneficio de la fundacin hogares BambiHotel Jumeirah Essex House New York.

2011 SWABFeria Internacional de Arte ContemporneoMayo 26 29 / Barcelona

2011 CONVERGENCIAS / Naranjo y Velilla / Mayo 25 / Medelln

2011 PEQUEO FORMATO/ Museo El Castillo / abril 13 mayo 22 Medelln

2011 COLOMBIA EN MERIDA/ MACAY Museo de Arte Contemporneo

enero 28 /Mexico2010 COLECTIVA DE NAVIDAD/Galera Mada Primavesi /Claudio coello 22 20001 Madrid

Th2010 THE AFFORDABLE ART FAIR/ New York 7W 34 Street /sep. 30 oct. 3

2010 Colectivo Fiduciaria Bancolombia. Galera Naranjo y Velilla. Medelln

2009 MencinSegunda Bie2008 Mencin Saln Depart

2007 1er puesto. Premios NSaln Nacional de Arte

2006 Finalista. Congreso MCamilo Jos Cela. Madr

2012 ART SHANGHAI/ LAP 10 - 14 de mayo

artUNIV

2010 Cultura visual y territorio.Ciudad

2010 Arte Actual de lo Figurativo a lo Abs

2009 Taller 7. Medelln

2009 AMNISTA. MAMM. Museo de Arte M

FERIA DE ARTE

DISTINCIONES

EXPOSICIONES


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Gone are the dand present cmuch the losscreations; theto understandit occurs, and their demater

And there is tilluminates alwtheir tempora"undeniable v

The diversified nature of contemporary art allowed to

introduce new meanings in art practices that have been

identified many times with a typology of the sign, the index.The index nature of art after the seventies based much of its

meaning in the physical relationship with the referents; this is

with prosaic objects of reality. This significance allows the

artwork to act as traces or signs of an object to which they

relate. Art then, as a trace, is an indicator that signifies an

object. This feature that appears to identify a large part of

contemporary art is due to its link with the process of vision

hierarchy under the representation of the photographic.

The desire of representation of the art anxious fauna that is in the artwork depends substantially of the

vaccum and the concealment that direct the gaze. The work of the drawing, despite of revealing certainimmediacy of the line, shows a slow and careful process that links his work to the physical connection to

its referent, and at the same time faces the undo, the deletion that make part of creative metaphor both

from the artist that shapes the artwork and the viewer that shapes senses. Is clear the reference inMade

Matter of Empty to hyper-realism and photo-realism from the eighties and nineties in Colombia, but his

glance at the processes of experience and the selfless participation of the galleries visitors, allow us to see

in their simulations not so much a revitalization of virtuosity or illusionism, as has boldly pointed out Efrn

Giraldo of Oscar Muoz, but they put in that index nature of the photographic a reflection on the

traumatic condition of the contemporary aesthetic experience.

The indication of glances thatviewer from their isolation; theand that we want to share, poinits wake. Full of Emptinesssugbut can only indicate the trace picture. And it does nothingregistration and recognition asthe inefficiency and the limits possibility of any communicat

the languages and techniques tpublic and the artwork." Madthat the contemporary art worthe silence that comes in the iexperience must be experiment

made matterof empty

Made Matter of Empty is aseries where the photographicnature and irony combine togenerate a reflection on thecrisis of contemporary estheticexperience, from a questioninglook on the disappearance, wherethe unfinished and the ephemeralact as elements of greatexpressiveness.


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BOGOT D.C

DIRECTOR

subdirector

texto

edicion, diseo y diagramacin

FERIAS

COLABORACION

Galera La CometaCarrera 10 N 94A-25Tel: +57.1.601.9494

Esteban Jaramillo

Nicols Jaramillo Gutman

Carlos Mario Vanegas

Diana Caro RojasMartha Jimenez

Natasha Molina

Angelica AramendizPaloma JaramilloWilliam CortesJorge JaramilloEdwar MajeCarmenza MendietaSandra MontenegroPatricia OlierPaola Gmez

FOTOGRAFIASYosman Botero

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