book the · para una disposición óptima de los temas a dos caras, no imprimas esta página si...

44

Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.

22

TheTheSurrealSurreal

BookBookVolume XIIVolume XII

(2nd edition - C)(2nd edition - C)

The Jam-Tonic presentaThe Jam-Tonic presenta

N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.

Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.

Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.

Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.


22

The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.

Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.TheThe

SurrealSurrealBookBook

Volume XIIVolume XII(2nd edition - C)(2nd edition - C)

33


N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.

Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.

Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.

Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.

The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.

Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.

44

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

3434 Full houseFull house F minF min3535 Házmelo otra vezHázmelo otra vez B majB maj3636 (I don't stand) A ghost of a chance (with you)(I don't stand) A ghost of a chance (with you) C majC maj3737 I wan'na be like youI wan'na be like you E majE maj3838 Il mondoIl mondo D majD maj3939 (I'm) Confessin' (that I love you)(I'm) Confessin' (that I love you) G majG maj4040 I'm glad there's youI'm glad there's you F majF maj4141 I'm still hereI'm still here G majG maj4242 I'm through with loveI'm through with love F majF maj4343 Keepin' out of mischief nowKeepin' out of mischief now C majC maj4444 La belle vie (The good life)La belle vie (The good life) F majF maj4545 La chanson des vieux amantsLa chanson des vieux amants C minC min4646 La javaneseLa javanese A majA maj4747 Layla (original version)Layla (original version) F minF min

- (MTV Unplugged version) - (MTV Unplugged version) D minD min4848 Let them talkLet them talk C majC maj4949 Let's face the music and danceLet's face the music and dance C majC maj5050 Little MelonaeLittle Melonae B majB maj5151 Loss of loveLoss of love E minE min5252 Louisiana fairytaleLouisiana fairytale C majC maj5353 Love theme from Romeo and Juliet (A time for us)Love theme from Romeo and Juliet (A time for us) G minG min5454 Mama told me not to comeMama told me not to come G majG maj5555 Miss Otis regretsMiss Otis regrets E majE maj5656 Mon homme (My man)Mon homme (My man) G majG maj5757 Monk's moodMonk's mood D majD maj5858 Moose the moocheMoose the mooche B majB maj5959 MumblesMumbles E majE maj6060 My man's gone nowMy man's gone now E minE min6161 Never can say goodbyeNever can say goodbye C majC maj6262 New OrleansNew Orleans C majC maj6363 9:20 special9:20 special C majC maj6464 Nocturne #13 (Arrangement: The Jam-Tonic)Nocturne #13 (Arrangement: The Jam-Tonic) C minC min6565 NosotrosNosotros C majC maj6666 Only youOnly you G majG maj


0101 A kiss to build a dream onA kiss to build a dream on C majC maj0202 A nightingale sang in Berkeley SquareA nightingale sang in Berkeley Square E majE maj03 03 AffirmationAffirmation D majD maj0404 After the rainAfter the rain A majA maj0505 All my tomorrowsAll my tomorrows G majG maj0606 Amor de loca juventudAmor de loca juventud A majA maj0707 AvalonAvalon F majF maj0808 AzzurroAzzurro C minC min0909 Baby, won't you please come home?Baby, won't you please come home? B majB maj1010 Back at the Chicken ShackBack at the Chicken Shack F majF maj1111 Bess, you is my woman (abridged version)Bess, you is my woman (abridged version) D minD min1212 Black and blueBlack and blue C majC maj1313 BoplicityBoplicity F majF maj1414 Bourbon Street paradeBourbon Street parade G majG maj1515 CaminitoCaminito E majE maj1616 Chatanooga choo-chooChatanooga choo-choo C majC maj1717 Che saràChe sarà C majC maj1818 Come primaCome prima D majD maj1919 Compared to whatCompared to what F majF maj2020 Crystal silenceCrystal silence B majB maj2121 Cucurrucucú palomaCucurrucucú paloma C majC maj2222 DaahoudDaahoud E majE maj2323 Dear old Stockholm (folk version)Dear old Stockholm (folk version) F majF maj

- (usual version) - (usual version) F majF maj2424 DinahDinah A majA maj2525 E la chiamano estateE la chiamano estate E majE maj2626 El breve espacio en que no estásEl breve espacio en que no estás G majG maj2727 EncadenadosEncadenados A minA min2828 Falsa baianaFalsa baiana G majG maj2929 Fascinating rhythmFascinating rhythm E majE maj3030 FavelaFavela G minG min3131 Feels like making loveFeels like making love E majE maj3232 502 blues502 blues E minE min3333 Flor de azaleaFlor de azalea G minG min

Índice (página 2)Índice (página 2)Índice (página 1)Índice (página 1)

55


6767 Paris bluesParis blues E minE min6868 Parole paroleParole parole F minF min6969 Piel canelaPiel canela F majF maj7070 Quando quando quandoQuando quando quando G majG maj7171 ¿Qué dirías de mí?¿Qué dirías de mí? F majF maj7272 Rata de dos patasRata de dos patas C majC maj7373 Sapore di saleSapore di sale C majC maj7474 Satellite of loveSatellite of love F majF maj75 75 Say it isn't soSay it isn't so B majB maj7676 Shaw 'nuffShaw 'nuff B majB maj7777 S'il vous plaitS'il vous plait C majC maj7878 SomewhereSomewhere E majE maj7979 SoonSoon E majE maj8080 Spring can really hang you up the mostSpring can really hang you up the most C majC maj8181 Strangers in the nightStrangers in the night F majF maj8282 Subconscious-LeeSubconscious-Lee C majC maj8383 Tango negroTango negro D majD maj8484 Thanks for the memoryThanks for the memory F majF maj8585 (The) Blue room(The) Blue room F majF maj8686 The continentalThe continental A majA maj8787 The night we called it a dayThe night we called it a day G majG maj8888 The song is youThe song is you C majC maj8989 The things we did last summerThe things we did last summer G majG maj9090 This can't be loveThis can't be love G majG maj9191 Time on my handsTime on my hands F majF maj9292 TopsyTopsy A minA min9393 Un santo varónUn santo varón F majF maj9494 UndecidedUndecided C majC maj9595 Until the real thing comes alongUntil the real thing comes along E majE maj9696 Voçe abusouVoçe abusou G majG maj9797 What kind of fool am I?What kind of fool am I? E majE maj9898 Where are youWhere are you G majG maj9999 Who can I turn to?Who can I turn to? E majE maj100100 You make me feel so youngYou make me feel so young B majB maj


0101 A kiss to build a dream onA kiss to build a dream on C majC maj0202 A nightingale sang in Berkeley SquareA nightingale sang in Berkeley Square E majE maj03 03 AffirmationAffirmation D majD maj0404 After the rainAfter the rain A majA maj0505 All my tomorrowsAll my tomorrows G majG maj0606 Amor de loca juventudAmor de loca juventud A majA maj0707 AvalonAvalon F majF maj0808 AzzurroAzzurro C minC min0909 Baby, won't you please come home?Baby, won't you please come home? B majB maj1010 Back at the Chicken ShackBack at the Chicken Shack F majF maj1111 Bess, you is my woman (abridged version)Bess, you is my woman (abridged version) D minD min1212 Black and blueBlack and blue C majC maj1313 BoplicityBoplicity F majF maj1414 Bourbon Street paradeBourbon Street parade G majG maj1515 CaminitoCaminito E majE maj1616 Chatanooga choo-chooChatanooga choo-choo C majC maj1717 Che saràChe sarà C majC maj1818 Come primaCome prima D majD maj1919 Compared to whatCompared to what F majF maj2020 Crystal silenceCrystal silence B majB maj2121 Cucurrucucú palomaCucurrucucú paloma C majC maj2222 DaahoudDaahoud E majE maj2323 Dear old Stockholm (folk version)Dear old Stockholm (folk version) F majF maj

- (usual version) - (usual version) F majF maj2424 DinahDinah A majA maj2525 E la chiamano estateE la chiamano estate E majE maj2626 El breve espacio en que no estásEl breve espacio en que no estás G majG maj2727 EncadenadosEncadenados A minA min2828 Falsa baianaFalsa baiana G majG maj2929 Fascinating rhythmFascinating rhythm E majE maj3030 FavelaFavela G minG min3131 Feels like making loveFeels like making love E majE maj3232 502 blues502 blues E minE min3333 Flor de azaleaFlor de azalea G minG min




Índice (página 2)Índice (página 2)

6655





6767 Paris bluesParis blues E minE min6868 Parole paroleParole parole F minF min6969 Piel canelaPiel canela F majF maj7070 Quando quando quandoQuando quando quando G majG maj7171 ¿Qué dirías de mí?¿Qué dirías de mí? F majF maj7272 Rata de dos patasRata de dos patas C majC maj7373 Sapore di saleSapore di sale C majC maj7474 Satellite of loveSatellite of love F majF maj75 75 Say it isn't soSay it isn't so B majB maj7676 Shaw 'nuffShaw 'nuff B majB maj7777 S'il vous plaitS'il vous plait C majC maj7878 SomewhereSomewhere E majE maj7979 SoonSoon E majE maj8080 Spring can really hang you up the mostSpring can really hang you up the most C majC maj8181 Strangers in the nightStrangers in the night F majF maj8282 Subconscious-LeeSubconscious-Lee C majC maj8383 Tango negroTango negro D majD maj8484 Thanks for the memoryThanks for the memory F majF maj8585 (The) Blue room(The) Blue room F majF maj8686 The continentalThe continental A majA maj8787 The night we called it a dayThe night we called it a day G majG maj8888 The song is youThe song is you C majC maj8989 The things we did last summerThe things we did last summer G majG maj9090 This can't be loveThis can't be love G majG maj9191 Time on my handsTime on my hands F majF maj9292 TopsyTopsy A minA min9393 Un santo varónUn santo varón F majF maj9494 UndecidedUndecided C majC maj9595 Until the real thing comes alongUntil the real thing comes along E majE maj9696 Voçe abusouVoçe abusou G majG maj9797 What kind of fool am I?What kind of fool am I? E majE maj9898 Where are youWhere are you G majG maj9999 Who can I turn to?Who can I turn to? E majE maj100100 You make me feel so youngYou make me feel so young B majB maj

Índice (página 3)Índice (página 3)Índice (página 2)Índice (página 2)

CCFF--CCGG

DD

GG

GG

GG

EE

CC

EEmmaajj

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DD

DD

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AA--

BB

CC

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DD--GGDDGG

EEEE--

CC--

EE

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DD--

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CC

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DDGGDDDD--

GGDD--

DDGG

AA--CCGG

DDDD--

EEEE--DD--CC

DD--GG

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DDGG

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44

2929

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1717BB

1313

B. Kalmar, H. Ruby & O. Hammerstein II B. Kalmar, H. Ruby & O. Hammerstein II

99

AA

01 A kiss to build a dream on01 A kiss to build a dream on

55

AA

EEBB--GG--CC--EEBBFF--CC--EE

BBFF--CC--EEDDAA--EEFF--EE

BB

AA--

FF--

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CC

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(A: 10 mm.)(A: 10 mm.)

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E. Maschwitz & M. SherwinE. Maschwitz & M. Sherwin

VerseVerse

02 A nightingale sang in Berkeley Square02 A nightingale sang in Berkeley Square

EEAAmmaajjEEBBFF--CC--EE

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( )( )5757

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AA

(A: 10 mm.)(A: 10 mm.)

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B1B199

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33

José FelicianoJosé Feliciano

AA

03 Affirmation03 Affirmation

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(vamp)(vamp)N.B.: The Coda can be used also between solos.N.B.: The Coda can be used also between solos.

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AAmmaajjDDmmaajj//AA

AAmmaajjDDmmaajj//AA

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(piano fill______________________________)(piano fill______________________________)

(piano fill______________________________)(piano fill______________________________)

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BB1717

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(bass and piano l.h. tremolo during A)(bass and piano l.h. tremolo during A)

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AA

John ColtraneJohn Coltrane

IntroIntro

04 After the rain04 After the rain

AAmmaajj

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Play head twice before solosPlay head twice before solosand once after solos (and go to Coda)and once after solos (and go to Coda)

( )( )

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Open for solosOpen for solos

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44

( )( )( )( )

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S. Cahn & J. Van HeusenS. Cahn & J. Van Heusen

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A1A1

05 All my tomorrows05 All my tomorrows

55

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( )( )2929

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Rafael OrtizRafael Ortiz

99BB

06 Amor de loca juventud06 Amor de loca juventud

55

AA

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( )( )( )( )

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V. Rose, A. Jolson & B.G. de SilvaV. Rose, A. Jolson & B.G. de Silva

99

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07 Avalon07 Avalon

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A1A1

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44

N.B.: Play Intro every time. In Paolo Conte's version m. 32 is only played the last time (D.C. in m. 31). N.B.: Play Intro every time. In Paolo Conte's version m. 32 is only played the last time (D.C. in m. 31).

2929

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V. Pallavicini & P. ConteV. Pallavicini & P. Conte

99

(vcls.)(vcls.)

08 Azzurro08 Azzurro

(sample bass line)(sample bass line)

55

AA

IntroIntro

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( )( )2929

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C. Williams & C. WarfieldC. Williams & C. Warfield

99

55

09 Baby, won't you please come home09 Baby, won't you please come homeIntroIntro

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( )( )( )( )

Jimmy SmithJimmy Smith

99

55

10 Back at the Chicken Shack10 Back at the Chicken Shack

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G. Gershwin, I. Gershwin & D.B. HeywardG. Gershwin, I. Gershwin & D.B. Heyward

AA

(abridged version)(abridged version)11 Bess, you is my woman11 Bess, you is my woman

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44

( )( )2929

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T. Waller, H. Brooks & A. RazafT. Waller, H. Brooks & A. Razaf

99A2A2

12 Black and blue12 Black and blue

55

A1A1

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44

N.B.: In the original version, piano tacet during heads.N.B.: In the original version, piano tacet during heads.

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M. Davis & G. EvansM. Davis & G. Evans

99

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13 Boplicity13 Boplicity

55

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GG

GG//DD

DD

CCmmaajj

GGGG

DD

CC

AA

CCmmaajj

GGGG

GG

DD

DD

DDGG

GG

33

33

44

( )( )3333

2929

CC

2525

2121

A2A2

BB1313

1717

Paul BarbarinPaul Barbarin

99

14 Bourbon Street parade14 Bourbon Street parade

A1A155

IntroIntro

CC

EE--BBEE

EEmmaajj

CC--

CC

CC

CC--

EE

EE

EEBBEE

GG--

BB

EEmmaajj

BB

FF--

FF--

BB

BB

FF--

FF--

BB

CC--

EE--

BB

EE

GGmmaajj

FF--

FF--

BB

DD

FF--

AA--

AA--

BBCCBBCC

EE

FF

AA--EEAA--

EE--

EE

BB

EE--

BB//FF

EE--((mmaajj))

AA--//GG

EE--

AA--

EE--

CC

EE--((mmaajj))EE--

EE

44

( )( )

(instr.)(instr.)

(vcls.)(vcls.)

(3 mm.)(3 mm.)

3737

(C2: 7 mm.)(C2: 7 mm.)

3333

C2C2

2929

2525

C1C1

2121

1313

1717

BB

(vcls.)(vcls.)

J.D. Filiberto & G. Coria PeñalozaJ.D. Filiberto & G. Coria Peñaloza

A2A2

99

15 Caminito15 Caminito

55A1A1

(instr.)(instr.)IntroIntro

CCDDGGDDFF//CCBBBB

FFCC--FFCCFFCCGG--FFCCFF

CCCCCC

CC

GGDD--

CC

GGDD--

CC

CC

44

2525

2121

B1B1

AA1313

1717

99

55

H. Warren & M. GordonH. Warren & M. Gordon

AA

16 Chattanooga choo-choo16 Chattanooga choo-choo

IntroIntro

CCGGCCDD--//GGDD//AAAA--CC//BB

CCGGDD--DDAA--CC

AA

CC

FFmmaajjCCCC

GGDD--

CC

CC

CC

GGFFCCGGGG

FFCC--FFCCFF

DDFF//CCBBBB

CCGG--FFCCFF

Last time to CodaLast time to Coda

5757

CodaCoda

5353

4545

CC4949

4141

AA

3737

3333

2929

B2B2

FF CCCCGGDD--AA--EE--GGFF

CCGGFF

GGCC

CC

GGFFmmaajj

GGFF

EE--CC

AA--EE--

CCGG

GGFF

CC

33

44

N.B.: The original version, by J. Feliciano & Ricchi e Poveri, plays 3rd head in D and then repeats B in D.N.B.: The original version, by J. Feliciano & Ricchi e Poveri, plays 3rd head in D and then repeats B in D.

1313

E. Sbriccoli, C.Pes & F. MigliacciE. Sbriccoli, C.Pes & F. Migliacci

99

BB

(Paese mio)(Paese mio)17 Che sarà17 Che sarà

55

AA

DD

AA

BB GG--CC

EE--BB--

DD

DD

EEBB--

BB

AAGG--

FF--//AA

EE--

EE--

AA

AA

EE--

EE--

BB--

BB--

DD

DD

FF

AA

EE

BB--

EE--

AA

BB--

DD

EE--

DD

EE--

BBFF--//AA

AA

BB--DD

AA

128

( )( )( )( )

1717

1515

1313CC

1111

77

AA99

M. Panzieri, V. Di Paola & S. TaccaniM. Panzieri, V. Di Paola & S. Taccani

55

BB

18 Come prima18 Come prima

33

AA

CC

BBBB

GG

FF

GGAA--//GGGG

AA

FFGG--//FFFF

FFFFGG--//FFFF

GGGG

FFFF

AA--//GGGG

AA

GG--//FFFF

FFFFGG--//FFFF

FFDD--EEEE--

N.C.N.C.

8881644

cresc.cresc.

6565

6161

5353

5757

4949

(sax solo)(sax solo)

4545

(piano solo)(piano solo)

Eugene McDanielsEugene McDaniels

55

(bass & piano)(bass & piano)

00

(Les McCann & Eddie Harris' version)(Les McCann & Eddie Harris' version)

19 Compared to what19 Compared to what

IntroIntro

FFBB//FFFF

N.C.N.C.FFBB//FFFFBB//CCFF

N.C.N.C.

BB//CCFF

BB//CC

N.C.N.C.

FFBB//CC

FFBB//FF

FF

FF

N.C.N.C.FFBB//FFFF

BB//CCFFBB//CCFF

BB//CCFFBB//CCFF

BB//CCFF

BB//CCFF

FF

FF

BB//CCFFBB//CCFF

BB//CCFF

BB//CCFF

FF

FF

BB//CCFFBB//CCFF

9898

9494

CodaCoda

After solo, D.S. on 1st, 2nd & 3rd headAfter solo, D.S. on 1st, 2nd & 3rd headD.S.S. on 4th headD.S.S. on 4th head

go to Coda on 5th headgo to Coda on 5th head

Open for solosOpen for solos

8989

9393

8585

8181

7777

7373

AA

(groove)(groove)

6969

BB--

BBmmaajjAA--

FFmmaajj

EE

EEBB

FF--

AA--

BBmmaajj

DD--

GG

EEDDCCBB--AA--

EE--

BBmmaajj

AA--

GG--

FFmmaajj

AA--

AA--

EE

CCmmaajj

DDmmaajj

BBmmaajj

DD--

BB--FFmmaajj

BBmmaajj

BBmmaajj

AA--

BB--

EE--AA--

EEDDCCBB--

FFmmaajjEE--

AA--

AA--

33

33

33

33

33

33

3333

44

( )( )(6 mm.)(6 mm.)

3636

(A3: 10 mm.)(A3: 10 mm.)

3232

A3A3

2828

2424

BB

(6 mm.)(6 mm.)

1414

1818

Chick CoreaChick Corea

(A2: 14 mm.)(A2: 14 mm.)

1010

A2A2

20 Crystal silence20 Crystal silence

66

(A1: 9 mm.) (5 mm.)(A1: 9 mm.) (5 mm.)

A1A1

CC

FF

GG

GG

CC

DD--

DD--

CC

N.C.N.C.GG

CC

GG

CC

CC

GG

CC

CC

FFmmaajj

CCCCmmaajj

GG

FF

CC

GGDD--//GGCC

GG

FFmmaajj

CCmmaajj

GG

FF

CC

68

a tempoa tempoad lib.ad lib.

4646

(6 mm.)(6 mm.)

4242

3636

(6 mm.)(6 mm.)

3030

(6 mm.)(6 mm.)

BB

(5 mm.)(5 mm.)

(6 mm.)(6 mm.)

2424

1313

BB1818

Tomás MéndezTomás Méndez

99

21 Cucurrucucú, paloma21 Cucurrucucú, paloma

(A: 17 mm.)(A: 17 mm.)

55

AA

EEmmaajj

N.C.N.C.BBBBCC--

DD

BB

N.C.N.C.

AA--EEmmaajj

FF--

BB

CCmmaajj

AAmmaajj

GGmmaajj

AAEE--

N.C.N.C.

GGmmaajj

BBCC

GGDD--

EE

DD

EE--

AAEE--

BB--

AA--

EEmmaajj

BB

N.C.N.C.

BBFF--

FF--

BB

CCmmaajj

EEmmaajj

CCmmaajjGG

BBCCEE--

GG

BB

DD--

CC

DD--AAEE--

AAEE--

EE--

N.C.N.C.BB

44

D.C. (*)D.C. (*)

(drum fill______________________)(drum fill______________________)

(* Solos on AABA, play C only after heads.)(* Solos on AABA, play C only after heads.)

3737

CC3333

2929

2525

AA

(Rh. Sec. follows lead during heads)(Rh. Sec. follows lead during heads)

2121

1313

BB1717

Clifford BrownClifford Brown

AA99

22 Daahoud22 Daahoud

55

AA

DD--AAEE--

FFmmaajj

AAEE--

DD--

DD--

DD--

AA

FFmmaajj

EE--

DD--AAEE--

AA

CCGG--

DD--

DD--DD--

DD--

AA

FFmmaajj

EE--

FFmmaajjDD--

AA

FFmmaajj

EE--

DD--

AADD--DD--

DD--

AA

AAEE--

DD--

44

( )( )N.B.: Although most versions follow Miles' arrangement, others like Stan Getz's N.B.: Although most versions follow Miles' arrangement, others like Stan Getz's

are closer to the original structure and melody, as presented here.are closer to the original structure and melody, as presented here.

2525

2121AA

1717

BB

99

1313

TraditionalTraditional

AA

55

(Värmlandsvisan, folk version)(Värmlandsvisan, folk version)23 Dear old Stockholm23 Dear old Stockholm

00

AA

DD--DD--DD--DD--

AAEE--BB--DD--AAEE--

FFmmaajj

DD--

CC

DD--

DD--

AAEE--

AAEE--

DD--DD--

DD--

BB--DD--AAEE--

FFmmaajjCCDD--

DD--DD--

AAEE--DD--

DD--DD--

44

2525

2121

1313

A1A11717

99

A1A155

TraditionalTraditional(Värmlandsvisan, usual version)(Värmlandsvisan, usual version)

23 Dear old Stockholm23 Dear old Stockholm

IntroIntro

DD--DD--AACCCC

CC

N.C.N.C.DD--

DD--

AA

CC

CC

AAEE--

FFmmaajjCCDD--

AAGG--DD--FFmmaajj

AAEE--DD--

CCGG--DD--FFmmaajj

4848

(solo break___________________________)(solo break___________________________)(3 mm.)(3 mm.)

4545

4141

3737

(A2: 15 mm.)(A2: 15 mm.)

A2A23333

BB2929

EEAADDAA

BB

EE

CC

CC

FF--//DD

AA

AAmmaajj//CC

BB--

DDAA

FF--//EE

EEBB--

BB

FF--//EE

EE

AAmmaajj

FF--

FF--

BB--

BBAAmmaajj//CC

EE

BB

BB--CCAA

AAmmaajj//CC

AAmmaajj

EEBB--

AAmmaajj

44

( )( )2929

2525

A2A2

2121

1717BB

1313

S.M. Lewis, J. Young & H. AkstS.M. Lewis, J. Young & H. Akst

99A2A2

24 Dinah24 Dinah

55

A1A1

CCEEmmaajj

CC

CC

CCEEmmaajj

GG--

CC

CC--DD

EEmmaajj

DD--

BB

DD

AA

FF--

BB

EE--

BB

FFmmaajj

CC

DDEEmmaajj

EEmmaajj

CC

BB

BB

CC

33

33

33

3333

33

33

3333

44

( )( )( )( )

2929

CC2525

2121

1717

A2A2

1313

F. Califano, L. Zanin & B. MartinoF. Califano, L. Zanin & B. Martino

99

BB

25 E la chiamano estate25 E la chiamano estate

55

A1A1

DD

GGmmaajj

AA--EE--

DDAA--

BB--

DDAA

DD

DD

BB--

AA--

CCmmaajjGGmmaajj

DD

FF

EE--

BB--

AA--

BB--

FF

DD

GGmmaajj

AA--

CCmmaajj

CCmmaajj

GGmmaajjGGmmaajj

GGmmaajj

DDAA--GGmmaajjCCmmaajj

GGmmaajj

DD

BB--

DD

AA--

DD

GGmmaajj

AA--

CCmmaajj

CCmmaajj

EE

GGmmaajj

EE--

DDAACCmmaajjGGmmaajj

DDAA--

DDAA

EE--BB--

CCmmaajjGGmmaajjDD

DDAA--GGmmaajjCCmmaajjGGmmaajj

DDAA--

AA--GGmmaajjCCmmaajj

CCmmaajjGGmmaajj

GGmmaajj

33

442444

44

Last time to CodaLast time to Coda

3333

CodaCoda

2929

2525

AA

2121

1313

BB1717

Pablo MilanésPablo Milanés

AA99

55

26 El breve espacio en que no estás26 El breve espacio en que no estás

AA

AA--EEBB

AA--

EE

AA--

CCmmaajj

EEDD--

BB

EE

GG

BB

AA--EEDD--

AA--

AA--

AA--

CCmmaajj

EE

EE

DD--

DD--

EE

GG

DD--

AA--EEDD--

EE

AA--

BB

EEDD--

AA--EEDD--

AA--

AA--EE

EEDD--

DD--

44

( )( )2929

2525

A2A2

2121

1717BB

1313

Carlos Arturo BrizCarlos Arturo Briz

99

A2A2

27 Encadenados27 Encadenados

55

A1A1

EEGGDDAA--AAAA

EEBB--CCCCmmaajj

DD

AA

GGGGmmaajj

AA

GG

EEBB--

GG

DD

DDAA--

GGmmaajj

AA--

AAAA

CCCCmmaajj

GGGGmmaajj

AAAA

DDAA--

GGGGmmaajj

44

2929

2525

AA1717

2121

1313

99

Geraldo PereiraGeraldo Pereira

55

28 Falsa baiana28 Falsa baiana

AA

DDGGDDAA--AAAA

EEBB--

GGGGmmaajj

EEGG

CC--

DD

CCmmaajj

AA--

DDAA--

( )( )( )( )

4545

4141

3737

3333

BB

EEBB--EEBB--EEBB--EEBB--

BB

BB

FF--

EE

BB

FF

FF--

FFBB--//FF

EE--BBEE--//BB

EE--//GG

BB

BB--//GG

FF--BB

GGBB--//GGBB--//AA

BB--//AABB--

FF--

BB--

CCEE--//CCEE--//DDEE--

AAAAEE--//BBCCEE--//CCEE--//DDEE--

44

2121

1717

AA

1313

99

55

G. Gershwin & I. GershwinG. Gershwin & I. Gershwin29 Fascinating rhythm29 Fascinating rhythm

VerseVerse

CCGG--EEBBFF--BBFF--

EEBB--

FF

BBFF--

EEBB--

CC--

BBFF--

EE

BB

BB--

FF--

BBFF--

EEBB--

AA

BBFF--

BBBB

GGDD--EE

FFCC--

BBFF--AA

( )( )

4545

4141

3737

CC

3333

AA

2929

BB2525

BBBBmmaajjFF

CC--GG--FF//GGGG--

FF//GG

GG--

GG--

BBBBmmaajj

FF//GGGG--

FF//GG

EE--EE--

GG--

FFCC--

GG--

FF//GGGG--

FF//GGGG--

FF//GGGG--

44

2626

2121

1313

AA1717

99

55

A.C. Jobim & V. de MoraesA.C. Jobim & V. de Moraes

AA

(O morro não tem vez)(O morro não tem vez)30 Favela30 Favela

FF//GGGG--FF//GGGG--EE--EE--

BBBBmmaajjFFCC--

FF//GG

GG--

GG--

CCDD

FF//GG

FF//GG

GG--

GG--

EEGG--CC--

GG--CC--

GG--

GG--CC--

FF//GGGG--EE--EE--

( )( )( )( )

N.B.: Many versions (instrumental ones mainly) play only ABA.N.B.: Many versions (instrumental ones mainly) play only ABA.

5353

4949

4141

4545

AA

3737

3333

BB

2929

FFEEEECCDDGG--AAmmaajj

CC--FF--

AA

CCDD

EEmmaajj

EEmmaajj

GG--AAmmaajj

BB

BB

FF--

FF--

44

(B2: 5 mm.)(B2: 5 mm.)

B2B21313

Eugene McDanielsEugene McDaniels

99

B1B1

31 Feel like makin' love31 Feel like makin' love

55A2A2

A1A1

EE--

DDN.C.N.C.

EE

EE

AA--AA--N.C.N.C.

BB--

EEmmaajj

BB--

BBFF--

BBmmaajjFF

DDmmaajj

BB

DDmmaajj

CC--

AA--

AA--

FF--

DDN.C.N.C.AA--AA--N.C.N.C.

EE

EE

BB--

BB--

BBmmaajjFFCC--

DDmmaajj

DDmmaajj

AA--

AA--

44

3333

33

33

33

44

33

33

33

33

33

33

33

34

( )( )2929

2525

2121

1717

A2A2

1313

Jimmy RowlesJimmy Rowles

99

(Drinkin' and drivin')(Drinkin' and drivin')32 502 blues32 502 blues

55

A1A1

CC--GGGG--GG--

DDAA--

GGGG--

GG--

CC--

DDDD

CC--

GGGG--GG--

N.C.N.C.GG--GG--

CC--GG

DD

GG--GG--

44

2424

AA

2020

(vcls.)(vcls.)

1212

B1B11616

88

AA

44

M. Esperón & Z. GómezM. Esperón & Z. Gómez

(instr.)(instr.)

33 Flor de azalea33 Flor de azalea

IntroIntro

N.C.N.C.GG--GG--DDAA--

GG--CC--

GGBBmmaajjBB

BB

GG--

FF

FF

CC--

CC--

DDAA--

GG--

GGGG--

CC--

DDDD

33

( )( )( )( )

5252

4848

B2B2

4040

4444

CC

3636

3232

B2B2

2828

CC

BB

BB

BB

FF--

FF--

FF--

FF--

FF--

BB

BB

BB

BB

BB

FF--

FF--

FF--

FF--

FF--

FF--

FF--

FF--

FF--

34

AA5757

6161

6565

6969

5353

4949

BB

4545

1717

2121

2525

2929

AA3333

AA

1313

99

4141

3737Wes MontgomeryWes Montgomery

55

34 Full house34 Full houseIntroIntro

BB

CC

BB

CC

FF--

FF--

GG--

DDAAmmaajj

FF--

BB

CCFF--

FF--

FF--

BB

BB

BB

BB

CCmmaajj

FF--

FF--

FF--

FF--

GGmmaajj

EEBB--

BB

FF--BB

FF--

FF--

BBFF--

( )( )

AA5757

6161

6565

6969

5353

4949

BB

4545

4141

3737

FF--BBFF--BBFF--

FF--

FF--

FF--BB

FF--

FF--

FF--

(vamp)(vamp)

9393

8989

8585

8181

7777

7373

FFCC--BBmmaajj

BB

FF

FF

GGDD--

FF--

CC--

FF

FFCC--

EE--

FF

DDDD--

CC

EEmmaajj

CC--

CC--

GG--

BBmmaajj

EEmmaajj

FF

BBmmaajj

CC--

BBFF--

FF

DDDD--CC--

CC--

BBmmaajj

44

( )( )2929

CC2525

2121

1717

A2A2

1313

Concha Valdés MirandaConcha Valdés Miranda

99BB

35 Házmelo otra vez35 Házmelo otra vez

55

A1A1

GGDD--CCCCmmaajj

BBFF--

GGDD--

AA

AA--

EE--

CCmmaajj

CC

AA

GG--

EE--

GG

CCmmaajj

DD--

BBCCmmaajj

CCmmaajj

GGDD--EEEE--

DD

BB

GG

GG

DD--

CCmmaajj

FF--

EE

DD--

EE--

BBFF--CCGG--

GGDD--

BBFF--

AAEE--

CCGG--

DDCCmmaajj

GGDD--

DD

EEEE--

CCmmaajj

33

33

33

33

33

33

33

44

( )( )( )( )

2929

A2A22525

2121

1717

BB

1313

V. Young, B. Crosby & N. WashingtonV. Young, B. Crosby & N. Washington

99

A2A2

55

A1A1

36 (I don't stand) A ghost of a chance (with you)36 (I don't stand) A ghost of a chance (with you)

GGEE

CC

BB

BB

GG

CC--

EE

CC

BBFF

EE

BBFF

EE

CC--

GG

GGCC--

GG

GG

CC--

CC--

33

44

( )( )( )( )

3333

2929

B2B2

2525

2121

B1B1

AA1313

1717

( )( )

Robert Sherman & Richard ShermanRobert Sherman & Richard Sherman

99

37 I wan'na be like you37 I wan'na be like you

55

AA

IntroIntro

GGCC

AA--

GGFF

CC

GG

AA--

FF

GG

CC

FF

FF

CC

GG

AA--

FF

CC

44

2727

B2B22323

(3 mm.)(3 mm.)

B1B11515

1919

1212

(A: 6 mm.) (3 mm.)(A: 6 mm.) (3 mm.)

99

AA

55

E. Sbriccoli, I.N. Greco, C. Pes & G. MeccaE. Sbriccoli, I.N. Greco, C. Pes & G. Mecca38 Il mondo38 Il mondo

IntroIntro

DD

BB--

AAGG

DD

AA

BB--

GG

DDAA

N.B.: No repetition in the original version, go straight to Coda.N.B.: No repetition in the original version, go straight to Coda.

4444

4040

3636

3131

DDGGmmaajjCC--GG

EEBB--

DDAA--

BBBBCC

GGmmaajj

DDGG

DD

CC--

GG

GG

CCmmaajj

DDAA--AA

AA

GGmmaajj

EE--

GG

DD

DD--

AA--

DDGG

AA

GG

AA

EEBB--DDGG

DD

EEBB--

AA--EE--GG

DDGG

GGmmaajjDDGG

DDAA--

GGmmaajjDD

AA

GG

33

33

33

44

( )( )2929

A2A22525

2121

1717BB

1313

E. Reynolds, D. Daugherty & A.J. NeiburgE. Reynolds, D. Daugherty & A.J. Neiburg

99A2A2

55

39 (I'm) Confessin' (that I love you)39 (I'm) Confessin' (that I love you)

A1A1

CCGG--DD--

DD

FFmmaajj

AA--

CC

FF

AAEE--

FF--

CC

GG--

GG

FFmmaajj

CC

CC

GG--

GG--

EE

GG

DD

BB--

FFmmaajj

EE

DD--

FFmmaajj

BBmmaajj

CCGG--

CCGG--DDAA--

FF--

GGAA--GG--FFmmaajj

CCGG--

FFmmaajj

33

33

44

( )( )3333

2929

2525

A2A2

2121

1313

CC1717

J. Dorsey & P. MadeiraJ. Dorsey & P. Madeira

BB99

40 I'm glad there is you40 I'm glad there is you

55

A1A1

DD

GG

GG

EE--

EE--

EE

GG

GG

GG

BB--

EEBB--

DD

GG

GG

DD

AA--

GG

GG

AA--

DDAA--

GGGGGG

DDGGGGGGGG

GGGGGGGG

44

5353

5757

CC6161

6565

4949

B2B2

4545

4141

1717

A1A12121

2525

B2B22929

1313

B1B1

99

(vcls.)(vcls.)

A2A2

3737

3333Stephen SondheimStephen Sondheim

55

A1A1

(instr.)(instr.)

IntroIntro

41 I'm still here41 I'm still here

EE

DD

BB--

DD

EE

BB--

GG

EE-- FF

AA

DD

AA

BB--

EE--EE--AA--//DDGG

DDGGAA--//DDGG

GGDDGG

EEBB--

DD//CC

GG

BB--

AA--//DD

DD

FF

DD

AA--

AA--

CC--

EE

AA

GGAA--//DDGG

GGAA--//DD

DD

GG

AA--

DDAA--

33

33

5353

5757

CC6161

6565

4949

B2B2

4545

4141A2A2

3737

3333

AA--//DD

EE

GG

GG

GGmmaajj

AA--//DD

AA--//DD

EE

EE--//BB

GG

GG

GG--

AA--//DD

AA--//DD

AA--//DD

GG

GG

BB--DD

EE--EE--AA--//DDGGGG

AA--//DD

AA--//DD

AA--

AA--

GG

GG

AA--

AA--//DDGG

DDGGAA--//DDGGGG

GG

AA--//DDGG

GG

8383

8787

9191

9595

7979

7575

Play twice and go to CodaPlay twice and go to Coda

7171

CodaCoda

(instr.)(instr.)

6969

CCFFCCGG--

EE

CC

DD

EE

AA--

FF

BBmmaajjFF

GG--

CC--

GG--

AA--

CC

AA--

GG--

GG--DDAA--

CC

GG

GG--

DD--

AA--AA--

GG--

AA

AA--

FFmmaajj

CC

AA--

DD

AA--

AA--

EEBBmmaajjFFCC--

CCGG--DD

EEBBmmaajj

AA--CC

FFCC--

CCGG--AAFFmmaajj

GG--GG--

CCGG--AA

DDAA--

FFmmaajj

44

( )( )( )( )

2929

2525

A2A2

2121

1717

BB

1313

G. Kahn, M. Malneck & F. LivingstoneG. Kahn, M. Malneck & F. Livingstone

99

A2A2

42 I'm through with love42 I'm through with love

55

A1A1

CCCCGGDD--

EE

CC

CCmmaajj//EE

GG--

GG

CC

FF--

GG

FFmmaajj

CC

DD--

GG

AAEE--

CC

AAEE--GGDD--

CCCCmmaajj

GG

GG

GG

DD--

FF--FFmmaajj

DD--

EEEE--

DD--

GGDD--

GG

AAEE--

DD

CC

AADD--AADD--

EE

BB

DD--

CC

44

( )( )2929

2525

2121

BB

1717

AA1313

Fats WallerFats Waller

99

55

43 Keepin' out of mischief now43 Keepin' out of mischief nowIntroIntro

CCGG--FF

DD

EE

CC

AA

CC

AA--

BB--

EE--

GG--

CCGG--

EE

GG

BBmmaajj

DD--

DD--

FFmmaajj

AAEE--FFmmaajj

EE

AA

BB--

EE--

EEBBmmaajj

DD--

FFmmaajjCC

33

33

33

33

33

3333

33

33

33

33

33

33

33

33

3333

33

44

( )( )( )( )

2929

CC2525

2121

1717AA

1313

S. Distel & J. BroussolleS. Distel & J. Broussolle

99

BB

(The good life)(The good life)44 La belle vie44 La belle vie

55

AA

CC--GG

GGCCCC--

FF--

GG

EE

DD--

GG

GG

GGFF

DD--

AA--//CCAAmmaajj//CC

DD

DD--CC--

DD--

BB--//DD

BB//DD

BB//DD

FF--

CC--

EE

EE

BB//DDCC--GG

DD--CC--//EE

CC--

GGCC--

GGGG

DD--

CC--

CC--

44

Last time to CodaLast time to Coda(instr.)(instr.)

(instr.)(instr.)

3030

CodaCoda

2626

2222

CC

1818

BB1414

J. Brel & G. JouannestJ. Brel & G. Jouannest

(vcls.)(vcls.)

1010

(instr.)(instr.)

66

AA

45 La chanson des vieux amants45 La chanson des vieux amants

IntroIntro

AAmmaajj

EE

FFAAmmaajj//EE

DD

EEBB--

DD

BB--

DD

CC

BB--DDmmaajj

BB--//EE

AAmmaajj

BB--

AAAAmmaajj

BB--//EE

AAmmaajj

BB--

34

N.B.: In the original version, last head is one tone higher (B maj).N.B.: In the original version, last head is one tone higher (B maj).

2525

2121

CC1717

BB99

1313

Serge GainsbourgSerge Gainsbourg

55

46 La javanese46 La javanese

AA

FF--EEDDFF--FF--EEDDFF--

EEDDFF--FF--EEDDFF--

GG CC

FF--

GGGGFF

EE

DD

DD

AA--

FF--

EEEE--

EEDDFF--

FF--

CC

EE

GG

BB--

AA--//DD

DDFF--

AA--

EE--

FF--EEDDFF--

FF--EEDDFF--

FF--EEDDFF--

FF--EEDDFF--

FF--EEDDFF--

442444

442444

44

(vamp on cue)(vamp on cue)(guitar solo, vcls. ad lib.)(guitar solo, vcls. ad lib.)

2929

2525

(vcls.)(vcls.)

1717

BB2121

1313

AA

99

E. Clapton & J. GordonE. Clapton & J. Gordon

55

(instr.)(instr.)

(original version)(original version)47 Layla47 Layla

IntroIntro

EEAA--//DD

AAEE//GGEE

EEBB

BB

EE

AA

FF--

FF

CC--

CC--

AA--//DD

EE//GGEE

AAEE//GGEE

EEDDFF--

33

33

33

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