SCHIRMER'S LIBRARY OF MUSICAL CLASSICS

Anthology of Italian Song Of the Seventeenth and Eighteenth Centuries

Selected and Edited with Biographical Notices by

ALESSANDRO PARISOTTI

English Translations by

DR. THEODORE BAKER

BASSANI GASPARINI

BONONCINI GIORDANI

CACCINI MARCELLO

CAVALLI MONTEVERDE

CESTI PARADIES

DEL LEUTO PICCINNI

DELUCA RONTANI

DURANTE SARRI

FALCONIERI SCARLATTI

FASOLO STRADELLA

TENAGLIA

Boolc I • library Vol. !90

Boolc II • Library Vol. 291

G. SCHIRMER, Inc., NEW YORK Copyright, 1894, by G. Schirmer, Inc.

Copyright renewed, 1922, by Theodore Baker

,...._d 111 the U. S. A.

\ l \

BIOGRAPHIES OF AUTHORS REPRESENTED IN THIS VOLUME.

0. B. BASSANI.

I657-I7I6.

HE was born at Padua in 1657 ; became maestro di cappella in the church of San

Petronio in Bologna, and in I685 accepted

a similar position at Ferrara, where he died

in 1716. He was entered as a member

of the Philharmonic Academy of Bologna

in 1677, becoming its president in 1682. He was also a member and the director

of the celebrated A ccademia della Marte at Ferrara. He was an eminent violinist,

one of his pupils being Corelli ; and like­

wise a very skilful organist and a distin­

guished and gifted composer, having writ­

ten six theatrical works, besides thirty other

vocal and instrumental compositions. His

teacher in music was Father Daniele Cas­

trovillari.-From an extremely rare work

entitled Languidezze amorose-cantate a voce sola, etc., the songs '' Dormi, bella"

and '' Posate, dormite" (fragments of the

Cantata called La Serenata), and "Se­

guita a piangere, povero cor" (fragment of the Cantata L'Amante_placata), were

taken-three pieces in which natural grace and simplicity are united with deep emo­tion and exquisite artistic taste.

0. B. BONONCINI.

1672-1748.

A soN of Giovanni Maria Bononcini (or

Buononcini), the celebrated theoretician

and composer already mentioned in Vol.

I of our Collection, the date of his birth

is in doubt, being given variously at 1672 and 166o. He attended the school founded in Bologna by Gian Paolo Colonna, and

. II

speedily gave evidence of his talent by pub­

lishing instrumental compositions, Masses

in 8 parts, and other noteworthy composi­

tions. Proceeding thence to Vienna, he

was admitted to the court orchestra in the

capacity of violoncellist. Here he wrote

the opera Camilla, which had extraordina­

ry success both in Vienna and at the Italian

theatres, and later at the Haymarket in Lon­

don. At Rome he composed, in I 694, the operas 'Tullo Ostilio and Serse. In I6oo he

brought out at Vienna La fede pubblica, and in 170 I, at Berlin, Poltfemo. Being

invited to London in 1716, Bononcini, un ..

der the protection of the Duke of Marl­

borough and others, and Handel, whose

cause was espoused by the reigning family.

became bitter rivals; their rivalry was the

occasion of the proposition, that these two

eminent composers, in conjunction with a

third (Attilio Ariosto), should write an

opera together, each composing one act.

The libretto chosen was Muzio Scevola,­Ariosto took the first act, Bononcini the

second, and Handel the third. Handel's

victory was decisive; but Bononcini's pa­tron, far from being discouraged, heaped new favors on him, received him into his

own house,, gave him a pension of £500 and afforded him every opportunity for the prosecution of his musical work.-His downfall, however, was approaching, and was hastened by the story, which he was

too proud to contradict, that he had ap,

propriated a madrigal by Lotti and given

it out as his own composition. The re­

sulting loss of prestige was never made

good. The date of his death is uncertain,

but is assumed to be I 748 .

The aria "Per Ia gloria d'adorarvi,"

which we print herewith, is from his opera

Griselda, written in London in 1722 ; it has many fine effects and an agreeable and

flowing melody.

OIULIO CACCINI.

1546-1614.

HE was born about 1546 in Rome, and

was known under the name of Giulio Romano. From Scipione Della Palla he

received instructton in singing and lute­

playing, and had already distinguished him­

self in his art when he sang, in 1 579) the

part ot Nt"gbt at the celebration of the

nuptials of Francesco De' Medici and Bianca

Capello, in an intermezzo composed by

Pietro Strozzi. The renown of this gifted

Roman composer, who, in coOperation with

Jacopo Peri, Monteverde, and Emilio del

Cavaliere. had so large a share in the crea­

tion of the musical drama, renders it easy

to dispense with a long biographical sketch.

Only a few of his principal works will be

mentioned : It Combattimento d, Apolli.ne .. on a poem by Bardi ; La Dajne and L, Eu­ritlke.. on verses by Rinuccini ; It Rapi­ftlento di Cefalo .. on a poem by Chiabrera,

written for the wedding of Maria de' Medici,

the niece of Grand Duke Ferdinand, with

Henry IV of France, which took place

Nov. g, r6oo.-We may also add a collec­tion of Monodie.. Canzoni e Madrigale for

solo voice, from among which latter the

song "Amarilli" was selected by reason of

the rare artistic treasures which it reveals.

-The precise date of Caccini's death is un­

known; but one of his dedications estab­

lishes the fact that in 1614 he was still

Uving in Florence, advanced in years. His

daughter Francesca was a · distinguished

writer of music and the authoress of the

celebrated ballet La Libera1_t"one di Rug­,.,.o 41111• Isola d" Alcina. Francesca Cac­

clni enJoys the honorable distinction of

being the first lady who devoted herself,

III

with brilliant results, to the study of musi­

cal composition.

FRANCESCO CAVALLI.

I 599-1676.

PIER FRANCEsco, known under the family

name of his protector Federico Cavalli, a

Venetian nobleman, was born in I 599 (or,

according to other authorities, in I 6oo), as

the son of Giovanni Battista Caletti-Bruni,

maestro di cappella at the church of Santa

Maria in Crema. His patron, who was the

sheriff of Crema, being transferred in 1616

to Venice, took the youthful Caletti with

.him, entertaining him with splendid hos­

pitality at his own palace, and furnishing

him with amplest means for the cultivation

of his musical gifts. In I 6 1 7 he was re­

ceived into the choir of San Marco, then

conducted by Monteverde ; in I 640 he was

appointed organist of the second organ of

that cathedral, obtaining the post of first

organist in 1665. In 1668 he became

conductor of the ducal musical organiza­

tion, holding this position until his death,

which occurred on jan. 14, 1676. He was

an extremely fertile writer of opera, com­

posing within the space of 32 years (I 6 37-1669) thirty-nine dramas, all of which were

successfully produced in the principal the­

atres. Cavalli continued Monteverde's re­

forms, imbuing his operatic works with greater breadth and power by means of

increased variety of harmonization, the de­

finitive establishment of the string-band,

development of dramatic effect and rhyth·

mic intensity. In 1 66o he was summoned

to France by··· Cardinal Mazarin, to assist

at the nuptials of Louis XIV and Maria

Theresa of Spain, on which occasion he

brought out his "festival opera" Serse (Nov. 22), though with poor success,

owing either to the then prevailing ignor­

ance of the Italian language in France, or

to a lack of musical culture at the French

court The introduction of the Aria into

opera has been ascribed to Cavalli, but

wrongly, for Monteverde has a prior claim

to the merit of this innovation. Neverthe­

less, Cavalli gave the aria greater freedom

and elegance of form, developing it artis­

tically on the lines laid down by Monte­

verde. The arias in Giasone (Teatro San

Cassiano, Venice, I 649), Did one (I 64 I),

Serse (I654), and Romilda (I65I), ar~ note­

worthy examples of their class. Giasone

(Jason), the most successful of his operas,

from which the aria '' Delizie contente" is

taken, was produced with extraordinary

applause first in Venice, then in Florence

( I65 I), Bologna ( I652), Naples ( I65J),

Rome (I654), Vicenza {I658), Ferrara

{I659), Genoa {I66I), Milan (1662), and

finally returned, with equal success, to

Venice in I666. At his death, Cavalli was

the possessor of a considerable fortune, a

portion of which he left to the descendants

of his patron, and the remainder to certain

religious foundations in Venice ; he had

no direct heirs, his wife and his two sisters

having died before him.

MARCO ANTONIO CESTI.

162o-16~.

THE aria '' Tu mancavi a tormentarmi"

is worthy of special notice, among Cesti's

compositions, on account of the interesting

variety which it exhibits. The author of

Orontea, of whom mention is made on

p. VI of Vol. I of this series, was born at

Arezzo (or Florence ?) about I 620 ; he was

a pupil of Carissimi and, in I 646, maestro

di cappetta at Florence ; in I 66o he was

admitted to the papal choir. He subse­

quently became maestro di cappetta at the

court of Emperor Leopold I. He died

at Venice in I 6~.

ARCANOELO DEL LEUTO.

I5--16-.

THE charmingly suave song '' Dimmi,

Am or," accompanying this sketch, is at-

IV

tributed to Arcangelo Del Leuto, con­

cerning whom no positive facts could be

found. The appended biographical notice

consequently rests upon induction alone.

Pietro Della Vaile, the author of the poem

Carro di fedelta d' amore, which was set

to musk by Paolo <2!Jagliati, inserted, in

the 'Trattato di Musica scenica by G. B.

Doni, a lecture of his own entitled ~etta

Musica dell' eta nostra. In this essay he

mentions a certain Cavalier Del Leuto as

an esteemed composer and player in Rome,

together with Gio. Francesco Del Leuto,

both highly skilled musicians ; these two

names cannot have been used to designate

one and the same person. He also speaks

of G. F. Del Leuto as one of the inter­

preters of the Carro. Now, this Carro di

fedelta was printed at Rome by Robletti in

I6I I ; consequently, it must have been

given in some subsequent year-that is,

early in the I 7th century. In respect to

both poetry and music, the style of our

song would indicate that it belongs to pre­

cisely that period. It is therefore very

probable that it was composed by Gio.

Francesco Del Leuto, who, by reason of

his virtuosity in playing the lute, first as­

sumed the cognomen of Arcangelo, by

which he may have been best known later

on from its appropriateness in expressing

his masterly command of the instrument.

In the absence of any certain data, these

more or less plausible conjectures are of­

fered ; authoritative statements regarding

this amiable lutenist would be gratefully

received. In any event, " Dimmi, Amor"

is unquestionably a piece of most delicate

workmanship, wherein refinement of taste

is wedded to moving effect.

S. DELUCA.

15--16--.

THE atietta "Non posso disperar," which

was discovered among old manuscripts of

the I 7th century, exhibits very noteworthy

features in its leading and harmonization; its construction is remarkable for elegance,

fluency, and pleasing effects. Despite most

patient research, it was impossible to obtain data concerning this composer, who is ig­nored by the biographers of musicians. Probabilities, however, favor the assump­tion that he was a Neapolitan by birth, and lived in the first half of the 17th century.

FRANCESCO DURANTE.

!684-1755·

A PUPIL of Alessandro Scarlatti, he be­came one ofthe most eminent composers of the 18th century, and the head of the Nea­politan school of music. He was born at Frattamaggiore, a village not far from Na­ples, on March 15, 1684. He was admitted to the Conservatodo dei Poveri di Gesit Cdsto, and in January, 1742~ was appointed professor at the Conservatory at Loreto, at a monthly salary of ten ducats (equivalent to 42Yz francs), to replace Porpora, who had departed to Germany. He succeeded Scarlatti as professor at the Conservatory of San Onofrio, and numbered among his pupils the finest musicians of the period, such as Fiorillo, Guglielmi, Speranza, Sac­chini, and G. B. Pergolesi. Though en­dowed with a less powerful imagination than his master, he was nevertheless highly skilled in the development of themes and the art of harmonization. His compositions are models of scholarly construction in the above particulars, and for the smooth and cantabile leading of the vocal parts. His manners were rustic and awkward, his mind cool and reflective, his soul simple and ingenuous. Although his compositions never brought him in a large income, he practised such strict economy that he was enabled to erect a chapel at his own expense in the church of S. Antonio at Frattamag­giore, which he dedicated to St. Michael, and in which he was laid to rest after his death, which occurred at Naples on the

v

IJth of August, 1755· The tomb bears the inscription Franciscus Durante-Cappel/ce ... magister-Musicce fecit.-Piain to negli­

gence in regard to his attire, he took par­

ticular pains with his curled and scented wig, to prevent deranging which he always wore his cocked hat. He was thrice mar­ried. With his first wife he lived in inces­sant warfare, as she spent his meagre earn­ings in the lottery. The second, whom he dearly loved, and who had been one of his servants, he himself laid in her coffin. A few months later he celebrated his third wedding, with another domestic.

The Prayer and secular Aria accompany­ing this sketch are pieces well calculated to show, in their different genres, the skill and taste of their author.

ANDREA PALCONIERI.

15--16--.

THE musical library of the Royal Acad­emy of St. Cecilia at Rome possesses a val­uable work entitled Libra Prim(}--di Villa­neUe-a 1, 2 et J voci-con l' aifabet(}--per la chitat·ra spagnuola-d' Andrea Falconieri--. napoUtan(}--dedicate-all 'ill. mo et rever. ma

sig.r Card. De' Medici in Roma-Ap­presso G£o. Battista Robletti !616-con li­cenza de, superiori.-This volume, also valuable as a fine specimen of typograph­ical art, contains 17 villanelles for one voice, 1 1 for two voices, and 4 for three voices; in all, 32 compositions remarkable for their simplicity and elegance. The second villa­nella was selected for publication because it appeared best calculated for effective inter­pretation, and the most graceful of all; a facsimile is annexed.

Andrea Falconieri receives no more than a scant mention in Fetis' Dictionary, which does not even give his proper name; the other biographers ignore him. It may be conjectured that he was born near the close of the 16th century; for the dedication of the book in question commences: " Hav-

h I

mg resolved to give to the press these, my

Musical works, Part the First of my feeble

conceptions. . • . ", and bears the date of

March 21, 1616. In the National Library at

Florence may be found the Qut'nto Libro

delle Must'che di A. Falconieri, published

by Pignoni in 1619-a rare and interesting

work.

O. B. FA.SOLO.

16--16-.

A VER.Y rare book in the possession of Dr. Oscar Chilesotti bears the title: u M£stican­

za di Vigna alta Bergamasca; t1 Canto del­

la Barchetta et altre cantate et art'ette per

Voce et Chitarra. "-From this work is

taken the aria "Cangia, cangia tue voglie,''

which appears peculiarly adapted for publi­

cation in this collection by reason of its

charming naturalness and spontaneity.

In Vol. XLI, No. 48, of the Gazzetta

Musicale of Milan, dated Nov. 28, 1886,

Dr. Chilesotti gives a few vague notes con­

cerning Fasolo, and remarks on the rarity

of the above-mentioned work, of which

even Vogel, in his researches in the Italian

and German libraries, could discover no

second exemplar. It was published in

Rome by Robletti, in 1627. Biographers in

general make no mention of Fasolo; but on

p. 48o of A. W. Ambros' History of Music

(Leipzig.. Leuckart, 188 I) he is noticed as

"a Franciscan monk in a monastery at

Padua, whose Annuale Organistt'co was

published in 1645 at Venice," the excellence

of whose musical workmanship shows him

to have been closely related (intellectually)

to Frescobaldi.

FRANCESCO OASPARINI.

1665-17.37·

AccoRDING to Fetis, Grove, and Reiss­

mann, he was born at Lucca in 1665; ac­

cording to Florimo, at Camaiore near Lucca,

in 1665; according to Riemann's Diction­

ary, and the Annuart'o of Paloschi, in the

VII

latter place on March 5, 1668. He excelled

as a writer of both sacred and secular mu­

sic, and produced no less than 3.2 dramatic

works, besides numerous cantatas, inter­

mezzi, etc. The work upon which his

fame chiefly rests is entitled ~'The Practical

Harmonist at the Harpsichord" (L'Armonlco

pratico at cembalo, ovvero regale, osserva-

1_ione ed averHmenti (sic) per ben sonare tl

basso e accompagnare sopra il cembalo~

spt'nefkt ed organo), Venice, 1683; an in­

struction-book in thorough-bass followed

by Fenaroli in the compilation of his Parti­

menti. Gasparini's teachers were Corelli and Pas­

quini; among his pupils may be mentioned

Benedetto Marcello, who dedicated some of

his compositions to him, and wrote of him

with the utmost veneration. He was a philharmonic academician, and professor in

the Conservatorlo della Pletd at Venice;

later he was appointed maestro di cappella

at the Lateran in Rome. The two arias

here selected are fragments of his Second

Cantata.

The weight of authority sets April, 1737, as the date of his death.

OIUSEPPE OIORDANI.

1743-1798.

THE family of Giordani, who was also

known as Giordanello or Giordaniello, com­

prising his father, three sisters, and two

brothers, formed a company which gave

representations of comic opera in the smaller

theatres of Naples. In I 762 this company

traveled to London, and was received with

great favor at the Haymarket Theatre.

Giuseppe, however, returned to Naples for

the purpose of prosecuting his studies at the

Conservatorio della Madonna di Loretto.

He afterwards rejoined his family in London,

where he composed a centone entitled Ar­

taserse, followed by a serious opera, Anti­

gono. From 1744 to 1782, devoting him.

self to teaching, he wrote only the opera.

t>uffa ll Bacdo {by some erroneously at­

tributed to his brother Tommaso ), which

was given in London wtth marked suc­

cess from I 744 to I 749· Again return­ing to Italy in 1782, he composed a great

number of operas for all the Italian theatres,

as well as many pieces of chamber-music,

among which latter was the aria here re­

printed, wherein fine effects are happily

wedded to flowing melody. In I79I he was called to conduct the Metropolitan

Orchestra of Fermo, and while there

wrote a large number of sacred composi­

tions. Fetis and the Marchese Di Villarosa

make a sad mistake in confounding Gior­

danello with Carmine Giordano, who was

born about 1690, and was likewise a master

of the Neapolitan school. Other errors

with regard to his birth and death have

been masterfully confuted by Florimo, in

his great work on the Scuola musicale di NapoH. There is an inscription in the C~­

thedral at Fermo, according to which vixit dnnos LIV dies XXVI and decessit pientissi­mus-Pridie Nonas januaris An. MDCCL­XXXXV/11. This inscription, worthy of cre­

dence from having been written for the sol­

emn obsequies of Giordanello, celebrated in January, 1800, show with the most scrupu­lous exactitude that he was born on Decem­

ber the 9th, I 743·

BENEDETI'O MARCELLO.

I686-I739·

THE autograph manuscript of Benedetto

reproduced below in facsimile is dated jan.

2 I st, I 713. The volume containing it, which

is entitled Cantate per camera-Poesia e Musica-di-Benedetto Marcello-composte per la Sigra Ricci dilett., is apparently the

very exemplar intended for said dilettante, for whom both verses and music were

written, it being elegantly illuminated in

gold and colors. None of the biographical

notices on Marcello mention, as far as I am

aware, this work so valuable both from a

VIII

musical and literary point of view. The

fragment "Non m'e grave morir per amore"

forms a part of the second cantata ; it is re­plete with peculiar novelty and charm, and

is noteworthy on account of the harmonic

leading in the recitative.

Marcello was born at Venice on Aug. I,

I686, and died july 24, I739, at Brescia,

where he held the position of Camerlengo (Chamberlain). Further notices concerning

him may be found on p. IX of Vol. I of this

Collection.

CLAUDIO MONTEVERDE.

I568-I643·

BoRN of indigent parents at Cremona, in I 568, he early attained to musicianly re­

nown, and was admitted while still very

young to the court of the Duke of Mantua

in the capacity of a viola-player. Here the

maestro di' cappella, Marco Antonio Ingeg­

neri, gave him lessons in counterpoint, and

when but sixteen years old he published a

collection of Canzoni for three voices. In a

brief time his mastery of his art became

such that his fertile and daring genius in­

augurated a series of the boldest innova­

tions. He aided powerfully in bringing about the transformation of the medieval modes into the modern chromatic system, by adopting the dissonance of the dominant seventh in such wise as to exhibit the har­monic relation of the fourth degree to the seventh, and by endowing this latter with

its true character as the leading-note, with

a regular resolution to the tonic. This im­

portant fact-which his genius intuitively

felt, perhaps all unconscious of the grand re­

sults which were to follow-finds gradual

development in his books of madrigals; arriving at the fifth book, he no longer hesi­

tates to take without preparation the tri­tone, the chord of the fifth and sixth, the

dominant seventh and ninth, and the dimin­ished seventh. Herewith the transforma­

tion of the tonal system was completed, and

Monteverde, profiting by his new system of

harmony to continue his course as an inno­

vator, created the forms of the eAria and

Vuetto, skilfully employing the resources of instrumentation according to the scenic situation, and developing the musical

drama, properly so called, in an expressive and dramatic form. But the fame of this eminent musician is so great, that many words are unnecessary. We deemed it proper to emphasize one remarkable feature in the work of this great genius. The La­mento di eArianna which we print is a shining exemplar of his gifts as a compos­

er; it is taken from the opera eArianna, brought out in I 6o8 at the court of Mantua, and in 1641 in Venice, it being the first melodrama produced at the T eatro San

Moise. The National Library at Florence possesses the manuscript of the entire scena, the principal part of which is given

here ; this manuscript appears to be the ' author's original.

Monteverde died at Venice in 164.3; near the end of 1613 he was appointed maestro di cappella at St. Mark's; he was buried in the church dei Frari, in a chapel to the right of the choir.

PIER DOMENICO PARADIES.

171D-1792.

THIS distinguished composer and excel­lent player on the harpsichord was born at Naples, where he studied under Porpora. He wrote eA lessandro t'n 'Perst'a, performed in Lucca in 17 38; It CJJecreto del jato, given at Venice in 1740; La lMuse in gara, a cantata represented at the Conservatorio de' Mendicanti in Venice in the same year. In

1747, he took up his permanent residence in London, and on December 17 of that year he brought out the opera Fetonte at the King's Theatre, which was given nine times with indifferent success. After this he abandoned composition, devoting him­self to teaching the harpsichord ; in his ca-

IX

pacity as a teacher he regained his laurels

by publishing the Studies and Sonatas. Clementi and Cramer used his works with

great benefit to themselves. Cassandra Frederick, his pupil, played at the age of five and a half years, in a concert given at the Haymarket, compositions by Scarlatti and Handel, being the same who perform­ed in 176o, in the double capacity of an or­ganist and singer, the celebrated oratorios

of the Saxon master. Paradies returned late in life to Italy, and

settled in Venice, where he died in 1792.

NICCOLO PICCINNI.

1728-1800.

Alessandro nelle lndie, a melodrama in

3 acts, set to poetry from the pen of Pietro Metastasio, was represented for the first time at Rome in I 758, and thereafter at

Naples in 1774 and 1792. In the archives of the Royal College of Music of Naples are to be found 2 copies of this opera. One was donated to the College by Maria Caro­lina, and is in 3 acts ; the other was among the autographs collected and acquired by Florimo, and has but 2 acts. The former

is the score executed in 1758 and 1774: the latter is the same, revised and corrected, which served for the representations of

I 792. The aria of Cleofide which we print herewith is one of the most salient numbers of the opera. The verses of the recitative were substituted, by Piccinni himself, for those written by Metastasio, but the aria. following is that which is found in Act II, Scene IJ, of the drama of the imperial poet. The form of this recitative, rich in dramatic features, the admirable construction, and the effectiveness of the whole composition, ren­der this aria a veritable artistic gem.

Piccinni, of whom a further account ap· pears in the first volume of this Collection, was born at Bari, on Jan. 16, 1728, and died of bilious fever at Passy, near Paris, on

March 1~ 18oo.

RAFFAELLO RONTANI.

15--16-.

Le varie-musiche-di-~ajfaello ~n­

tani-a una, due e tre voci-per cantare net cimbalo o in-altri stromenti simili con L#eAlfabeto per Ia Cht'tarra-spagnola in queUe piu a proposito per-tale strumento­in Roma~ppresso Gio. Battista Robletti, I623-e/Jd instantia di Antonio Poggioli. Air insegna del Martello i11. Parione-Con Licenz a de, Superiori.-The work bearing

this title belongs to the valuable collection of the well-known cultivator of ancient mu­sic, Dr. Oscar Chilesotti, whose courtesy permitted it to be copied. The song so transcribed and harmonized is charming in its graceful simplicity, and forms a most sweet and admirable setting to Chiabrera's celebrated verses. Its composer was born in Florence towards the end of the 16th century, and was in the service of the Mar­quis of Capistrano, Antonio De' Medici, a

natural son of the Duke Francesco Maria

and Bianca Capello. He is mentioned by Q!Iirinus van Blankenborg in his Elements of tJvfusic, who notices a book of canzoni published in Rome in 1632. The work by Rontani cited by Fetis in his biographical dictionary, and published at Florence by Zanobi Pignoni in 1614, may be found in the National Library in that city. The title differs very little from that heading this sketch, but it contains wholly different com­positions.

DOMENICO SARRI.

1678-174-?

DoMENICO SARRI (or Sarro), was born of indigent parents at Trani, in 1678; his mu­sical studies at the Conservatorio della Pietd

in Naples were finished in 16cj7. In 1712

he was appointed vice-conductor of the Royal musical organization, and wrote an

oratorio for the festival of San Gaetano. As

early as 1702 he had composed a sacred

X

melodrama, L, Opera a· ,Amore. He subse­

quently wrote many serious operas, and

numerous oratorios, serenatas, comic inter~

mezzi, cantatas, concertos for various in­

struments, and church-music. His Didone abbandonata deserves special mention; the

music was set to verses by Metastasio, then a young man hardly 26 years of age, for the

theatre of San Bartolomeo in 1724. This opera, which was enthusiastically received,

was sung by the poet's friend Marianna

Benti-Bulgarelli and Niccola Grimaldi (call­

ed Nicolt'no).-ln 1741 Sarri was still at his post as first conductor; the precise date of his death is unknown.

ALESSANDRO SCARLATTI.

1659-1725.

IN the first volume of this Collection we published a few arias, full of grace and ex­

pression, by this distinguished and fertile composer. For this present volume we have again had recourse to him, and print herewith four more pieces in different

styles. " Sento nel core" is a tender and expressive melody, extremely effective and not difficult of execution. The aria of 7; .. grane in the opera of the same name is a

marvelous exemplar of its class in the truth­ful expn!ssion of feeling. In Tigrane Scar­latti tried, for the first time, the blending of the wind-instruments with the strings; and the harmonies of the horn, in the aria given here, are a most original device of the great Trapanesian. The little dialogue "Su, ve­nite a consiglio," wherein the author feigns

to conve:rse with his own f~ncies and to lis­ten to their reply, is replete with novel feat­ures. The canzonetta '' Gia il sole dal Gange" is spontaneous and genial. The

annexed fac-simile is taken from a small manuscript volume of the period, in which the above-mentioned dialogue is also found.

For further notes concerning Scarlatti, the reader is referred to VoL 1.

I --I

~ ~·

r- ~) l

~~ ~

~ ' .

)

. i:'

~ J .! II• II

ALESSANDRO .STRADELLA. 1645-1681.

·• EvERYTHING ts obscure," writes Cate­

Iani, " in the life of Stradella." Although

some give Venice as his birthplace, pre­

ponderant evidence shows that he was

born in Naples about 1645. It is not

known where and under whom he prose­

cuted his studies ; it is certain, that he

speedily became a distinguished composer,

and passed the greater part of his life as a

musician at Venice. While there, he fell

desperately in love with the flame of a

Venetian noble, having been engaged by

the latter to instruct the lady in his art ; in

the course of this instruction he found time

to lay siege to her heart, and this so suc­

cessfully, that one night the pair fled to­

gether to Rome. The betrayed Venetian

swore vengeance .. and despatched two as­

sassins to waylay Stradella ; but his pur­

pose (so runs the legend) was this time

frustrated in a most remarkable manner ;

the assassins, going to church with the

intention of murdering the musician after

the performance of an oratorio composed

by him~ were so moved by the pathetic

beauty of the music, that instead of carry­

tog out their plan they disclosed it to their

intended victim, who immediately repaired

to Turin (1676), where he hoped to find

efficient protection from further designs

upon his life. But here, on a public prom­

enade in full view of the populace, he was

set upon by three hirelings of his implaca­

ble foe, and desperately wounded ; during

his recovery he was wedded to the fair

Ortensia, for love of whom he encountered

such deadly peril. The wily Venetian,

though twice foiled, persisted in his at­

tempts, which were finally successful, Stra­

della being found murdered in his bed one

morning in Genoa (1681?).

A fertile and distinguished composer,

Stradella is also fabled to have been an

eminent player on the harp, violin, and

XIII

organ, and a facile writer of Italian and

Latin poetry. At that period, but little

music was printed in Italy, and besides,

the unsettled life he led hardly permit­

ted his attention to details of publica­

tion ; hence the major part of his works

is still in manuscript. In Modena 148 of

his com positions are preserved, among

them being 6 oratorios and 1 1 dramas. In

the library of San Marco in Venice there is

a collection of 2 1 songs entitled a Cante a

voce sola dell~ insigne A. Stradella legati

alta biblt'oteca S. Marco di Venezia dalla nobile famigUa Contarini. , , Of these,

from which the song '' Se Amor m'annoda

il piede" is taken, a complete edition is in

process of preparation. The aria '' Ragion

sempre addita" is from the Serena/a a tre

voci; this composition is noteworthy from

the circumstance, that in it the orchestra

is divided into two independent groups,

called the Concertina and Concerto grosso, an arrangement also adopted in the oratorio

reputed to have saved Stradella's life (S.

Giovanni Battista). In this score a con­trabbasso of small size appears for the first

time.

ANTON FRANCESCO TENAGLIA.

J6--t6-.

BuT few data are obtainable concern­

ing this distinguished writer of music for church, theatre, and chamber, who was

born in Florence early in the 17th century.

He appears to have been the conductor

of some choir in Rome, probably that at

the Basilica of S. M. Maggiore. Certain

it is, that he spent a large part of his artist­

life in Rome, where, in 1661, he com­

posed the opera Cleano, which was per­

formed at the house of a personage whose

name has not been preserved. In this

opera is found indubitable proof that he

was the inventor of the form termed the

aria with da capo ; a form copied in 1686

by Carlo Pallavicini in his Gerusalemme

Uberata, and further developed by Ales­sandro Scarlatti, who has been erroneously credited with its invention down to this very day. It would seem that none of Tenaglia's compositions have been pub­lished, as in all my researches I have never met with a printed work by him, or dis­covered any notices of editions of his com­positions at any time or place. Yet his music is extremely charming, picturesque, and effective, and is shown in the two arias given here, which are excellent speci­mens of chamber-style, and exhibit, con­sidering the period at which they were

penned, a notable advance as regards form. They were found in the Chigiana Library at Rome, which possesses not a few manu­scripts of his in a crabbed and incorrect caligraphy. It is likely that others might be discovered in other Roman libraries, Rome having been, as observed above, the residence of this Florentine musician for many years; and it is hoped that these may also be published at some future ttme. -Under an old portrait of Tenaglia stands the legend : 'Jenalia Florentinus musicus in rebus excellens.

XIV

CONTENTS PAGE;

BASSANI. G. 8., Dormi, bella, dormi tu? • Art thou sleeping, fair one ( • • • 79

" " Posate, dormite, • • 85 Sleep on, then.

" " Seguita a piangere, • 89 Mourn with temerity.

BONONCINI, G. B., Per Ia gloria d'adorarvi, For the love my heart doth prize.

IOJ

CACCINL G., Amarilli, mta bella. 19 Amarilli, my fair one.

CAVALLI, F., Delizie contente, • 2J Ye blisses, that ravish.

CESTI, M. A., Tu mancavi a tormentarmi, 40 Wilt no longer thou torment me.

DEL LEUTO, A., Dimmi, Amor, J Tell me, Love !

DELUCA, S., Non posso disperar, 6 I do not dare despond.

DURANTE, F., . Vergin, tutto amor, 114 Virgin, fount of love.

.. , " Danza, danza, fanciulla gentile, Dance, 0 dance, maiden gay.

lf7

FALCONIERI, A., . V ezzosette e care, 12 Charming eyes so wary.

FASOLO, G. B., Cangia, cangia tue voglie, • • 55 Change, o change thy fond wishes.

GASPARINI, F., • Caro laccio, dolce nodo, • • • 96 Dainty meshes, net enticeful.

" " Lasciar d' amarti, • • • 99 • Love's bond to sever

GIORDANI, G., • Caro mio ben, • • • • lJI Thou, all my bliss.

MARCELLO, B., Non m'e grave morir per amore, • 121 For my Jove thus to die.

MONTEVERDE, C., Lasciatemi morire ! • 2.2 No longer let me languish.

PARADIES, P. D., . M'ha preso alia sua ragna, • • 127 'Tis Love, that rogue so wilv

PICCINNI, N., Se il del me divide, • • • • IJ4 Since Heaven has tom me.

RONTANI, R., Se bel rio, . • • • 16 When the murm'ring.

SARRI, D., Sen corre l'agnelletta, • • • loS As when a lamb confiding.

SCARLATTI. A., Sento nel core, • • • 6o My heart doth languish.

" " Su, venite a consi~lio. • • 64 Hey ! come hither, ye andes. ., u Gia il sole dal Gange, • • 70 O'er Ganges now launches.

" u All' acquisto di gloria, • 74 To win glory.

STRADELLA, A., Ragion sempre addita, How dearly are prized.

. • 46

" " Se amor m'annoda il piede. • • 50 • • If love my feet enchaineth.

TENAGLIA. A. F ••• E quando ve n'andate, • • • • 28 0 when will ye e'er leave me. .. " Qpando sara quel di, • 34 • • • • When will the day e'er be.

English Version by Df Th. Baker.

3

Dimmi, Amor. (Tell me, Love.)

Cantata.. 0.

Andante cantabile. cJ = 69.) ARCANGELO DEL LEUT

(1!; ••• _16 .•. )

Voice.

Piano.

11567

P. :::>

eresc.

dim. mi c e fa I pray, tell__ me,

r = > . r

p

Da ch~n - do, Since he left

a La mi Where my

co -me,

--

•

pi en so

di __ rude -Iy

a ru - i - ne Non l'h for - sak - en Nev-er

Copyright, 1894, hy G. Schirmer, Inc. Copyr-ight renewed, 1.922, h.1J Theodore Baker

Printed in the U.S. A.

--

I

fj ll h 77 -'"' ~ v r-~1.1

~ l I

poi ri -yet has

11

t.) v~

~I . . . I I

~ p I -.

.. h r- , \:1.1

t. r

fa La mia pray, Where my

ll ..-..I

l t.

..-...J p ~ ",. li

' .. ~ h ,..

v fl •

I

ll L ,......

" '-' 1 ...... dim- mi_ che tell me, I_

ll I I

l " ri .......

t.J a ..,. . . •• ~ h

v

p

1Jil6'1

4

eso.

''r. - . p I r t r I r ~ I r I vi - sla=:::: piu! Dim-mi,A-mor, dim - mi che

seen him_ a - gain! Tell ffie, Love, tell_ me, I __-"j" I ,______

.-I _L _, • • -·~ t-: ~ i I -ores c .. .:::::>

~ .l~ ~~ 1~1 J ~~ , . T

~

,_ . TT-fl •

I r· I~

I· I l dolce assai

_. I r r· ~ 1 r:· - r- l Jill' -· I I ~-.1 ;;;_..-ca - ra li - ber - - ta? Dimm~ - mor,

lov - er dear_ doth stray: Tell me, Love, _..---- I I I .... -----... I I L---J I

.-1/ c.oli. -'l!"i .-I - ... -= hY> - -- _LL vr 1'-~-"'I I _CJ .. vr r r v dolce assai

J ; J~ "'J J ~i::>< ""' ~ -. ----1

c eso. l

fa La mia pray, Where my

--'11. .. O'J''eSC. ::::::.

t J fl •

-

------f rit ~-~

'1 l

.I- ... r. • •...__.7 1'--;r • ~ l'? ca - :ra li -her - - a. lov - er dear_ doth stray.

• __._ -- ~ If r - t--vt, ~ r -6 •

f eft cantor:Jh a tempo I I J~ r-::J I . . -. ~ _LL

--- - - -~~~ I i -~!r

e1 ~ ij@I#LJ J ~ - do A_ tro - var - la in ex-plore, And to find_ him

I

I

~ II h ,,. ~v \;_l./

""

'l II h ,,. ~v \.'

"" . .

_, h -, v

~ II

\:

""

~

\:

tJ

~ II ,,. ~v

lJ

'-

" . . , v

fl Jl

~

~

t tJ

' ",. •.. _, v

1H>67

5

.t I ere c. ....--... - I I s p ~ .

..-1 _, -- - .,.. v r

1-...__ _..... --- r r I I

sue ca - - te - ne; .Ma per ere - seer le mie __ pe- ne Il pen-in his chains; But ·re - doub - led are my __ pains, For the

-.• -J -rr 11

ir · --- I: •., • ~

------------- .----/

~ r~

I "'

...

I I -sier mai non tor -

thought re - turns no

p I I -- -, - I"'!' ... ..-1 --.,.. -r ...._

fa La mia ca - ra pray, Where my lov - er ~I J J , .. - h7'o -vr 1'-

p -.J t .J .l r

,... . I I

- .....-! I • 1 cresc _......

I -dim -mi_ che_ fa La mia tell me, I_ pray, Where my

1 ----I '

(,

"'-I .. cresc.

t J . ,... .

---------------

_... _. "'""] u.• - ... v~· ~ 1~· cresc. p

. I I

crest•. f_~l_:::::-

1 r

- no! Dim- mi,A-mor dim - mi che more!Tell nw, Love, tell__ me, I

~ ~

I ( -...... -. 1-

' ... I-! ~ li - her -dear_

• •

~

- -

o.ce assaz . -I"'!'

_, --

~ .

t' n· r A - a, 1m-m1, - mor

-

doth stray; Tell fie, LoveJ. _ J J ------.._ I I r j ~

....... li ..., .... - h.- -' ,.~ - ,.~ --1 "r I _u • r_ r

~ ~J~ _./" do lc· e assai

; ~ ~ -.. "' .

-------f rit :--:::::. r.-..

t• . ~ r---r "1..-J h.? ea - ra li -her - -lov - er dear __ doth stray.

r.-.. --.._

...... -· - li /'., . r: •

r~r'-vt. r rl'l. (r -6 • ~·

a telllpo I I J-""'] I ~lt. 1---;- --.... 1~1 - r - - -- --r

English Version by nr Th. Baker.

6

Non posso disperar.

(I do not dare despond.)

Arietta.

Andante grazioso. cJ = so.) tl lot a piacere ......

Voice. ,_ -~ r r r r r '--

Non posso di- spe - rar~ I do not dare de - spond,

fJ ~ 1111

. .<If'!

.1~ 1.1

'-' Piano.

~--~;;:.~ . . -

flJ,}, p .::::::...

p I ~ LL

u r' r r r

• non posso di -spe - rar, I do not dare de - spond,

fJJ,J, ~~ :;::... ~

I

~

, Ill..

-

S.DE.LUCA. (15 •.. _16 •.. )

- I

~ r-; :;::...

~ ....... -

"'" P r ~"-'

-· .it .it. ~- . .::::::... -- ~

....

-

I. L l

~ D .;~ J) J; I sei troppo, troppo For thou art all too

~ l

'~ 1111

.... -.... , - -- .... .... • • - - -- 'Ill •. .... • '-11 '-'

( . /

f) ),}, //It ,.

frT'\

" '-

f'J.J,), II fr!"\

" f..,.

11£)68

~r' r ~tL:F j ~· • - .. p -

~ .:....:.. :::::,_:;::...

----- I

---------~ ...._ lo--s;;;;;! - -- ...... .. I

~ .::::::... .::::::...

4> J p J> ; I - ~ - .... -- r 1 '-......_____.-ca - ra, trop- po, trop- po ca - ra, sei trop- po ca- ra al

'-""' dear, __ thou art all too dear, too dear un -to my

1'\

• .... , .• ..... 'Ill u.• i i l .... • l~ ":'" 11.. i- .'ft~

~ ~

I -............_

:;::...

.

------- "-------.._ Oopyrzghf, 1894, b,1J (}. Schtrmer, Inc.

Oopyr·i'ght renewed, 1922, by T.keodore Baker Printed in the U.S. A.

- i__.-

7

f) ~ ' >- I l .::::> . (. i

l1f -- ---

p ' cres · -,

"" ,.., -. --

-~ . - -' ..II - ,.. ·•.::~_:·:,., -' - - -- . - -

'- -- I T , .. ·--v-em·; non pos - - so di - spe - rar, sei trop - po ca --

heart. I do not dare de - spond, For thou art ali t ()(

tJ~ ->....-- l -- - I~ -lit/1 ........ --, v .Oo/ • -~ . -' - -

--...._

.2 -.;: -' - - - - - - - -t.: i --; --; ~v I r "i r v~

--; --; ~~ i I I""

'---" p - ·cresc. l r I I !

-.-.-v- .... =t 7 - +· - -'

4 -· 'I

i

'---". ~ .. - -......._____

pli't cresc. f rit. pp a tempo

fl~ ~' ' ' .::::> !!!!!!!!!-. ~l 7i#" . -, -' L- . -. -~=j ~ 1'1!' -- --~. -= -..:: f. a

r • r r r se1 trop - po ca - ra al cor; non pos - so_ di - spe -

' .______.

dear, too dear lltl - to my heart; I do not_ dare dt•-

tJ ~ ------~ ----1 r 1 Iii - ::r~~ I .,

\~ . - - .

1- ,.. ..... .... .... ..,_.Ill I I y I I I I v~ "'

t· pz'it cresc. rit.

--- - -,.._ . - - Ill' ,... ----.! -..___.,. L. T _J r

- po ca ra, too dear,

-~

I

pp

....

-. -..-.... - 1!111["

I

~ T a tempo

/ --_,.. I

----

sei For

~ -- -- "1iill.:.af ~

--;

*

----,

-.;;;; ::.j

~~I (

-- -~ ----- . j

·-· -··- - ·-j -- -

:-:::.../­""me

. ··-

~~~~~~~~~~~~~~~~~~~~~~~~j ~ --------~ ---- . ! y'

11Mi8

\

I

I! F'-

11~

17 -t...

fl ~

' ~ , ~ -<

?·. 11568

8

assai rit.

- ra, ca- r~l cor. un-to my heart. ~::>.

p legatissimo

---------' ~

ro ~·- ro spe -ra-=.-re on-ly hope so fond,_

d'a- ver a :io- i - re n~n dol - ce langui - re,m'~n The blisses of wait-ing, That soothe while creat - ing- The

I I ~~~ I ~ ·r--; -

., ::>.

-., ::>. . --. -

• ::>.

-• ::>.

--_ ~l 1 r -

L ' l

. l I ~ ca - ro do- lor,m'e un ca . . ,__...,

pam they tmpart, the pain, ,.----:-----...... i J .-1 -_, - -

~ c_ -======--

I I l

I

. -- - ro,

I L

. • .. r ' ' -,~ 1 --r r r ::>.

t--:

I I I --.,. 1 - y "--.._ ~·

r --

I J.I...J. J -::>. - p

, ... u. _, .-1 loiJIIII"

-~ . - -rr(,{ un ca - T ri - - ro do -lor, ,_.,

the pain ___ they impart. 'Tis ~ ::::- - ~ ~

-""""' ..... _, loiS -"""'" ·- .. I'W'J

.P ' ' r "f r-r r·r qw • .......

... 1-./

.-1 r

~

9

gio m'eun '-._./

bliss - es of That -------

f) ~ ~ cresc. -"" l"r .

,. ll J v I

t. I r Ian-~ ~ r

r ' I

dol - ce - re, m'UJn ca - ro do -lor, ah, soothe while cr.e - at - ing The pain they im-part, all,

fl~ I ~ I ~ I I r---, [-. ,.. • _,. -- - .. .T'I- -- _liL --- - .... , __ t.J ~

-------- ~ ~

7Jif -~ ~~ ~ - - • ---- ---- !"--. l l I . . u.

u• - l • I J

f ~ ~ --::;;:- rz. -- _:---:oo.... --. -~ ~ .• ~- ,.

lT ,If'

t..

~ r ,r r

~0 si! m'un dol - ce Ian - - re, m'on ca - ro -yes! That soothe while ere - at - ing The pain they tm -

rJ ~ I ..:.. 'I ~ r---, r r-1 I .. . ... . • '" • ~

..._____ ,.;...--- - - -f pp rit.=:

-----~ . -.-.-.

7. ~ --- i

fl~ p a placere ,......,

. ~

I I

t. J J r r t. r . --lor. .Non pos-so d1 - spe - rar, part. I do not dare de - spond, r-; ~ f) ~ l l ~

l --. _, ·~ --'17 - ---..: • P r p~

~

;;;-;,. ~- ... -;-:_ . ~ ~ ...----_ .:.. ~~ -.; . -..... .

-1

11668

10

~_,

~~ ' ~ ~ p ~ I ~

p

non pos - so di - spe -

~-· I do not dare de -

~_, .:::>-

ll ... ''" - - ...

u. lll. f..) '-1: r ff~ r ~ ~ r F j

.:::>- .:::>--- - .........., .:::>-",., .. , " .... -- ........ •

~~ .:::>- l 1 .:::>- .:::>-

11 - ~ _:z:J p q.O J) j) I ,_ r-" -~ " '"' ~ r .

rar,_ Sei trop - po, trop -po ca - ra, trop- po, trop- po spond, For thou art all too dear, __ thou art all too

~ ~ l 1'\ ... I'-. 1111 \

II eo/ L eo/ eo/

' ''" ~- • ...... .... - ... • .. :Ill I • ' ~ ~· • - .. i • ,., • <

I ~ -· --r-... . -. \

... - I I -......_ -------

fJ ~ .:::>- I ., >

j) 1 1111

) J. J1. I 11 _II. "' 1r'" l'"f i ' ~- .... ... f..) -,~- r r l • -

ca - ra, sei trop -po ca - ra al cor; non pos - so di - spe--.._...-dear, __ too dear un-to my heart; I do not dare de -

fJ "" > l

... . , .... u.• ~ -,.,~ "":" l'~ ~ ff~ ' ' ' ~~ [ r i r

> p

. . " -. ....

' - .... --- .. - 1 • ~ .. ~~ ' l > I l ' -

ll . ... #p r. ~ p· ~ I - 1'"1:

'"' I r t" r r-

or esc plit l/reSl!.

f rit.

rar, sei trop - - po ca - - ra, sei trop· - po ca - raal __.,. spond,For thou art all too dear, too dear un - to my

~~ - ===j ~ r---1 ~I I I Iii! _... . . .. .• . ''" .. '[.- .... --- ,... ...... ,..,. - • r-"

t- r ' -; v I r I r ~ ' ' -,..,~/ ----~v .-cresc. ptu oreso. rit. - - -

_r~~--~ ~ I I I I

------ - ------... -~ - -- - ·- - _... L ____________ -- -·-- ::, ,.

.J ~~ .....

·.__..- ----=:::::____ ....... I I -

PP '

11

f d ecz'so e rail.

' di - spe - rar, sei

de - spond, For

p

sei trop -po, trop-po_ For thou art all too_

too

ra, car~l un-to my ~

assai rit. -======= ::::::>-:::::... :::::... :::::...

""-'~

Sei trop -po, trop-po_ ra, ca - r~J Thou art too dear, too_ un _to mv

~ -~

~~~~~~~~~

~~~~~~um~~~

11568

12

Vezzosette e care. (Charming eyes so wary.)

Villanella. English Version by

Df Th.Baker.

Alfegretto quasi Gavotta. cJ:to4.) ANDREA FALCONIERI.

(HS ... -16 ••• )

~ .. +1 Jiltt IIIII!.. ..,u,:n.., ~

Piano.

' II ·~ tflr ~· -- ...._ -- - , -~'"" ,.. ' "'"'-- "'"' " • f""_

t ~ - - ~ -- - I -p- I I ......._....... I I '-.._/

< p j I.L - .. A+' - ,#' -~

. . tJ

-'~, JtJ - - "'"' ' - - "'"' ......___ - ~ ...

- --- .:!" -..

I ~H ~- ---- I""" - -

I""' - -,., -I .

- f

t.. - .. - 1.. ..l I I -

cresc. 'l .. H. J

l

J> J • L t.. 1 j J) fi) r , rr ..... ,. .. \:1/ ... -· ... t.. - ... ., .. -

Vez -zo-set-te e ca-re pu-pil-let -· tur - den-ti, chi v'ha fatto a -~

~

Charming eyes so war-y, Eyes so bright and tender,Where-fore now so

~ .. ft. _I"" _T"

... --~v "'"' tJ j ~··#~· .. ~ - ., .. -:_J!' ~

1..1.

----' I - ......

-------........ . . .. I I I

~ jf ~. > > --==- ril. l l l _l .

-"~ .

t.. d 'br. I • . I r r

va-re e e1 ra1 lu - cen - ti; chi v'ha fatt~ - va- re de' bei rai lu-

char-y Of your ra-diant splen-dor?Where-fore now so char.,.. y Of your ra - diant

'l ... ft. I I I I I I -II '1: ill

ll'l'f'l '\V - . "'

...._..... - - '-.._ "'!""

~~rr i > >

f P--= L1 - ~ --.

J Ill .JIIJ""' \ TT I· - CL

I ! • i I .. i Cop!lrigAt, 189#, h9- (J. Sch:lrmer; Inc. Copyr-ight renewed, 1922, h;y Theodore Baker

Hll69 Printed in the U.S. A.

I

~ .. ~.

"' I f}J,;ff.

\ ~ l l.l. . .

\

~~ff ll

'\:

"'

fj ~ ff. II

I Ll

"' <

cl.

' .

f}~ft ll

!f"-\: IJ

f.,

~ .. +!.

"' l.L . .

i3

I

..,.; 1'1_ - •: ""

~ - .. .. .,. -cen - t'? l. Vez- zo -set -t~ ca-re pu-pil-let - tear -

"-""

splen - dor? Charming eyes so war-y, Eyes so bright and

-...... ..... - ..... -

} - • ··#~· .,~

,......- ~

j J .J I J JTI/ ---- I --.. .Ll.. t"" r~ r F

... ...____. ~ I

I• L l cresc

..... - .,..

1t· I r I •

den- ti_, c 1 v'ha fat - to a - - va .. re de' bei ra1 lu -"-""

ten - der, Where-fore now so char-y Of your ra - diant

..... .... - .... --J '----oresc.

- --_,... -J"'!"

l I

> :::;:.... l -... ..... -I ' I

cen- ti; chi v'ha fatto a "-"

splendor?Where-fore now so ! I

- .1111 - - "-- _; > >

f p

~ I ...

. -

1 ..... ..... -,.,..,

- 1---"' ......_ -----

J -r---.., -- ---- I I ...

rit. l

I ....... I -· I r r - -

de' bei rai lu t•? - va- re - cen - I.

char-y Of your ra - diant splen - dor?

.... . ~ Jrr i -rit. -~

I.I.J 1J.Jn

ii r r p

l I I

S'io ri - mi -rQ.j vo - stri When for kind. -ly looks en -

~ I I

• ...... _._...II 'r I

ff

I

J

l.l. / I

....

Ufi69

fl J,), ++. -· -.... ~- """

.. -'t.., I

ri - so pres -ag·e,

11 ~ ~. I~ - .........__ j

s -""" tJ l I r1 I

IJ. . . 7 "!" » ' ...

~ . _ ...

11569

14

- minLe are my greet

-------------~>

l .:::::>

~--: - - -- . - ~·.l -che ren - dea Sl va .. g~ vi

That so sweet - ly light the vis ..;.. .~~ j . ~~ . - """ . . -~ ~~ ~ -- r.

- - - -- I ~

Ioiii""'

I I I

- go Light - nings and

-----...

.:::::>

.-1 - r - so, ne ve--age, Ne'er I

I ~

~ I ~ ""-"'

-, a

I

Ah! ___ _ Ah! ____ ~

15

ah! Vez- zo- set-tee "'--"

ah! ___ Charming eyes so ca-re pu-pil-let - tur­

tender,Eyes so bright and !":\

~~~~~~~~~

~~~~~~~~~

t..,

~ ~H.

\ ~ }

1..1.

{, 0

•oiii'L '1111' I "" T"

"l ~+f. ,,. I'\ T" '-CLI

t..

~ ... ~.

t.

iJ. . .

11569

sempre ore so l

- h' I

denti, c 1 v'ha fattu -tender, Where-fore now so

.... - -- ' -- .... ~ ----- -sempre ot·eso.

--- --- -.... r-" -- I I

a.f.lrett ~ ;:::.... rt.

J . r r

l l I

va-re chary

I I --:._...-/

-llllr-" II

I

-

- -....

de' b~i r1

ai lu -Of your ra-diant

I I -- .... ' -

I *

-va -re de' bei rai lu - cen- ti?

char-y Of your ra - diant splen-dor? - 1":\ ;:::...._.- -..... .... . - -- .

---------41::...._/ rr'- i .~

, _ _. v p affrett. /"':\ rit.

f-""

"-_i r

- -I t' chi v'ha fatto a-cen- 1,

"'--" splendor?Where-fore now so

I I --..-1 ll -- - ~ -fj col oallto

~ I ..

I I

• I I ~

oresc. A¥ - ..:. ..:..

\ ) ~

~ I

English Version by Df Th. Baker.

16

Se bel rio. (,.Vhen the murm'ring.)

Canzonetta.

Andante (JJ- H6) RAFFAELLO RONTANI.

~ . - (15 ... -16 ... )

Voice. f... I

fl dolce~~ ~ I r-., I _I 1'1 -r--,.._,

~ ... --. ...._ .... - .. f... 1"-- ___,~ I "'r 1 J '--VI "---._ . .. -p n .b-~ JJ J }:- -

' ~ -~. I.!

Piano.

.. UP . f .... II""

II' ., r

fJ l

"r - ~et ~~

!I I F p p I II'"" v ~

t)

1. Se rio, se bel - l'au -

p-~======~~-------

2. Se gia mai tra fior ver -1. When the mur - m'ring brook - let 2.When o'er cnm - son flow - 'ry

fj --- - ~I /~ I I ... 0

II ho ... ... - -""" .... . - - - I -' -· . - - .... _ .... f... r I f. -v 'j. .. 1-:--_

-~ ~~~ p ---- -

'~ ~~ J; •• .~l j . . . . .... I"'\'

I, v

'

fJ ~ l l

J Jg II.. b_ - J) I ~ r II"" :./ t)

fj II

'-.:V t)

. .. / ....

"

lfl'l70

I

fa~ ret - ta_ fra l'er - bet - sul mat - tin mor- mo - ran-mi - gli,_ se tra gi - gli_ ves - te l'al - b~n au - reo

gush - es_'Neath the bush - es,_ And the morn - ing breeze be -val - leys,_Glist'ning Iii - ies,_ Gold -en rays of dawn are

r--.,_.. J I ~ I I l

- - - I---- - • - - .... _ '-"I • .. '-------I r-' I p I <:r I ~ ~- -

r

~ . I

Oopyrz'ght, 1894-, by G. Schirmer, Inc. OopyrJ'ght renewed, 1922, by Tlwodore Baker

Printed in the U. S. A.

.... r •

fj

': tJ

rJ ~ r-t:

. 7.L,;

-v

rJ -, --.;;;:

IJ'jl ~v '[7 t:

~

l I h.

I" "'v -~

-.:;~. .. , h.

V'

11

111)70

17

L = --- f

I"!' II~

Ji I _r I r l r

d'er - ra; se fio - ri un pra - ti -'-"" ve - lo e su ro - te di zaf -

guil - eth, When the sun from bloom - ing trail - ing, And 4u - ro - ra ris - es

- ___..- :-...... .. ~ ., --· tJ ... - .. "'!"' ~ - ... A - Ill ... - - - --- .... ... - - ......

• ~~ ~wr ' ""'--- .__-/ / "-"'

.r-J .l~ 6h _, ']llf" ,,

.-I • A Ul' v .... '-t-- r I

.D -rit. -

I

fl A ..... !'"'[ ..... _/ -r

fa r. ----eel - lo si bel - lo, llOl di- ciam: ri - de __ la ter - ra.

fi - ro mo -vup gi - - ro, noi di-ciam, che ri - de il cie - lo. '-""

meadows Drives the shad - ows,Then we say, that Na - ture smil - eth. blushing, Earth o ,erfl ush - ing,Then we say, the sky_ is smil - ing.

I I I ~ .----- -L! - 'lJ .... A u .. :Ill _. _.. ---- _. .... '-t' .. ./ - - -J • - ..... . -/r~~ 1 • ,. I ., ~ ~r r ~ •• ~

J.. rit. - - l -

~

/1

-

- . r-'

L! 'lJ'

"' ~ ~ - -... ---· ~ - ~ if ~--------------~

~

-- J

Quan-d6 av - vfen che un Zef - fi Ben ~ ver: q~~-d~e __ gio

- 1. r r r - ret - to__ per di -- con - do__ ri - de il

"--" When to shore a zeph - yr stray-ing __ Wan -ton Tho' f(Jr joy the moon so queenly __ Smiles se -

I - ~ I t----,...----.........._ r----~ I / .

I --:_ __ rJ ~---,--->----- jj I

~ 1J Ji J -· ...

I-

fJ

-i]

fl

\~J --<

I~= 7 I.. \" v

111170

18

l l -..-.!!!!!!!I

I! f • - a I t4 -- r-" - • """""-··· l'"f r-" '-""--' --- - / ------ r I r I

let- to __ bag-1!01 pie __ nell' on - de_ chi are, mon-do, __ ri -~1 ciel __ quan<!~.} gioi - 0 - so; play-ing,_ Laves our feet __ with gen - tle_ motion, rene-ly, __ And the laugh - ing skies be - guile,

I ~ I I l_ J. -. . . - - ... - - r-"

I r 1 p I I r I r u ~ ~ ----- -==-------------------- --. ,,.

l'"f _, . r ll

I r ..

ll!t ~ rit.

l p ~~ §112 si che l'ac - qua su_ l'a - re - na scher~a pe

ben e ver: rna

When the wave -let Tho' all Na - ture

na, noi di - ciam che i, fa - re un ri so

'--"' ing, Then we say,- how er Match the sweet -ness

non_ san light - ly may_ en

ri de i1 '---"

gra - zi

r rna

- 0

po - i, co -me vo dancing Sparkles glanc deav-or, She can nev

J) - re. - so.

smiles_ the o - cean. of __ thy smile.

II

English Version by Df Th. Baker.

19

Amarilli, mia bella. (Amarilli, my fair one.)

Madrigal. GIULIO CACCINI.

~Ioderato affettuoso. C~ = 66)

Voice.

Piano.

I'll~ ' -Til

• tJ

cor doubt

~ .~

>- -,.,. --II I ,.. I I

dol - -e'er

~ .... I

..... ce de- si

IL mia bel li, my fair

__11 _ _t"'C

I

- o, sur - ren - der,

=t~l I

la, non credi~o dPl one,Canst thou thine heart

>

' >--:::::::= ---I I

d'es - - ser tu Doubt of my love

t - I I I

""t I

~ ~ -... . - .... --u u -

J:WJ .. ......._ ~~ ~, -u

f~- J ) <

It

l

I

----, J j .,.------.. . . , v .

I I I I I....____ I ---fJ ·~ ' l

l I 11. >- c=- I

1# [I.-_ " " L "" I{ k"

""" I .,.. o " } ,._ " ,... - II .-II \:IJ - -tJ I I

- l'a-mor mi - o? Cre - di-lo pur: e se ti -- true and ten - der? Do but be - lieve, for shoulde'er

fl I ~I > I ~ I .. -.......... ~ . l

t) I r f' vr ff ~~~ r r'-['t,- r'--"' i.J-.J. j -

I I -------------------------------I I

fj I --= = ' l J __ 1"1. flo.

" -. - 1..1. I .I""' ..a!._ - ... ""' •: ~ '[,. I - - .. <I

tJ T1 - I T -mor t'as- sa - le, du - bi- tar non ti va - le. fear as- sail- thee It can nev-er a - vail_ thee.

fl I - I -:---. Jil •

If

n~~:;· '-.'I -tJ

~ r r rl ,., ~ 11~

>- I doll·e -.... ~ ~ I . . I I - I ... -

Copgr'ighf, 1894, !JgG. Sch'lrme1) Inc. f Oopgr'ight ren6wed, 1922, hy TA11odor6 Baker Printed in the U. S. A 1t571

~0

f p , I > l ' IJ •#U qJ ~J lj

lt.J , r T

A - primijl pet - to e ve-drai scritto_in co - re: A-ma-Ope thou niy bo - som, and see thy fears re - prov - ed· On my .J

1\ I ~ ~ ..------;-----.

' .

' tJ "1 .. ., ~ .. ¥P ,- 'r· ,-"r ~ ~ rr t!' :J:

-&

f - "--....--·

I p s1llorz. dolce===-- i

,.. .,.. . ..... ... I ..,.;. I I 1!:

1

ere~~ •'

1\ I -- ~ I --.. pill cre~·c. __.": ' .... ~ • u• --. . .. ~-

·- ' J -.1 I

tJ TT-....._/ T I ~

I r r

ril - - li A-ma- ril - - li A-ma-' ' heart 'tis_ writ, ~J On my heart 'tis_ ·writ: "A-rna-

IJ I I I J I I~ I I I

J tJ • .... !Tl::.. ~ r ,r i 1., ... .... ~-< pp - cresc. - phi cresc.

f ''",~ -- I

~ __LL

~ ... -,} I - '-....:.. . ~

1\ I j. > ' . poco rit a tempo > l - "" "" -.

""" ,.. - . 1 _..,.,_ I

l I

tJ y I

ril - li e il mio a - mo - - re. Cre - di -lo - -ril-=- li, my be - lov - - ed!" Do· but be-1\ I 4"'1"'-, t-.. ~---I - :---_..._ ...!

\ ..

"IT -tJ ~ i J:'. Ti .. -~! ~ i r~

) j poco rit. .P dolre

~ _.... 1 I

- .... .Jt~ - I I -- I

1\ I I l

)J l,J>I I U. 1/ - ...! II I r· '[L- - - I n• ... tJ TT TT -

pur: e se ti - mor t'as·- sa - le, du- hi-tar non ti lieve, for should e'er fear as-sail 1thee, It can nev-er a -

IJ I - --. --------=------t .,

) tJ '-1 Tr .,- r, l:,r r r'- fT .,, ~ rr~

>

f > dolce - ~

-, I I I -r} - I -.J

111;71

2t

~ f_ f > _j_ l '

psmorz "_t . I " 1 l "' I

I """ -- --- I " " I

"~ \ l"f 1 r~ -· I .,

I -~ lL J I 1- • t) r r Tl ""J ., .....

va - le. A - prim~jl pet - to e ve-drai scrit-to,jn co -vail thee. Ope thou my bo - som,andsee thy fears re - prov -

fl f_ ~ > ~

I - I

~ ... ..... It tJ

.r~ - ·• .,._. r~

~ Tl~ -, ... i -*" • ~TT .,- lr . .,- ~r -&

< - f -I ~ I l l ....

~ _6.10 _1ft_ IIJII It

I . ..... r~

y _.... '-- ~71 I I

11 pp___- --- --== l ,......- - l l -

" " J -~ r~ . -· - ·~ ~ lL ·- __,_ @,) Ul TT Tl TJ I -...I

re: A-rna- ril - - li '

A-rna- ril - -ed; On my heart 'tis_ writ,

~J On my heart 'tis_

f1 '----..... I I l I I~ I

I • -. .... ..... ~-

It _.Il'D_ - .... - -- ..: ~IL - - ...... ....

"' ~ ~ Tl~ ~ .. ~· ":: ~~ r .,r i < ~· :::::::::::::::·

t' pp dolmss. cresc. -......

'\

"l: I - -r} I -

~ L ,.......__ piu cresc

' rz. ' ppp-==

_._ I II .. - - -__.,_ h- r~ • 1:.- - I """ ... ~ _I

_Lf"''t_ .. .. 'I" I It ~IL .J

..... _j

t} I r r

e~ li, A-rna- ril - li mioy. - mo - - re; A- rna--writ: "A- rna- ril - li, my be - lov - - ed; A- rna-

fl I I I I I I ~ I I I

It v

.. -. ~ .,- - r;, r F". Tli

Ul ~

< f ~do!ciss.

I~~ , -I I ,..--......... -~_IlL_ _L """ ~ _l 1'""'

---- ~ f'tu~- ?1 - I

li __ ijl miQ,_a - mo re.

li,__ my be- lov ed!"

flllo.,f

~ <

I

. ~ I

I

English Version by nr Th. Baker.

~ I

Voice.

""

~ t I

' ' tJ <

I . Piano.

\

fJ I ~

.. ~ .... tJ I I

for-te mo-ment

11 L.~J

.... -""

... -,......._ . .

I

/] I I > ~ r1. h

...:1. r~~· X

~"" f)

sci a -long -

11 L . =t..---..

f) I r

.2.2

Lasciatemi morire! (No longer let me languish.)

Canto from the Opera

Lento. (J = 68) "Ariana."

CLAUDIO MONTEVERDE. dolettfe (1568_ 1643)

p >..-:.. I .L

L fl- 1-- _I

"J . _I l I "I

La- scia - te- mi !][10 - ri - re! la - scia - te -No long - er let me lan.:.guish! ~ I ~I I I I I L

~" lii!'L

_'::"'!_

- r i'=::" ~--'t-~ . .,- I I

p dolente. --=== I

~ ...____ -

ri re! E che vo- le te --- che mi con­Ian - guish! What dost thou can stay

•'

f I I Plt!; cresc. ..........-;: > --=.

"··- " . - .... _ , ........ -... IIIIJ-1 1 ..... ..... I J oA I - -r r I - I

in co-si du-ra sor-te, in cosi gran mar- ti-re? La-So despair-ful a torment, So un-r.e - lent - ing_ anguish? No

I I r--. I ~-I =r~l l . ·- .... -- -- IIIII. - -- r I I r r r I ~i r r ~~ ,-- p I I I I 1 ,

• -.,. I ....

- PP. rit. ~ I 1 l ...... . ±::

te - mi mo-ri - re, la - scia -te - mi mo - ri - re! er let me languish! no long~er let me Ian - guish! ~ r. L I. j ) -- -~ ...

I . I .

"r~

r~,~/ f',- I I I i .. rir ,r ~ cresc. assal. pp

.r~ . - .... I .... - - .... ..., .....___..- I ---- - r-' > u

OopyrigAt, 1894, hy fl. Sckirmer, Inc. CtJpyri8·A.t renewsd. 1922, fi.'l TAeodflrs Bak(llr I Fi'7:.? r Pl'fnted ia the U. S. A

' ' I

l

23

Delizie contente, che !'alma beate . (Ye blisses,that ravish.)

English Version by

Df Th. Baker.

Aria from the Opera

"Giasone!'

Andantino mosso.cJ, = 132)

Voice.

Piano.

~ t I ,.....-....,.

tJ

It t I

tJ

---"'-lllo• _l_

~ y" -'" IJ'

. . I

- - te.

.?::::;. - v~!

L1 L~ t: • t - ll- ,_ ,. _l_

I f . .. - a

,/

Jl ~~~~ .

J

l

. Su que- sto De-lig-hts yet

L• ~ :-- Jl

p' .. ;:~ •

-----

te,

l

mio un -

t

tJ '. ' r 't·l I t I r rd ~, ti r p1u non s 1..; a- e e_ gw-te a - mo - re, e

not to discov-er, Your trouble were wast- ed,your

.---. I I ~ I ,.---1"'"""'"' l ~ ---.......

• --

FRANCESCO CAVALLI. (1599-1676)

fer- ma

-l"f ~

v r r I •' r

deh co-re deh ptu, tast- ed Seek not, seek

I --k I~ .-1· - -

L.......J. 1.

- -v

I r ----~ • rd' gw-1e a- mo -troublewere w~

r 1 1 ·~ .D

r v I ~ II_ ~ ~T. l -~

~ __, - --

' CopyrigA.t, 1894, h!J C. Scll:i'rmer, Inc. Copyright r.enswed, 1922, h!l TA.eodore Baker 11573 Printed in the U. s. A.

~ I • j j Jy - Jl • rl .... -· p ~ I p I -,11£ h-1_1"' - .. -- ~- ~--.,._.. v [# .. _...

t) I r re. De-li - zie mie ca-re,_ fer - rna - te - vi ed. Ye dear-est of I!leasures2Here let me ex-

~ -=.

r~:::::--._ fJ I • >...- I ~. I ., ., r- I , . - . - .... - . . . _..__ -yv L J - I I p .,-f <

I ~- ,_ ~ ~- >..-.. a * - .. .... -. ,.. _, - I -

~o pili bra­long not

~ I I . l > 11 rl. h "" p· , I ~ p r P P v· Q

' :.11'1 .... _ .. - ., ... -,._ I" v ~ ,-.:-\.'U' -· u r r. h t r r r

rna- re, rm a-s a co- si; non so phi bra-ma-re, mi ba-sta co-treasures, Nomorei de- sire; I long not for treasures, Nomore I de-

tl L I -• ~ >-- --..

~ . . . -· -:tJ ~l I - - _llf ...... J I I I .I -----~

I .,.-- ~ f:-. -----..,. ----- - ----...- -L---a. _. --. .

U1'78

1

si. De - li - zie mie sire. Ye dear- est of

ca- re,:­pleasures, ~

' I i fer - ma - te - vi

Here let me ex -

, I Ill' ~ ... II'

~

IJ I •

It v

<

~~

IJ I • _. ,olft

IJ L.

'· v ~

,II~}! . L _L

\ _,_ --~

Ul78

qui: pire;

I

J ......._.,

.._ ,_ l .I .. .I I

> > ,.~

> ~ Jill"

v I "1.

fj l J)-'J

~ • ]L~ llll-1111""'

'I I.

j

l I. .. ... , _I_

'I I

non so piu bra-I long not for

> ,.,. .~ IIIJ.. -

I

f > .

r --

-

. l ... - . .

y .r:- ba- sta rna- re, IDl

treasures, No more I

.r I, .- ..J . . . - 1 . I l .........J I I -j ril.

j_

•

>I':', . -· - ...._.. I

ff ___ ..._ rit. ~ I':\

..:::-----_---------•......... i. ,--;:: • -.,. .;:---.,. .,

I L.C - • - -

L. .. , J

co-de-

J

..

__. - _11 _I __. , In En-

B

26

II r . . , I I ~ p p ~ ' -~--\: J t) r I I

mo-rir, mo-rir mi con-To die, ~ •: ... I. t "' '-

I If

It ~

II '

t)

.. u

"' I I • 1 r~- h If til" Ll'

~ J )> J. .

-·

~

--y ~

_.-- :s -~die were a l: t! -a t l• .P; a .. _

""" 1::- Ill Ia - '"" l

l I f p

"" ,. - • 1'- ~r1'-. Ia !"" -.. l"r

I

vie - ne, dol- cezza.,_,o - mi - ci- da a mor - te, pleas - _::u~re;:;;..J·:...-------To mer.-cies so ten-der, so ten - der

fJ I. /~ I' i: ... t l • ,;--. - l I ~ ~ \~"~~~~@~m~~~~l~~~~~~~~~~~~~~:....~4:._.~1~ ~ f p

~~~~~L~~~~~~~t-~~-~~~~~>~~~~~~~~~~~~=~~~~~~~-~~~:~~ [I I r

fj 1 I ~ ~ _,..-..,., l -----~ I !"" . ·- - --_I""'

II"[ I ....

tJ r • ~ r. . ~ r ~ . r r ~ a morte mi gu1- a, m1 gu1- ~a In brac-cio al mio be -My life, my life to sur-ren-der, Em- brac-ing my heart's treas -

~- - ~ .. ~ "' t -.. I l 1 r- I

~: ""' ""'

l"'l' - -I _JI Jl y I .........___./- • ~r- r

< ~ = I ----- .. !;". -~ ------ ---

\ -.... I --tJ l_ I > l

~ ~- i J; I J I I , I ~ " r r r ne. Dolcez-ze mie ca-; re,_ fer- ma-te-vi qui: ure. Ye dearest of pleasures,Here let me ex-pire; >

tJ ~ >-.. I t.. ~9', ----~ >~ t ,=-h I I

I

""' .... ~ - .. -l tJ

- I I v ,-< J.~

I - >

~ ---~ ! .. . 1lt > ~ ~. • .... - • 1/t . \

..L..ooolllll I -f11)78

!

!

!

-fJ t l l

" .... I .. ~~'ln. v rl - l .u . J

1.1 -· - I V, .I! I

tJ . ' r. r . . ba- sta bo-non so p1u bra- rna- re, IDl

~> . I long not for treas-ures, No more I de-fJ I .. &- J -~ -!- k- - • .....

M..-11 - - . . ~ v ~~ ~· F "..l--. I I I

- . .. . . r

fJ r , II ll I'll " If .... ~ " ... .

"-I'll .... ,. J I"'!' -~ r r r

si; . ' non so p1u sire, I long not

fJ r ~~- ... > -.. f)' h.~

II. I" frl"\ V' ,.. .... . \:1.1 - .... tJ - -

•• .,.-..__ .. .. . _,

fJ , . .U rit. assai. 1. .. . v r Kti ba-sta ma-re,

treasures, No morel -fJ I r I J j j I - .

"- .... fl .

" tJ I 1 ......... I I

ffrit. mol to. I . . -·

-!"':' v

I

·- I - l!H -· 1""1 I eA por· .A I

[/ ~I T I .A J r r r r r r I

bra- rna- re, mi ba ~ sta si; co -for treas-ures, NomoFe I de- sire,

- -- - -- .... ,.. -,.. .. ..... I I I .. I ~

• - ~ ~- -,.,

fer- rna -~te-vi qui. Here let me ex-pire;

>

l !"':\

I

co - .si. de- sire. >-

'J .,~ >~ J I : .... ,. "((Ii-. ~--1"1

• I I

'1 f~ ,---. >- ==-->_.- • .,. ~.,. .,.

~

• v --

·' . I - - I l"r 1 ....., 1

r r r-. dol-cez- ze mte Ye dear- est of

>m= ::::-.... I .'{........., ..... - - - ... - -.. ·v t

f.---~ -l"r v

f espressz'vo.

Non so pili bra­I long not for

>~

f

~--........ >-•: - .............

l .. - I 'I I

> .c=> ~ ,.. I'""

~

l

English Version by

Dr Th. Baker ..

~ I

Voice. tJ

fl I

t ~ tJ

Piano.

I~~

fJ l ~ v I

tri - ci hopes,

fJ L

'v u•

< J I J .

I

~ L -tJ -

oh-

28

E quando ve n'and.ate. (0 when will ye e'er leave me.)

Scherzo.

Quasi recitativo. ANTONIO FRANCESCO TENAGLIA.

(16 ... - i6 .. .)

- L. I "

1 I

..... -r r r • • •• . , .... E quan-do ve n'an- da-te, spe·- ran-ze a- du-la-

0 when will ye e'er leave me? Ye shadWy, de-lusive

I I L- .... I

• ~ ... .. . . . .;. . . • • .. , .... .. . ...._____:::_....--' '-' ~

·~ -, - --- -.,.,

,~ . .

l i. l r· ~ p I ,j

~ r r I V, Tl

8.1- Ia buon' 0 - ra? Non v'accor - ge- te an- co - ra

at last give o - verl Why canye not dis- cov- er,

-- JIJIIL_

-1 . I .. T' Cl. -8 l ~ I::--

J .l J. &

I

·~ r .. ... I I

y I 1l - n

i- me! che m'an-no- ia - te? e

well - a- day I Howsore ye ~rrieve me? 0

fl L I I

I .'1: IL

' tJ

u....__ <

,t ..

- ~ --......... ...---......

,_,• . - .. r w· r lli _....--

,.- f'.. ----I

Copy rigid, 1811, JJa IJ. 8cAir71Nr, Inc.

Cop!JrigAt r~flfttltUI, liD, liN 1.'AMJtloN .8-r Prbltecl in Ole u. S. A.

----...J -Ll i -

--... ~

:l9

~ I f~ L. l ~k ...... a - r - -.fT/1, y I .A .., .-I _.. - I

~ ,J ...1 I I

.:.; '-..-• r r r r r I

quando, e quan-do ven'anda- te? quan-do, quan-do ve n'an-

'\vhen, 0 when will ye e'er leave me? when,_ when will ye ' eer

li r I I ~I I • -II. 1'111

~, ,,.... I'"

'-!..LJ c. '-' Tl~ • r;, • r r'--r .. ,. -

< ~J. I

' ... ,. L .,

..... ,..... I ... J+'"'

.... ~r;, .t!j

~ L Mosso cJ - 1H~) . -

~. I I

""' I

!:[- I - l'[] . .r~

t) n .. "' TJr· 1 t t

da-te? Io p1u Ia- o In

leave me? Not a breath to

~ ,_ _...---- ;;;; ~"""':::.>

~t) . ... ~ .. _ ...

1':- ..... - I'lL.

nr r r r r r r j·TT ·~r i 11"1~ :; ~ J--J /WI it .f.}:

I I J. I . I

... y ... r· ~Pr r'' I - ... I . r

fJ L I I ~

~IJ

t) 1'l r -~- ~-sen non ho da nu- drir_ vo - stro de - Sl - -

spare have I To in - spire your as - pi - ra - -fJ L I I .- --..... .......-----..

1--il'l_ ~· 11/: •• ~

'11.1

'"' .... ... ,. Jij • ~ rn,-1!11 "----....!!.

<

I I - ..---;;:-... --- 'I

- -rJ

Ri 1 t (J ~

sou o. =L.76 L. ~ ~ I -· I

_I v t) • · 1 r r-. ' r r r

re; n - so - ve - e - v1, ri- sol- ve - tevi a par- ti - re, cliio per -tions; 0 de-part, de-part, and end my trib- u - la-tions, For I , L I .......--- --t

'-' .. I I I I

) j

- • .. -........ t -I - _I

' I I

ltl'74

fJ L

~ I I fl

IJ t I fl

11. k trrn v ~

tJ

fJ L 11 fl

t #( h ,_ "' ~ ii fi)

<

' / til ,-

1'1 r

4!.1

IJ I. I

trrl"l y

t)

<

~ .....

IJ I

t)

fJ I

I

~ v <

I '}= . ~ '

Uli74

I r I r I

voi mo-rir non vo~

ne'er for you will die, ~I

-I I I

I -\

r r r. r , pric-cio VI man-do hith- er must Y.,e fl;,t

J-- 1 .. L - -- --I i I

-~ ,.. ,_

l l

. -· v

¥.rt~hl ·i 01 s1e _rg Spur a Ar-guses ye are, yet

-n ..__• "\,.,.__-411 '-._W'

- ----,J I

Recit. come prima. l . I -· ... -

I n 11

I

so

1. I . l J. J;l j

r cllio per voi mo-rir non vo'. Qual ca-

for I ne'er for you will die. Where-fore i ~ ,.......::::..

... -~I

,J.

I

l l l

" l . LL I 6111l.I ~.-1 -T'f I. a tur - bar la pa - ce llll - a?

To dis - turb ~ypeace of mind?

-----~- --..h I I I 1 .... ) .. -- .. ,.. !l-.......... I TTj I J I I I J

I

l _l l l .... ... .. " 1/ JJ, -· -·111.....t. I .,- ~- ..

vi- a di parti:r non ri- tro - va - te. E find No read-:f way to un-de- ceive me. 0

(" 4'" ::;::... --;:------._

. r r r i .,- r:.,-,r r

~ --- - • - J-... .

I

: poco rit. e c. J >

J> ;bJ>I I l r I 'F I

quan-do ve n'an- da- te? quando? quando? quando ve n'an-when will ye e'er leave me? 0 when? 0 when? when will ye e'er

I I I• t• J ~· I .... \. lt. I f r f: a . !IJ - I "' ~-

l ...._ - 1].-. -- t f r• • ; :n:: • • ~- ·-col canto - - -•J r. . l'

•• . . A ~ .. - I I .. • •

31

, I. Ill' lrJI I I .,

I •• -II .. ·

YLf II IL :r t) Tf

da- te? leave me? JJ:Jr ,j~J ~r:~J. fj L »J J. .b ,J .b

( I Ill

1.1. h -~'"' .... ·'\: Lf , t) I

<

tt I . "" . -· JlllJ ---1' I I

Mosso.<~= u.e)

fj L

~ ~ <

~I .. .... L O_J

•• I £1' f. A

fj L .I I II ~ h

'"" ... '\: 'J

~ .... re

\. _L , I I

• -I

A pen- tir Shall I ne'er

\. \.

r r I - d

I

• TI

che'l cor v'a - pri -

-- .. • -- _.!.L . - ~ . • A ""t

I I~

•• .. .. ------.:.._I

II .., - •. U•

dun - que s'a - vra cease to re - pent

t·

I . I I

la mia That I

r1

~ n;~. ----..L:-. --

I I I

I I

a? Deh pren - den-do un dol-ce ad-oped my heart so blind - ly? Do but h" ''f w ts-per are - wen;' and

f1 I - ,--- --:-1 I ) :::; - I ::r - I 1'"-=-.

li - .... - .... _,_- -· r~ -U..CL - " r-

~

~f r i r ~r· nj 1'- .....-, l"- I ,...__..

--.J I J .. --- ---......... . :'":.. r- . . .,. ' I I I

tl L

I _.. []_-~ I 1 .,- ~~- U•

eli - 0 da-te a me la 1 - her- ta, '-'

kind - ly :Free a heart so pen - i - tent. fJ I ..-..., ==r I :r I I t~l I I ..... IJ . -

II n•

Jr. . ~ J 1-.....__ I l ,, .,r .I I ., r I

~

I ----- - -.... 1 J I - • ...,. -----I . u u - " L

11174

32

"' r l I l

J J 14::::;~ J I ~ I I t c r , ,._I" I .._ .... ... _l J"'"' - - -·~ ,_} J

tJ fldeh! l, I I,

d~ce dehpren- den-do un ad- di - 0 date a

Do, do but whis-per fare - well,- and kind - ly Free a

~ I ..-.I I . ....-... J~J J/~J -~- J,J

11 . 1.- 1.- - ... --jill( .... - - - r~

t ~ ... r~ .... .... r: -~II -'tl l TTl • I I I I I I I I I I

< > pp

• I ...-.--..... I . .

1'1 ~ .......___.., ""' ~· ~~ ~ / ·•

Risoluto cJ -76)

"' I I . -

I II ~~ J 'll ) JJJI . I • - - -Per

... .... 1 r.J . \.' lJ I

tJ I I la me, date a me li - - ta. Io da voinonbramo

heart, free a heart so pen .. i - tent. Yetwith-al it is not > .

J~ J"~J ~J--J 1\ I J-'.J J -~ a - - - " ~~~~- - - ... l • k - - - t"' .... ..,._ .... ..... .... ~

--.-.. ."' v l I I~ I I I '---1 1• ... -

<

~· - 1'--- I ..-- -.....-- .......... . . - ..... ·--. .... -- _L'l. _I> ~

...... u-. .... r.J • r- --- 1"' --~ r-.-~ ....... __..., I I - T

fl I L. 1 L. .. ro. I 1'- J.. - 1

I - _ .. -- N I I'\. - .Jill" -. I .... •. ......_ --· - - .... --· .L v (;.If I

tJ I r r r r r r r gia UI1 par-tir sen- za ri - tor- no, anzi._., a far nuo- vo sog-

meant That 1a ban - ish ye for ev- er, Ye are wel-come to per-

1\ L ..--..,_ J I I J 'JI TT

11/1( ... .... ..., .. -.

' tJ ft .. ... .g. .. - ...

~

~~ ~ ...-----;-----_

I'"• L . ..1"'" T .... '(]1-

I - !* •

fl r I 1 l .. _ - N_ &

Ill Jill' .... .... 'iO r I - • .. r

gior-no gra- di - ro, che Jd - tor- nia - te, gra- di -

sev-er When I trust the cheer ye'd give meJ When I fl I I I l 1 _1----- I

-----..._

I J/T I '(]I --'- --~ .... ...... -- -- _...._......_

I '"" ... .... - ·"""-__._....

~Lf -J -- -- ~ _1 • I I tJ • '111 i r j I r" t fli

< .......... __......

~ .;

>

\ ~ ....__.~.

_If - ... ~ ..... ~

33

, I .. ... l l . IJI I .. T • ·- - I

T -- ---. -- • ~ .... I '

r r: r r: ro, gra- di- ro ehe ri - tor - nia - - te, an - Z!Jl trust, when I trust the cheer ye~ give_ me, Ye are

/l I ..-..,, :::---- 5 ~ I

"""' l

.. ., I'"":

IV u r Trr • • 1

II - ~· .. .,; ·~ .,; -

1'1 I l cresc. /JC _-....·~· _ .......... lf{ll. L' ---- .

espress rit

-- "1111" .,-

7

tJ I • f r I ' -y -~ '

ehe ri - tor - nia te. ~I a far nuo - vo soggiorno gra-di- ro, gra- -ro -wel-come to per-sev-er When I trust, when I trust the cheer yea give me. But ,

I I I I I I I T 1 .~ ~ I .... \. ._, _, , .. I - - " - ... ..... I tJ ,-~ .,, .. ,.

i ~r <

It --..... L .._,

l'l- - ~· .... " ..... I I • - - I

Reeit come prima ., i> . ::;:r.. nsset. rt. , t l cresc. - l

I I .. -I I

!V I T T'l I . quan-do ve n'an-da- te? quan-do, quan-do, quan-do ve n'an-

'\\·hen will ye e'er leave me? But when, but when, when will ye e'er ~ I I I rr• I"'T'• r;-.

• ..... '1:

tl t.Ja. .... it.Ja '( !""

tJ .. ~ "~____::/ ' . ~II' "'r ) col cnnto

~ - nssni. rit. . . . . . \ - I I , +

lw11ghe e S11torz. 1'1 L

6C ... I - 1£7ili" !,_ ... • 'L'LI' T

tJ T'l

da-te? leave me?

j~J~ffi. /1 I ~J n J:J~J J J J) I':J

' - - -- - . . .-.... .,. ,.,.,. --r.l I -- .-I I I ..... T

l v I -...._ - I T y I q~~ :~ - n fe11lpo. - ,_

I -~ Pf, - -- --- . ~I I . ... .. c. .. I J1 - -· I . -.-

I ... - ,... ,... .... , --\ -I I I I ~ "":" ""!' -

E.nglish Version by Dr Th. Baker.

34

Quando ' sara quel d!. (When will the day e"er be.)

Strofette.

Allegro g·iusto. <J.- fit..) fJ - I

ANTONIO FRANCESCO TENAGLIA. (16 ... - 16 ... )

I I \. \. _I

Piano.

I 'lJ - • • • ...... ..... ... ... .. .. - -- .. IV ~ ... ~ .... ~ <

i >~ >........-- ....... - > . . . . • - - r~ • "' I "'

,.. ---.: I IJo' I

I I I I I

, a I l I I r-i v-i \. \.

', - • • 11'""- "' ... 'CIJ ..... ..... ~ 4i:__; ~ .. ~- - - ... - ..

< -==== I > > ,.,..,-

---~ ~-......, 1 ~ , -. ,.. r~ -. ,.. - . - u L I .

I I r >.._, ...___....-

(~ = 116.) fJ Voice. 71rfl .J - - - - - - - _j

I 11 ri I"{ IJ I II v Jo r I

Quan - sa - ra quel When will the day e,er

fj I I I <~ = us.) I

• . It v - ....

..-__.~ TJ .. -'-_./- ... ~ u < ~

I cresr.

-. . .. ,. r-1 •

l I I .g.• - "'- "'

1'1

J IF I \. - - I \. -yd r· * '

,.. - - - • - ~ .. _ , ..... ,.. I "' " ·-!tl h'' . I da I r

di c 10 m1 veg- gia te fa - vo - ri - to d'un s1? ......__, be That my heart thou dost bless With a soft - ly breathed yes?

fl I I I r-:_ \. ~

~ r~ ..... • • • • , .. "' - - - • ..... .... ..... _.

~~ .-__; -"--i ~ .. .... ~f- -i-1 < ~

t I

, ..... ri ....... -s-· '-------!_- .,- CJ• .fiJ-•

Copyrigld, 18941 by (}. Schirmer, IntJ. tJl)7:}

Oopyr't'ght renewtJd, 1922} by TheodortJ Baker Printed in the U.S. A..

IJ J# ..., II

r'" .. AI

v -dil tell

ll > 'If . .\:J.l .... -v

~ ' . . . "'

ll It .. - ,... -r'" A

,.....

tJ I leg hap

ll I ~~ .. 'it) "I <

I l I"' lila •J

••• J

"' -U.fi76

-

se der

--I

-

+

• lo it

r

I

ger: py

-1

-

II .. .. -tu; me: >

~ , I

rj •

che sul On thy

--=- ' f

I l

. ser -slaYe_ I L

II -..

~

r j---'1

.rio .....

35

I II

"' L1 .. .. ~ .... -se a, ca - rat ~

Shall the love --... ... r

I

rj

I !

lab - bro a - mor ~

ros y lips,

II ..... J r I

·vi f'' ?l.

to thee? I

.. ~ ... W"

-.. J I > -. - ~ r

I .J -

- te -- writ

-- r_ I -

I

~ boc - C'a, lov ed, >

I

r.J

ri di signs so

I ----_,,

---r r ""'

I

po- se, mi fai ren-der Me a

-

I II

-- .. .. -~ --

>_ " ~ -

1 T I

-, I I

36

ll I - I - I - I - I -I

'-' Ll I 't}

I I) I J J I I .1/T

liT~ - :oiil '\:V --- - -~ I rv -.___; ... •___; .. _./ ~ .. . -~

~

I > > > _.;._ .::::. -~ r-.. - ---. I - _,. ... ~ _LL ~ --- -. • ,. - . _, ... I

I I I r T I r

I)

- .... _ I - I - I - I v

I) r--1 I _j_ _l I I I .. .. __j_

jiiV • • • ._ __j_ • . ... ... ... -- ... ----

... I .. .... -- --- ..... . - - .. - .. -;_,; -.._,~ ··_;---v ...

< -=::::::

~ ·~}: I I _l . __l ~>• .11. _, -u - t" -~ \

--- - '·I I ~ ......_______. .......___, I I I ••

ll 1/lestamente. l I I I I I _j I - - •u • I ,. -'\:IJ I I I If ..

tJ I I I I

~d - - - -

Con- to l'o- re ad u-na u - na co-_me fos - ser One by one, the hours I've count-ed As they pass'd like

I ll ...,....--..... I - - I I

\~ I .. i ·~ i ... .. .. ~ •i

) '-.,_; ~

l . r.L • u •• •• tr-

I)

j I,J I _I _\.

I r J ~ • - - I .11 r I v ... I I I

an - ni in - te - ri: ma nel col - mo dei pen - sie - ri, '-" years de - spair - ing, But my fan - cy's flight most dar - ing,

I ll I I ,--... I - I

\IV ........ .... ... -- ..... .... ........ ...... ,,. -... ~ ·w-__; ... -1 ~_/ • ~t .-r-~

~ -~

f.:}: . I f

r.L I . . -' -..._____::__~· ......._ _!!.;- u •• ttl'71

37

fJ I I - I I

"v

"' I

n'el c'ol ~0 dl. '· '· t~o- ~o rna - e1 pen .. s1e - r1 scar - sa But my fan - cy's flight most dar - ing To the heights of

I fJ ~I ~I I I I ~ I

I .1

\ .I: , , - ... ... ... -- ..... ... .. "' - - - - ~~ -F - - - r r r

) =:--::=-

~ ..... .. L

r~ M -----,.- __!I:" U, • ji-• ~- u .._ ~

fJ ---- - I I I f . r~

I ._

"' ~~ for tu~ na. E ~e vi- ver si puo -hope scarce mount - ed. If for life one hope yet

fJ I I I 1----..1 .l ::::....

\ 11

It • ... rift ... - r~ .Ill ..... - ., r...L •

IJ - ... ... - ... .. ... -t) rr rr ,. r ":"' ~ i- -~~- ~Lr r r ) f -= = ~ "'

/ . \

~7f-:..__ i'J.• ----- - u ... • -~

p a tempo.

rat - te -

- -fl -~· ....

I ,... - ... r~ .... I ,., "' - ..... -

ri di ro - se che sul lab - bro a - mor ti '--"

signs so ten - der On thy ros - y lips e'er fJ I I --- ::::.... >

( .11

.>ilft

"' r r ... : .. - • -~ r ~ r r ) -

I ~ -- r--... .

L '\ 1

I I I .. ... • ·~ tfl'71

38

fJ --w . ~ I - I - I - I -...r -Cifi f:J

""TJ'I"'£T ,.. - A ""' -~'I;' -...- - - .... u tJ -- fai 'I r T ! r • t' ? pQ- se mi leg- ger: ser- Vl- U.

ren-der Me a hap- PY slave to thee? l'l I I I I I I

-w -JIIIIr ~~~ --. rT~-.-

---111.~ .... - .. 111 ~ \: -.oil .... .. IV r r-= .... ----~ T i I

.... ... ._/ .. y -~._.~

' 'I 'I ......---..._ > >

txT• . - ...._ -.. -.T , - 1"'1' .

7 -.: - . .. ,.. -

---~ ... ... • ~/ "" - I l I I . r l'l

I I I I - --- - - - --tJ

fJ I I I I I I I -, ' ~ ?T , ~ - .. - , • , - --. -.or -.r .. .. ._ ,.. -~.r -.;r

"17 -wr 111 --- - .... 111 -- 111 .,.......- -..r -v T ~ -~ ~ ~ ·..._./- ~~ --

~ "--' > > ./ t--. .-... ....---..... I I - ,. -. ,, . . -1"'1' - 7I -.oil -- n •

I T I r > ........___..,

CON brio l'l j,

111 - ttt=L±±r j I * •Bid II

"IJ rt.J Lamia fe de ' 0 - mas-si-Yet my heart tells me, that

fJ I I I I I I -w ' -~..,.-- 7 , • ~-, .... . Tjllllll£ - --- ~~.: ~~ -.,.- ""'f '"'[T :.or -- --- ~ ·w-r -., -'• u -.- u u Y._;i .... ... ~- ... __ ,7

~ I . , . Ill . . --j..L------ . - ""' ill! --"--' -- I I -~.- -6-·

fJ -~ . :-.~4JW ~ r I F~ • - - r ll"J''''[ -- .... --...

\:V .n tJ ~

~ I T - T r d' cu- ra che par - lar_ sem - pre_ 1 no quel - la don- na nev-er One whom Nat - ure did_ en- shrine In such love- li -

fj I l I~ I I

' Ol" -Ill-~,.. ,.. - .... -v ~ ..... ·~ i~ f .. ~ -i-J 'i i .. ,__..

. . . 77 -..,...- --- Ill. .g.• -.r.r r. -6-· ~---#11--

fJ ...--........ J.- Ed

-w ,., 1 - r I I ·-,r --- ,... I - .... _~ r· T~ I fliP fliP \:IJ

tJ m~i non ptio, che fe bel ~~

la la na - tu - ra. ness as thine, Can with "no" for aye_ per- sev - er.

fJ I I L-..1 I I I I -w ' ' ·-,r --, --.oil --t/lf.., • ... ... Ill• t) tJ· ... __)" - - · ...... ___.../ IJ 'I f/1 ... "':' '*!-

-. -~ -n --.-.r .

"'-"' 0 4• .... • . ... •• ...._ -......... -----------U671

39

a tempo.

f1 -I

-.,..

~ ~ ..... v - - - f

s~' ca- rat - te - ri di ro - se che sul lab- bru- mor '1

Shall the love writ signs so ten- der On thy ros - y lips e'er

tAJ -------.---- I~ ---- --II ~ - ,~ ....

t.J .. ... r-r r r *1 .. - .. - 'rr ,=..

F < f I :::=z= I~ -,....., . ~

,.. I

-'1'1

I I I I I l .. ..... .. ..

f1 assai cresc • I --== f 't rz . ........

• --- .. . ~·

A ~ ... -.: I I

_l_

tJ - I I l I r. /':> po-se mi fai leg- ger: ser v~- u. ren-der Me a hap-PY slave __ to thee?

I} I I I I I I I \. \.

I -... .'\:.JJ ..._ - - J -!tJ r r .. ~- 111 - r l - I. .. - l! .. __;

< - f con brz'o. '-....._

~~ f rit. ill ~ ;:::::....

~ . ,. .

.. . :;j. ........... - .. - I • I I I I

' ~ I l I I ~

-JV .. ~ ..._/ ~ ... ~- - -<

• - > l.l - ,.-~ - >~I i

f ,.... __l_ -· --

' J

..._

' I

I I I r ;;::.........._...,

ll I I I > 1..-...1 T f .l

t. . . - .

_C\.'_U' I ... -,., - .VI • .v •__; • •.._.7 ·f --v- j I -.........::;: :::-· ~

:::;:;:....---..

• I f ;;::....

I /"':'-

' TJ.

~ . """ . .n• ... ....____. - ;;-_--- - '!- ~·

English Version by Df Th. Baker.

Voice.

U176

·1"­,u t)

I ~ I .

za, ing?

40

Tu mancavi a tormentarmi.

(Wilt no longer thou torment me.)

Aria.

Adag·io. <J = es-t.) .P>....--._

MARCO ANTONIO CESTI. (t61t0- t669 .)

r· .... I r ...... ~ Tu_ man- ca - Vl_ a tor - men -Wilt_ no_ long - er: __ _ thou tor -,... ....... ,......, - ~ ..... !--.

I ....... ..... -"':"' "':"' . . . . ~-

- lis - si - ma spe - ran -hope, no wish ful - fill -

ri - mem e con Of fond

ce mem - 'ries art thou_ dis -

CopyrigM, 189#, IJg (}. ScAit-fll,6r, Inc. CopyrigAt r611.6to6d, 1928, IJg T118otlor6 Baker

Printed m thet1. S. A..

I

~ L

...,

/ fJ I

\v ) ( . .

U576

41 ----~ .... l 1 I ::::::.. . b I I • I ....., ..t --ran-za vuot di nuo -vo av-ve-le - nar - -

till ing A ne'\\r poi son_ to pre - sent_ . ~ - - ..... - ......

• • ---_ ..... :II

~ ~ ~ ~ i·i·i i .~ ..... ·~'! ! ~-'!--'!- ~ '1~i" .__.....- ·-.....:.___:,__· ~ ----------· -

I

u - ~ ------ ---------------------------------

dol - ce rimern- bra.n mem - ,rtes ar1 rlis - till

p

za, ing,

di

. rni, me,

- - -. -1~~~~~~

·--------U•

vuoi Of fond mem-'ries, fond

crrsc.

I I

I

~ I. r--1 \.. . JI II . -- .h

~L I t) r r r !

nuo - vo av- ve - le -memries art dis-till-ing

A l ,......, ~ r---1

JL __t II. ~ _h

...l.l"'"l_ J!' 11'_ LL • ;-

' t) • • • ":""

~ ·~

I ~:: -,..-..... ----y II

'7

Moderato cJ - 96 > 11 I

- . ["'\.

t)

An- cor du - ra Mor-tal an - guish

11 I

\~ I' ['\ .... - -r r i i

? 11/f

. -. Ia

.!!I. I""' I""'

I I 'I I

f'1 I

4!:J ~ ce - ne - ri - ta, love_ con- sum - ing,

~ I ~

fl I - I

v - ...... par_ m'avver - ta soon_ are_com- ing

_fAJ I ~I

( .. ..-t ...

) tJ r r t r I I I _I

..... I. r~ - -f r i r

11576

42

-f~

Q Ei I r· P 'r. II.; ·- . _loll,..

v I r •

nar- m1, av- ve- le - nar - - mi. new poi- son to pre- sent me? ~ ---- r--~> ...-t r 1 . . . . . . . --- - -lll.olll. ... - --- _._.... il.,

Ill!_, .., Ia Ia ._ • -- ... ... ,... ,... ,... . ........ ... --- ... ~ ~ ":"' ":"' 1.....1 u u u "!"":"'~ ....

f rit. :::::::-- p rit. ~ .

;

-~ - ~ :f§• :r;

- It> «[? gJ l J; - I -· ... - .... -... - - I -..._... s~n-tu la_ - ra d'u - na_ fiam- ma in -

So_ to_ Ian guish In_ the_ flames of a .... :::r_....-..._ l ~ ./"""" ..;;;;. t - r .... ... -

.d -.. - .. -

t r_ I I r I I i

I

~ ~,. • • I I I

- - - .. -• l"'f 1"'1: I I"'!'

!:

-

.,.

_,.--, - -

6.

~ ...... I

la fe - ri - ta an -And my burn - ing

::i ~

co - ra a-per- ta Wound fore-bodes how ,_..... ,..., I '

I I I •

~ - .. ...-! - '---- -._...- .....

nuo- ve_ pe - ne. Dal ru-Woes re - turn - ing. Tho' my

- -- /-.__I I ..., -..,, -- . -r - r· ~ c~- r ..

~

.., n 1~1 . In

'j

_j

•

I

fJ I. ~ .... - -\' 'J

tV -mor_ chain

fJ I

I ...

IV <

~

I . •.. rl. L

\ -

Ufi76

...... ,..-.... -.... - .... ,.. -

mai I

. .---.... --- ~ del- le_ ~ d(L_ sore-ly_

i I I .... -~ '! -~

.:::>-

I I

-

43

non ve- do al - Ion- ta- nar - mi, '-_./

re main,what e,er_ be - fall me;

,_... ,..... ~ _><...., f.-;. - -.... ... ~

·- ~ f IP' - - ~ te - ne_ mai non ve- do al

gall me,_ I re - main, what

l I I I

.... _, • • • • • •

f L.- - • ..

I I

I I

-

,..._ - .... ,..

dal ru­Tho'my

--.... -...___-~ Ion - ta -e'er be -

.... ~

_, ... ...

I I

I I I I

fj I

~ ... f.)

fj

~ I

~IL f.)

f _, .... rl

/1 I JL _I

f.)

fj I

'"

' f.) -<

f ·:: ~. I .J' ft

'

11176

Tempo I.

p doke . .

I •

tar - m1, ment me,

r-1 ~ ~

~

"":"" "":"" "':' "":"" ":" ":"

----------I .

I

-· ,. I I •

bran- za VUOI

till - ing A

~ ~ ~

•• .. .. ~ .. ... - .. • • .. ... • • • • ..... ..

44

-- ~ l -· . - '· r I cru-de - lis - ~n- rna spe - ran - .. Cru-el_ hope, no wish ful

~ r- ~ - - ~ "':" "":"" "':" "": "": "':" '!' '!' '!' 4!' ~ ~ -----

I

.

. y

-

e con Of fond

II -r- -J

--------ftU----

dol mem

l -1""1'

-

ce 'ries

--I

di I r r ..._....

nuo- vo av-ve- h~ - nar new poi - son to pre - sent

-:- ~ ~ .... h.- •J .. .,. .. ,. .• -- • ~ - Jl .. .. -r .. ~ --

- fill - -,....,

~ ...... , "":"" "':" ~:ii :iii l' ~ ...

~ --I I

ri - mem art thou_ dis -

- mi; me?

- ... fllllll

• • • • • ~ ~ ~~ .. iri i i -1·-1·,. ,.. v~ ! ~~"*! 4!- ,~~ ~t~~~'"~'!" ·-.:.__:___:___, ~~ ........___- --------I

u - it U•

il I

11 '-

tll'76

45

dol ce l'i-mem- bran mem - 'ries art dis - till

bran vuoi di nuo

za, ing,

ri of

nar- mi, za 'ries, mem- 'ries to pre-

p

vuoi Of

di fond

r r 1 r. ... nuo - vo av- ve - le - nar- m1, av- ve - le - nar -

cresc.

nuo- vo, mem1ries,

eresc.

r ' • - mi.

mem~ries art dis-till-ing new poi-son to pre- sent ___ _ me?

,....., ...., r---, ~ .~. ~ -... • IIIII ...... -... ·~.o . .. . - - - ......-~ IF

!!"!" -: L...l L.:I u u j rit.

• • • . . 7 ·~ -

-... ll - • - .::

i~ ;::...

di fond

I

\ <

I \

tt <

I

46

Ragion sempre addita. (How dearly are prized.)

Aria.. English Version by Dr Th. Baker.

Alleg·ro. <~= ss.)

ALESSANDRO STRADELL~ (164&-f68L)

Piano

/ ~ ~ f! .. >.- I - r I ., \~

. . - -T

- . : - - ...lo - ...._ ~ ;:- • r • r I 1 J >

-< f t ;: L.L - > > > . . Ct _I

I I ....! Ll I r 1 '---""' -

v; ic IJ ~ +t 0 ~- l

" li.. I r'\ 1 - ;=-c I IPI l :p JJ I • I .... - p ~ - llr -\ 1 'J - I j

t) - r r

Ra- gion sempre ad- dita ad al- mil~ gen - ti - le che a-mata o scher-..__, ..__, ..__, How dear- ly are priz-ed True souls that per - sev- er, Or lov'd or de-

IJ ... ~ 1-- " - ~ --, - .. ~IJ = t) [ T r -r· >

..1.1. - ----- ..... • -.. f!:.~ . \. llr - ~ ... ,

IL» tl f p do!re. l l l >

Jr j!ll'lolil ' .. 1'\ I r'\ -~ - -..-;;a ..... -.. -'-1. Li I I - I - - l/11111' -.-..... -- -Jill' -1 . _IIn n -- ...... - I llr -· llr f j

.XV - I I y f' ... J y

tll s[a- bil

r r T - r r r. ni- ta lo suo sti - le non ean -gi., no, no. Io pur se- gu1-

spis - ed, In faith-ful en - deav- or, Ne'er changing, no, no. It fol-lows, I

IJ ~ft-----.. ---- .. ---- I r T I I I 11 •1o1.r .

_6f Li - ... - - _;;;j ,..-. . f!} r· -r· - - T r· -~· .

f p -----jJ,~ --- - ---.... • I ........... -•• ~I I -,- .

_, Li_

l .... l ----CfiP!In!JAt, 1891, !Jg C. BcA.~ Inc.

Hl'17 Copyr•8M renewd, 1!122, hg TIIB4Jdortl JJuer P.rillted in the U. S. A.

47

fl ~ ti > l > I l I I l

• I I

II I lr'- - ..... .

I - o I . .. ..

\.'IJ - I/

I!) ~ - ., ro,_ io pur se- gui ... ro, trow, it fol-lows, I trow,

_;;;;:...._

~ ~_.lt ~ r T , .. -

\ 11 •• , • I -ll - ..,. - .

lr'- - . . - l

lJ .. - .._ -.. - . v -----·~ j:: _, - r· .....__

>..........._ / - ~ ....... --- >"--/·>~

) p L.L .-I I I I I I I . _, . -... - ... -· -· .

-.. -... - .. -· -"'--"' --- T

fJ ~ f! f I L. p ~ .

I ..... I - - /

tJ r . { rl . ' dr. r Y ---Che SCIO- g I ere 1 p1e a1 lac .. ci di f€ non~ .....__.,

>~ That faith- less a- stray, A - far from Love's way, I_

fJ~+t I ... I ~ L _ ____.-; ---. .. • .. - - .. ~ ....... - ~- • ·- _. .,..

v - i i ... .f'l' ... • ff-1 .j t'f-1'- .. • . .. ll

------- ---1..1. I -. .... -

/ "' _/ - -.. ~ poco rail

fl.l.t~ I. > l .,_

-,- I \. _V .ll'l' -,- -

J \U/ - --· tJ

ten-to, non vo; Che ·nev-er shall go; That

I fJ~~- ----- L.L~. J-~~ -~ - -\v

r- - -.r r- • ~ - .. ...... ,... ... .. -· ... - .... --~ -~. Jill' ,.. I""'• • ... f'-j ttrr ,._ !II!!!!!!!! ._ I U I • I r

) - poco rall.

{ J.....-...l ... ~ I -" -.... - - _.

--~ I"!"

._

• r' I r ~ :....J

111'7'7

v

11 » +! I

"11 ~ Jft'l. ~v

v

A»ft ...: ~

t, ~" X CJ I)

< I 1.1.

' L ~

11 ;; tt 11 """U.Tl

61 ~

-~--.: tJ

~ .. ft

\ Jl ,J.Io,.. ~ u.

tJ

) u.

f .. .

/ u.

"

Ul7'7

-I

I I

pH~ stray,

-

48

-· pp a t e:,!J!!!.:. ' --

d'ai· I • d1' l.:e' -ac - CI 1; non_ A - far from Love's way, I __

I

I I -pp a tempo.

I - ~ I"'[ "-. l'"'l ~ II' .L L .r 1

ten- to, non nev- er shall ~

1 r l ....

- - -

_,- .--......~. I I pp ~ l -"_11111!'

_1 ..J

r:. -vo, no, go, no,

I . _,.. .... •.. ~~

... -

• "' l"f

r non

I I l - ....

~ •

--- -~

'I .... .... ,. - --

I I

ten- to, non nev- er, I

. ..... j

I

nhn no, no, I ~

........ - -·-"r. ~

r--._ r:r ,J .

I

- -l"f ./ I r r r

ten- to, non nev- er shall

- • .. ll .. i i ~

,/

r .. > > >

- -. ten- to, non nev- er shall ~

---• .,.... . . 1 I

"- ..L -vo, no,_ no, trow, no,__ no,

> ~ . ...... ~ .,..

~-. . --. . ., ---.,.... I -- I ~ - pp - ,............ I . . I r ..._......-

~·

- ......-. - > ·- --,,.... .___...... ._

vo, __ no, no,_"_ non vo, __ non go, __ no, no, __ I_ trow,_ I

l

M1 ... .. '*' • i- .. i-----==

~ .:---~ -,.... - I

1 . ... -~-vo;---go; ___ ~ > ~

. -

I

49

Poco 1/tetzo. ll~ft I':\ VD - l I .. , . "l I "" .. I .. - ..: "-· - - . 'If T7 ~·

" r r r ._.... - -.-r J~ io pur se - gui - ro,_ io pur se - gui - ro, ___ It fol-lows, I trow, from Love'sway a - far __

f ll~tt > t:'\ Poco tJteno.

. J tJ ..... v• J: -s: L-•;_ ~----

....__. ....-......:__. 1.--

I .. LL----..1 I ~":;'\ I I I 1.-. . . . . . 1

\ "T1 "-. - ---· . -· .

~~~tt I I I I _., rit motto. I

I ' I • - . . . . . ~~

tJ - - - ! r r r. 10 pur se - gu1 - ro. I nev-er shall go.

, II ~ ft >_....--...,_, I .. l I

\~ I --. ... - ""l: . - --- ~· --- ..... I I - --- --. -- ---..-. T

>'----v ;.'-....._ [:J'"-~·"· ~·

• .. t t .... ) >~

col canto. L1 -1 I I I ~ I ( • . -· ---· . .... . . --· -· -- """ I ....__. ------- ...____........ ..........____. T .. ,..

ll»fi .1\Ioderato . Allegro . T T -'{"'17 ~ • v

~~~ft .....--....., > ,...., I >.

>~ I ....... r IIIII I

( I = T T ._.

;ii/1" .. T .... , . ~ 7 .. --- -- -- .. "U"iT -- - -- - "::;.I n

J ltJ • 1 - ~ 11"' ""'--"' r r r .... I'

I L1 i > --- -..,_ -. I ._. I I - . .....__.., r 1 '-""' -- - ....... •• :::;

~ . tti'J'J

I

English Version by D! Th. Baler.

ISO

Se amor m'annoda il piede. (If Love my fe.et enchaineth.)

Cantata.

Allegretto. cJ = fOO.) ALESSANDRO STRADELLA.

(1611:6- 1681.) ,. 't'

Voice. ~ I

p con semp zm a -= ;~> I r II' "'"

.._

p J t p I ~ h •• fT ., ~ 1"\. I - ~ ~ r-~ " ..... ' ... 1 I -,..

~' lo"

t,; I I f

S'a-mor m'an- no-dailpie-de, co-me dun-que, co-me If Love my feet ell'-chain-eth,Can I ev- er, can I

~ l I I ~

[, ..... - ..... ... - ,. ... .... • .,

t- u . ....__...... > 1 • \.._+ p

~ > -~ -t:J. •

.6...11.• - - ~ .. IJ' _A. - ... / h '1. I I_ ...... .. -.,.

Piano. ! - --- ---

fl I. - ,_.... t±~lb-) J It J>q~ ~-~ 1"\. l_ _l p I -~ "' .,. • ..... -..... - I 1

lJ . - -- -""

--..-" - - • dun- que fug- gi - ro, co-me dun-que fug-gi- ro? Da quel cor che

ev- er_ flee a - way,can I ev-er flee a -way? From a heart that ~ I

I IJ'

• .... --· .... ,.,

I ~ -- 1111- • ,~ .. ..... .. .,..., 1 r r ""'

,~ r r ..........., <

i . . '

-~

A I

.;

_11 l I

\ .; < I

' . .

1\ I

~lL

t.

"\ I

I

~ t.

<

It .

U678

~ .,. I I '-J j ....-.. ~ ... ..... ...._ - -- • ... - -I I I r I r r

= -I ;Pea ,, §J 1 Ill .... l_ I'" I"[ - ..tl - -I I r r r

non ha fe - de li - her - ta, li - ber-ta_ non spe-ro.,..--- no, faith dis-dain- eth There's no hope, there's no ho.pe of_ free-dom,_. nay!

!,......-...... I >~ ;:--..___ I --_l - 11'1.-l ...._ "1"":

It

r I ,r r r r yr'-"r ~ 1.1 r .. I . ...---...,. ,..... I . - ,_ I -- -_ _t•• - -.. L -

I :L I I ... - ~

_l

]> ~~ " ;p I J J) J> J

A _, -- L

J I r I r . .....-'

da quel cor che non ha fe -de, li - her - ta, li - ber-tL non

From a heart that faith dis-dain-eth'rhere's no hope,there's no hope of_

~ > ---... __..--..... -

:. - .. i" ... ~ .. '--~ ...

- i r r r - ,. -.......-' r'--"

I - -- I -- .. ..... _ ... ... I I

·' ~ - ... CopyrtgAt, 1891, by (}. ScAzrmer, Inc.

Oopyrigll.t f"BNJtPBd, 1922, by .TA.eodore Baker Printed in the U. S. A.

I

I

51

Un poco me no. cJ = sll.)

~ = fJ I 'lll -11 II •J 1£ (..." ,. , r- " " .. ~' iJ ....... ~

Sian Yet

fJ I ,; II •J .... t r- v-

~ tJ

} ~

. . / ...

~ I I , II ....

fl L 11

1£ .... r- .. 'Cl.l t)

f1 I I 11 II • ... -It ~ <

I . . \

Ufi78

, . " r~. ....... ~·

-6-· pp

-. '"r

Col •

le mie woes de -

)

~ r.J Ul'loo-r· '1r

I

:::::....

~ - <I

le mie woes de -

>

r r -

.., >

.....--..... - . - ;;a -- .... -I""" . . -r I "'--"' I r

pur du - re le_ ca - te - ne, the fet - ters }_ am wear-ing

I

-· . ,. -'""' r~. . r~ • ljo 6-·

I ----~· ..... , ~. ...

T..l

T 7To ~· ......___.... pe - - - ne, spair - - - ing, ~

-- ~ r.J •

I ' JT

'11· ... :_____./

I

~

ere Still

-

r r lw. • • 1•· • ~~

L---------.1 ~· <I -- -

~ - -r

ere - scan Still in. -I'~ I

""" ~ .. -I ~

- I -- ... 1 -

scan in

...

•

...--. -· -... I

sem- pre crease my I I

• ..... pr~ • I IJ'

-I""" 1

.sem - pre crease my

..... - - - ..... l

·~r r~r~r· I I I _.----:- ~~------..... - - .....

~ - . l"r - - ~ ' ~ .,- ......__.,. ~ -pe - - - ne, le mie_ pe - - - -

spair - .. - ing, my woes_ de - ·- spair -I J - ---...

!II..

"""'' I - ' ....,. ....... - - ..,. ~~~~

r i'-., ... ., r·, r r .,r t I ~ .,r ~

---- • ~--.......__ - I ~ - ,.. Cl- ... r.J -t:i •

~/·------

ne: ing,

fl I ,-.....,

I """

~~· <

t1 .: IlL -:.

, h. y

~ I

t)

~ I

t)

.1 "' .... II •• I

/'t I

~ " ~

~ "·'· L •• I IJ' , h. ...

r...

====--

stan-te fin - ing

I

- r~

t .. j ..:::::==-

J. .... ,....,.

..... -te, ing,

--..... i: . . ... ~

I "

.. , "

---..... --... I. -

52

p I

....... - -' . tl'

J I r r· ~ I ~ ;I co - stan - te, ch'in ser - vi - tu co-chin ser - VI - u

In slav - 'ry e'er con - fin - ing, In on-

. --- --...... I .

I

- r --.........

~ .~ -I

p l--=== == .. I ~

I

go- d'< .. P- gno- ra lan-guen -And tor-ment-ing a heart,

I II. L .... 11 r~ • 1'1. ... lll'l"

r· r f lf. p r~

I

~ ,-.....

• I' -.... .... I - -~ ... I

P----\. , "

• r~ •

r· p .... I

- I " ... I - I ..... ..__/I - • 4- u•

go-de,_p - gno - ra lan-gue n Tor - ment-ing a heart

I I

I

--I

settza ra I! t en are

J. I JF J J] I tJ '--' doun co-re a - man -

love - lorn and pin- -

....... ... ... r· r

~ r r-T i ~JIJ I I .. ...

T~ . " -I~ I r I I

- do un l~e

4-"

I ...... ....... -

co-re, un co-re a -lorn, love -lorn and

I I

I

I

11!/"------fJ I

------ h J. I J. I I I I . - r " .LJ

...............

u -man - te, go-de o - gno-ra lan-guen - doun - l'O've pin - ing, Tor - ment-ing a heart -

fl I _L

....... .l ....t• u 111. ... ......

t... r ,~ 1 r· ~r g• P· ., ... • l!J I f --.....r--.. ~.

"' .... 'j -•• I II .. I I ... I , ..... n - - I -....

y . - .... • I

.... • -Ul78

fJ I r1 I I

I

4f .J i r~

co- re a - man lorn and pin

" I

r~.

... I -. .... ~·

te, ing,

-

53

cresc. I

I

.... -1-t:L

I I I

un co-re a - man -love - lorn and pin -

_L ~ ....

~ ! creso .

. - I

I­I

- "

~ -!""--"- I

I "-"

J

II-

-. 1;·

_/j '- --., ' --::::::::- - ----.... .--:= = I ~ Jl " 1'- II

If h J ,... II. ,_ ... - ... t· _....__ - t"' - t"' ' \:I~

t) '-"' ...... ..__.. - ., ...._,. I I I '-...._/

- te, a - man - - te, un co-re a - man - te. - ing, and pin - - ing, love - lorn and pin - in g.

'1_ I ...... ::::::-..... ~ 1 I I I:"\

( '" If __.... _.. Ill ,_ '""I - ... 'I...J -- -~ ---- __...._ __...._

) t.. r r u- =-- r· r it -.,_..,., r· t;·

~ ~ -= :::::::=-

l .... I:"\ .~. ... ... LL .

•• r1 _. "' _ .... _, -6" c.. - .. -41"' i .. ... c.. I

'1 I

Come prima. fll'D __l

'" - I -- .I .. - f""[ --- - -l"i - .... ...,; I I

t.. I r r I r r

4o stral, ehe por -to al co - re d'un bel guar-do, d'un bel The shaft my heart iiD -pal-eth/Twas a bright glance, 'twas a

f)_ l J J ,....... '"

..... 1 ... - - .... "" " .... - .. -. --.... u .___...., > 11 • "--* col canto ;;:.

n ----..___ • ..;;. -........ - -_j . _j .... o• .... .... - --- -

----- ---fJ I ...... -_L l _,.

_....__ I " ... ["'.

~-·..!: ---__l_ .... - - ..... ~ .. ' I

~ --- - - JL.flll/ - n _ ___) v .__,/ --- -.___/

., ,-guar- do_ col - po_ fu, d'un bel guar- do col- po fu. bright glance from thine eye, 'twas a bright glance from. thine eye.

" L ...- --- --- --" • -~~

_I _.!: --- __... - ,

' ---- -- --

__ _.__....

.... .. • .. , .. r r r r r ,-~ <

I - • .,. I

--....... ........... I ( 1

' . { CL ....

I -- --'-" I J l r t i tR'78

54

fJ I 11 ,,

~r ~~ )J J> II ""' I"'\ _j_ --- p """' v v y

t) r Piu non cu - roil mio do lo - re, vi - vo

'-" As no art to cure a - vail - eth, I live

l'l I l~.J >..- ::::::---..,_

I -~ ~ h - "" ' "; v

r.J -r.J !"" Jill.

r r t I ,r r ~

~ l ~ r~· ... I

- ..... ,. ,... ,, / ..... ~· v

I I ~~ -

II I ====--

I - l

II ,, -- I If ...... - -,_ v •·· ,...

" tJ r --...-" r ' I "-.._./ r r

lie- to, vi - vo lie - to in ser- vi - tu; piu non cu- ro il

glad-ly, I live glad-ly ln slav- e - ry; As no art to II I I II , = P""

If , ......_ - lolo 1'1. .. - - n..lJA -- •• .., ,...

t) i i yr t ' f' t -i -,.._ It: I ~

~ I '-'• I .. , - -/ ... ,..

-- ' I ... - - ~· ... I I

fl I l

J] l)ll "' 1.. ["\ .. 11~J J I """'

,.. - roo; J

v -f., I r - - --..../

mio do- lo - re, vi-vo lie - to, vi- vo lie - to in -._; . t' in ser - VI - u,

poco rat/

cure a- vail- eth2 I live glad-ly, I live glad-ly in slav-e - ry, in

I I'J I I >.- ::::::--..... ------ --- ..--.....

~u _.-.... f , ......_ ... ... - - - - ... ... - - - -- ..... ----r l i t r - ~ - r *r r·f f r

( /: ~ ------ :::::::--..... I 1..---... I ~ - ... -- ... _l"" -I -- 11 r i ~ cr affrett. ralt. 1":'\

Fr ..--------....

"' I II p p ~-e

ser - vi - tu., in ser - - VI tu. slav- e - rr~

slav - - e ry. 1":'\

English Version by Dr Th. Baker.

55

Cangia, cangia tue voglie. (Change, 0 change thy fond wishes.)

Moderato. cJ = 60.) ~

Piano.

fl...--,_ _-----. - -I - " -I" Ill""' -- -""" - ~~~~ -

G. B. FASOLO. (16 ... -16 ... )

~

~· ~ ~

..::... r - .. $~ ~ u------------r #r ~~ < v· r it. ::::::::=-

I~.: -

, • :4j

fl II

If ,._ ' --"

~ .. de -

..

- -' r

Can- gia, Change,O

L

-"' • ..

-..... r.J ....

I

- """ - -can - gia tue

change thy fond >-

vo - glie, wish-es,

---i~

cresc. "' ... "" ---I I - -""'-1-- - r r

le fo - sti a don - na, fo - sti_Jt ..._,

I _ ....

7.:

o mio 0 my ~

-

1

don -mourn- ful, Faith-ful to a fair one scorn -

fJ I II

) :7 -=· <

I 6. ~= ,J -

11579

-• ...._ .. -""" ... -..... -......._ _:f .. - -.... ...

---....._

cresc. I - ---- l -- I

Copyr·igkt, 1894, by(}. Sckz'rtMr, Inc. Oopyrzgltt renewed, 1922, by Theodore Baker

Printed in the U.S. A.

-,..

r~

l

-cor, che fe -

so heart, now

-

... -•

>

r

na, fo - sti a faith - f'i:i'l ful, ~

·~

-- -. ""-

56

tlitJt '\~· ~ t"$ F I ~~ - I -""''l _l

t.. ..._... "-"' p v .. -

~

don - na_ cru - de - 1le. Can- gia, to __ a __ fair one scorn - ful. Change, 0 ~~ ----------- ~

~ ~

~ )

'

-~ ---i

~ f r - :pp -- --~:::-~ -- -...... . . / l -,., > l

:b fb. f..) - -

can- gia tue vo - glie, 0 mio cor, che fe change thy fond wish-es, 0 my heart, now so

.11;::::.. ...:::::::- -........ ~

II ., I""'" If I ,_ ·- """ """ '-' ll ,.. - -tJ L....l r ,. /r .. r ~ t !..1 71~~ ~

~ ..._..

I -'&;.'· ... • . • .. - '·

j~, .. ... ·~

fl I l ;::::.. .......... I I

I """ I - -t) - - r r r "-' "--"

don-na, fo- sti a don - na, fo- sti a don - na_ to a fair o'ii'e scorn-ful, faith- f'll'l to_ a_

,., I ~-- - -::-:----..._

.......

t)~: ... ----

.. _____ r '-'-'

I -----....... ------.. -./ -

Non t'ac - cor - gi, me -Feel -est not, thou poor

t1179

.'I. • ""'

-~~ - ...

ere so

I J> ) J) j) I - de - le fo- sti a

'-" mourn- ful,Faith- ful

.. __ J ~~

cres.c.

......___.....,

~

~ru v tl! -"--""" - de -fair one scorn ----------....

I I

F f -

---

I

) II

\ )

' ' I

57

Ill f. • - ::> ::> ::> ::> \ I -n !"'! ~-.J I

"' - I

t.. d'a t'ha

I

to? La- scia, la - sci a - mar chi tra- di - -thee? Quell, 0 quell love for her who doth dis-dain

11 .~ ~ L L ~ t\ ::>~_

~~ r ..J Jil _r

~· • ... t)

' ,, - -

'-----

----. .. , l . .._,.

fl. II

1._

t..J

.I ... -.. . , .. """'' .. - h. ... -- -... .llll

• • > I ..._...... v ' --.........

... ~-

dz'm. e - rz't. - a tempo

la - scia d'a- mar quell love for her >~

chi t'ha tra-di - to. who doth dis-dain

·-

tJ:=::, ~ ~ ~ ,-.._ ~ ~

I

'""" I ... - """ "'"""' 1.1 ..... -~~~-t) 1 r I" lft ur ur .... #=- • t ....... ,_ ~ ~ v ~-I ~~

"--" '--"' r -- ~ I . .

.....

r ~ ... ..,. - ~~ • it • 1\ 1Jl, - ... > - "' .. I'll.

t.J r r - ....._-' -La - scia, la - scia d'a - ma- re- chi_ ti

Quell, 0 quell_ love for one Who sought to

11 r: I >..--- ~ -I# I .. ,

..... .I

t) '-.....___• u...._ -· L J r ,. /t ·~r 11!/'~ ~ rit. ::::=:==- in-0j) ) J_____,. -, ... -

~ r-- ~p r I'-- ----...

t.US719

I J

58

fl l cresc.

Jl " I ... .. J) ~ I ~ a II ... ~ ' ' ~ ~ ~ " ·.;.,r ) - -'-.) ~ - • .._/

fin - g.e col ri - so, col mo - strar--ti il bel vi - so, col mo-snare_ thee by smil - ing,Lur'd thee with a fac~g, lur'd thee

_fJ ~

I~ , ... - -t f) t.J I ' ""~· ..

_ _, --::.

__tJ. __..... Jl " II - - j

'-.) ;iiiiiiil

strar- ti with a -

~ _,......., I _,...-.,

.11 .... --,_ ::.. -\.'

f) -::j

"~· -..

fl cress. # c:;;;;jjjjjil .... ,_

t) ....__/ -strar-ti with a

fl ....----._

,_ \C - .... f)~ -

cresc. I ,. . _,

11579

-- --- --.. ~ ===j ....---.. " --- . -.... - -... - ...... ./

• - .. 'ill .. -'--..._..../ tU ~ fresc~ :t '11

~ v -

-+

-........... l

' .I -~ il_ bel face be -----.. ~

f ..... -

!"\

r r il bel

-

1"'1

r

- -- ......--..... ... ----...: - I I

tj I .J ~ .I - - ... -- - . -:-----------Vl - - - so. La- scia, guil - - - in g. Quell, 0

--- -- ~ ,-_

.I

f ·u '----'~ JP

-----.. ,9-____ -,... I

..... -11!" --r

I

~-

' '--=

ge snare_ thee ---

~

I ~ --- j) e liiiiiiiiil

- ' - • I

--::::=----... ------ :::::-~

....

col ri - so, col mo­by smil- ing,Lur'd thee

dim.

)) I J J J 3 J J vi - so, coJ. strar-ti il_ bel

. ...___._.--mo - Vl - - -

face be - guil- ing, lur'd thee with a face be - guil - -~ ==J ~ 1-- ...-.......... - --- .... I -- ~ - • -,.., - ....... -

t~ - ~t r - ::r F j~ -- ....._ --- ------ - --- -

I

I

I

I

fl ~

~--\: ii t) -6-

so. in g.

___.:;.-:: ~ 1'1

~ .... i/11 • ........ -t) - f.. >

j(i-. _._. ./ '.J -

II _j,jf'.

.illli - --,_ 1"'1. - _....._ ..,/

..._ L

tJ r r -----sei fe - ri -will but Eain ___

~ ~ ----,. __ _....._

\:LI lllli_ . t:~t rl l.:J

I . . .... -"'---

II ~-.--._, ~ -- u.• ,_

" tJ t'ha tra- di -doth dis - dain_

fl 1---......__ r::::= 11 ..... .... If" ""1 -

t.J I~ -' . .

.... --'......_:__---

I J)}JJ~IJ

-~~ t'ha tra- di - to.

doth dis- dain thee.

~ rit. _

H179

-

59

p I I I

" 1'1. ..... ·~ j .. !"'!: ... - ...... , -Non t'ac - cor - gi, me- schin, che Feel- est not, thou poor fool, she

a tempo------ ~ - -., - , :-- -...... ·---v• q .. ~ ~-i ... ~~~~-p '-- '--- / I 'I~

·-------=-----,. - - --- -J- ..... - -• I I I -....... --

I • • - ~ p _L -- -J -~ ,

II'

to? La - scia, la - sci a d'a - mar chi thee? Quell, 0 quell love for her_ Who - L.. ..... ~ .. ·- -- _....._ I

!]- - .._

-~~ - - • • - -> >

p I ----- ------ ......

I

_....._ - I '-.._.-./

p ten.:...-..: a tempo -r.-., ::..- ;;;o I

..-_ ,.. - I \

""'"' --- ., ..... -r r -...___....---to; La- scia, la - scia d'a - mar __ chi thee, Quell, 0 quell __ love for one __ Who

I ~ I:\ ,-- ::---. -.... - ..... -L ~~f" 't t r ,

*-..:._..::./ .. --- :::'

rit.~ p a tempo .J.~.J===- /":'\ -= --. ll

I .. ,

- - II

I

It <

il

English Version by Dr Th. Baker.

80

Sento nel core. (My heart doth languish.)

Arietta.

Adagio. cJ = 76.)

ALESSANDRO SCARLATTI. (16119 -1721.)

Voice. ~ I ' lj 61 ........... .. - -- l I - J r I --r-. " V" 11 A I

'.1 r ~

Sen-to nel

~I I~ My heart doth

II I - ::---... .,.._ I I

I II ..... _., •T -,- IT ~ ,

\ <

I Piano.

fl '- . Jl rl ....

'-'L/ t)

fl I ,

...: .... .....

tJ

. .

,., I ....

\' IJ

leJ

~ '- . 11 ....

~

. I . I

HA80

1'- v rT '-'IJ t,) ,- .,_., ... ~, t dolce --~ .,. ,_ .,.... • ;.. ~ .. .--~ . ,... I . -,.. J I T I T --.. II -~

I

..........--... I - (! I §J T T

~, . 1""' --- I r r I I

I r I I

co - re cer-to do - lo - re, cer- to do - lo Ian - guish Ev-er in an - guish, ev-er in an

I~ I J I I I I .. .... • -~- - --- ,. .... .. -. c.J

--- - -r t ~ ... -~ ----

I

che Hour

r

•

I

-...... -- ~ ........--... -.. ~ .,. -- -,..

I I ...,... I I

---... - ,...., -T ---T .r ~ -la mia pa - - ce tur-ban- do_

by hour dwin - dies ___ All peace for_ - ~

l I ......, ... ...._ ... -- - ..1 ..oil( - - -- ------·- .,

~ .,-- r I

L •. ~ I u

CopyrigAf, 189#, 1Jy 9. ScA·i'rmsr, Inc. CopyriiJAt renswed, 1922, by TA.eodore Balter

Printed in the U. S. A.

I

va: met --

1

,f 1

.

p ~

r I - re, - guish,

.. "I

....... I

""' - -.: ..._....

~

--------r

I

fl I p L _t-IL h.

• • -I"' I nel My

I

.-l.

YU

1'1 I

tJ I

cer-to do -Ev-er in

I

l IJ r~ --,.. I " A

....._...I

co - re, heart __

6t

1 sf'. I

nel co - re, my heart, doth

~ ~~I ~ ~I .. - ..... ..

• r· .. ~ n --p

I""""

- .,':_/ •............,; I I

lo - re, cer- to_ do - lo -an - guish, ev - er- in an -

=...:..... == I -- • - I I"(--I I r

sen-to nel co - re languish,doth lan - guish

~ I

a ... • rJ - • ~ -- ,..

""II -I I

- - -I

I I I I

............,; ...... re, che la_ mia

guisb, Hour by_ hour

~ I • ----; .--------:::::: I I I -''· l1lc

.. ..... ~ h" .... ... • • • ...

I I'll " Y Tl " ... " h."""-

.., .. -- .... • II'-! - I

t ~ • • ... ., ... ~. - -r~r .,LJ 1 .,-_ _..., I

!!""""""' ~ < -I ....-... ~ r--.-.. ......--- -~"-n ---'

. . L

.. _ .. I

f - /=?

A I > > l -

~ _h. X. ..!""". .L 1"': ,..

ll'- Y II l -· -I"" '\:IJ 1_

tJ I I ~ I

pa - ce tur -ban - do va, che la mia pa - ce -

dwin - dles All peace for me, Hour byhour dwin-dles

"\ t l J :::t~ Jil-l -:-- -~ I I .II I ...oiiL

~ "' I- .. ... - .... LL • • -t) .. ~~ 1- ~I .,tr 1 I > • ..

~ ...._~

> ~ ~~ -['~~lee

>

---- - .. ~---;--.__ n . .

,~ ~~' §gJ. J>l J. - - If " tur-ban- do va. All_ peacefor me. ~

iUS SO

!

1'1 I r1 """ ...

"' v

t...

fl I .... , ..... LV lr'l' "' v r1 " -~

'- .... . .

fl I_ , .... , ..... v

t...

fl I I II .... , ..,. v

rar- ~ '\:V "f...

. "'"'" I --.. ~

fl I

I fl "' ... , -~

, I

If .... v ar- v r1

tJ

-z:~. ,-. / ..,-.. ,

, I

fl I

II 1 rrr\ v .., '\:l/

'-'

, I

#. .... -" II"- V '-'

I.T

10

·.~::-.... I • .•. ,, .... -_, ....... . v

V II

11680

62 ., I I ...--.,_ p dolce - - /" ...... - I r I f r - ,... -- - r r

~ Splendey- na fa che_ de, ' - ce 1 al-m~~c- cen - se non e_.a-Hot flame and stead-y My_ soul en - kin - dies, 'Tis love al-

I I --r--.._ I I 1..----.... I I~ I n I _, - - _'""' - -- -~~ - -_, ... - ,..-~r ~ ~ -~- - -p~ -· . -. n~..,.. --- ·-- ,;,_--, - ~~ ,... - ,... ~

I

' , ----.: ..._ ,-.....

- ~ . ~ -,... 1 n.

I ., .L I r r I I' r I

' mo -· re~ a -mor sa - ra, a -IDOl',- a-mor sa - ra. read - Y•-- Or love 'twill be, or love,_ or I ove 'twill be. ~~ ~ ,..-.... I b~ J~..l I I 'I I I I I I I I ..:. ..:. - - .., .. - ..... ..... -- - - - .. - ..... ~ -.. - -.... _ - - - - -= _.... -- 1r • • • n - - • -- -- •

I I ~~r .... -~

r. -- ---- -I"' I •

1¥1 - ...... l

-__ I"" ., _.. • - I - ---- -I "-"" --- I

Splen-de_.u- na_ fa - ce, che Hot flame and stead-y

. -• ll

I

L

I

.. .,. - ..... . ill • ..

111 ~-~ • -i ~ ......

r~ • ...

r a- mor sa -Or loye 'twill

I

-

' ra, be,

•

I

My

j

I filii!

~

,...... - ..... - •. J""" ..._....

I -----.....

l'al -rna ac soul_ en -

..... _. .. ::. .. ~,.. - ""

j

•

-I""' I

se non e'-"'a -'Tis 1 ove al -

~

----,... -I I

idq F - cen-de, se

kin-dles,'Tis

- _. _. ..... ... --- ~

..1"'" I""

I

mo - re,_

r~ . I ~ .r---il

...... -r r

--

• ......--..... - ....

I

1 r=r r I j 0 ' none a - mo- re,_

love J I

al-read-y_ ~--_, - • '"" -. ~

K1 71 !: ._____.... .. ,... ..... -I T ~

a - mor sa -Or_ love 'twill

ra. be.

A.

I n• .-1•

~·

Sen-to nel co - re

~I --------My heart doth Ian - guish

-~1 I I~ -... ... -do/cP ~

-,_ -:.;;o: ,..

-·

• _, . •

J ~·---.-..

J ,

_Ia - .. -~ .,... - ---..:1- r· ,-• ~ 1-....~ -,...

.. " .. ... - -• p r- __ t ---- I

~ __},. -_I .J.. ,... I. ,... " " -"1

I

!

!

63

~ I /_ p I -==-- = -

_fJ_ t__._ JJL I 1'- h. ~ ho _., J'~ v IJ' ~-~ .L t)

1'1 I J/L LIL_ft

.<11ft ..... ~ _ .... .. _ v Ill

\:lJ t)

. . L J'IL _.,.

.... JL

~ '-

t...

~ I JJL ·~~ .... ~ h." Ll" .1'~ .... ~~~~ ~

t)

. . HI SO

-- - -v

1 I r cer-to do - lo - re, cer-to do Ev-er 111

I an - guish, ev-er 111

T rh l . - l o - re c e a m 1 a p a -an - guish,Hour by hour dwin -

ce __ dies_

I ,_,...-....._ I I

- .. _ -loll"" ,..

..-... - ..... -1"'1 J

r .r ___., ..._ _ tur-ban- do_ _ All peace for_

~ -.... .... -.. - ..... -.. - -.... --va; me; ~

.... -..... -

VI""

I --~-

Nel My

~I

.... ---- -

• -

T I~

I T

....._,. co - re, heart_

-.... .... ---­.......... --- .. -1- W'J­.....

Ll J , i -----------sr I

IJ'- _...j

~

~

nel co - re, my heart,_

:ri"l ------- ~I

_L ....ll' __

..... -.... --

~- r ~r- r p. __ ..--.,_---19'1 -- ~. - ....... . - - F·

- .f p - I -- ,.. - I ,.. - ... _.....____ 1"": t' -- v r I

lo wt :::..__.;; .._, _,

sen-to nel co - re cer-to do - - ~e, cer - to_ do- lo - re

I

my heart doth Ian- guish Ev-er in an-guish, ev - er_ in an - guish, ,~ I I I ...........--.. I

\. - ' • -.. " ~ ,!

... ,., .il .. ............ - - t' vwr .. • r r- • -.... wt·~ ~~ I '---

~- .--:.. ~ - -- --- -'- \. n - -~ . • ,.. -... .. .. -. I

-"\ I - ..

.... I I - n• -.._v-

tur-ban- do va. AIJ peace for me.

~ -1 ~ I ~ .... ....._ ..... -- - ..r

-~--, - - _...r: - ..... .-~--- - -- wr -- - .. - - ,. -... --- - --~-- - ...

q• ,. !t- _...,... 11- I ,i-- 1 - ~ ~-- .,. 11'. -· .,.. ~· .. - -~1 ~· -'ll ~1"" j_ ,.. , • • ... ...

T

English Version by

64

Su, venite a consiglio. (Hey! come hither, ye fancies.)

Dialogue between the Author a11d his Fancies.

Df Th. Baker. ALESSANDRO SCARLATTI.

Alleg·ro. cJ.= ~»2.) (t6.!l9- 1725 .)

~ ~ >- I t ::::> J

~1 A - .. . . .. '":£ .

~ ~ "J! ~r t_:)' Piano.

~7 f -rr G i r r '-.......__... >

fl~

\ ~ <

I

~.if

'l

fj~

\ ~ <

J

~

~.,

~

~if

t 'l

<

~

Ul8t

f f, / . . _, A ....

~'1: ' ;;;;;:;..·- ": •

> > > I I I 1 I I ] L-1 1 I I ..

. ~ _I .. ~ _.. ..._ - - - '" " " - - - '" .. '(_i- ~~ ~

-~ ~ Voice.

Me no. (d·= 5o.) (Th A th ) e u or. '

_I "'"'

I Su, su,

Hey, hey, I

~· f

'-../ '-../

I I

""

L1

'--"

I

I --

-- l I .. -~ ~ I l -

f '//,

I r r r I I

• t I su, ve - nt- ~a con- si-glio, ve hey! Come hith- er, ye fancies, ye

.--........ I I I I I

I'---.• '!I '!' ~ "!' '!' II!'

~tr leggero • • .;. • .;.

"-.../

>

.<J> ~ r r r I si-glio~,o pen - sie - - ri, ve - ni.- tfL_a con-

come to be -

II!' ~ ~

-I

guile me, Come bitb- er, 0 I I I ....

'~-*!" 1t '!' ~ '!' '!"

• • ..;.

1 I "':""

Cop!/rigltf, 1894, h!J fJ. BcAi~r, Ind. Copyrrgld rtJJUJwed, 1922, 66 1'Juodort1 .1/oAsr

Priated.bl the U.S. A.

~

. -~

~: ~

t

1 ..

"": -.

>

I r r r - ni- tt_a eon-

fan-cies, 0 I I

~ '!' '!'

• .;.

J J J si- gli~ pen-

come to be -

'!' • ~ I

I I

I

I

65

~1l I > - > I

-. p _._ I • • JIO"'

JJ ~ 6 .. J 1""

~ IL

t ..

sie - ri. Co- m'es - ser mai puo, co-

guile me. How can I, 0 say, How

I l 1 >

~ ~ I I I I ~

... - ... -\ ~

....t --- --- - --- - , .... ., ~ ~· lr.. I i i i ~.,.. lu I ~

~ - ~

pp legatissimo errs c.

t -..... . _l_ _.:.. ~ -- _..

~·Ill_ -- I J'""' - -- -- .'I""

L

1 I "":' I I I

~ -~-I f/,. -

• I lo.. I • .._ .._

I

t) I '-.-U I I I

nies- ser mai puo ch'io ser-vaa Se- mi- ra, che '-"'

can I, 0 say, Serve Lau-ra for ev-er, The

fl~ I -......., =t~ 1--- I I I I ~

I - ... -- - - . ,... - --..... .... - II"' J'""' - - - I""' ...... .... t... r i ~.,.. lu I ~ i i #f lu I i r· r ~~ -

< - ff 11!f

poco a poco - -----~ t - --. - • - ;.. -"-ll._. --- -- .._, -~·-

.'!""' --- - - .... I I

~~ -- - piu -- > --_1>. - --- . I' l""'

t... sco _ pQ._,e del- l~i • ra di chi i. . ' m 1nf1am- mo; se sco-p~ del- I'i - ra di

cause of this fe-ver That wears me a - way; The cause of this fe-ver That

~ ~ I I I - I I _.... - ,... _l_ - _j ..... c- ..

-- .... -= -- --.__,.. __

-- - -~-......__ •

t.. • ~· • --~· - - u ... ~I - 1111

- IPiuf:-=-,,. it~ .~,.. - --------- • - ::-----..___ /"" - . ........... .

•• Ill I ....

I I

fl~ > ---<11'1.. ,;;.- --

I_

~ 1 I' .... II

t) ~. . I _II

chi ' •,> I

ID1n-f1am- mo. No, no, no, no!

wears me a - way? Nay, nay, nay, nay!

_ll~ I I I I I > I~ .-;;,.. 1---:.. I~ -

' --- .... _

--""" . ~ -• c.a

t... r r • > > j ( rftard.

-- ---......., f2. ~ n ~,

~ . -"-

JJM_ I_ 1 __.

I

Ui8t

flit

t)

~~ II

\ t)

<

I Jl..'a•*L ···-"'

~u ~

tJ

fu# ... v

. .

fl~

·'-

~~

\ ~ (

' Ul8t

66 Moderato. <J = 76 .)

(Th F . ) e anc1e~ ::>---.. ~ ~ > > eresc. • · • - - . - I ; J U I J.p1 ~ F I

}' f f1

• I 1

I • h • • • h E meg 10 so - r1- re, pe - na- re, mo- r1- re, c e ma1 r1-m1- ra-re, c e '1\vere bet-ter to suffer,

I -• .. ~ut ~~

grave I'--( P. legatiss. -§!

> I

> > >

si - gli, 0

fan - cies, seek

> > >

. -rr G CLr j r r '--._../'

I I

>- . "':"" 4!' .. !

> - :::to-I'""

I

sciat~j con - si-glho pen-fancies, now seek to be -

l L

.'! ! ~ ~ ~ ~ -

to toil, or to perish, Than longer to cherish, than

~- 1t ~t~

"M - .. I > >

I . ~ I I '· pen - Sle - ri!

to be-guile me!

I

I'!' .L/ .•

I i i ~

L_Cj I I

......

~ --t >

r I

-...... ..... '.I) .. .:=.r .. ~'-----"' ... \ r>

I l

- - ... I'"" -I '--

..,___.

Eh! la- sciat~J con-. Ah! No longer, ye

> ..........--...

La - scia- te, la -No long- er, ye

~ L~t ......_-- --.. .. .. - - ->

= -

~

>

0 >

F I r F r I sie - ri, la - scia- te, la - scia-te i

'-' con-

guile me, no long-er, ye fan-cies, now I I I I I I

......

--~~ ~ .... / - ~ "':"' I. ~ '!" > > ._

p -- -- .... ~- I I I I ..........._; >----=-.__· > "":'

67

~,u. ff ritard. assai

I a tempo

.\.

_ll • • -= -_l.rl"\ ~v '-"' t)

si-gli,o sie ri. '-..,../

pen -seek to be - guile me.

~~ >. >. > > =t.-1 I > I ..rl .... ~ ~ --l'rl"\ - .... _...._ --_\: v -~ • .. .. ... .. ~ ... t ~ ~ !~-rf -rr (!r ~r t_:/ L ff ritard. assai a tempo

fl 'f > > > j l . •• 1111 - -_, ,., ... . ... - - -- .M .

I > ~ >- "":" ·~ ~

~~ -~

fj~ -1 I I _I I I rita rd. I

\ ~ .. 1111 - ... - ....... ... .. .,..j .. -~ 'lllll 1111'lllll .... ..._ - .., 'lllll -- "'"'! . - - - ,. . . .. - - ,. • • • i' .!;r ... :it..,. ~~ ~ > > > > > > ... > > >-

~ > >

> v~ I I . . • _, - .... ... ... - - - - ... > "-....-- > '---'- > "-....-- >~ I > >>> "':' -

1\'Ieno. cJ= oo .) f fj~ -£ , JJ,.

J - - - -_ll , _..,..,_ ,., I"'" - - I JIO"" -- ~ ,., - -~ ,., I .... --

~ I I I I • r

No, no, no, tor- na-tt_,a con - sig lio, tor - nate__..a con- s1g I<cP pen-Nay, nay, nay! Re-turn, 0 ye fancies,ye fancies, re-turn to be-

fj~ I I I -~ I I I I I I 1111 \.

\t , .... , "" ...... "" .., .., .... • 1'-• '!' '!"' ~ '!' '!"' '!"' '!' '!"' '!"' ~ ~ ~ , f rlf leggero . . . ...;,. • ..;.. •- _..;. .

_, k ~

\ ~ '-"' ..._.. '-" I I

f,;, i> 1~

II .... _ ... _ - r~ .,..j

-~ "-"" "'"' ·~ I

sie - ri, tor - natf(_,a con- sigli~p pen- sie - ri. guile me, Ye fancies, re- turn to be- ·guile me.

fll), I I I I~

\ ~ .. ... - ... i -- - _......_ ....

---_....._

--- ---'~ ~ ~ ~ ~ ~ ~ '!"' ~~ '~~ ~

.. ~ <

_r---._ • • ..:. JlP le~~·

' . -•• .w ,., -_, ,., -I I - I I I - I

11581

!

~~

~

~J.f ==~

"L/ ~ I c..

I

~»

t)

'l» ==~

-~ ~LL

t.. I c..

68 ... , > I

•2? J J I j I -I L

Chiil se - no m'a - prl con dol- ce fe - ri - ta, '-"

Who o- pen'd my heart With WOUilldS so de- light- ful, I r -....... ...;o .........--...1 1- - >........--...l I .. ,

~

I r_ .. .. ~· l(;j I II' • • J• ,~ l_r' .. _ .. ~· - -- -~

a .JIOCO pzu eresc. cresc. poco - - -_... _p --I I

-L

con dol - ce fe - ri - fa, ve - dra ch~ scher- ni - ta sua fe - e co -with wounds so de-light-ful Will mark how de- spite-ful My faith does de-

I I I I I I

. - ~ .. • o!t4 .. -- -

H I r' 1/lr r· -- -~---

-j - ..

- . - --- - . -. ' I

~» - -> I -:;::.: - > piu f..

--t..J si, ve - dra cht.-e scher - hi - ta sua fe- de co - si, sl, part; Will mar

1

k how de - spite-ful My faith does de- part! Nay, ~-~ - I I l 1 - I I~ 1--::;;,._

t.. u --'piit f: - _L - • r r • >I

ff~~ -~ 11- ~- ..;: --- __ .e.__ . • .... I I

?t'Ioderato. cJ = 76.) ~J.f (The Fanciefl.)V >

~ si, si, si. 11 cie - lo per- met- ta men nay, nay, I..-;.. nay. May Heav'n ne'er fore - cast a More

'l» -~ 1---.::.. I -t.. • ~~~ ut f ~

.ritnrd. lP /ega iss. \ D ~ .... .

• I ... ... ... _1'

> I -'l~ > ,....... > ....-..... > >- -..... .

~-

... _I ven- det-' tal de stin p\u. n - ve, de - stin piu. gra-ve - so - so-

dire-ful dis - as-ter! For_ kind - li - er for- tune, For kind - li - er ,J.f .- -~ ......_

~ ....... . ... ~ ~ r~ tt • ~ f • 1t

·~ ~~ r

-----:- -r-.J t r > ~J Jill" _, ..

• I I ---------- I~ Ul8t

I

' <

'

~~

t: a ve e -

----....

for - za cllio

69

poco rit. ->

spe-

Alleg·ro. cJ.: 52.) (The Author.) ..,.>

! . - ri. Oh, la - sbiat~J con-for- tune The Fates I'll im - por- -tune! Oh, no longer, ye

~ ~--- I I --.......... I- I I I ----...... I I

~ • - - I___./~ I ~

~--~J J J poro rit. • ~---........ . .

----..:. I "!" "-~ ~ ~.,..-.,. > > :::r :::::;;o; ---I'm . 1 .

~- I I I. •. la - scia- te, la -si - gli, 0 pen - s1e - r1,

~~ fan - cies, seek to be- guile me, No long-- er, ye

> I ~I 1- T--... . I_

~'~• .. ~ . -~ t:l) .. (!I ~ I r' r l_C) .. . .. "'!' "":' "':'

~ I

I Cl .... .....__ - • ...... :!fi- .. =------ --- - ~ ~,. > :::r-- I > - > -~

scia-tv I

si-glh;-pen - sie ri, la- scia- te, la - scia-t~J I

con - - con-fan-cies, now seek to be - guile me, no long-er, ye fan-cies, now

~~~, ,....-- -..... ....--;-- I I I I ~

' ~ .... .. - WL

''!' ! ~ I!' ~ ~ ,~~~ "~~ "':' "'!" ""!"" ·~ Ill!' ~

• -,....,

\ I I I "':"' ":

~---------------------------------I'J ,.. ff. rit. assai lfr

-~

si-gli,o pen- sie - ri. ..:..../

seek to be- guile me! ~ ... > > > ~if"> =t- I I _I _l_

. . "-V ~ • -i-• t~t' .. ~ ~ ~"*!-r!lrrt ~r ~r t_:/

H rit. ossfli I I ~i .fl....-/ If

~ I I""

'> > > >>> ~ >- ~ •--.:..,.....-- ~

~-~ I !-I I I L1 f I

. ""' ~ - - - ..... - - - •· .... ~Ur •:it~ ~:: JJ > > > > > > > > - - - 'ff. rit.

1 I >-I

>.___..... ~- ~ ~- I >>> ._ :>> ~

Ul8t

English Version by Df Th. Baker.

70

Gia il sole dal Gange. (O'er Ganges now launches.)

Canzonetta. ALESSANDRO SCARLATTI.

(1649.., 1725.)

All t cJ ~ fJ I I

egro ~pus o. =126. - J > ~ .I"":: ..l j_ I

Piano.

fl I

tr-V TT

'"' lJ tJ

fl I

f} I

~v rT u

-~

fl I

fl I I

~)

f} I

~

. .

J15R2

I ll n. v ·' \ ~· " A '-t"

) f.. 111• L •• v. h ,, / h .v A

'-t" I

Voice. -

1__._1 I .... - - ....

I

-

so- le Gan-ges

dal now

I I ..

-

-I '1/lf >~~ - _.,..

fr ==f --------------~ . ... "' r'---"i

. II"

I> I I 'Ill ::::::-------.._

.,. _._ .1!-.. --- • ,.. -~ ,~

.... -Giail

"--"" O'er

11(/' brillante

IDDBIF J F so - le_ dal_ Gan- ge, gii01 Gan .. ges no-w_ launch-es, der

-- -~ kggero j j - --- -_LI_

I

G '.,

an- ge p1u launch-es The

I

--- --

~ -. - l"'r

r

-- -

I

chia-ro, pili sun-god, the

I ~

- - ...... II"

::> J'""'

-I

>·

I F r· chia- ro sun-god

l ~

sfa - vii - la, piu his splen-dor, the

l I - -

I r'

"t poco r~ . > .... - "' I"" - I"" ~

I I ~' h" chia- ro sfa - vii - la, pili chia- ro, p1u c 1a- ro sf a - vii -sun- god his

. -I I I

- -I I I

splen - dor, the sun-god, the sun-god his I I I I I I I _...._ - -- - .."'!': --- ...... I ..

• --- --- --- - -- • -......_ . " . ~ '----------

> --;--. poco rit. ....

I r' I .... ~ Copyr'igltf, 1894, by G. 8f:ltirmer, Ine.

Copyr·igltt renewed, 1922, bJl Theodore Baker Printed in the U. S. A.

I

splen -I I I

"":" ~ """: ........._.....

I ..

d

~ I I rL ...._

~ ~·y rr, "'~"" ~

t...

~ I I

\ t...

}

' . .

fJ I ~ ~ _y

~

fJ I • I

~

' t.J <

i . •• [I_ h

_, h' _y

II" "

~ I I

a empo

r.J •

la. dor, ~~

-~tn1tpo t_ ..... - --...

del -With

- -- -~ -4!~4!-p~

'!'

l'al- ba che teaFdrops he

71

> l . II'""

_ .... - _... ~

I stil- la del - 1'~1 - b:· - -gni che piange, ter-g~9-

With touch warm and ten-der Morn's tear-drops he_ staunches, > !- - I ~ ~

"

~1 ~ r ~ ~~ - .. .. ~ r ~f ~~ ~ ~ ;:;:---..._ - - '---"-

~ -~ ~

cre~v. poco a poco e lt->gatiss. _..._

l'al- ba che pian- ge, del -touch warm and ten - der Morn's

... .. .. ~ cresc . ..f!_Oco a poco e legatiss. - .... - _.

I

- I ..

_l

.._ -~

l'al- ba che pian- ge, del-tear-drops he staunches, Morn's

... -= "i" _. ... 9f i-..~ ~

- ..... ~ -- - >

-

Giail o'e'r

-

so- le_ dal Gan-ges now

> l

t... Gan - ge, gifUI le d~l Gan-ge 1,, h' I . ' h' I sfa-so- piu c Ia- ro, piU c 1a- ro

launch-es, o'er Gan-ges now launches The sun- god, the sun-god his fJI I l I I I I~ l~l

IL h:

t.J

. .

~ L I

r•"'~"" ~ IJ

.. .. .. ..--... -

........_......

-

_....._ - _....._ .... .. ... .- .. ... - - - - r r ~i

- - - -- ~ I I ....

----+------t'J'+--+1-+ I..' .I IJ'

._ ..:n _ ia, piu h o 'r '1 r l"r r 0' hi I r 0

' h'l 0 1f 'l e. Ia-ro sa- VI - a, piu c a-ro, piu c Ia-ro sa- VI

splen-dor, th1

e II\ I I

! ~. ->

Hfi82

sun-g-od his splen-dor, the sun-god, the sun-god his splen ·~Ill. 111·1 II -- -I I I - -->

rit. - -. - -- -I I I I - .. ., > I

-

-I

.. >

~ I •

I - I - I - I . t. la. -~ L

dor. J I h Ll ,.

> -· I I l ~ . --. -"' f .iJ a tempo- }> ~._I -- r"--'i

~~- -, .,i • .,. ~ .... :-.,.-:_ ~ ... __ ,..-..,._ j t . . ! _, ~""_I~ y ...,.. I I L rl

~ I

"' ~ I

! ~IJ

t..

fl I

'-1 ....

~ L .~

! ~~

"' ~-''• .. .I

f1 I

tJ

~ 1

! _.lll'l

"' . .

~ L L

'l I I

! """ .. rll~ '-1 J

:. Ul82

'-" t

"U rt an_!.. - - > I b n t .

T ~~

C~1 rag- gio_ do - ra- to, (~01 rag- gio do - ra- to ln -His rays gold-en_ beam-ing, his rays gold- en beam-ing De-

.-... I

-4 i- t____!:___;1- ~~ ,. .. ~ ..- .... "':

~ ~

- -- - ..;: ........

. _l_

r I I ....__.. T T ...

I ·::r L. - > .---... """'

. r 1..

I • I, ~ . r:. I !_ iln - gem-mi!:P- gni ste io, gem-ma, In- gem-m~o-gn1 ste- 1o, - m-

throne, de- throne nightly shadows, de- throne night-ly ~had- ows, de-

I I r :::::,... -.........l I~ I I I . "':"' "':"' "'!" r r ~i z.__::___:! I I

- -- _.....--......._ >- . . I

r I

I ==j ~ poco rit. > a tempo

~ I T, T f

lo, gem-ma, In- gem-m~o-gn1 ste -throne, de-throne night-ly shad - 010\'S,

I I I I I I I =r~-. ~ I!' .. ~

"':' "':' ~ ~~ tempot._ .......__ . 1JOCO rif. I ~

I

* ·~ I .. .. .... .::_~

>

-

. 1 di - '· ~ -1 t cte - o p1n - ge_ ne _ pra- o; J ' meadows With stars bright-ly_ gleaming;

I Q. ~

r r

-..__., •

T

- .• I ~

- > ---.. . . I y

> l . e glijts-tri del

While gemming the I I

~-~ r c· > ~~

I

-~ -- -cre~c poco a

I it J J i. · di - pin- ge nel

While gemming the

.. 'i" .. C'rCSC..;.POCO a

.,

73

~ L I poco - f 't rz .

t.. di - nel -pra- to, di - pin- gf nel pra- to, pin- ge pra -

II) I_ I

meadows, while gemming the meadows with stars bright - ly gleam -> >

~

' t. ~ ~. ~ .:; .. ... ~ ~, ~ ..; .. .. "i.; ~t

< .........__.. •-----.:...----- ~ ~ ~ I poco ~rit.

> - - > - - >

II) I I a empo .. --.. - - > . t.. ro:-

_.., Col rag- gio do- ra - to, col rag-gio do-

ing. ~~

His rays gold-en beam-ing, his rays gold - en ~I I > ~==r :::>I

l _...

J '-' j - r _t_ iiJ"i" .. .. .. t___!_J' ,. lF'" -F < ?it'- ~

a tempo - > --- --- -t .

I .. ~- r I l '---' I I .... ~ ' I I I > .. - . .

i

t. ra- to,

! I t I I • I -in - gni m- gem-ma, In- gem-m~ - gn1 ste.lo, gem-m~-

beam-ing De- throne, de-throne night - 1y shadows, While gem-ming, while

~ I I J I I I I ~~ .. -t

. ----" Ll ---' ~} ... ... "':" "": ":'" "':" l r 9t' - - - I I I

~ <

....______.., -~ ~ ---.. - > --.....,, -

' . . .&~

L

I r I

~ I .........-..... > > > > > I poco rit fr-

. . _I ~

t.. ste r

fo, !: r. ~ . I ' ste1

lo. - In- gem-ma In- gem-m~o- gn1 -gem- ming the merdo'rs With stars bright-ly gleam - ing.

I fJ I I

Jl I I I l I I I ·I >

I ' t.)

- • .. "'"

- - • ,... -> >> >

< > > 'f a teml!.._O > I poco rit. I ~-,. •:tf. . . .

L

I r ... .. • I I ... -

~ I • - j I h 1-.1 >> I':\ _.,... I I -~-fr .

~ .

t.. >- I I I I I ~-,, j ....... •• < f brt11ante

~ ~ a tempo

:Ji.-~ ~ ~ Jt - I':\ I

. . I "--f :~t~ = ~ .

Ul81

74

Alracquisto di gloria. (To \Vin glory.)

Aria from the Opera

"Tigrane'! English Version by

Df Th. Baker. ALESSANDRO SCARLATTI. (16119 -1725.)

~ Alleg·ro cJ 132 ) = Voice. - I

~

~ ~ fJ ~---.,., :::---~ ..-: ilt t: • - -·

~ •J

, .... pJ .. . l'ft'\ v A .. t) ~ ....... ~ ............ --- .........

f

~ . . • _I

Piano.

• •

I

-~ -

-> -

::::> ::::> ·1': - •

. - - --· ... .... .... I I

I J

.. • • • • • • • • • •

::::> 1 4

H583

> >

Copyright, 1891, by (}. Sclu:rmer, Inc. Copyright renewed,.1922,.by 2"'/teodore Baker

Printed in the U. S. A.

>

t

>

- ;ggq > .. > -

--I >

-.

..........

> -Al - l'ac­To_ win_

75

~ ~ >. > I - ....... .., ..., -~ hi - .... - I"' ,_ "'~ .... - ""!"

r-.... -

'- ~ - I I .___. - -4!- ~ -~ ':__/"

qui - sto_ di _ glo-ri~e di fa- rna tra bel- li - che schie- re_ di _ glo-ry_ in_ far- a - way re - gions, 'Mid con- quer- ing le - gions, The

'l - ..,.._ #.

, "" "'

t... .. .. > .,.,......_______ . • : I

" , J hi "" "" i, II"

~ ,........ L.· I. - ,------. -r-, hi ....... -rr "'" .... IIIII!-. \:L/ _..... -'- - - I ~ r

trorn- be_ guer - rie- re rni chi a - rna,rni chia- - rna, rni war-trumps ap - pall-ing Are call - ing, are call - - ing, are

fj ~- -- - I I I -- ---· .......... ...

\ ~ ft

1"" - - - - ... l .... .... I II" ..oil .... , -- 1..1 ~ -t

- r I I r I .. 6t- ~ 1*- 1*- -!- ,. ~ ~

~ . .. r~

J hi CJ ~ _l_

I r

~

't. I

chia-rn~Jl fra - gor. call - ing: "De - part!"

~ I I I i:>~ > --......_ I MLi

\ ~ - """' r Iii '"'! u - 1....1 w I I - ............ r t.JU

) 6:-~ ff ~ .::>

p ::> ::>

~ . .

.r-".

~

~ PP ....... ...... -.....

"' .... I I I I !

Al- l'ac - qui - sto_ di_ glo-ri~e di fa-To_ win_ glo- ·ry_ in_ far - a - way re -

I -...... • I

\ '-<

il -I tJU .. • .. :t· 4 .. ~~~~~:~~~~~~~~~~~~~~~ • -- ,... _I. \. -,.. , I-

Hfi83

~

tJ

_fl I

t ~ .. l '-<

' IJ

--'-

'-

~ I ~

~~ <

' .

~

'-

~

' ~ <

~ .

-•· L

Ul88

76

~ - - .... - ......... -~ I-

I ....., ..... - ..._....

- ma tra bel- li - che schie- re_ di __ trom- be_ guer- rie- re_ mi_

- gions 'Mid con - quer- ing le - gions, ThE, war-trumps ap - pall-ing Are

• • ...

.... ..._

chia- ma, call - ing, ---. r r

.. -• _.

rna ing,

~ -• _.

--mi_ are_

:::;;;..

r

mi are

--· f

_l_ -"'IL_ -chia-rn~i1 call- ing:

..

chia­call -

...

di ' _.,

trornbe the war-trumps

. r f ~

....._

fra .. gor, "De - part!!'

I

.. ' >

f >

i •

., -guer- rie - re,

ap - palling,

- 1- - =--. - -.... ..._ ... ' - t r r i i r-

I J. I J l F ---- <:::::::::: - mi

Are I I I I I t-... I

. > > > > >~

>. >

•

IF ·-rna, - ing,

> > ~ .

mi _ chia­are_ call -

-~

~ 1r JJD IJJJJJJ rni chia- - -are call - - -

> ........-... ..-----... .-.... I I I l I

~

~·~r'- .. J r- ., i ~ /~ ' ~ r'--v• ..._ ----' > ~ ::;:: ..

l l l ~ _.,.

~ - ... -

I

I

77

~ ....... .... - r1 a -roll 't rd p _l

-:. .... , - .., ' r'\.l' - .. -- .., -.r '\: Lf -- . ._.- -- -.,-. t ~ -- -

rna, rni_ chia- rna, rni_ chia-rn~Jl fra- gor, il_ fra - gor,

ing, call ing, call- ing: "D de part!" are_ - are_ e- part, -

fj I I IJ h.

I - - • -. t~_... -, '- .. ... • f ~ :i < colla voce

I ... .

I I'll -.,- --- ----- -- •

rit

~ 1":\f> I .,;;;;: --- ..... l _\._ _l_

.JL. •- _L ----- --.,--. ~IL --'- ~~

rni chia- -...:.:::: - rna_il fra- gor. Are call-ing, call-ing: "D , are e- part!

11 > > ==t>-I I ... - >

\ " '--' .. • .. .. -r :tl I ... ) pp f rit. fa tempo

> I I > > > >

f --"-'• -.. , ,... --" .h.

,. I > 4

.. ., >

fj . ll ...... I

t)

>

~ . ..,.. .,.. ~ ~-~ -· -· > lir •• ••• • • • t: : .. . -. -- ---· - jM_ -· . . .A L -r: ~ t I .I I .I r ,. -

>-- - .. > 1 L -. . . . ---- --_.._

• I

fJ r:---.

~

1:, >-

~· >- ::r· :::r f1 • • It: • ... : .... >- !"':'---... . ....;. - :::>:.

IJ ... ,... - . . ) '- ...... ........ I I I ... r·r.c·rr i >- >- > > > I I

~

• !"':'---. . I I'll - - • \ .... '"" -- .. • - .. • - • • • • u .. .. .. P-ine.

tti88

fl

t..

, \ ~

' . .

, t..

, ~

. .

fJ

t)

f1

-.:::

. .

tUS~3

78

Sostenuto assai cJ- 69 ) -1

~ I J ib ~~ j) . r J) I I r r I r

Ma por. tan. do del ca. ro rnio be-ne I ' fis- SfLal- lal- rna le g·ra- vi sven-

But, a las! for my war-like en - deavor! E'er doth love to restrain me per-

71 p

I

T

tu - re a -sev. er, With ~

... - V'f

#r· ~

-

!IIIII

- , pe - ne nel do - ing my ~

·-rr f nr .... .... I I

--du re_ le woo-ing_ un

I~

-c--. I

.Jit..ool ,.~

J!UIIIIL

r· - . .: .. ql ..::;; .::....

~~ ~ #1! .(15 r· r~

.... I I I I

~ l l l

~i~ J]!~ J qlj I l -vro sem-pre du- re le pe - - ne, le-wil - i - est woo-ing Un do ing, un -

........... ~

~

~ +=- • "=- • v.... ... l'# .... 11 1 r ~ • ,___..,. ,:....__/

I --- - r-,..

-- 1""

I I lJ6- ......,

qlll I J j J J> J r I I

cor, del ca- ro mio be-ne a - vro sempre heart! E'er love doth per- sev- er, With wil - i -est

I~ fr_ ----=:::::--..

• f' 'f'C!~ ....... r I -f

ppp

pe­do

p----- • -.,..

-- ne,

ing,

-

I I

rn/1. > >

y ....... -1e pe- ne nel un-do- ing my

I

-

-

I ~

• t

I I

·-.....v

COl'. Al - l'ac -heart. To_ win_

r.-,

./Jal Segno ~ ol Pine.

I

I

79

D ormi, bella, dormi tu·? (Art thou sleeping, fair one?)

Fragment from the Cantata

"La Serenata." English Version by

Dr Th.Baker. GIOo BATTISTA BASSANI. (J6li7 -1716.)

Voice.

~ I IJ ,, 1"\.V

l/

'-

( ~fl \,' ,_ \.

' t) ) ( .

. fl I I

,_ ... t)

fj I

l \. t)

. -~· L.

lft)84:

1\Ioderato. <il = too.)

_........__ --- _l If' I

~-:rhi, dor-mi tu? fair one, steepest thou?

L If'

J 0 or-m1 sleepest

-

tu? thou?

Dormi. bel - la. Art tlw'u sleepin~,

se If

~:>~ I 1 1 r .,...., 1 ...

0

• J )... ~ . . .,

~· 9t j ~~ ~· r .....__...,

I I ~ -- ------ a

~ I 1.-..1 I ---I -. - -

I

dor- mi so -gna-ti r r r L

d'esser men cru - da, sleep-ing, be thy dream not all too cru - el;

l - h

--~v -l .. .. •• ~

~~! ! :>

Copyright, 1894, by G. s~h£rm,er, Inr. Copyright renewed, 1922, by Theodore Baker

l?rinted in the U. S. A.

.

p/· ~ • r

L

se

===> If

.;;..: ·~ I , I ....., .

-~ ~

~· ~ ~

~- --I -

80

~ I l _J. L. -l . _I'JI'I !"t.JI" JL

'J -~

Je - r r.. r.

qKai-che pie - gli por- g1 - m1 - ta, · por - gi - mi wak-ing, let thine heart some pit - y feel, let thine heart

fl I --- I l ...-::::

l -- .

~ - ...... _.... -"" "7 7 ":"" ~ -~-' r 4

:::::... ·::.~ - ~ ... ..:. . . -- -. . . . . . ,... " --

-~ I 111111. t=D - Q . p I p . p I . - ............. r I

~ - \,...;!!""- lr r

qual-che pie-ta; se ve-g 1 por- gi ·· mi qua-l- che pie-ta,_ se some pit - y_fee11 If waking, let thine heart some pit - Y- feel, If

~ I - ~ ,....,. ..... rr I'\ y II

" -- ~ - -~ - ..... ~· r p .. 'i v..- • ..- • 11 . ~ .. ~ .. --- -~ l I ........

~ . •.. I

V" II "' - ........! I :::::... - ---- ~ ~

--l'j I ~ -- _--......_ ., . . ......_._.- -

r t.

._...... 'r

r r ~ r

ve - gli, se ve -g 1 por-gi - uLi qual-che pie-ta. wak - ing,;::...

. ...--. if waking, . --. lf~t thine heart some pit - y_feel.~

fl I I ~ I ., I I l :J ,..,...,-::,j .I

l .

"'J • _._ ~ - - [_ D ~ .. --~~"" .. ~ .~ r I

~~ - --== - -- - ~ ~ __ l I

"''' --.......__ --- :::::... - ....__...... .. I~ ........

~ I . ~ :::::...;;;;:::::: . ~ :::::...--------...,_

J. . . . . ::~

fl I I 'J ~ J l I ., I I ..JI - I I':\ . t

tJ I v r r I L r ~ .. < -rit.

---- -...... I':\ I "''" --- .. tll84

8{

Vivace. cJ.- e&.) p ~ I • .. _l _l _l l l l

~IJ'

t: S . r. ,

o- sp1 - r1 pro - fon -di tra-man-do dal cor e tu non ri -Tho' yearning pro - foundest my bo-som doth move, Yet ne'er thou re-

~ I r . ., . I .

t. •• •• .. .. • .........-::;; -. . -..-

7-~ Ill '-,. -v u -~ r I I I

fl I • ~ ~

.. - - tu spon-di, e non ri - spon-di, spondest, ~ yet ne'er thou re - spondest,

11 I I ~ - - .. l . t.. - v '(.__!:_;!!"

1lif -- ....--r----_ . r --

fl I - - - . -'-- _1_

t. tu ri

r r r .r r r

bar -ba - ro a -e non - spon-di, ahi, bar -ba-r~ - mor, ahi, ...._, yet ne'er thou re - spondest: Ah, bar-ba-rous love, Ah, bar-ba - rous

~ r

I ... ~~ • • • ~1 ;~ •i 1 ~ i 'i

} .::::::::- ere sc. ~ - -I \

I r ... - - -~ I • ~ .

u ..... .. I r r r

mor; e tu non ri - spon - di, ahi, bar - ba - ro a -"-" love; Yet ne'er thou re - spond- est, Ah, bar - ba - rous

fl I I I 1

~ AO A

~- ..... t. ... • .. .. ..

} -.

f A

r I I

H&81l

fJ I

~

fl I

I ~ ' t-

~ . .

r; I

t..

fl I

t..

. . v r1

I') I

t..

fJ I I ~ r~ v n

' tJ <

I . . \ v r1

fl I ,

fl I

-_,·h. v r1

82

Largo espressivo. <J = tto .) ~

~::::::.. I l -. ~ li J I .Jr. r '''r . t II§ - I .A

I

iu mor, e -non ri - spon -di, a hi, bar - baro a- mor. '-...-/

love, yet ne'er thou re - spondest, ah, bar - barous love! ::::::.. I ., ...... .. '--~ .iol ...... .iol n ... ~~ .. ~~, .. !}~ d" !}. .,...

~· I ::::::.. I .h..l>

• ..... . j"' -u

n I r I I

Vivace p espress l l ~ .1 J) J) Jy J ;b ); ) I ..

""" .-1 1./ - -- I r-. r

Bei - bel-li chi mai, chi ' . ? tu fa -u -mi ru va - pri - va,. e non Fair eye that de - fi -est Who dar- eth to brave thee, To mine ne'er re -

_l I .. : .-1• ... ... .. 11 • .......---:;: - -t-.., -~ r I I I

l l

- - r

vel- li, e tu non fa - yel -li, pli- est, to . ' pli -est,

~. mme neer re -

~ ..

..

-

:

-r

-""" -l"f

-~

--L... ~

--

....... .L ...1'\, -

====-,

-~ ,. ~ i ~

\!. e)

t f r 11 '. h' br b.~' · r h' e u non a - ve- I, a I, ar- a-rQ__..a- mor~ a 1,

to mine ne'er re - pli- est, Ah, bar-ba-rous love, ah,

- -• .. • -

l

·~· - ~-

-r

bar-ba- ro a-'-...-/

bar- ba - rous

11111 li

-- -.-1 - .--

I

fl I

,_ v ~lJ

t)

n ,_ -. u -~-.

I\ h" v '""' v ~ ~

u

.

f) I r~ '-

fl I

fl I ,

~ I

f1 I }#

t...

f1 I rTI-.

i t.

I ,,. .

11584

83

Largo espressivo l l I l -,

.1. .. ~ _A - - - ' _l't.l _&.. - ll'f ..... •. ..... . _..,., A ~ - - - ., - -r I r r tu fa-mor, e tu non fa - vel-li, ahi, bar- ba-rQ_J), - mor, e non

love, To mine ne'er re - pli- est, Ah, bar - ba- rous love, to . ,

mmeneer re-

.. -..... .. -

I I

vel - li pli - est:

tu? thou?

>~

... .

I

--... ~

I

-

loll"!'

dor-mi sleep est

- •

r r· ~, ..

----_--........_

ll'f

v -

I.

-~· -• -

r

ahi, ah,

tu?

I

--.. -~ I

I

thou?

-~ ...... -..

u... l""l _ _._, ../!

.Jt.I_

~ _&.. .LI. T

_. ~- __&

A -.::

Tempo I j_

I

......_ r~ • .. ~~11 q~··

.... - I r

bar - Ha-ro a bar - ba- r~s

mor. ~ love./~ · · · :; r--r-1 J .J J.JJ J TI

- .... I ..... -~'C• fr_

_[

~ r L

-Dor-mi, bel - la, Art thou sleep - ing,

J .1"""""""" -

_j

se dor-mi If

-I .........I

d~ I, or- m1,

fair_ one,

--I -v

V I r

dor-mi steepest

I ~ I

-·- - -.... so-gna-ti d'esser rrien

sleeping, be thy dream not all too ~ ~ I , I T 11 ... l - ~

-' s.

r ~~ ~ 111 • I > ~

• • --~!- ! r,;..

""' r -

fl I . I FJ

-. h' r'"" v r1

'J

tJ

~· t)

. .

fj I •

...

~ I • ., ft If I' ""~' \:V

'-

. .r~ v FJ

11 I •

v

11 I I

l '17

li: ~

I . 7 ti:

U684

84

l

~ ~ p. ~- ~--· I !"'!: p .-1 3 ....._

c~u - da, ~e -se - gli por -g1 - m1 qual- che pie ...

cru - el, ::::::. If wak-ing, let thine heart some pit - y - . --:---.... --- :::::: I ., I I ...., r ~ J l . .. -..... 'i' ., r ~ - - - -~

> ~~~~ ;::... -. . . . . . . I I"" - .I"":

I

- -L. ~ ...

~ o r ~ I p· ~ .. . - . ....._ ...... -ta, por- gi - mi qual.:.che 'y- i' pte- a; se ve-gli por-gi- mi feel, let thine heart some pit y fee~; if waking, let thine heart

;::...._.,...... ....;;;;;.

• .. . - • -- ~· , r ~ -

>~ ...... ...: .. --- -- ........

_ .............. rit. •• . ~1-Jhe pie-ta. some pit - y_feel!~ ~ ~ mj.J

, .. ....... • I ~ -- ..J .. ~

- ~ --.., .-1 ..._

- ~· r ~ • .. , ........... -~~-

-·--- 1 ,....,...,....

I --- .!' .. ~

I >

>

~ I ~ r se ve -gli if waking,

_....---:-...._

I ~·~ . . . ... . ... ;::...

/ - ---p· ~ p

por- gi- mi let thine heart

r.-.. -J.UJTI I • ., I J ~·I ~I I:\ .

7 .. I r ( r LJI"' ...

rit. ~

r -............ 1!\

-- '411'"

I

I

I

English Version by Dr. Th. Baker.

85

Posate, dormite. (Sleep on, then.)

Fragment from the Cantata "La Serenata.~'

Recitativo.

GIO. BATTISTA BASSANL (161)7- f7t6.)

~- j_ p

l _l l "- ..... " 1"- ..... -

Voice. ... h. LV 1• l"r 1"'1"

r" 1"\V IJ' ' \: l.l

t... Ah se tu dor- mi an - co - ra; e se dor '--" -

Ah, if tliou still art sleep .... ing, and e'en ln

~ L • h. .... t r, "'v r1 ' -

t ' ~ -;~ < -p col catuo Piano.

- --' . .

'1 I • l l l I

.I ~- ..- - I - -men- do tan - te pe .. he ~i slum-ber All my rest so hast

- - l !

da - i, non de - star - ti giamma - i. tak-en, Thoushould'stnev-er a-wak-en.

che More

' } ' <

-~

~.:-----::::;::- ~

<

t

- -- - -- ... . ... ~ "----------

I'} I ten. , t":\ II •J

- ., ur .. 1"'1" _\ v 11

t... r ' ' r r ~ r r ' non sa-ria bast an-te a sof- frir - ti sveglia- ta un co - re

stern-ly must be fashion'd,To en- durethywak'ningcharm, A heart so a-man- te. im-pas- sion'd.

~ ... r--- ---........ t":\

~ 1

r~ I

r~

'--"

11585

Y.

~'-.. - ~ l - -.... ii=--• ~ r;,r-

- no/ cntlfo "C-1

t":\ - .... _. ., ......... _. - - - '1: Ill ...... -

~- l!jf- ... ~

I

Oopyr,:gAt, 1894, hy {}, ScAir11Ulr, Inc. OopyrJ'gAt rentJwtJd, 1922, hg1'A6odorB Bder

Pr\nted in the U. s. A.

I

Allegretto.(J = 96.) f} L I

I IJ' h ~ h Y' •I

!F1 '!"\ V IJ'

Po Sleep

-~ L ~ I I 11 hlJ'L~ ;1 ~r~. • •

,. I~ I

sa on,

J. """

-

-.- -~

\ trT"\ V IJ' AI • - -..

,~ ~ r. r. ~- I~

< ppp sem}J'Fe lr>gatiss.

. ..

fl I

~ h L :rrT"\ v "

l/

v

fl l ~ h

I t ~ <

) I . . , .... . v

v v

fl '-Jl IJ' .... ~ h v

IFrT"\ V IJ'

~

r- _-----::--...... ~

-

I . r~ •

I

pu -1,1 pl -

re - pose

I I --. .

~ t. r. f. rr ...._,- ....__,... -_...- ~ - --,... ,.... ,... .... -~~~---·---.......... __ I - I- -,... I -

di- te, ul vo-stro ri -close ye, And may your keen

fl I ----.... I I

I

~~ -.... ~· • i .. .....

<

I ~ -~ ,. ,... -,...-_ .. IJ' h - ....

, h v -v I~ ,... -./J l

--~ h ..!'_ ,... r~v IJ'

'-' I

ro- ra po - sa- re un res-pite, tho' brief, to a

86

te, then,

I .

I T

dor sleep

I

-

mi on,

I I

,...

te, then,

~.1 . . -~ ~ r r.- f. i. t -..._...- ~ _- ............

.... - -- - -.,... -L I I I I I -

I

r r I r r r I r J J I ..... le, pu - pil - le gra - di - te, pu- pil- le gra-ye, Sweet eyes:, nor un - close ye,sweet eyes, nor un-

~~ I I ~1 I r I I -:--....... --- ....... ..... _ .... ~ ill WI - .... _., _, _, ... --- - ..... • f. t r. - - ..... v -.._/ - -~- .;~ .~ _- ............. - -..... -.... " - .,... ·- -

I I

-I I T J J I r· J I t 1 r 1

T T T-.-

go-re, e-.Gl vo .. stro ri - go - re las-ci an-"-""

art, and may your keen art Grant a

~I ~ I~ -1 I ....

.... ..... -- - --- -. - - --- .... -- -- .... - - - .., ll ~ .... ... • i - --

-- /' - .......... ~ -

L.... I I '-, .. I ~ -;:::-----...... --- ) . - I r r I r·

ppp cresc poco a

stan - - - co, un stan -we a - ry, a we a -

~I ~II ---.

I j fl I I I I -) w " ~

.... -~- .... r~· r~· ll h v _, -: - - ~ - ..... rJ v ,, - - - - - -.... ......... - - - .... ... - -- ...; 1\-: -- - ": r. [. r. ~pI ~ l r.~- r· ---- _.. - ppp_'- >

~ _:_,...-"' -~ ~-----........ rJresc. poco a - -------'

. ~ ' .. ~--- --· .... , -....-= .... "' IL -- ~-- -

11585

~ I I

_fill ~V" !JI' '\:1/

~

fl I.

"l I II. h.

~ !.. LV ~ ~ v " -~

~

poco ,....-...., .

- -- -

..... ..... --­--- -..... ' r·-

> poco

,.... .......

I I

co -heart.

,. -'"' '· pll -

mov-

j

I

co, ry,

==r u• -­~-

-

-

-

un a

-

I I

.... -

I L

-

I re.

~

le, - ed,

-pu 0

87

l -I

stan - co co-re,

~~' - \ • .-LJ -· '""'] - .... .... - -

~ -f

.. -.........._____

I I I

1~ .

- ....

.. -

I , I !"' - .........

I- -

J'n stan-eo, un stan -a wea-ry, a wea -

~

• 91

n,

......... -

I

--

. ... > >

I • I

Dor -Dream

- -- -=

I

---- t;...l -~· r. r. -- .

-

- -~--- ~-­~

sa

pil- lt<._jt-dO fair one, be

--

11tT rit.

_, .. -

-

--

te, then,

--1""'

I

-~ I

ra- te, pu lov-ed, 0

n fnllpoppplr>gnftssi

-

pu un -

pil- Iv-do _ fair one, be -

I

.fJ._ I --1 -........ i 1-----:- I I J ~~ ,-- ~ M

~ \: 1.1.

"- ....,.; ..... Ill .Ill -- ..... -~

..., - ~ ""'' .. ""'' .. - - • ~ - - .. .. .... .... - - .... .... .... --

' v f. r. t f. r [ - - ... .... u

< -~ - -~ --~ --...... ...-- -- -..... I - -•• I IJ'. J.. -- - - .,. __ -

" ...... L.V ~~~~ - J-I. •~~er-

v " 1""'. - II

l I I I I

f1686

~ I

r- v II I~ v

~ '- . J ~ ,_" ~ \ ~ v ~

lt1

<

I •L~• . •. ,,~

v I' J

88

--.

I'"" I 'I - - ./ I . I I -t I. ra- e, e In pla - ci-do o- bli - 0 e in pia -

'-._./ '-._./

lov-ed; May kind- ly sleep

~ ~ _l J .. --- - -~·

., i .. .. ~ -~ I'"" ---

,.... .,...

-Ll" I r

T I LL

'-._./

ban -ish, may kind-

~ ~ • • - - - • 11

-• ....... _... • .... --- I -

ppp 1---------.....

"'·

. I.'. _j_

I

-J) J IJ J It r F ci-do o- bli - 0 dor-ma il

'--' '-._./

ly sleep ban - ish ·An of ,----....__ r--"1"

_ll - - ..I ..... ....... ., i -- -

----...... ~ ,.... - - --- ,.... -,..... ,...._- ,.... -... I --

1 r F I r· vo- stro fu- ror, ch'io par - - -to, ch'io par -

wrath thou mightst feel That I va;:_.:..-==---._ -::!_sh, I van -

flt.~II~J 11 Ill _lJ] - I I _.,. Ill l:; = = = - - ~ '~~- v 17 - - - - -ru <~ -.... -.. "

v ,,

fl I

II'- V " I'- lJ v

fl I

II r- v -~

t)

-.-. TTL.. 7 -.-v

- -­,... ..... -,....

...-.... .

- -- -==r -. I >

poco ..I

I

- -

--T.i -to, ch'io ish, I

==r --r· >

..I----..I ... -- ---..I ---....._ --

I

I ld 1.1,

par- to. Ad -van- ish! Fare - well, ~

---

- o, then,

~~

, r~·

'""- _ ....

IC" >

,...._

f ---~ .

J"'[ __j_- -· .,.

par- to, cli'io I

par- to, van- ish, I van- ish, ~-~ - J ~ J --· _''!: -· .... ..... ~ - ·-f.

-'--- _ .... -........... --

PPP rail j -

d d,l,

a - 1- o. fare- well.

-• -

..,...;:

-

... i.

I_ I

-

I

I - I

ch'io I

-~~

-....

-

. -- ..... -... r-...- -- -I,.... -I> _ ~resc.p!:_o a

..I

.,... --1/,

..I --

I'""-­,...

I . I

I

par- to, ch'io van- ish, I - ~ -..........

7

....

-i- ~

I I --.

1/ff -• ......... .-

.... .,... --.......J

- .. I. ..

------·----__~_--_-]-----~

ll.:...:-v Tl - . ..... - - -- . --- -'--- - -- .... -It:;!* ' t) <

~'I L '• ... " ... 7 ... v -v Tl

tUi81

., >

-

., .. > > ... ll .. r ·~~ ~-

rit. _ rail. e dim. sz"no al f'ine. -~I

- .... .... ---· ...... - I

~ .. -- .f=- I

I'""

- I • '...:.1 ~

.. ,

I

English Version by D!' Th .. Baker.

~ l Ll'.h.

Voice. ~ h LV

' 1 _L

lL_h._

It LY v Ll'

t. Piano. <

89

Seguita a piangere. (Mourn with temfrity.)

Fragment from the Cantata "L' Amante placata."

Recitativo.

GIO. BATTISTA BASSANI. (1657 1716.)

l I - -l ~ -I r - pian- ~h r

No, non te- me- t~p ti; non ve-Nay, have no fear, my griev- ings, ah, mark ye

~· --..

t.l ... ~::-- -::::::: ~~ col con to -- - -..,..., --- :----.._ .

' . ....

L V H ...

'----- ------__:--

1\ r I _l .I I _1"\_ "' ~ ... ,.. 1""1: __1'""1 - - -- _j

_,._ v Ll' -· ., .A _j

'" iJ .. I

t)

Je - che la r r' r I

te ri - de pie - ta so- pra.l suo vi - so? not how kind com- pas- sion smil- eth from her vis - age?

I /'J I • I

l _....: IL

Jt.J :::::-& U" ~

< ~I J ,........,.

.....

' .....

••• Ll'_ ... L l.o. I_Y

....._,. I

fl I l I l

~ h.- LV 1lt _1'"\ -- 1"'1 ... ii'J" v Ll' II'J .A I - - I I _, _, _,, __r

:\: -tJ , r I,

stan a for- za in bell' oc - ch0>r- go-glio ed 1 - ra, Tho' her eye yet out-flash- es m an-ger and scorn,

~ r I I

\ _, "- _11'"

J tJ - r- Jr ~

(

--I

. lt:: . """ (

L _h LY )I

.. .!!': JL ~

~~r.. t-6

~- L • L I l 1

I .. Jr. - .. "' .. -_,, - I I "' Ill. II '1

' dal - ra r spi --

sem- pre pie - ta cle- men- za ra. E'er of pit- y sweet clem-en - cy is born.

f1 I • L!-

t _._ _ _... !(J

Ll' c. ~IJ I

tJ ~ ~ (-it .g.

< ~J~I j . ..... 1__1

' ... Ll' ..... r.J • t

, .... -" " ~ -,; .,. I

ttiS& Copyra"gAt, 189#, lJy fJ. BcAa'rmer, Inr.. Copyrigld renewed, 1922, lJy TheodortJ Baker Printed in the U. S. A.

90

Alleg·retto .c)= ws.) I'} I , _l .. ..... . r-'1

-~ 1'1. _'\.

~· rr I - ~ N

~ ~ ' ' ,.-- _.II . I-I .... -_.II ../ -t.. s . t . t e- gui- V pian- ge- re, po- ve- ro, po - ve- ro cor, Mourn with te- mer- i - ty, pen - i- tent, pen- i - tent heart,

fl ~ I • r~ - -,I., • --... ... ~ r- - - - -.... .... • _. . }'t) - - .. • ~ -= i -- t· [_J j" .. -} ~ -------~ ~ -t

. L_• .. II L.. 'I _/ ..... v '

V II

fl I

• .. ../

!t.. I

se- gui-tv mourn with te -

fl I ~ r::;:...--... I ~ ..... v ....

,_ V II ..... -'lt..v .. r: - -

<

j ~ --------.___ I '"' ,. . -.. II L.. --~ v 1..1 ..

fJ I l l II L.. " J.: J.: ~ .. ..... v .,. • -

lr'- V II r-'1 - ..-1 o - -../ __.II -

t.. r _t: t ' se- gui- ~a plan- ge- re,

mourn with te- mer- i - ty, fl I '

\ 11 II L..

II h V e. II- • r- V II -' t) -~ .• p ..

I "-../

-r"'T• .. II h VI"'!" -1 ..... - v \ v .,

I

llll~6

- - . r-' - ,.. ../ . ..J

I I --l j j I ~- p ~ r 7 .

L,.f --- . r . .r p1an-ge - re, po- ve- ro, po- ve- ro cor, mer- i - ty, pen - i- tent, pen- i - tent heart, ~

J--

--.... .. :

-----r-' - --_I'"" :../ r I

-. - .... --po - ve - ro cor, pen - i- tent heart,

• I I_-.,. ---~~

------- _'-.,

../ I r

~ ~

--~ _L_

_.,.

_. -= , ... ":' ":" 111

--~ - I

se- gui -t~ pian - ge- re, mourn with·:te-mer- i - ty,

~ IL_._ -... -_...._ IT-

-~ ~

- ---...___ -I"!' 1..1

e spe - ra frange - re, e spe -ra AU her se - ver- i - ty, all her se -

,

I

f1 I l

• ""' _v ,.. ro. V II .......... , - !"'[ .... . .... .... "' r - - -

e spe- ra fran- ge- re, all her se-ver - i - ty,

/1 I ~ ,..,. _1

I ,_ v II

,~ .

r· p~. <

I • -. . / J ...

v IJf -

fl I 1 ... . ,,._ v v .

Ll

v r r r

se- gui- tu pian- ge- re,

9t

spe. a fran- ge- re her se - ver - i - ty

....--:::::::::

il tuo ri- gor, will soon de- part,

l l

" l I ""

... ... L ['\.

f_ ~ 111.1 I

L"~~-. • -r

t'o. ... -

e spe - ra fran - ge • re il ri-gor; all her se-ver- i - ty will soon de-part; ~ -r

Ppf: ~ ~ p~ .. ? ~i q . i

L -"'- --------4. "*

l l ~ .

J"'l" - J"'l" . v VI

r r po- ve- ro, po- ve- ro cor,

... 1

~

Mourn with te- mer - i - ty, pen- i - tent, pen - i -tent heart,

ll I ,......., - ~ ~

"'I

l ... ...... v . __ Ill{ ,.~ ... r- v 11 ,. """ .L • . I ... .... • - • •.. --"' - - ... ... :; .:: ,- r_·.u r· ...

~ --:----.. ....-::::- -......, . - . ~·-~ /

.... I .... 1 .

I , -

lit I l l . - .... . L 1

'-.) r r . r_ r r y

se- gui.ta a p1an - ge- re, po - ve- ro, po-ve-ro cor, '-"'

mourn with te - mer - i- ty, pen - i - tent, pen - i - tent heart,

'l L I ~ I ......--..! ,.....- ~ V.h.. ..., k LV 1111 ....---.. r

I r- v v .... - f. Ll • ....

"' ;: - - .... ... ~ ..:; I .. 7 ":

< ...

~ - ~ l -~ ; ", . .. r, I !""" ~

/ Ll .... ...1 f - ../_

I I r

UrJ86

I I I

I

I I .I .J

92

'\ I ... l I

f .r. t . se- gw.- V pian- ge- re, po - ve- ro cor:, mourn with te-mer- i - ty, pen- i- tent heart,

se- gui-tu pian - ge- re, mourn with te- mer - i - ty,

I'} I -I

'\ I

~ .... '"'"' y II

4!

fj l •

t 4!.

<

. ' .

'\ I •

4!}

" L I .II

~ -~

' 4!. <

~ .

~ I •

. •• II h

11188

I .. ..-1 -.. '\.

-~ .. ~ -rt___)' "~ -- -~ ·~ '-.__.;/

- . ----- - . ~ I ., I

I I I

1 ... . - f - I" po - ve- ro cor. pen - i - tent heart.

~~I 1':\

-· - . ... __...-/ .... qr~· _,fJ r· rit. ~ --- -- -·

. I r

Recitativo.

r f r l'r t Un ve- ro duol Ill- e - ne -

To true re-morse her heart will I

4 it col canto -- -!-...

~

l l l

so di Fll-l!Jlcor quanfo sia dol-ce. knowthatPhyllis'heart is warm and tender. --

.... . _ ... •• . " '1. _,_ ;· --· -· 1":\

-. 1...._ ---I

l.

I ..-II

,~- -ri- see e mol - ce: io

su1re-ly sur-ren - der, I

,if" # ==------:: ~

~

'U"---

Se in-fe- de-le mi ha sof-..._., '--"'

All thewrongs lve d~ne,_ her

- I I

-U'

~ I •

lL !"'t .V 'II 1'\:

' ~ I.

~ .'.: L/ J t. <

~ . .

f) I •

1'1 I I

I

' .

f'l I I

.~ ilrJ" v 'II

:tJ

1'1 L I

t..

~

} I

Ul86

93

1 -I L ...... I .. "' - - ,., - I "' 1""1'

r r --fer - to, se in. fe - de - le mi ha spir- it,

.._,-

the wrongs I've .._,-

All done, I I ,

- ...... ...

·~ '--....3- J • .,,.

~--- .,...--:,.. ,........_ >--- -...........

l

fer- to, spir-it

"----• I

l .. 1 L..

. · 1 h K · 1 y \ · .,1-. h '

SI p a.c e-ra, s1 p a-che- ra, SI-p a- c e-ra, Can not re-sent, can not re -sent, can not re-sent,

--""'"' lllliiiiii sof-her

I I

I I

I I ~ - ........... _;;;;;;;;;;;---~

•

--..-'I -- -· -

L.. t..

1 -N .... - I

Ill . si pla-che -{a.-, . 1 ~h ' . "'i h s1 p a-c e-ra, s1 p a - c e -

can not re-sent, can not re-sent, can not re -,..-...

I

• .... • ... • .,- i• "-------'

,.-.... - .. ............_

._

ra: sent;

... ---~-.,~~ .....-

---::::::--...

___ ......_ _l

_. . i

io so ben che non- lo_ tlio' no kindness ·I may

_I

fl I

"""'II" II

.tJ L IL

I ~ h. Lll"

"""'II"" " ~

,_

fl I • _II"

fl l

fl I_ •

t-

fl I • I

\~ (

1... . •• .,_ lo.. , .... v

' v r1

11188

I - .. ra.

lent . ..--::::::::---

--f

I

fer .. to, spir- it,

l

fer- to,

1

-

l I.

,,_

si pia- che- fa,

94

I

I

l l

.:,I fa­re-

Se in- fe - de - le mi ha sof -..._.. '-"

All the wrongs I've done, her I I

•

p ~ l se in- fe - e - le mi ha sof -. ..._, All

'--" the wrongs I've done, her

I

I

t I - ~ I~ p ~ih ;lJ J si pla- che - ra, si pia- che - ra,

spir-it Can not re-sent, can not re- sent, can- not re-sent; I ~

- ..... .. ---4 .. ~ • ~~~ .,u

~-- ...................... .........-:--/

111-.:J • ., .... - --- ~ ....._ -· - • ~

fl I

•

95

-- - .. "'' I

A - y .Jot...tl"

· 1 h K · I y ', . '1-l h ' SI p a-c e-ra, SI p a-che-ra, SI p a- c e - ra. Shewill re-lel)t,shewill re-lent,she will re- lent!

I

-­• • -- ... ... .,- ... ~

-~

-

' "', . .. -r7_ .... ----

Recitativo. ~ I ' . l

lo.

"' .... _.,- - .... ... ... - -llr• ~ I' " Ill' • .. _y: y

t I I r. piu Vo- lea Tir - SI

Yet more Thyr - sis would

f1 l ~-r.'\

l .- -... J# .,_ ....

t "' .... _.,-_ .... V'

~-......... --t) • I. - -----.::::::- ::::::---< rit. rol rw1llo ===- r.'\ --- -~ -e-----I . ... ~ .

'(" lh .Jill ! V'

a• 1 -----f) ~ ~ ~ L l l l

"' " I ... - - ... - - 1 1 I II[," I' I .. .. , - I l"'r I"{ ., I 1"1 -~ I A 1.(1. 1

t.J I

F"'l r . t r. t ~ k' ·' r d:h, dis- se, di- re rna I - I In- e - ne - ri - a Sl dol-ce par- Iar: .....__,.

say, but Phyl-lis, all com- pas- sion for his sor- row, re- plies: "Ah, cease thy

fl _..-...

~ Jill 1.. -t) .....__,.- -9-

< _..-... _-e- n

' . .

I - - - -t)

t . , r. r . . r t' a - CI. u so - sp1- r!.3r- re - s o

r r

col suon de' ba - ci. sigh-ing!'' And with kiss-es ar- rests his woe-ful cry-ing.

I I

I ..... r.J-

----- --- 1 ...._____ r 1':\

n n )-t-

I I IU

U586

_j

J I

_j

English Version by D!" Th. Baker.

96

Caro laccio, dolee nodo. (Dainty meshes, net enticeful.)

Fragment from the Second Cantata.

fl I Moderato. <J = 69.)

FRANCESCO GASPARINI. (t66~ - t737~

Voice. I 1 -"-"- - I -~ .. J.. ~· -tJ

~ L .......... - - -.... I

~ ... - .... ... .. , . - -.-~.

J tJ ------ ... - ~ ~- c.r:rr-~- .... -- .... __,. ~~ ---=------ ~

< p -~ cresc. -

.,..-._ . ..,. . l'.l- - L_ --...... ~

. . 'I. ... ••• fll_ - - W' ..... - -~ ......

Piano.

~

I

fl L

J J r I I ~ ~ I _, .... )_

tJ I ._

' Ca- ro lac - cio, dol ·- ce no- do, che le -

P.

Dain- ty mesh- es, net en - tice - ful That en -

~ I ~

-- ....- - ... \ ':F • ~ ....... .. ... ..... -- -- ...

... -w- ....... c• r ............. - - "-..:._____.-- r:_r r \...]! -___., ----< -.......:___; p p ,I . .

II L ... &.. L

t..

~ L

I tJ

<

I . ..

ttl87

,..,-....., ~----- ~ I

I .. - -

• - -I I _........_, L _.1"'_ -... --l .... t•• I"'[

~- -- il· r" ga- s 1, le- ga - sti, che le - ga. - sti - m10 pen-tan-gles my_ fan - cy, that en- tan - gles my_ fan - cy

I ~ ... _(

.... ... -... -- -- .. ~ ·--~ ~ll -,~- ~ ~

-~

--..:....._

I ---- --;;.... ... LL• ..... - --- I

Oopyri'gAt, 1891, hy (J. ScAirme1j Inc. OopgrigAt reftllwed, _ 1922, lJy T A8odors Baker

Printed in the U.s. A.

.--- -......... .....__ - .... I •

I J

97

~ 1 I U. ..... • Jll.. ... J I

~} ) l r y -s1er; ca- ro lac- mo, dol. ce no- do, ca- ro free, Dain-ty mesh-es, net en- tice- ful, dain-ty

~ I I I I I

l_

t _, _I - ... ... ... - -~) ~ ~- -- ~ I ,-r -y.- -rJ-<

~ :::::>.:;

~ ~ ~ •L- -- >- ~

' .._..... I_ . ..1 ...II'" _]_

.. fl. I L I .I_ ... I f

I I I -

j~ 1 .1. 1 l I ~ .........-..... . • h. I .

1,111 "'- y " ... ~ -- -... r f

le ~

lac- cio, dol- ce no- do, che - ga - sti il_ IDlO-

mesh-es, net en- tice- ful That en - tan - gles_ my_

~ I I

-~ IL_ - -t.. - ...r - y-~--

... - _ .. - -.t- -

~ ~ < >

.-: ..,.. •• - ~ ' ...... --•• rl. -~ I

_, h. L

y " l.

I I ........ I

fj I - l ,...... - l - > p

~h. I. -· . I I"" . .1"'1' .

'\.'IJ . ..., ....... ~ - ---:: I - - -pen - s1e- ro, il __ mio pen- sier, il_mio pen- sier, so ch'io fan- cy free, my __ fan-cy free, my_fan - cy free, E'en tho'

jj_ l

~~~ .loo. I. I _l_

l"t..Y rl ~IL

t.. ~- ~- ,- .. - - ..,;·~ i "!" ~~ ~ ~ 7 7 < ;: ">-.: ~ ·p~~~ - • ..,.. • - - • :--:---. . ' •• rl I

_, .... •- l_

Jl" I

d L ·-------=============== -..... .1/L_ __._

•

U58'7

-­pe- no woe-ful

e pur ne I yet am

I I

go - do, bliss - ful,

--..., I -

r

son con -Held a

• •

---

ten- to cap-tive,

I . ...... .... -'. I

e prl-giO-

Iwouldnot

I I

~ I

lrl"' y 1'\: v lt.J

f) L ., I ._ I. I

~ ,~

<

£.'• I

1 .. ~

f) L ., .. I. I .

,,

fl ,

_V IL

fl I

11•

y II

111)~7

98

I 1 f_

~ -· "" nier, pe--do, go-d~, son ~on- ten - to ~ pri

flee, -~u~blisS-ful, held a cap- five, I would

~ ! gw- n1er, not flee,

so ch'io E'en tho'

__j .... .... ....... ....._ ....._ I. • ~ -. """1 """] ...., I. - - -... -fll"~ ~ ! ! ! ·----=-- ---

• • --~ ...... "':'" "':'" "':'" 7 ":"

-~ -------':""

_, _, -. -. _, ._, II! ·-.r.l

• a.. .. v•

., .... .,.... .,.... "':' : -~-

-...... ......-------. =-- :- .-l -..._____ - \.. .-_ ,_ .. ~ -... p. Y"--"""" - I I •

l l l l :::~ l l ..---... -..... - ., .~ -- - I - J '\

.... I I\ l"'r - ... - .... I ... . .I - - I ..... I , r I

pe- no e pur ne go- do, son con-ten - to, con - ten- [o e pri - gio-

woe-ful I yet am bliss-ful, Held a cap-tive, a

--.• --- ·'- '- .... ---- - """-- --- ..... -.-- - .. -·--:.______--- -~--------...........

- I I

f l

- ' r 1

.... ->--------r#.

J.

cap - tive, I would

..

)I J. nier, pe- no, go- do, son con- ten - to e pri -

flee, woe-ful, bliss-ful, held a cap- tive, I would gio - nier. not flee.

... ..

not

t

""-- - - - -~ .._ - -.. -.t., -~ :j:..r--+..r-- ., 7 ~--~---------~-----~-======T=1=t·==--~---_. ~ 1-

- • ---- ............ • 71~

- I

- - -> ~ > -----------....._ (------,--

"'

-"l._ T - -eS:!Y!!_,s. --~

I -· I

II

99

Lasciar d' amarti. (Lovts bond to sever.)

English Version by Dr Th. Baker.

Fragment from the Second Cantata.

FRANCESCO GASPARINI.

Allegro moderato <J- 84) (1666 - 1737.)

~ fl ~ -~ ~ '- -~ I - I I I -

I - '-'

Piano. ' !""' -t I ...... ,... - - - -'t) it !Jasso telrnto catt!nttdo

.,- - I e f 111p

< --------...___ ~ ; .. ~---;.. ..,.. .,..~~ >~ ..,.. - . L.- -· • . . . . .,... . .., ..... 1..

1\ I l I T I

. .oil'l h. LY T- I r- Y 11 .-ll - ,_ I . -'- r I I

Las-ciar d'a - mar- ti per non pe -Love's bond to sev- er, my heart to

f} t I I • ,..._ I ... I ...

I

" ... ... \~~X .... - 1-. .. "' --r ~ - -t - - -

__ .. -- -')

> ~.~·· • ·"'--'~- . .. .... . } flSSllZ rlf. a tempo ~ >

~~>- s:_ ..... ------- -· ------f .: ,_ ... .......... --- -,_ . ,_ ,_ I 1.. Ll"

v , ........ - ........ >"-..._~ • I

~ - ~ > I I - >

rit. con grazfa

• ..... _y I . 4!) I liiiiiiiiJ r, I

nar, ca - ro mio be- ne, non si puo far, no, free, Mine own be - lov- ed, it_ can not be, no,

11 L I " l I " ..1 I I I L. I I " ~ J .. .I'" ... - - --...- . ...., t II'- 7 -, I'- .,~ ~ - ~:-< rit. con grazia.

1~··: J _.

"i --- L.- > > :----- -· . -. ... , ..... _y u

II" ,

I r •

II I >- l l I I I

-I fft'\ II" II -· ~ I 1"'1' ~ I

'-' ca- ro, nbn si , :fi I • ' r. I r: puo ar; la- sc1ar d a - mar - t1 per non pe - nar, ca .. - rom1o

it can not, can not be, I..ove's bond to sev - er, my heart to free, Mine own be-fl I I I I " I I to... I n - -,...

\~ -J

I -•r - [J- -.... .. .... .... - ---'-......, -__....- ~ _,-

----- ~~· ----.,- - I II - ~ < ~" - ~;..-> -~ - -......., ..... ,. ~~e~~~·

I "' .. - :!!!---... ,_ 1- .... ~ I

I

H688 Oopgrzgld, 1894, by G. Sckirmer, Inc.

Oopgrzgkt renewed, 1922, by T46odor8 Baker

> ::;:.... Printed in the U.S. A.

too

fl I C 'eSC.

ln" "'-Y .II I"'[ .. ...... §J j~ I r- F r· p I ~II' ..... .... t.r~ .. I b r . be- ne, ca- ro mio e-ne,nons1 puo far, ca- ro nno be- ne, ca - ro,

f

lov- ed, mine own be - lov-ed, it can not be, mine own be- lov- ed, my be-fl I -~ I I I - - - ~

I -.... • ~~IL = Ill. -. """] _lA 1-- • -- - - I""[ -- -·JI -··· I I I J 4L >I v ~ ---~ ... I )

< cresc . ...- ~-f ~- ~

- ~~ ~-::'\ > ~.":"\> > -~~¥~· !! ,..~.,_ .z:-a ..__~ ~ ~ ~. ------ ~--:'\. > 1.--···· -'

. -•• t_IL_.h. -' h. I.

fl t

" '\ I

I 4L

< t t

. .

f1. L •

fl I

fl L

•

" ~ 1 •

• II. h -"'- h _.,..

I ·~''" ., <

' . .

tfl88

--·--· J-

,... I ,., L .- -II --

rz"t. . = 1 >-

Meno cJ 72~/f - . r '

r

ca- ro, non si puo far. A for-lov- ed, it can not be. In spite

I I I

~ ... _}i ... ..--

rV rtt.

------. ~ ~ .--::::c

....._ • .., .-!

--- .... :---- r I. te - ne, non vo - glio sorrows, I e'er will

~.

----

., l"r I ..

I

J -. y I

la- sciar- ti; per- sev- er,

~ I

--

_.., r -..;;;~

~ ~ za di of his

~

I

- -"--------I

I I I

. L - --

j) )! J ~ )f I r pe- n~, di stra-·li e ca--ar - rows,His fet- ters and

I ~

-~

----..... I ..

a -

- - -~

dt"m. 1 I

...._ ______ ~ -

[if(f' rit

.1111!111.. l l l ~ j J> ll _f .. -- p - r f· ~o- g{iQ_J.-do- rar, st, ti vogliQJt.-do-vo- g 10, 1 ·ah- __ s1,

dore on- ly thee, on - ly thee, .a - dor,e, a - dore, a- dore on - ly ~ _I J ~ ~ I ... _ ... I .... - -- - ....._

i ... ~·· '-.!,!' ~ "'-.: ....... ..;"" "-..:'" :;... ~·-F ~ pp frit.-- - l I

.... -- I ... ~-

I ...

r ~ ·.v

f) t

\ I k LV

'1.1 ~

) ~ . .

fJ t •

""

f1 t •

\ _I':

_l'l'f'\ y II ~

"" ) ~ . . ' y II

1Ui88

rar. thee.

tot

z'l basso legato e cantando

'' l I 1/ifdol e legato

I I I .

r I I

Lasciar d'a - mar- ti per non Love'sbond to sev - er, my heart

I ~

I

pe -to

l

• ."-". 1llt .... .... .. ~

a tempo ~ -· ---,. l"""

~

• I

~ rz . con grazza - I ::::>

il -. r I

be- ne, non si puo far, no, lov- ed, it_ can not be, no,

- I I 1 L I I ~ -"""! ~~- • • - -

rit.

-~ ~ ---- ----... -· . . . I •

I - I I

I I

nar, ca - ro mio free, Mine own be-

~ I I ~

.,- - "' - -

J

------.

l"""

::::> l

"" -. . . r

ca- ro, non si pub if can not, can not

l I ~

- - -~

.,. ,. ~

\ )

fl L }# ~ h. ~ h. .v "'" v ~ t)

fl I

~ h. .v LJ'Ir'\ v ~ _'\:

tJ

. .

fl L I L'. h.

/ J.. LV .v IL

11fi8R

cresc molto

I I

far, la- sciar d'a - mar-be. Love's bond to sev-

I I I ~

-......._ _"1-- ---col conto

--.......... - 1'-.. - .,...

I

ne, ca - ro mio ed, mine own be_

I

I

10.2

l ~ -

[i per

=====­SJJlOrz

J non pe -

er, My heart to

I .-1

I.& -

I a tempo --

gJ ~ I r ~ nar, ca - ro mio free, Mine own be-

~ ~ I - ....;

~ ""' -., - ... .• "'-- .,

------'1- - I ,)'

a tempo ---====--- ~>-

-~ fl.. -I'-

~~·~~ - .. -.... J ... II" .!!!1

f J. qJ ~ jJj be- ne,non si puo far, ca - ro mio lov - ed, it can not be, mine own be-

=======-l >- rit.

.:EEfttj) I J :±±I r be - ne,

ed, ca my

ro, ca - ro, non si ' puo far. be! lov - be - lov - ed, it can not

11 .. ---

I I

... - .... -I - -----~- ... _'1 .. ======= .. -rzt.

~~~

t_:a. p motto rit.

-

103

Per la gloria d'adorarvi.

(For the love my heart doth prize.)

from the Opera

"Griselda!'

English Version by

Df Th. Baker.

Andante. (J =so.)

G. B. BONONCINI. (1672-1748.)

Voice.

Piano.

fJ ~

eJ

fJ

I 'e.J ~

' .

I)

eJ

I) _.I L ,t) <

' .

U589

11. :;::::.... I -~ .

Per~ la glo I '· - ria

.....,.... ......... . fr For_ the love_ my

JJJ.JJJ ~ ~~. > ~I r~.....__, . . . I I I I r· i r r

I I • .,.I .----- j J

- -.. • I 1......1..1 I [j • ..........._.-1

I ....... ....... .. lr J

"--"'- - ....._ .......

rar - vi vo -g li o,_,a - mar- vi0 o lu - ci ca - re; prize, 0 charmful eyes, I_ would a-dore ye;

- I~ I -I I I ---r - r r rr r r r i r r #

--~ ----- -----* T • I :iii

., __.,., Copyright, 189#, by G. Schirme'l'; Inc.

Copyright renewed, 1922, by TAeodore Baker Pl"lo.ted ill the U. S. A.

~ - J

d'a- -do-heart_ doth

.J ~~.

J - ~-

-

pp -. r per __ la

For_ the

I

. ~ .,. j -pp

,.....-.....

•

104

lJ ~ ,..._ ,..._ -tJ I,

d'a .......__.- - ....__.

glo - ria ... do - rar - vi vo- gli~a - mar- vi,1p_ lu -love_ my heart_ doth prize, 0 charmful eyes, I_ would

~ /"'" -..,., ~--~-....

l ~

~ r· ·- F i i - .. -· • • - .. ·~

I --------

. ~- ~- pp dolrP. . . ~I • I'

fJ lr Ill l . l

.,~ ___ J 10:- ~ J) I> J) I -" tJ

.._, ..... v-

ci ca - re. A- man-do pe- ne - ro,_ rna sem - pre v'a.- - me -

f

a-dore ye. For me, my love is pain,_ I_ know 'tis all 111

~ l .... ~

rlf-~ •r # -41 .. ~ v ( __ j r • • ~if -

~-- - ·-· ~ . - -'- .... .1"" ~

4 ~_I ll.J...J --fJ l

'_jj;h. ;, J .I I I J ' I t) ~""' I'

ro,_ sl, sl, nel mio_ pe- na- -re; vain,_ vain, vain, Yet kneel.- be-fore ye~

fJ ~ :::::: .,.....-......_ r 1 I I I I ......

~ ''--"r r I I I I (r 1'-v 11'" r # ~ • 6 • .,.. .,.J,,. ~ ~ -........ ...... I

'~~.. •. _,_ _...._ \

I - :j C:.'

I 1 .L..J

fJ 'IJ l - l

) _..:1 J)l J J IJ ' ' I il

t) .... ,._ v -..."---"'(;/ - r_ , ~

sl, A-man-do pe- ne - ro,_ rna sem- pre v·a- me - ro, _ Forme n1y love is pain, !_know 'tis all m vain,_ vain,

fJ ------I I -- ~

I I l .....

'w .. .. v 1'--j i • • ~'--r r I I I 71/f . ---;;- ............

f ~- ~~-· ~. ~ -1 ~ •• 'I. ,. --

I'

11589

i05

~ L I l ~ f ,......... -. . . IV I, 1 -:-- I ...... '

~

Sl, ne mto __ pe-na - re, pe - ne - ro, v'a - me- ro,.

vain, yet kneel_ be-fore ye • Love is_ pain, all in_ vain

~ .........-..... ..... I .:.

I .J/IE_ L

l

r~ I w~ 1'-1.! ,. r ~~ ~ I I

< f

' ,c- ---.. ..... - -........

I - i" r I I I J J I

-~

p .,......... .:. fr I .

v ~

~ "' -

lu- ei ca - re, pe - ne- ro, v'a- me- ro, lu - ci ca -I im-plore ye, love is_ pain, all in_vain I im-plore

~ ~ _I ~ ~

' J" 6i ~ r ~~ ~ I 6f -- r < p

I - - I':\ -•

• L

~ -ir r1 l .L.J I ~ i'" -

~ ., ~ ~

v I ,.. l I Sen - za spe - me di __ di-

~n Hope-less 'tis __ to look_ for

~ JJ-~JJ ..... ==-~ I I I

. . I

. .v I I I r· ~ '-----""

<~ I .,.J f _I J ; . ~-• -' &...-' • ·-........__.:. _.-4 ....... -- .,,. . L J. l I I I --tll89

n -"""".

u

_!;_

~ _Uft

JU <

' L6oc,.

IJ ~ _ _]_

---.:._

u

ll

I tJ

<

I .

IJ ~.

<

I H589

~

spe - ke 'tis_ to

-f· .. -I

~I

-spi-ra - re, t'implore ye;

~

i ~r :S

106

~

3. ~~-- .L =1 di __ di - to va.- no

look_ for kind - ness, Fool -

-

re, ye,

1€0 f-af - fet

pp

t I F=j J I sen - za Hope - less

'~~- QJ - oe_ so -

'-"

ish fond-ness with sighs

' i r ~ "~ -.. .. .. ~ -~. ~. ~-

Pl' dolce. p

I .. I

11 l

j) ~ra lET? ) J) I -- p r r ... -

rna 1 vo- stri dol- ci ,chi va-gheggiar pub But who-e'ermightwooyour gaze, Bask in your sun-ny

I I I I I .. .. 1'---i i j • 11/f

L""-........ - ~ 6.

:j

~ mal_ rays,_

i I 1 -- l..LJ

~ ,... -

-e no-;-_ Ja - rna -

and not__ a - dore re? ye?

L --

- 4 ~I llJ -

107

t.1 l - l .-. _j

--- -"''IL "" '"" I

tJ ,. r v-v fa:fi - ~-gheggiar puo

'--." rna 1 vo- stri dol-ci chi mal_ e

But w·ho-e'er might woo your gaze, Baskin yoursun -ny rays,_ and ~

t1 I ...---... I I I I I I ..}.

)i h: ;""'::..._

l .

fJ

t)

t1

l •.

t)

.

IJ

tJ

fJ

jrr""v

Jltl <

.. IV f:---j i •

''U .~ f

--

1 I

I -non, e non_ v'a- rna - re? not, and not __ a-dore ye?

tl t---1r I I

b. ~ ~ ..}. "11

f

I .. ' ' '

pe - ne-ro, va- me-ro, Love is_ pain,all in_ vain

··-~~ -lu -ci ca -I im-plore

~ ,.------.........., j -I I v •r

I I -- • -- --~ i

p ,.......__ .:. l fr _j_---·

\. -. . I ~

_j_ T

I ~ ~ 1-. ' ' re! re, pe - ne-ro, va- me-ro, U- Cl ca -

ye, love is_ pain, all in_ vain I im-plore ye. ::::>~

I I I:\ J: ~J / -..... - ,- ....._

_j ~ ,- ~·~· • I -~ rr ~-t·r· T

p ff deciso.

- J 1':'\ - _1 I I I I l I J--\. •

~-I I l .LJ I ....._.,

i'" . - _../" r· --

nix 11l rt;;J J I ::::::::. -..... ·tr ::::;... 1~ ~JJ J~~' ~

~ n- r; .... - 11 -"""' --

..J.

I I I I I I ' I ltf rall.

..--. -~ ~ I I I

~ '"- lllo -.. -- ..ollll

• .. • .. ~ ~ ~ I ~ .... .. -41 • .. ~

U589

I

~

English Version by Df Th. Baker.

108

Sen corre l'agilelletta. (As when a. lamb confiding.)

Ca.nzonetta..

Andantino. (J = ao.)

DOMENICO SARRI. (i6'78-f'71&0.)

Piano.

fJ 1 I Voice.

fJ I •

Sen :or- ;e l~a. - ~el-1:1'- ta As when a lamb con - fid - ing

~'- ~ ~

.

a.l cen - no del pa. ~ 0 - beys the shepherd's

k

.. , tJ

<

.,-

I) I I

"' ,., I I

~

Ul80

-

!a e'er

r J

al cen - no del pa -o. - beys the shep-herd's ...........

, .. _h --. ~ .

da T

~' lui par - 1 - re, ne_ sa from him will part,_ nor_ e'er

...---

"' I I

l

l - { . da_ u1 par -from him will

,..-" ~ -- T

~ - - - - - - • v - -~

I I I

-I I I -

Copyrigld, 189#, !Jy G. ScAif'•mer, Inc. Copyrigld rMUJtDild, 1933, IJg TA.eotlore Baker

Printed ill t1le U. S. A.

r

IL

lir, al cen- no part; o - beys the

~ ~

~i r I --...,

- 1

!09

IJ L • 1 . ..., - r' • -

r

Sen cor - re l'a - gnel - let - ta al

~ -- As when a lamb con - fid - ing 0-IJ t I .....-...." I I

.,......_,_ ~ _t\ ~ k

I , ..., I I

-I • • ·~ - - -<

• l I T -, I -I .

-......__ • _.-/ r

-~I -~ - I ~- -..., Y'

~. ,- ~

cen- no del pa - ne sa, __ ne sa, __ ne beys the shep-herd,s call,_ Nor e,er, __ nor e'er, __ nor

~I_ • t\ " I t\ ~ - -

I~ ~ ,- ,r. .. .. ~ ~~ I. lt. > > l ---.

,.. ~ ...

-

ne _ sa da_lui par - tir; al cen- no e'er fromhim will part; o -beys the

~

tli80

itO

" I • -tJ _'f' r r r

lab-bro che m'al - let - ta di -lips so sweet-ly guid-ing Con -

~ L I

I

t

' t.J -~ - - - .. ~

<

' . .......__

~ I r

.~I I l L. -t.J r

del "-: -spor puo mio co - re a vi - ve -'-'

trol my will-ing heart, May life or_

11r.

~t.J ~ -~ ~ -

--- -....

' I I

ttl90

- -

- _ _,___ ~ ~ I spor puo del mio trol my will-ing

i. ~ .....-----........

I l -I

~ r~e, mo -cleath_ be -

- I

·~· I ..

I t ' )) I

~ ' co - re, heart,_

Quel Thy

p di-con--

~ ..

......... _, . -

l

rir, quel fall! Thy

... • -......- - ......

I I . .1 __, -

I

111

-IJ I 1 l l l l i.

~

~!'"II

~ ....... - ,_~r r' lab- bro che m'al - let- -ta di - spor puo del mio co- -re a

f1L lips so sweet-ly guid- - ing, Con - trol my will-ing heart, __ May

I ..._ fl ....

~ JU -~· - • / -.

' ..

'-L. --~1 I I. ---

- TT vi - ve - re, a mo - rir, __ a life or de~h be - fall,_ may

-i r J D 1

fJ I_ I

"" IJ t ... ~

I~ tJ ~ r ~r-<

I I . ..._ _....

Hfi90

1

...

r

~ -

~

-,~.

vi - ve- re,a life or_de~h

-----I ..

4-...J 4f mo - ru, be - fall,

---

~

~ ... .,. ~ ~

~ • •

I:\

,.

1111.."

-l

a may

Sen As

112

.~. L I I l L

~ ~ j) )> I . ,,J> jl I

t.J r r r -cor- re I' a- gnel-let-ta al cen-no del pa - s - re, al cen-no del pa-

when a lamb con-fid-ing 0- beys the shepherd's call,_ o - beys the shepherd's !Jw. ~ ' ~~ l ...

t [ff· 4 .. -411~,.J ... .,- .. '1-1 -IL. .. ,~

~

.........__..

L L L l

1 . r Y" Y"

fl I ~ - l

,... ~ -t.J

~e, v - r r ~ -

ne sa, __ ne sa d. a lui par - ti - re, ne_ call,_ Nor e'er,_ nor e'er from him will part,_ nor_

..fl. t .1.

~ L L I I I

t.J .. - I .j· • ._. ._. _; ~ '--- --r ~~ ........ -.

r;_..- ......__ -------

1J. I • l l m lflJ @J I t t.J , iiiiiiiiW r

sa da_ lui par - tir; al cen- no del_ pa - sto-re, ne_ e'er from him will part; o - beys the shep - herd's call,_ Nor_

I} I • .t:::::=. ,.........~ ......... I -- ~ .....-..... ...--.....

e./ r: .... J l:.....J • • • r r ~ ~ .... .._...

- I .......--..... . I - 1 11 1

, -ll L I - .............. - I - I - I

t.J da-_ rur_ t• sa par - Ir.

e'er from him_ will_ part. r-:-.......... ~~

~I_ .. I J j J J t..---.... ~ I I

tt.J '!! • • .. ~ r --p- I I

~ • ~ - ~ < -- -- a L._ a L I I

' .

I...... I I ,.. ~ ~ .......______!! -ttl90

11 L I .,1/L

tJ r

Sen As

fJ L I ........

l tJ •. -r!

. . \

ti3

l > _1. . - . " . . - r . - r y

,~' cor- re l'a- gnel- let- ta al cen- no del pa - ne when a lamb con-fid-ing 0 -beys the shep-herd's

" -

,

" _....

~

- - )

- -·

, y

ne sa da lui par - ti-re, nor e'erfromhim will part,

ten.

.

ten. f rail.

call,_ Nor .~ )-. I h

,-~

~

ne_ sa da_lui par­nor e er from him will

a tempo.

' <

English Version by

Dr Th. Baker.

114

Vergin., tutto amor. (Virgin, fount of love.)

Preghiera.

FRANCESCO DURANTE. (!684- t'71SIS.)

Largo religioso. (J.: 110.)

Voive. _jjj_

(f r· r· ijr. Ver- gin, tut - tQJ~. Vir- gin, fount of

~. I ., T- p p p ~ r ~ I . '-' I r -r

mor, 0 ma-dre di bon - ta - .de, 0 ma-dre pi - a, rna- dre love, Dear Moth-er, thou of mer- cy,whoseheart was riv-en,whoseheartwas

~ .1_ ,........... ~

,_,_ ,........, ...,..., I 1 I I -, -~

v -4f-4f":" !!! ~ ~ i!~ ~~~ -- - - - - - • .. ·---~ .

simiU. ..-- ~ .---r-- ----...... -:-- ............ I ~ ,. j_ ~ " - . . . UIS9f

Copyrzgkt, 189#, by fJ. Sclu~rmer, Inc. Copyrigld reMwetl, 1922, by TJ.I.eodore Baker

Printf'd in the U.S. A.

11691

115

a, a- scol- ta, ia- ri - a, la __ vo en, 0 heat.rk-en, Queen of Heav-en, Hearken to a sin

tor,:....del pee - ca t . ' cry,_ o a sm - ner s

-

to~. cry.

te_ i suoi hear hersad

Il pian-to suo ti Let kind compas-sion

la - men - ti, suo duol, suoi tri-sti ac­la - ment - ing,Hermourn-ful moan as­

~

i.

cor,_pie -to- -so, pie -to -on high,thy throne_ of_ grace __ _

ta mer -

de, cy,

116

._gt

gin, tut - to _,a-gin,fount of

o Ver - gin, tut - to~a -0 Vir - gin, fount of

rnor, love,

mo- re, love, 0

0

0

rna- dre di_ bon-0 mother thou of

p

rna - dre di_ bon­moth - er thou of

gin, tut - to._.,a-mor, __ Vir -gin, fount of love,_

117

Danza, danza, fanciulla gentile. (Dance, 0 dance, maiden gay.)

Arietta.

English Version by

Dr Th. Baker. J<"RANCESCO DURANTE. (1684 -1755.)

Voice.

Piano.~

fJ I '

,U'I"t.

t)

tJ,

t)

16..11.•

y

11592 r

Allegro con spirito. (J = 1as.) IJ I I

---l -'

t)

IJ I. , ~ ... - --.. .~i ·-~· r,.h ._, .... .... r~.

t) ... v I ~ .. v --- ::;:r:... ::;::,... ::;::,... -. ._, - -.... -- I -------

., ~ = = = /""' = = = p

-~ - I -- ,., ... ,., - -~

dan - za, fan ciul- Ia: al_ mi - o can - tar; - ......

Dan-za, - dan- za, Dance,O_ dance, maid-en gay, to_ the song that I sing; dance,O_

...----::----_

l l ~

l

I I ~. j "' I I ~ I I

-~ -~ - - - .. .. p

• ~I

j '-- ., ~ ~ ~ !"-

mi - o can - tar. to__ song,to the song that I sing.

~ Copyrt"gAt, 189#, hy (}. ScA.J'rmer, Inc.

CopyrigAt renewed, 1922, by TA.eodore Baker Printed in the U. S. A.

~:':!"'"

....

.,.,

~t. I

'""' V' I'J I'll •n -if sdo- no ing

(j '-

\u • .. <

I > . ~

!J L I > ~

'""' V' II

tJ va - go

hear the

I

---

al bound-

118

leg ge - ra, sot - ti-azr - i - ly fly

suo­- mg,

r~

-no, re-

al -sound-

P. .

dt>l '· ~-- I'on- de_ del_ mar. Sen-ti il '-"

the bil lows out ring! Dostthou l I ~ I ' I I. i j

"'!'! .... ~ .. .. ... ... ·~- i i r ~----- ~

> >_ p > -.....

I q•~·- I I I --........

- - ~ ....--... I ~ - .... = ... - I ~ -

ru - mo-re del - l'au - ra scher-zo - sa che par- la_ al low voic-es of breez-es soft blending Ap peal to_ thy_

IJ I_ • ~--~ T r ---.... T "'j 1 .... Jl fl_ .... Ill" - • - r T 1

1 r r ~-t) I l I l l II i r r r ....._ - ~-

L..-. -,. I. I~ .;.. . ----- -. a • pll" .

y 11 -- - ~"'-._____.-:r- ~ . -------11592

119

cresc. IJ I I

-::::>. -..Ll'I"'lV fJ h ,. Ill..! ,. I -,1111'

- Ill. ~ --- lif

... - I ' ~~~-,u I I ..... .._..... .......__..).-""-- ~

co - re con lan - gui- do_ suon,_ con lan- - -heart with their blan - dish-ing_ tone? their ___ blan- - -

IJ I. I T ~ ---------I

l ..11.. -... .._

.Jil-

'-' i I I ~r i .. I .. ..

~ r T r r rl ~ "- ____.-' cresc.

'1:"'1 I I ~ -----._,_ -- - I ,. L "'"' - ...

r.- -- -. vs ~4_· •

./Jt I I" rit. fr. a t .empo. /!_ _,.--..._ v .. .. T ~-

tJ I I "'--"' ...... - - gui- -do suon, e_ ch~_}n-- - dish - ing tone? They in -

Jj1_ I I I !"':\ ~ ~

l ~y

tJ

·~ .• "17]9-

-a ... v I ')

tempo. rit. f -- -

I - - - I • . _, . -...-

'" I ~ . • -------

-...__.....

"' :: :: = p T

T ~-Y'

I _ ____.J

ltl l

vi - ta a dan - zar sen- - -za po- -'-"

vite to a dance nev- - - er end- -

t\ _,/

....__

I --------"' I J ~ I I r 1 1 T I ~

! II fJ."" - .-I

.It .... = - -.!_ -..... ..., t) ~ • r r p ---~ i i ~ p

I.-~ >-~ .....--...... >- _---....._

...:.. • - _....._ . --. \

V' l - I

!J L .I I ./", PP>- -. tJ I I 'q r ~·~

sa, sen- - -.za po - sa, chejn - vi - a a .dan-ing, And whis- - -per,_ "Dance on!___:::_ dance

IJr j..._

.----...., ~ ~f I I t l

: ... t

tJ ·~-- r ~ ~ ... - - • r

< f pp >- ..........-.... ------' -'-. . _, .... •-

'" - I I - - I ~

Ui92

I

1.20

.zar. Dan - za,__ dan - za, fan -on!'' Dance,O__ dance, maid- en

~

::::>--lfj rj • ~

ciul - Ia_ gen gay, To_ the_

I J J J - ti - le, fan -

song that I ,.....

---I~ ~·"~~ ~

jJJJ. ~ J JJJ ~

.. -.t

- _y -¥ tJ ----~ --+--- / - - r

p - I -.... _ .. 1-"' ·- -" ./ .. , __ --

t;, > ~// _____ cresc.

I

J :J JJ;I tJ -~ - J J r "-----' ~ ':"" -f!- "":"" ~

~ ciul - la_ gen - ti - le, al mi - 0_ can - ta - re, al sing, Dance,O_ dance, maid - en gay, to_ the_ song, to the

------....

~ ~ l ~ J L.J /~ . .. ~ l""'

" r I tJ ...

I

""-'" _j_

L h' _v -.. 1 ------:_ _____.,- I I

f. rail _/]_ j_ I ::r--- - - ::::::. ~ ,--..._ ..-.. fr.

I .. I- J'F- -· ·-I

~ .- I dan- za,

I • I

IDI- 0 can - tar, dan- za,_. al_ ffil - 0 can -song that I sing, Dance,O dance to_ the song that __ I_

1J J .l. ~ I l _h ~~ ..... ...- ----._ I

v .,._* ... ·~

r I ~ I I t" ~......[" -_£rail. - - - - -

>- ..---. ~ • ~ .:.. II I 1 - J I '", . _)_ .. ,... l""' . L

... .._.___ I '"--1 I .. ~ ~

u ::::::. ::::::.

I'll t":\ ...:L _h. LY I - I - II .... f) t!ar.

sing!

~-- ~ fJ I_ I J ~~ I I i. t":\ ..IL .".._

I UftY ...... tJ • .. v ~ ~

u

< f a tempo. ff - -- ::::::. ::::::. !":\ ~ - -

' . - - - -•• ...-.--... -------- I I ---- ~ i i

v i 11592 v

,

121

Non m'e grave morir per a more. (For my love thus to die.)

English Version by

Dr Th. Baker.

Fragment from a Cantata.

BENEDETTO MARCELLO. (1686 - 1739.)

fl Recita.tivo .

Voice. .~ Ll

t) ~ot ~ r r -Mi - se - 10 ven- go me - no

Hap - less one! my strength is fail - ing, 1'1 ..-=--- -

t ~ I. ......, 1..1.

""' • r~ r. ~~.~ ~ ~ -t) ~~~ r::J4 l ~~ r~

~ Piano. - >---- -t

r~ .1/!l.~ _.._ ll!ll-"'

L ._

fl A .

lr- .... ~

e) - - l r f· r I

e mi ri - du- co al - - l'ul - I - mo mo- men - to

and fast is near-ing the a - wait - ed, fi - nal mo - ment fl _____ ,

I "--"" ,_ L

\ --[J,--- -' e) ....._,-

~

1'1~6 ... ~ <

I ...-.... --- -li>.L

•• ""'~' L u._

'\ r~

T

fl l ~ l l >-..-..., .!l!t. - - -.... - J-1. l"f

~IL -e) (li -Fn- fi I

mia vi - ta do - len - te sen - za che on-of a life so dis- tress- ful; Yet ne'er will she, for whom_

fl ~I I I ~

t lr- . -' eJ ___./

h -1'1 f4' u ft ~: --q~

\ -..... L.L ---- - ----=======::::-

fl.- '- ~ l -J# r1• - l ... II_ _!-t h-- - [Pi'- - - '\

.I'~ VJ-" ,... Vl"f ..... u. .... .... .... ~

e) r . I I r .. - - I I T .. r r

- de mi struggQ_,ed ar-do mi-ri que-sto tro-fe- o del __ suo belguardo.

-__6_

t -~ r~ lL

J e) 9~ } --;;;z;::::-( "ll• -. .. t"'

/

11593

I thesewoes am bearing,Seethistrophy of her sweet glanc - es I 1---

lh-.1 t:,L

"""' Ill"~ _L~

1111<11 ,r~

~~~ u I!" .... TlU

~ r--... ---------

I Li

~ ~

r.J "-"

Oopy'rz"ght, 1894, by G. 8chz"'rmr1~ Inc. Oopy'rz"ght renewed, 1922, hy Theodore Baker

Printed in the U. S. A.

ensnar-ing! - ... I ·-.... _h__,d

v .~ ,..,-~ .r~ ...... '-) .r~

u u ,.,.g

··--

122

Andantino. (J = 66.)

pro - vo Yet one sor-row haunts

tJ p L t.. ;::.... ;::.... .. - -· - - ~

_, ,_ ... ~ 1'"'1 I""' -. - -1 \.'lJ

v ..... r r \ I r .r : ~ , -re per.:.che Fil - li moru non mi ve- de, per-che Fil - -me: 'Tis that Phyl-lis does not see me per-ish,'tis that Phyl -

tJ --- I I I ~---,_ ! I

) If -r- 401 .... .... .... - .-1 \: .-1 -

.... v - - - .. ~-1 ., ., .,

~--~I fli- . .,. ---~ .,.--1'-n

~ I ... -

"'~· ,., .

I I

1'1 l l I I

If -,_ .... ~ - ....... -...... u '"'-"' r

n~mi z r r -- - li morir e- de,nonmi ve - - de.

- - lis, thatPhyl- lis_ does not see me per - - ish. tJ - >r--!!1. . .-~-- .. - ·- _l_ w: -\: - /

~"" -v - ."'---.. ~ • ....._ - / ~~ -1 I -

......-.... 11---- .,..-r~ ;::.... , . -" . "'~""' -

~-

I .....

tlfi93

~ ..-111.!!!1 _. """ . . t) I , I

mo- re: sol pro daunts me, Yet one

~ ---I

-"~"] • -- --- hM

t L.f""- -J. _...,_ -' _...,_ _...,_ 11""-:

It~ -~ -.. .. .. ~

) ~ f'---- ---.. ~ . . . .. --- I

~ 1£

II lr'"- _!"'I

r f) I r • I

- nonm1 ve - -- see me per - -

~ ,. ... • -- ---~ ~

• • • ~ .. .. ..

~

---I ~ ----· I r --- I

fl >

--rr~ ~~

tJ 4 ,

123

l

. N

- ..

morir to die

·--llll"'r ./ r

per a­noth-ing

:::::> --" .r.J

I

- vo do- lo - re per-che Ffi - ii mo- rir sor-row haunts me',Tis that Phyl-lis does not

-- -'

"-----.. - .. ~

.,. bo --- ~"---> -~ ..

t\ ... t- -' "' ..

r· I ~. te-

- r. ~ - de, mo- rir nonnn de, non ffil -- ish, that Phyl - lis does not see me per- -

I I I - _.....----. -::::;;;.

-' .... _...,_ _, ...._ •-· - ....,_ -' - - - • -~ ...: ...: -- __. .......... -• -- • ~i _tj ~

--=- --. -::---..., ~ . -->

l I ... -- •---· r-1 )0,-. - --.-1/ ..1111"1'"'1' -n_ • lllr-1 - .L u r r r r r

-,

I I

de, sol pro _ vo do - lo - re per- che Fil - - - li IDO-

ish, yet one sor-row haunts me~Tis that Phyl - - - lis does

fl I I I ~ - ~ I -' - h.__,_

• . ..., -' .... V"-J. -' - - -I -t.J ~ .. ~ .'---. • -~ I I ~ -- n~ ~

~

-----.::=::-. -- _,......-......

~ " ... . ·- -- ·- -..... ,.. -,.. ,.. ,.. .. ,.. ._.. - I

11198

1.24

fl 11

ll -· -r-. ..-1 r-1' - v. ..-1 t) r r -~· &

rir non mi ve - - de. not see me per - - ish.

~---~j ---....

fl I I I r--:. I , I , • • I I T""'i I - ..-1 -• ,, ..-1-.

ll 1.- ,.. 1.-- --. - - - .... ~ r"" ,.. ,.. ..-1 ... .... - - ~ -

..-1- ~ _"'!"'

tt.J - • "': - I I I I I I I I I I r1 ~ ~ j :::::=- p

I _,..-...., ~ ""- .~. 1*-fl .. - .~ >_,--.., . r- .

_.. -· -L ~ - .... \ -. .. - ...... ---~ JL

_..olr'l

~ ~

\. , l

J1 ~I tJ

Che sa - reb - be mia pro - spe- ra

fl > ~ I

0 how wei- come were death, if 1n ~~-~~~ ~~--.-1~1 J~~J--~1~1

~ .

v rl r ~ --. . .

L ....!!I

..-1 -

- • "': ~ '7~7

P> ----- .----. r~ ...

- - -- ---

--- -fl ..._,. I I

J - ""' I J I ll r- - ~· Fo

111..-1 r-1' ..-1 ..-1 u.

tJ ~ r m~-sor - te sof - fri - re la - te, s'u -dy - ing, To my gaze re -_ply - - ing, Came one

- ~ .~. fl I J I I _i

\: - --- ... ~ ... _._ _. -- .. -- ... -- - I""'

~· II '!' • • "':" "':" ,., • - • r r r r • .. .. .. ~-

? -~· ~ .~ ....-..... ---- --. ~ . ~ . L ... -..:::::1 ..

II I. l. I _1

~'=--~ " ) ~ "" J). I ~

_.., . CI'!"\ . .. ... ...

\. iL ....: .... ---. -tJ I l

sguar-do mi dasse in mer- ce - de, mi ·das - - se in merce - -.......... ..........

glance from the eyes that I cher- ish, the eyes that I cher - -

Ll ·- ---JL ll r-. -J - -- .-1

-- u.• - .• --t) -- - - - .. . .. .. ..... , ....... ..... ,~ .. Tl·~: ------1 -- --- -- • ---. --...... -,_. r-_.. ....._ ... ,,_ - , __ ..

L r..L ' , r- ..-1 r~ .. ._.... I .......

11698

125

~ l ~ I _l . -'LI'I"'t. .. . .a !-" -. -~ j l'l .'<r -t)

,_

s~e- fa r r ' . fa de, che sa - reb- be mia pro- sor- te soffn - re

ish; 0 how welcomeweredeath, if in dy - ing, To my gaze re-

1'1

\ 1.-

rrn ...-t ~ ""' ""' .... ---__ _.... ____ - --- -

t, iJ ~ ~ •.J "':~"';" ":"~":" ":"~"';" ·~·

) - ft (J. iJ. • I ~ ,

I I

~ l 11 .... ~ - I

I

~ .. _ """ I

t) r • J

das-svn merce - - de. eyes that I cher - ish.

.,~ ::> -~J r--= ~ u~

r -, I I I . - - --- ~ -- - ---II! "' - - --~ - .... .... - - -.rw .... - -"": "": "": ":" "'!' "': 4! '!' ,~ ... I I I I I I I I L l [J "':" ~ l

-....-· I

) p >-_

p

-------t --------

.,. .. ~

... 1*-f'- .... ~ -{ . .. -- 'i . , r.J .

l .. ........

n p l I .... .-....-.. JJL T . 1 -~

...... - !'"'( -- .... . ., _ ......

t.J Nonnie gra-~e :rhorir p~r a- mo - re: sol For my lovethusto die noth-ing daunts me, Yet

I r--. l r~ ~ I I I I I

I • .... -.. -I ""' -\t.J

.... .... - • • _, ""' _, ..... ... ....

tl r - • "':" ......___...,- ~ .. • -~ < p r --- ............___

I >_ >~ ---I "' .... - --.. r-" -. r-" J_ -· -, r.J "'

.. ...... - I ...... I

11693

1.26

~ J l ... l >-- >~-1'\ .. lr ~- :; 'I ~ h..-1 .... N . I\. .. -... _

~ ,.,.. "' v- .... . l'lo.l llllr-1: ..... r ~ - .,,

Fh r r

pro - vo do-lo - re per.che - li mo- rir non mi ve - -one sor-row haunts me?Tis that Phil - lis does not see me per - -

11 Jl _I

~ ....... - - -..... - -.... - .... v

-----.. - .... ~__-/ ~

-,_ 1*- ~n ---. .

fl ------ --------;-~--...

..11. -,._ 1/

v I

- -- -

I I I

....... ,.. ?.- ........

"' .... --======--~---J ve -per -

-----l:r

- de, - ish,

-1 \t,.~ r·r·u (

..- > .-::::=::: - - • ---............ '-··· --. •. ··- _![ I' ..... ,_ ~ I

' I

~ l I

~. ~p I J . -. lr'"- ... - .... r~ • '-'I/ u 1 t) I r r r r,

pro- vo do - lo - re per- che Fil - - li mo- rir one sor.row haunts me;'Tis that Phyl - - lis does not

~

.til. 1"'[ -· -,_ ........

>

J r I sol

This J I I .... - -• - • -.. ~

~ . ~- J'--J I non m1 ve - -see me per -

11 ~ --~ -~ \::

~ ....... ... ..... ... . ... .., ... - .... ...... v- ... - - - ...... ""!' - •. .. • .. .. I l..J-.1 - .. -- -

( ~

-..-.._ --.........._ - ~· t~ :::>..-= ----....... . . . -. - - . ,_ .._. I I ---= -

II

t 1593

1:27

' M ha pre so all a sua ragna.

English Version by Dr Th. Baker.

('Tis Love, that rogue so wily.)

Arietta.

Allegretto mosso. cJ = 76.)

PIER DOMENICO PARADIES. (1710 - 1792.)

Piano.

1. M'ha

1. 'Tis

11594

~- :::::>:

preso~al-la sua dormQ_,a-mor mi guido,_il greggtt.-al

mor tra mil - le

Love, that rogue so sleep doth Love me fol- lows on the cru - el ar-rows

ra - gna, m'ha de - sta, s'io mon - te, se

ne, a -

preso'--'al - la sua dormo'--'a-mor mi guido--)1 greggt_,al mor tra mil - le

wil - y, 'Tis Love, that rogue so wak - en, From sleep doth Love me moun-tain, Love fol- lows on the hurl - ing, His cru - el ar- rows

~ . . .

Oopyrzght, 1894, hy {f. Schirmer, Inc. OopyrzgA.t renewed, 1922, by TA.eodore Baker

Printed in the U.S. A.

11694

ra - gna quel de sta, op man- te ho pe ne mi

wil y, Has wak en, Or moun- tain While hurl - iug, Love

mor,_ che gnar; ch'e

•' p1e;_ se dl:_ per

hold,_ Who stray, In fare,_ And day, __ For

128

p

¥ r 10 iJI fur - bet - tel_ d'a - mor,quel fur - bet-tel d'a-pur_ mi fa_ so - gnar, op - pur_ mi fa so-sem- pre:._/a-mor_ tra' pie, ho sern- pr~amor tra' tie - ne not - tee dJ., mi tie - ne not - tee

'--"' "--"'

p~ L

J ~±r r I b r Ci J' I caught me 111 his __ hold, has me in llis thro' my dreams doth stray, or my dreams doth with my herd l __ fare, while my herd I plies me night and day, Love me night and

gi - ra la_ earn pa gna, co -gli . ' in te sta di s1 e mes - so

"--"' vo l\__,ba - gnar - Dli al fon te, si te~ Tir - si,_ :mio_ be ne, mi

~ p roves the world as- sly ly As to his head- he's_ tak en To

bathe him in __ the_ foun tain When thee, Thyr-sis,_ my_ dar ling, He

129

me f;(l cac - cia tor,_ co me_ f~l- cac cia-far- ml ..... )nna - mo rar,_ di far - mi in - na mo-

'-.../

ba- gna;__,amor_ con me,_ si ba - gna'--'a - mor con fa Ian- guir_ co si, __ mi fa_ Ian guir (' :; -

>

an - y hunts - man bold,_ as an - Y- hunts - mau steal my heart a way,_ to steal my_ heart a -

I do bathe me_ there,_ when I_ do- bathe me makes n1e sigh al way,_ he makes me_ sigh al -

~ I I p . .

• J - - -L.n. _!" u I I 1.1 I'"'!. 1'"'[ -f .A ~ - r r .... ............. - y r 11111111

tor. 1-4. Guar - da-te vi, pa - sto- ri! guar- da - te- vi, guar-rar. me. sl.

lJ I I f p . . J'~ .... u l""i 1"-\"

~ - r r liiilll __.. - r r liiill1l

bold. 1-4. Be -ware of him, the rov-er! be -ware of him, be _ way. there. way.

I IJ I I >...--...... / -..., Jl . ' ) ~ ""'

... • - - - , " fl l .. .. Jr Jr - ...

~ .... ~ j .. ---- --

f f

l f

- • - • -. •• .., /

\.

f 11 =~/ -41 ~ I l) I ,)

. i ~.

lli9!J..

130

1'\ I ' l I ...-- ---... ,.-...._ -~ -- JW ..... p

-v "" r.. ... ·:;;:,;. - -JW

"" " v II ..1

" -t.. - r Jiiijiiiiillll' - I

da - te - vi! Fin da,_ quel_ di_ Li - co - ri

rJ I ' 1 I p

~- ---... ,.-...._ /_-----.. [\ 1:'\ ..... - JW '-

~ .... N "' ... -:;;:,;. - -JW

I"" " v ~ ....I Jill'

t.. - r ..... - I

ware of him! Who wins poor sltep - herds 0 - ver

--fl I > r"""""'T I -1 ~..:----....... I - -- . ...... ..1 -

l ·- ..1 - 'Ill -- ~ ~ -.r

"""'" ~ ,.

~ -.... - - .,. 7 ---- - 'lllll

" ---- ... f.) - ~ r r l -

~ p > •

t . \. . - W¥ • ---/

... v II •

I - .. .. -......__/ .. :j

fl I jrit. ~teJ~. k I 1. 2.3. II Pitt e. I

I I I# '~"' -· r .... --t" "' \.

I ' =II I II If 1... I ~ - •. Jill'.-. • - ,. J; - -r- v [I ~ ...I '--"""" - ... v -- ..... r

to si_ li - que- ra. 2. s'io 3. Se

fl rjt. ~ten. 4. A -

I - ... I Jl , II I.. -· --"': " \. I ' =II I II If .... v ~ -··""'·-· .. - ' l - -If'- v ~ ...-Jill' - ...

'-' liiiiiii:;2 lijiiiill r ly to_ vex them so! 2. From

3. Love :::;..__, ~ 4. His

------- J.; r: ~ 11 ~ I II !

I lit .. ~ I - 1. 2. 3. Fill e. I . ....I -""'": -. . - 1- ..1 !-" '- . ,-r- II - - . - .... - - JW . ·---- 'lllll - - - - -..,.-\ - __,. -' -....I ., ,;..I ..1

"""" -' """" I tJ L.I - --.-

~f c:....: - • .... - •• ,.: .....

> > > ~ ~ > > f rit. a tempo. ff rit.

r--... l - I I "- 111• .. , .... • - II ' / .... v

.. ... --- - " • , - .. ..... ... .. v ,.,- -·- - - • •

-41! :::± .. - 11 11 :j ... - .. > >~ -:j >- ~-/>- 4

> > 11594

131

C aro mio ben. (Thou, all my bliss.)

Arietta.

English Version by Dr. Th. Baker.

Piano.

f1 L 11 V. ll ....

t)

fJ I 11 fl t ll ..... I

ttr <

I . .

fl I. II k

f1 I. 11

fU9ll

Larghetto. (J 60.)

GIUSEPPE GIORDANI. (GIORDAt\ELLO.)

(1743 1798.)

p ~ I -· I ..... - I ""' - -· ..... ~

I ....,. - I .-I" .-I

r: I r . 1 I - '::.JI -

Ca- ro ffilO ben, ere- 1 - m~ -men, sen - za di te lan- guisct_jl Thou; all my bliss, Be-lieve but this: When thou art far My heart is ~~ I

-----I -......___

7} - -pdolce.

------I

""-"' cor_

II

If .....

~ r-L

I

--r -....

.... ':Ill. - -i r .. .. ~19-

I

j i

.. r--

_;;.j ..

~

I

-~

.-11 r ....-. -_......... "-. -ca - ro mio ben, sen- za di te_ lan- gui - sct_jl

lorn._ :::::... Thou, all my bliss, When thou art far_ My_ heart_ is

~~~ ~~ ~ ----- I ---- . - j

If.

f ...... ... - ... 1-.

F __ -_-f-_"il~ __ • __ ~ -

p- ., r r 1

.hl j -----------+---p

- .. .. -- ... -- - ... =

Cop,yr'ighf, 1894, by G. Sch.ir11un; Inc. Copyr·igll.t renewed, 1922, by Theodore Balter

Printed in the U. S A..

- ...

132

p

II tuo fe -Tlly 1 ov - er

p

/1 l -tttt~ \ Q a I 'J .. r ® f) I I

del so - spi rv - gnor_. Ces - sa, cru - del,_ tan - to ri -true Ev - er doth sigh; Do but for - go_ Such cru - el_

fJ I_ I I J J I - - - ""'1 '--\: J .~

-- - 1-f) ......... - - - -·~ ------- ~ ~

.::::;:.....-~ ~ r--.- .,_ .. . ~ -----a..•• . .. I --

fJ I. .::::;:.. l

j) f.::::;:..rz.

); l I JJ§J F §JJ I ~-"" - ' '-' I r' I

•t

gor! Ces - sa, cru - del, tan - to ri - gor,_ tan - to ri -scorn! Do but for- go Such cru-el scorn, such cru-el

fJ t ~~ ~~-_...., I _..--I .. _ v

\: - -. f) !~ !I' I -1~ r I - ~ r Jt .. rit.

..-----~ f'.J -... !"--., - I 6.. •

.CI.. . v

f I -.._

1Hi95

\ ) (

rit.

tJ I.

II f) <I

ppp -.

Ca - ro mio ben, Thou, all my bliss,

- -· A ~ -- I I ,...

133

ere- di-mtJll-men, sen - za di tP~ lan- gui­Be-lieve but this: When thou art far My heart

~ ~

J --- -· .. II • ;.r ..... ~ Ill' r

IS

r

cor, ea - ro mio ben, ere - di- mi-3-l-men, sen - za lorn, Thou, all my bliss, Be lieve but this, \Vhen thou art

:::::... :::::... :::::...:::::...

fJ L - r T 1 I· T 1 I l l -ll ho .-1 .... - - -'"" .. U' -- -... ..:;;,; -- - --_. - .... .... - -" --- - . • • -r f) "':'"

..........____. • • - - - ---~ -~-~-~ ~

p creSt!. pitt f'l'f'SC.

~ ---------

r---- -~ • • "',. . . - -l I T I ........

ll L j I':"\- ==-- p . ;:;::::--

11. ,. LoP .... II . - _ __111

t) I - '""'

te Ian- gui - see il cor . ......_...

far_ My heart is lorn.

..-r-r:JJ. n ..........___:::::...

tJ ' l -;- J.J l ~:J ~I I ----J/T 1.' -IJ ... ... Vi

""" f) ~ .. ~ -;r r j I .........._I I'---J r

p f t•it.ff ~ f'J---...... . - --~ :::::... - -ll. ,.. L r.. -- Ill'

•• I 1.' . - .... /

" ll Ul' L.. • - ... -~ 1 r .. ~~

tUi95

English Version by Dr. Th. Baker.

Piano.

fl ~ ft Recit

t)

Por-ro

fl~ff Then 'tis

~ if 'I'

tJ l.l

,, • ., '1". .. .,, ,., , ,.

fl~fi I

• r- .,. ''I'[ - ... \:IJ 'l'r

tJ me!

fl~fi me!

1:-14

Se il ciel n1i eli vi de. (Since Heaven has torn me.)

Srena and Aria fron1 the Opera

"Alessandro nelle Indie'?

I' I P"'

dun- que mo - rl. Dun-que per -true, he is dead. With him then

u colla zmce.

- ....... -....... l l l

l - - ,.. , I -Do-ve tro- var ri - po - so

Where shall I find re pose when

:--: .

NICCOLO PICCINNI. (1728-1800.)

.-I I I r' ,

- per all is lost, for

u

.... ......

-,.,. l.

' r - - - •

sen - za l'a- rna - to he, my be -lova, is

t) ----- 1-- ~·

tJ.

~ •• »'tl'l''"' , ·n ., 'l'f n

TT

1Hi96

•• •• - ---.

- I Cop,yrz{.rhl. 1894, h,y G Schz"rmer, Inc.

Copyrigkt renewed, 1922, hg Theodore Balcer Printed in the U. S. A

•

185

be - ne? ab-sent?

t1 Jof ~ ·-_II ~""---=:! .til -· f) .... ·;__"it•· ~· .IP /P rresr· .

Ll. .... , - --------.. ,, ,_ -------/ ''[ ------,. I""' I""' I""' I""' .... I""' T1

t1 ;;, ft .1.. l 11 /ill 1111 ' _1't.

If ''1": 1111 ,_ ,., - .... x• f)

no - '? I. Que- st~_3~ la pa -

~;;, H sigh'd for? This our con - tent -

Jl ., ll n: 1111 ,_ ..,.-'-'l/ ,.. ii'A. f) j- #~

p i.l. . . • • -,.,

T1 .. 1ii

vivace. (J = t3H.)

t>m-pire?

1HH16

...----.... ~~ ~· I""'

-""" ~-

•• .... ! --...;;

...... ._ . •••••••• La La -1-. --- - '- :.- i.--.. .. K -.. K -. .. .... K -K --.... • K -- .. '""''""' - I""" --~ - ~ ~

Recit.

E questQ_jl no-do so-spi-ra - to da Is this the union that so long- we haYe

l

... ... - J - liii.J.I I t1'- •

ce? Que-sto il re - gno fe -'--"

ment, and this our hap- py

-• -

-• ---

I I

IJJ.f Jl .WI

.~ 1n' _\:

~

IJJ.f I

\ oJ

' "" ....... ......

/ T: ,..

IJJ.f Jl ....

_..tl!l

~

IJJ.I ,_ \:

v

6o..ll•

,..,

IJJ.f Jl ....

II ,._ ' iJ ~

IJJ.f

136

Recit

I 5 I - r ~ -~! ch'io mi Ah! how my

- - - - - - - • • • • • • • • • !lilt" !lilt" K - - -.. - II"' I""' I""' -• - I""' Ia. Ia. Ia. I""' ,...

I L 1 I""

ff - - - - - - - - --... • ,. ------ --- -IK IK --- --- --- Ia.

I"" ,... I""' ,... ,... ·~ -.....-..... - lA ~ - - -'---.1 ~ -- .. ~ -..... ., - -sen - to svel-lere il cor!

"'---"

heart with-in me doth swell! 1 a tempo.

I -.... -J , .. 1111111!!1.,... - .......... -

fP '-'!'!!...:!! ~/ fP

'-'~- ..___..,.

j J j J J j ...1 ...1 =··· ... t .. ~~ -

I f' T T I

Andante. Recit.

-1- j)]}j J>l

~ L L ·~ ... ...

'f ~ fill' .. ., ,.. r

vol- to, que- gli sguardi, quei det-ti, moments, those fond glances, those accents,

... ... ... .. .

- --r r

e quel

-fill' r.... .....

r r

Co-me scordar quel Can I for-get those

..... ., r l r

co - stume, s~ncor veggio pre-and those ca-resses While his im-age so

= ~ \;; ~u 0 u

~ ": _..,.

fHi96

137

Andante (~ 63) fa~ I Jl., - ... - -· ""- II " I - -II ''f !""' Jill': ,... II .... , - I - - - - l""'

""" l"'f llll:.t. .J II .A v. - [/ v

f) I" r r r r

sen- te il mio bel Nu-me? Ah diio ph1 nol Vf' -

dear all my soul pos sess-es? I shall see him IlO

lt~ l I I!!!!!!!!!!!!!!

t ~ : .. .. "' Ill - Sl - -· .. ..

'v '71: * :>- 1~- - ~ .. :>-

< .if p .if I . .

....

?;. - - ::; - - ... r r Recit.

Cle-o -fi-de in-fe-'--'"'

Cle-o- fi - de un-

r ~~ l • .. .. .. l - ~-

._ l ..... f) T1 ,.., r

li ce! del ca - ro be - ne; AI - me-no ac - can - to '-.-./

hap - py! Were he but near me, Mine own be - lov ed; 1'1~

l: .... ~1#

p

I

t'J~ I. ~·· - l 1.._ Jl ..,.._ - . h.

""- -... A V"'!"" -- "" ll _V ...__. f) 'h, r,. { liiJII"""' r.

pian - to. Ah! a . mIn- er rom - ptjl

Ah! Andante. He IWV- er - more can hear me! :::::::...

I'JIIi l .----....... I 1..:

I v• -· .. ~ Ill

\v , ..,. r- ,._ .......... ...... _, '[,. - • - .... ... -.,{_ --· . . .....

• ... ----- , - !"""

ff ~ C).-~~ ::::::..

• -~ "" .... , \.. !""" Ill .. ..,. , . - , _!Ill

L ... -

11£)96

138

fl . ' - I - I • • ... .._

t)

Allegro agitato. cJ = 120.)

IJ t:"' ::;::,.... ::> ::>

.::> I - - I •• ,, ~ .

1'1 .... ~ • . J'rT"\ v

v t) • ::> ·- - . I

f p f~ p t:"' - -- - - - - - -- - - - - - - - -- - ----..__ ... . -

• fl

I - I I

t)

::> fl ::;::,.... ....

... ... . .-~---- ... t) I ~

f H - - - - - - - - --. -. • • • • • v ,. • • • • •

fl 1 -II h. . 1'~.1'"

I t)

per- che spo - so, cher-ish, Why do

fl II n .. 1'-"" -- . • • ./

t) ~. ::;::,....

- -;;;;-

... ~ . - .- ., ~

p - ---- - - ..... - ..... --

I t

* ... I- -non ' . ill UC- CI - de

not I per- ish, I l

-Pr- ~:-_t==t -· --. _..__

--

1 ,=j) I j ~~ Stil ciel mi_ di -Since Heav- en_ has

··- - -j :_____.----- - ....

dal ca -from all_

~ ~J=f~ per- che why d_l

-- -·

~

-I

-- ., """' _'!"'"_~----,._.... ~

ro mio that I

lr· 4d non muc-not I

::> -1.1._

::::..- ::::..- "'- - . - , .-::::.. ·~~~:~·: j...._____,

-~ c( _______ ------ - - -- - - - - - -.. ,. \. - --~ ... ------~

•• I • -.: - --.: -- -- ------ --/ .... ..,... ---..,... 111" ...... ..,... -v ... .. IJ I l

,..._ Y=Jg Jl ' p ~-=t=--- ~ - ... ,_ v ,... - .. ....: t) I,

che_ non m'uc Cl - de, per - - CI -de per - ish, '\Vhy do_ not I per- ish

IJ I l ....... l ~ l ,..._ ,_... I l ~ l .. 'i--:;., - ...

---- - .. -- --t) ,. .___, "--- ,..-./ ,. ._....., .__.. fT--- ..._,

:-.. .. L -. .. p .~ .-- • /~. ,;;:-.. - ..;,. .:;.. - .. .. ,. I"" ..... - ..... --- --- ---- ... .. • ....... ~ .. ....fill!' 111" ..,...

/ '"" v ,. • ./ I.- " IH)~6

139

I ~ t ' ~ J} J) I r t * ' B} J ~ r #D v I pie- to- svl mar- tir? Per - che non m'uc-Ci - de pie-

fj My sor-rows be - neath? why do not I per - isl1 mv

~ l ,..... ,....._ I ,.... ,...... t

' - ... t) "-" T "---- Tl- '---v r~ ~-4! p f~. P_r -·. -~ • -. ._ --- ~ - • "", . -- - -.. -*· l""l

tJ -- --:... -• ...... - - !"':' I 1"1: - -.... h. !"':',..,. II" I II" 1- - ..... I ~'"' v ,..

""' I !.1' 1""1: l"r \:IJ v I I J- ........ -~, I

t) I I r r - r soil - ..

to - - - - mar - tir? "--"' be neath? sor- - - - rows

fj 1\--~ ...:--... I ... --r--t-. ~ l ~ l J# .. }I_ .. • !P I""

.... h. • ·n:· .. T-V n \:V .. - -t) . ~~ • .. l)- ~V' ... • • .. ___ L..J'• • • ~· • TT -._... "'--"

------ ~ ti I f~. ,e--- - - - .. - .... . . I I I 1 I ~

.. I ..... fj 1. ~ ... ~ l

,..... i.. l J# 1'\ I _l

... h. • I - - • ..... r""' v .. I 1""1: .. - -,, 17 I "-' tJ

Per- che- non m'uc '· a pie -to - sui mar-- CI - e Why do_ not I per-ish my sor..- rmvs be-

1'1 ,...... l ~

..._ J i. ,...... .1 _lllllllll!t l ~ ........

1# ~ ..... ... ..... ..... ---- [].- -- - -t) "-"' 1 ---------· T ....._.., .... _

,./ ,.. ~

p~ f :--;, ..[ -. p --.. • - . - . - • • - -~ "" . - ·- -- - .. . -IIIli'!' ... ... I

v

1'1 l l I. ---- --:;:;;...._·. T# - - ... I ......... .... l"'' ,.., • Jill' I

r-v ... ..., \ 17

..., I

tJ t- ? h' ' '. de '· I

Ir. Per- c e non m UC- CI - pie - to - - -neath? Why do not I per ish my sr- - -

fj I ...... I ~ l I. i I I ~ • ."\ LolL ..... - ...

It .. ...... ...... .. .. ..... :• .., .. -.. - v t) , . ._ .......___ v T

ff* • ~111 • /5.-. ~-• • .... r-. - • - - ~ . .

..., I I

- - ::::::.... IJ ~ --,.._ _----., I ~ J# 1""1: - - ....._

~ ..... " I If h. I I"" - - I""' • -- ..... , I

1 .A .. - I I / - ..... I

t) r r - r so n - '· - -- - - mar - tir,........._ p1e - to - so il Inar-'-" '-"'

- - - rows be- neath,_ my sor rows be-IJ -~ I I I l-- ?'-- l .. ;.:=: J# - .. l..

~; II h .. [J- .IIIIC'I ..... ~'""' .... - -. -t) '---' ~ • • • .JI • • • ~· ~--~' ~~ • ~~ -

I I - - • - - - - -. ... - ..... - I"" aaaa••• ..... - ~ !""

. ~~ -. -- .... ..,

-~-== !... .1"" !"": .1"':' .... I"" -loa .. -l "l I"" • - r . -.... I 1

11096

140

rit.

I . j_

t)

tir,-I.

to "1 - t? pie ~ - SQ_J mar- Ir.

I - 'm'r ~~~ Di - vi - sa un mo -,_,

neath, my sor - rows be - neath? ~

fJ ~ I I ~ -·· -Di - virl - ed one_

I ~ .. I _w .

-<llrl_

\v - - I- - ....

! ,, . ~ ... .. ~

< j j ~ - -- n-M - - --------

r I

' ",. ..

•• I --- I'"" I'"" \ / ~ _I"" .... - •

----- ----............ , • - '-'-'-! ~ -

fJ -- J ,JJIDr _JI I

' l I -<llrl_ _j_ - ' ~ v I,

lal I ..... - I

men- to dol - ce_ te - so - ro, non vi - vo, non

moment From him, my heart's treasure, I live not, I ...-.._ ~ ~ ~

_lj .,.......... ~ ~ -~ ~ ~

l - .., .ollll

--- _L

~ -_ .... - --- ~ --~ r i r r e- ...... ..__ -- tJ-~ p

. i , . • --- ... .... _....

• I .. .. • - -

cresc. dim. ~ -- ~J)[§)! I J - I * ... I

~L./ -t) .... r -mo- ro, non vi - vo, non mo- ro, ma provQjl or -die not, I live not, I die not, But feel all the

~ _.,....- ......

l ~--v

~· ... ... .......... ~ .. ~ .. ..........., - .. '-/ ~

ere so. ~ --1~ p

- ....-.......:.. ~ 0

~· _... ... ,,.. -~-.... "-V

:::; i~ ~i 4 • r - I!) ..

- rir, ma pro - vul tor-but feel all the

tHS96

141

fJ I I .. 11 I l'l ho --- -· - ,

& ..... I ... -I'~ I' !!" 111" A ~ I -.,...

1:7 I ---'-" I

d,r I T I I"

men- to un vi - ver pe - no - so, rna pro - vQjl tor-tor- ment of life void of pleasure, I feel all the

fJ I.. I I I ... ... I I

l 11 I

l'l ho _.. ..... ..... -.. ,... w .. .. ..

'-" ..... ~ ... .. ":" ... ":" ":" ~ .... .. ... ~ ! I

.::;:::.... .::;:::.... .::;:::.... H.:;::... .::;:::.... .::;:::....

H I p

I ", . .. • • - • -/ • A • ..

• • - • :j • .. - • •

fJ .::::::.... .::;:::.... _, ~ l

. .... r '\:1/ ..... -v ....... I -~ -

men-to d'un vi - ver pe - no - so, d'un lun - go mo- rir, d'un· tor-ment of life void of pleasure, of lin - ger-ing death, of

.::::::.... =t" .::::::.... ' fJ ::::- I I I

...._____ -· - \ 11 -l'l I'll -- -' If . • v I I I l r r r ~-

~ r ; !II • • .::::::....

if p if f • I I I I I I . : - -•- I

,... ..... ---- Jill"',...'""",...

e.;r; ... ... fJ- • ~ .::::::....

~ .::;:::...._ - .::::::.... .::;:::.... __ .. .....

Jill" I

If .... -· .-:- . l • - I ,.~ ...

-'

'-" I - I -lun - go mo - t·ir, d'un lun - go mo - rir. lin - ger-ing death, of lin - ger-ing death.

t:'\ .::;:::....

.::::::.... IJ -· - ~ - - - - - •• • -· -

l 11 I

If_ -- -- . - -. - r v ·~- • J :, ~ • • • ,__ - [I

.::;:::.... -p - ff - I I T l - - - ....................... . .. _!"":' • .,... ,... ---- ,... Jill' ,..

I +- ~ ~ I I I I I I I :;§

HI'J96

142

~~~mm~~~~~

~~mm~~~m~m

fAJ •I l l

-· f)

che nruc - ci - de, non per -do not I per- ish, why

fAJ l 11 ~

\: 6 .. = -..... .. > ~ :::::-

< p f ~ -~~----- --~~-- - -. ------- --- ·------- --, h. ,... \ Jr ..........................

11ll96

_C_,L

che do

. . . -:::::-

--_l""" . --l

IPJI@J L

' j) J - ro mio

that I

- ~~-non not

:::::-

J'

' p

-- --!""' ~ . -•

J

spo - so, cher- ish,

~I ~ ~ - 22J ' ' m uc - c~ - de, I

r

- -1""':

per-ish,

'

l ,.....

l

--:: ,., ------- -..__..

- ~-. . ~ I""' .... -- --I

pie - to- sQjl mar­My sor-rows be-

fl '#f ... r- v ' tJ

fl

j t.J

tl,

Ir, neath,

•

-f ~---

L

I I

l

143

L .• !h' ' I 'd r_ r. per c e non muc-c1 - e p1e

wily do not I per - ish my l pllllllll L ~ 1'\

-'-V

-

T

• --

------!'""

- to -sor r'\--

. ~ ... l

"'J-.... ' I - - -'111'1'- Jill:' - 411 , r - •

- - soil mar- tir? "--'

- - rows be - neath? ~ ~ I l -.........,., -.,.. - ~ Joi- •• . l""i !"': .

!'""

"----'' . .. ;;• • • .:::::::..

i

-,.,. '!'

I

-,., Di Di

-!"" 1.1

-· - I !"!" I

I

.....-:.. I I ,.. n•

I I

rlt '. -I /-----. 17- :& ~

I ,... !'"" -,a II" I

I ....., - vi - s~un mo-- vid ed_ one

::::;,._ -""' , -"" col cattfo. ~

~ _. ... .. .. _., ~-ti!- -t@- • I I - - - -------- '-J.a .,_ -J,a_-..,. .,_ ,_ 1.- ,;;;;; I -~. ------ •• I _a Ill._& Ia a :K Ioiii' l"":

• -

a tempo fl - ...... I

" - , .. _L _ .. - - &t -~--v

"' I I '-'Lf I e) Jal I I

n~n I. r men- to dol - ce_ te - so - ro, VI - vo, non mo-ment From him, my- heart's treasure, I live not, I

fl ,_,...., ,...,..., ,....,....., r-fl'-l -~ ------..

~ ------\ .r ---- --- -- .... -..., .... -vr r I f' u UTI

< a te111,po.

I . . , ioiii'J""

\ v

ft• - ft• - - 1

f rit fl '• -'11 -T , &t- .L • I - I I ill 1.1 -e) r l I r -

mo- ro, non vi - vo, non vi - vo, non mo ro, die not, I live not, I die not, I die not, ~ ------- -~- --fl J J _I I '~ ~ - -'}jf - - - - ~--

_. ,,.. ''#f. .... ... - • u_• -- - - _AL __ I""' ~ _. -=~

\ ~v I ~- ....I 411 u - - - - u..J '-"' ~~· - .. -

< eresc. - - - ~it.f I - - LL - ::--...-. l . • ' • ' ' ..I:..- _:1. r- --... . , • • , .. _L -7 .... .... _ _....

\ v ... I I - .. .. .. ll "'- ~ l I

U596

ll , . ...:l .....

v

tJ fl'r'\ v ~i/

v

"',. . .. L

fJ _In"\

v

fJ

! ~ f.)

. .

ll Jl

11 h f_l'n v ~ f.)

144

...

.... - -~

p ------====t=l=====l======l===l==:=

-·- • .... -=1:--_ - .. _

J!UPI/II.-1 ,_ t ' p I rir. death.

... -

Non I

~ Vl - VO,

live~ not, ~

- -

I. I

non

I~

-~~ ..

-

mo - ro. dieT not. ~

......

- -

Di-

~ Di-~

- -

8DIJ j) - - --- J ' I , ... ' r.J

vi - sa tm mo - men- to, di - vi - s~n mo - men - to dal "-..../

vid - ed oue mo-ment, di - vid - ed_ one moment From ~ ~ ~ ~ ~ I

::~v:i:!! , ......

l '!"-- - r~ - .2!11 - -- -- - - • 1 - ~ ~·~ - .. - I

t"" ,_ • -'l:R ~ -• '-'11

I • 11

I - l

----- - -dol- ce_ tP. - so - ro, him, my heart's treas-ure, -

d!al dol t ~ - '1 t - ee e - so - ro, rna prov~ or-from him, __ my heart's treas - ure, I feel all the ~ I I !"':\ J. fllllll\ .l

.Li

------ r..J .-1 ~--- ---- 'Z_!!! ~··· --- - 'r1 .....__..,., '-

J ~ ..L l col canto. p 1"::\a fe111P.O· ,..., I - - • C"iil" • F _l'l_- _.._ _JO'f

n• fl'~ I

l l

-- _l ,_ - ,.. ,.. 1 ' I r r r ,

men - to dun vi - ver pe - no- so, dun lun- go mo - rir,_ ',

dun tor - ment Of life void of pleas-ure, Of lin -ger-ing death,_ of

~ ~ -- ---• ~· • - j.' - - - ---- Ill. --I""'

'[

I l:

I I

145

crese. _ ~~~~@~~~~i-~-;:~~ab~J~) ~r ~@p~p I

- to d'un vi - ver

rz"t.

Of life

l'l __;:::a.. I ~

1 , II

T , If. h . -- T

,._ r r / T

J

I ---- F • t) ,. ,r no- so, dun lun-go mo- rir, _ d'un lun - go mo - rir, d'un pleasure, Of lin-gering death, of lin - ger-ing death, of l'l--- -~ ~ ~ - - - -Jill' Jill'

---· ...

--- ------ -::;; ._ - .. -.-. -'" - fl'l p~·~ ~ ... ~ ~1 I 1 1 I I iJ • lii • }f -

' _--;-:;::- - ~-",. .,... -; T -... - .. - .. !'(a. -.:;- ... -...

I 'Z ..... • - ~I 111111. • • •

l'l ~ •• . .::::::..... ... • . -II -· -.. co .. If. I.. :::~..- • . .... . t)

·~ I - - V! ) .....____.. ------ - --- - - - - - ------ - - ---- - - -•. -,-.;;;:

J I I I I I I I I I

IJ ==t ~ .-.-;- ~ r-1 I -.,... --- -- u..--.:

\: ----.. -- -:;:;:;:- ·- - " t) • ------- ------ - - - - - - - .. • • • . .. .. -::;; ... ---~ --.,... -.,... ....

• • • -. . ,. .. . • • • -. I'J ~ ... ~ ~ ,.......... I I J I Jl I Jill'-- ---If. Jill' ,. .... --,. -.. - ----- - -t) ....... - ::;:....~ l l l j l

- - - - A .. .. . .. Jill' . -... • -= -.. .. --.. ... .. -. ... ... .. ... I 1 ~ ~ ~

». u 96

SCHIRMER'S LIBRARY of Musical Classics

VOCAL STUDIES AND EXERCISES SERIES ONE

The Library Volume Number is !liven In bra~ckets: [45l)

ABT, F. Op. 474. Practical Slnting Tutor. For all

Voices (Spieker). For Soprano or Tenor. Complete [453} 2.00

Part I: Production of Tone. Intervals [454} .75

Part II: Exercises for the Cultivation of Fluencyj455J . . ............... 75

Part II I: 20 Solfeggi [ 456} . . . . . . . . . . . . 7 5 Part IV: 12 Exercises on Vocalization

[457}. .75 For Mezzo-Soprano or Alto. Complete [458}. 2.00

Part 1: Production of Tone. Intervals (459] .75

Part II: Exercises for the Cultivation of Fluency [460] . . . . . . . . . . . . . . . . . . . . . . .75

Part Ill: 20 Sotfeggi [461].............. .75 Part IV: 12 Exercises on Vocalization

(462) .75 For Baritone or Ba~s. Complete (463] .... 2.00

Part I: Production of Tone. I ntcrvals [464] .75

Part II: Exercises tor the Cultivation of Fluency (465]. . . .. . . .. .. . . .75

Part Ill: Solfeggi and Exercises on Vocali­zation [466). . . . . . . . . . . . . . . . . . . . . . . . . . .75

BEHNKE, E, & PEARCE, C. W. 30 Voice-Training Exercises.

For Soprano (1090] ........................ 1.25 For Mezzo-Soprano [1091).. . . . . . . . . . . . . . . . . 1.25 For Alto {1092).. .. .. . . . . . . .. . . . . . .. . . . . . .. 1.25 For Tenor [1093] . . . . . . . . . . . . . . . . . . . . . . . . 1.25 For Baritone [1094]. . ................. 1.25 For Bass [1095]. . .. . .. . .................. 1.25

BONA, P. Rhythmical Articulation. A Complete

Method [1170]. . . . . . .. .. . . . . . . . . . . . . . . . . . 1.00

BONOLDI, F. Exercises in Vocalization.

Sop. [117); M.-Sop. [118]; Alto [119]......... .75

BORDOGNI, M. 25 Easy Vocalises in Progressive Order (82). . 1.00 36 Vocalises in Modern Style (Spieker)

For Soprano {432] ........................ 2.50 For Mezzo-Soprano or Baritone [433} ....... ,. 2.50

CONCONE, J. Op. 9. 50Lessons. H(l468];M[242];L[243) 1.25 Op. 10. 25 Lessons. M [244]; L [246].. . . . . . . 1.00

CON CONE, J .-Continued Op. 11. 30 Daily Exercises. H [29-lj; L [55 5] Op. 12. i5 Vocalises. Finishing Studil's.

H [275]; l\1 or L [276] ........... .

Op. 17. 40 Lessons. Alto [2-17]; Bass or Bar. [248] ............................... .

The School of Si~ht-Sin~in~. Practiol Method for Young Beginners (Lutgen) [2-!5]

DANNHA USER, A. L. Solfege des Solfeges.

Bk. I [1289]; Bk. II [1290): Bk. Ill [129I].ea.

The same. sp. Bk. I 11085] .............. .

ESLAVA, D. H.

1.00

1.00

1.50

1.25

1.00 1.00

Metodo de Solfeo (Carrillo). sp. Complete (1366] 1.50

The same. Bk. I [1376]: Bk. II [1377]; Bk. JII [1378]; Bk. IV [1379] .......... ea. .60

LAMPERTI, F. The Art of Sin!?,ing [1587}.. . . . . . . . . . . . . . . . 1.00

Daily Exercises in Sin!?,in!?, [570}.. . . ... . . . . . . . .75

Vocal Studies in Bravura (Liebling) [1633]. . . 1.00

LAMPERTI, G. B. 30 Preparatory Vocalises. Sop. [568]

19 Preparatory Vocalises. Alto [569]

LOTGEN, B. Vocalises {Spieker).

Bk. I: 20 Daily Exerdses. H [654]; M [655]; L [656]................... . .

Bk .. II: 20 Opera1ic Vocalises. M [93of:

MARCHESI, M. C. Op. 1. Elementary Progressive Exercises

[384}

Op. 2. :Z4 Vocalises for Soprano or Mezzo· Soprano [391] .......................... .

Op. 3. 24 Vocal'ises for Soprano [597] ..... .

Op. 21. The Art of Singing. Bk. I: Ele· mentary and Gradua·ed Exercises [793); Bk. II: 30 Vocalises for 1\lezzo-Soprano [794) ...... ea.

Op. 32. 30 Vocalises (Liebling) H or l\1 [126} ..

1.25 1.25

.75

.75

1.00

1.00 1.50

1.00 1.25

~l;i;.1u0~1se~ra\:b::v~!ii~~~~~:J: s~~~J~~~e,raM!; ;t~t~';~ lt:.-L1~!1;ia8~r ~~ a:r't:~~:~·M:~,~.e-t~i~;z~~S~p~~~~~ iS~~~~t~~nPr~~~? i~~.i~ i~!~:.~

'~ '~ ,, '~" '~ ,, ,,

~ ~~ ._,

:;

Any Schirmer Library volume may be obtained in cloth binding. Prices will be quoted on request. , Prices Subject to Change Without Notice.

11~------------------------------------------------------------~~ G. SCHIRMER, INC. NEW YORK ~

~