filip alexander loguin portfolio

Filip Alexander Loguin Portfolio 2015

The Royal Danish Academy of Fine Arts, School of Architecture

.1 .2 .3 .4

RamveRk

- An urban framework

C.O.m.a

(Bachelor project)

- Community center / Art Gallery

aRtifiCial/COnstRuCted

- Tectonic study in Japanese context

COmpRessiOn spaCe

- Cafe/Installation

.5 .6 .7 .8

matteR Of light

(Master thesis)

- A Study in densification and daylight

RediReCtiOn

- A junction at Åboulevarden.

fORm finding

- Collection of minor work from bachelor program.

aRt ROOm

- Recreational art space

.4

.3

Yamagata City, Japan 1:50 000

Artificial/Constructed

Compression Space

Copenhagen, Denmark 1:50 000

.8*

.1

.2

.5

.6

Redirection

C.O.M.A

Art room (Form Finding)

Ramverk

Matter of Light

1:10 000

Ramverk .1

Artificial/Constructed

1:10 000

.3

.2 C.O.M.A

1:10 000

.4 Compression Space

1:10 000

Redirection

1:10 000

.5

Art room (Form Finding)

1:10 000

.6

.1

RamveRk - an uRban fRamewORk

(9th semester)

-Mixed-use facility (Transformation)

With a new metro-line soon to be completed in Copenhagen, the immigrant and working-class area surrounding Nørrebro station will stand victim of certain gentrification. This project tries to create a framework to allow local culture and identity to be preserved and materialized in a mixed-use facility.

Focus also lies on the typology (1970’s in situ office blocks). The project tries to work around the stigma and to prove their qualities and acceptance in the present day.

The project tries to, with the least amount of intervention, to transform the building to allow the new program to be established. In addition, allowing it to meet new technical requirements.

Plan 1 / Site plan. 1:400

Plan 2. 1:400

Plan 3. 1:400

Visualization, plan 3. Open programmable space.

Visualization, plan 2. Indoor gallery. Visualization, plan 3. Activation of the facade. Allowing programs to extend and connect vertically through the building.

Visualization, plan 3. Atrium connecting the floors physically and creating light hierarchy within the building.

Spatial section. 1:250

Elevation. 1:25010m

Spatial section. 1:250

Elevation. 1:250

Conceptual section. “Parallel street”.

Minimal intervention. Structural “excavation” and additional outer layers.

2.

1.

3. Community zone

- Large scale- Spontaneous programming - Convocation- Flexible climate zone

- Functions alongside facade- Expandable zone inside public transit area - Flexible space plan by modular wall system

- Unspecifiedopenprogram - Diverse scales- Local impression - Coherent service area; Direct access to loading bay+storage

Elevated street

Commercial zone

Visualization of modular wall system.

A

B

1

2

2

3

33

4

5

7

8

8

Golv

Tak

9

9

6

6

5 m x 8 m

5 m x 5,5 m

A

B

1

2

2

3

33

4

5

7

8

8

Golv

Tak

9

9

6

6

5 m x 8 m

5 m x 5,5 m

Pillar grid diagram.Technical drawings of modular wall system.

Visualizations of tectonic detail and material transition. Conceptual collage. Double facade.

baChelOR pROjeCt [COma](6th semester)

- Community center / Art Gallery

In the heart of Copenhagen, aside one of the most hip areas lies the remains of a severe social building program, constructed in the 1980’s. The neighborhood suffers from growing poverty and crime levels and the program tries to in a subtle way connect these two worlds.

With focus on accessibility and social ownership, the project tries to dissolve the barrier between the realms, while simultaneously sustaining the inherent qualities.

The project is constructed within the current building restraints and works deliberately to morph and distinguish the scale of residential and public function.

.2

Visualizations.

Plan 1.

Plan 5. Roof plan.

Plan 2.Plan 3. Plan 4.

BB

AA

Section A. 1:200

Elevation East. 1:200

Section B. 1:200

Elevation South. Elevation West.

Model photos. Primary structure

Section sketches. Transformative scale.

Section sketches. Transformative scale.

aRtifiCial/COnstRuCted

(7th semester)

Exchange studies at TUAD, Yamagata, Japan

- Tectonic study / Bath facility

A self-study in Japanese architecture. Working conceptually with hydro-tectonics, the project evolves around the transition and relationship between “artificial” and “natural”. The project tries to shed light on the vulnerability of both aspects, both our impact on environment, as well as the disintegration of artificial structures and the role of maintenance in architecture.

.3

A B C D EA B C D EA B C D EA B C D EA B C D E

Tectonic hierarchy, based on artificial persistence.

Water canal, Yamagata City.

Time

Arti�ciality

A

B

C

D

E

PermanentTemporarely

Arti�cially sustained

Naturally occuring

BC

D

A

E

Organic landscape. (River)

Artificial landscape (IKEA store) Water flow transition; reverse hierarchy between natural and artificial landscape.

Plan drawing. 1:200

AA Terrace; Dry, Seasonal

B Rain stone; Acustic, tactile

C Aqveduct; Aucustic

D Arti�cial pond; Stillness

E Floodplain/Wetland; Submerged/Water-Saturated, High level of vegetation, Morphing, Eroding

100 year �oodplain level

B C D E

Conceptual cross section. Tectonic hierarchy of building foundations.

Modal photos/Visualizations.

COmpRessiOn spaCe

(7th semester)

Exchange studies at TUAD, Yamagata, Japan

- Cafe/Installation (Transformation)

Following a survey of the site (Movie) a concept is produced to capture the essence, and to propose an enhancement of the current situation for pedestrians.

This results in an installation and transformation of one the present buildings, serving as a roadside cafe, established within one of the facades. The installation merges with the sidewalk and reflects the rhythm of the site.Through parallax layers, mobile homogeneous elements creates a structure that with integrated furniture enables dynamic space relations and visual expression.

.4

“Devouring the sidewalk”. Isometric drawing. Foldable chair (exploded wall element). Isometric drawing.

“Dynamic zones”. Plan diagram.

Inside view. Collage. “The paralax”. Isometric drawing.

“Transparency”. Collage.

“Anatomy”. Section 1:50.

RediReCtiOn (5th semester)

- A junction at Åboulevarden.

This project is developed within a scenario where one of central Copenhagens most trafficed highways is submerged into a canyon to allow better bike and pedestrian transition in the area. Acting as a bus terminal and orangery, the building and lanscape investigates how spaces and borderlands can be defined by tectonic, materiality and spatial coherence.

.5

Model photos.

“Underground” passage- Collage.

Plans and sections

Sketches. Space, structure.

Sketches. Defining an edge.

Tectonic sketches,

Tectonic sketches. Isometric section.

Context analysis of the local landscape. Sections.

Element studies. Context analysis. Plan. Element studies.

Context analysis. Continental drift.

Exterior visualization.

aRt ROOm (3rd semester)

- A recreational exhibition hall

The projects concept surround the difficulties of establishing a larger facility at the waterfront while conserving public access and dynamic flow in its periphery.

The proposed building tries through variaty in scale, and with diffusion of interior and exterior space to stretch and connect the harbour area and canal.

.6

Interior visualization.

Conceptual flow, space and identity. Collage.

Space distribution and composition. Section.

Exterior visualization.

fORm finding (1st and 2nd semester)

- A selection from first year projects.

During the first year of the studies (department 6) the focus lies in the fundamental understanding of architecture.

Space and MaterialSpace and Scale

Working mainly digitally, Learning to use the media as an immediate sketching and conceptualization tool.

ComposingMapping

.7

Case study: Brion-Vega Cemetery.

Landscape analysis. Sections.

Concept. Elevations.

Conceptual tectonic

matteR Of light

(Master thesis)

A study of light and an attempt to bring a new discourse to the discussion of densification; a critique to the progression of daylight-demand in Denmark.

Originating within a typology, characterized by late modernism tower-block developments, the project investigates the potential of connecting obsolescent areas with the city through refurbishment and introduction of new building mass; focusing on overcoming insufficient access of daylight, quantitatively and more particularly, qualitatively.

Instead of a homogeneous view on light, the project aim to achieve even quality, through means of

diversity. With primary focus on the vertical section, in addition to a decomposition of light-quality, a catalogue of “filters” is proposed as an expression of this diversity.

The study reflect on qualities of light, beyond pure intensity. It suggest a strategy where consumption (absorption) of light can be reduced within the block, by identification and emphasis of qualitative aspects within contrast, “light-information”. Furthermore, it investigates the contextual inherence of those aspects, holistically within the built environment; focusing on the phenomenological aspects of light and on light distribution.

.8

09:00

21 MAR 09:00

21 MAR 11:00

11:00

21 MAR 15:00

15:00

21 MAR 13:00

13:00

09:00

21 MAR 09:00

21 MAR 11:00

11:00

21 MAR 15:00

15:00

21 MAR 13:00

13:00

Summer solstice 21 Jun

10:00

09:00

11:0012:00

13:00

14:00

15:00

Winter solstice 21 Dec

Equinox 21 Mar/Sept

Diagrams. Homogen vs diverse lightscapes.

“Incident Light Composite”

Light Composite

“Filter Light Composite”

“Local Light Composite”

”Global Light Composite”

G

I

IG

L

LF

F

Filter

Global Environmental

Local Environmental

UV Visible IR

Solar radiation without atmospheric absorption

Sunlight at sea level

Wavelenght (nm)

Irradiance (W/m2/nm)

0.5

250 500 750 1000 1250 1500 1750 2000 2250 2500

0.0

1.0

1.5

2.0

2.5

“Incident Light Composite”

Light Composite

“Filter Light Composite”

“Local Light Composite”

”Global Light Composite”

G

I

IG

L

LF

F

Filter

Global Environmental

Local Environmental

UV Visible IR

Solar radiation without atmospheric absorption

Sunlight at sea level

Wavelenght (nm)

Irradiance (W/m2/nm)

0.5

250 500 750 1000 1250 1500 1750 2000 2250 2500

0.0

1.0

1.5

2.0

2.5

Conceptual section. “Building light-armature”. 1:200 Diagrams. “Light composite”.

Even distribution of absorbed lightExisting equality (Homogeneous) Existing direct sky High density; direct sky

Independent layer

General layers

Overstory

Floor level

“Canopy”

Understory

Reflective/low-absorbing

AbsorbingSocial light hierarchy Light informationQuantitative light

Reflective layer

Absorbing layer

“Mono-exposure”

“Poly-exposure”

Observing layer

Exposed layer

Semi-exposed layer

Interdependent layer

Global light composite

Local light composite

(Unobstructed view)

(Layers of light information)

Diagram. Layers of light composites.

FilteredLight-Information

RawLight-Information

Light-InformationHierarchy

C

B

B

A

A

Normal zone ExponentialView angle

Simple; High reflection

Urban canyon

Absorption Non-utilization

Misdirected

SS WS

WSWS

Courtyard

Family apartments; direct access to courtyard in addition to visual connection.

Light transmitting solar shading and intensity altering. Re/directing excess light downwards to the urban canyon.

Studio apartments. Panorama; skyline; direct sun

Sky-dome/Visible sky

Sun direction

Large, absorbing openings with controlled exposure (privacy)

Extension of facade. Increased variety of spatial relations.

Service layer

Projected space and transmitted light, through transparent design

Conceptual section. High diversity of filters and holistic interplay. Conceptual sections. Social hierarchy; exposure.

Perceived light

TimeSpace

Orientation Movement Intensity

“Deciphering”

OpositeLight InformationExchange

B

A

Object

Filtered Light Information

ReturnedLight InformationExchange

Direct

Direct

Transmitted

Transmitted

Reflected/Scattered/Distorted...

Captured

Captured

Negative Light Information

Light Information

“Incident Light Composite”

Light Composite

“Filter Light Composite”

“Local Light Composite”

”Global Light Composite”

G

I

IG

L

LF

F

Perceived light

Spatial Information Pictured Information

Information composition

Subjective Understanding

TimeOrientation

Orientation Movement Intensity

“Deciphering”

Space

Incident LightSource of Light)

Light Information(Width= Light Intensity)

Filter

Global Environmental

Local Environmental

z

xy

UV Visible IR

Solar radiation without atmospheric absorption

Sunlight at sea level

Wavelenght (nm)

Irradiance (W/m2/nm)

0.5

250 500 750 1000 1250 1500 1750 2000 2250 2500

0.0

1.0

1.5

2.0

2.5

OpositeLight InformationExchange

B

A

Object

Filtered Light Information

ReturnedLight InformationExchange

Direct

Direct

Transmitted

Transmitted

Reflected/Scattered/Distorted...

Captured

Captured

Negative Light Information

Light Information

“Incident Light Composite”

Light Composite

“Filter Light Composite”

“Local Light Composite”

”Global Light Composite”

G

I

IG

L

LF

F

Perceived light

Spatial Information Pictured Information

Information composition

Subjective Understanding

TimeOrientation

Orientation Movement Intensity

“Deciphering”

Space

Incident LightSource of Light)

Light Information(Width= Light Intensity)

Filter

Global Environmental

Local Environmental

z

xy

UV Visible IR

Solar radiation without atmospheric absorption

Sunlight at sea level

Wavelenght (nm)

Irradiance (W/m2/nm)

0.5

250 500 750 1000 1250 1500 1750 2000 2250 2500

0.0

1.0

1.5

2.0

2.5

Diagram. “Light information”

Filtering categories.

Resume

eduCatiOn

masteR Of aRChiteCtuRe pROgRamthe ROyal danish aCademy Of fine aRts sChOOl Of aRChiteCtuRe (kadk), COpenhagen, denmaRkdepaRtment: settlement, eCOlOgy & teCtOniCs (set)fall 2014- summeR 2015 (gRaduatiOn)

baChelOR Of aRChiteCtuRe pROgRamthe ROyal danish aCademy Of fine aRts sChOOl Of aRChiteCtuRe (kadk), COpenhagen, denmaRkdepaRtment: 6 + 8fall 2010- summeR 2013

high sChOOlÅllebeRgsgymnasiet, falköping, sweden | elite vOlleyball sChOOl / natuRe sCienCe pROgRamfall 2006- summeR 2009

exChange studies

tOhOku univeRsity Of aRt and designtOhOku univeRsity Of aRt and design (tuad), depaRtment Of aRChiteCtuRe, yamagata City, japanfall 2013 - spRing 2014

inteRnship

tRansbORdeR studiOtRansbORdeR studiO as, OslO, nORwayfebRuaRy 2014- august 2014

Relevant expeRienCe

metal wORkeRset, swedish expOsuRe teChnOlOgy, stenkullen, swedenapRil 2012- august 2012

lead aRtist | wORld designeRmashiyu enteRtainment, seattle, usa (wORking fROm sweden) | independent game develOpmentjanuaRy 2012- august 2012

aCtivities

vOlleyballswedish u21 ChampiOn | hylte vOlleyball Club 2008swedish men’s natiOnal yOuth vOlleyball team2008

awaRds and hOnORs

CaRl eRik levins stiftelse | ReCipient 2010, 2013dReyeRs fOnd | ReCipient 2013velux gRant (hOnORable mentiOn) | ReCipient 2015 (“MatterofLight”)aRkitektuR n (published wORk, tRansbORdeR studiO) | nR.4-2014, p.18-90

skills

pROfiCient undeRstanding3d studiO max, vRay, RhinO3d, gRasshOppeR, adObe paCk, sketChup, autOCad, wOOd wORking equipment, metal wORking equipment, mOdel making, digital phOtOgRaphy.

basiC undeRstandinggis, eCOteCt analysis, Revit, visual basiC, C++, web design, miCROeleCtROniCs.

swedish | nativenORwegian | fluentdanish | fluentenglish | fluentgeRman | basiC

filip alexandeR lOguin

bjöRCksg 18, 416 52 gOthenbuRg, sweden

+46 (0) 723188991

filiplOguin@gmail.COm

lOguin.se